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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C0E4 it is the complementary color #573F1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C0E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C0E4 shade: #ADC0DF, #BED2F2, #CFE4FF, #E0F6FF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C0E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C0E4 shade: #A8C0E4, #97AED1, #869CBE, #758AAB and #647898

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C0E4 shade: #A9C0E4, #A9B0E4, #B1A9E4, #C1A9E4 and #D1A9E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C0E4 shade: #A9C0E4, #A9B0E4 and #A9A9E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C0E4 shade matches the following richer shades: #A9C0E4, #A0BFED and #97BDF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C0E4 shade: #A9C0E4, #B2C2DB, #BBC4D2, #C4C6C9 and #CDC8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C0E4 shade: #A9E0E4, #A9D0E4, #A9C0E4, #A9B1E4 and #B1A9E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C0E4 shade: #6A93D1, #89AADA, #A9C0E4, #C8D7EE and #E8EEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C0E4 shade: #A8C0E4, #D8A9E4 and #D8E4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C0E4 shade: #A8C0E4, #E4A9C0 and #C0E4A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C0E4 shade: #A8C0E4, #D8A9E4, #E4CCA9 and #B5E4A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C0E4 shade: #A8C0E4, #E4A9DE, #E4CCA9 and #A9E4AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

Complementary color

CMYK 0 / 28 / 69 / 66

HEX #573F1B

RGB 87 63 27

HSL 36, 0.53%, 0.22%

LAB 28.54, 6.06, 25.67

 

CMYK 22 / 14 / 0 / 13

HEX #ADC0DF

RGB 173 192 223

HSL 217.2, 0.44%, 0.78%

LAB 77.23, 0.17, -17.62

 

CMYK 21 / 13 / 0 / 5

HEX #BED2F2

RGB 190 210 242

HSL 216.92, 0.67%, 0.85%

LAB 83.68, 0, -17.95

 

CMYK 19 / 11 / 0 / 0

HEX #CFE4FF

RGB 207 228 255

HSL 213.75, 1%, 0.91%

LAB 89.85, -1.44, -15.41

 

CMYK 12 / 4 / 0 / 0

HEX #E0F6FF

RGB 224 246 255

HSL 197.42, 1%, 0.94%

LAB 95.57, -5.42, -6.77

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

CMYK 28 / 17 / 0 / 18

HEX #97AED1

RGB 151 174 209

HSL 216.21, 0.39%, 0.71%

LAB 70.49, 0.02, -20.35

 

CMYK 29 / 18 / 0 / 25

HEX #869CBE

RGB 134 156 190

HSL 216.43, 0.3%, 0.64%

LAB 63.81, 0.24, -20.09

 

CMYK 32 / 19 / 0 / 33

HEX #758AAB

RGB 117 138 171

HSL 216.67, 0.24%, 0.56%

LAB 56.98, 0.48, -19.86

 

CMYK 34 / 21 / 0 / 40

HEX #647898

RGB 100 120 152

HSL 216.92, 0.21%, 0.49%

LAB 49.99, 0.77, -19.65

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 26 / 23 / 0 / 11

HEX #A9B0E4

RGB 169 176 228

HSL 232.88, 0.52%, 0.78%

LAB 72.95, 8.85, -26.87

 

CMYK 22 / 26 / 0 / 11

HEX #B1A9E4

RGB 177 169 228

HSL 248.14, 0.52%, 0.78%

LAB 71.77, 15.14, -28.62

 

CMYK 15 / 26 / 0 / 11

HEX #C1A9E4

RGB 193 169 228

HSL 264.41, 0.52%, 0.78%

LAB 73.1, 20.08, -26.48

 

CMYK 8 / 26 / 0 / 11

HEX #D1A9E4

RGB 209 169 228

HSL 280.68, 0.52%, 0.78%

LAB 74.53, 25.14, -24.16

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 26 / 23 / 0 / 11

HEX #A9B0E4

RGB 169 176 228

HSL 232.88, 0.52%, 0.78%

LAB 72.95, 8.85, -26.87

 

CMYK 26 / 26 / 0 / 11

HEX #A9A9E4

RGB 169 169 228

HSL 240, 0.52%, 0.78%

LAB 71.15, 12.74, -29.63

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 32 / 19 / 0 / 7

HEX #A0BFED

RGB 160 191 237

HSL 215.84, 0.68%, 0.78%

LAB 76.59, 0.23, -26.23

 

CMYK 39 / 23 / 0 / 4

HEX #97BDF6

RGB 151 189 246

HSL 216, 0.84%, 0.78%

LAB 75.84, 1.18, -32.27

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 19 / 11 / 0 / 14

HEX #B2C2DB

RGB 178 194 219

HSL 216.59, 0.36%, 0.78%

LAB 77.97, -0.25, -14.31

 

CMYK 11 / 7 / 0 / 18

HEX #BBC4D2

RGB 187 196 210

HSL 216.52, 0.2%, 0.78%

LAB 78.87, -0.32, -8.06

 

CMYK 2 / 1 / 0 / 21

HEX #C4C6C9

RGB 196 198 201

HSL 216, 0.04%, 0.78%

LAB 79.81, -0.13, -1.75

 

CMYK 0 / 2 / 6 / 20

HEX #CDC8C0

RGB 205 200 192

HSL 36.92, 0.12%, 0.78%

LAB 80.79, 0.33, 4.6

 

CMYK 26 / 2 / 0 / 11

HEX #A9E0E4

RGB 169 224 228

HSL 184.07, 0.52%, 0.78%

LAB 85.68, -16.57, -7.68

 

CMYK 26 / 9 / 0 / 11

HEX #A9D0E4

RGB 169 208 228

HSL 200.34, 0.52%, 0.78%

LAB 81.37, -8.37, -14.1

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 26 / 22 / 0 / 11

HEX #A9B1E4

RGB 169 177 228

HSL 231.86, 0.52%, 0.78%

LAB 73.21, 8.3, -26.48

 

CMYK 22 / 26 / 0 / 11

HEX #B1A9E4

RGB 177 169 228

HSL 248.14, 0.52%, 0.78%

LAB 71.77, 15.14, -28.62

 

CMYK 49 / 30 / 0 / 18

HEX #6A93D1

RGB 106 147 209

HSL 216.12, 0.53%, 0.62%

LAB 60.37, 3.06, -36.18

 

CMYK 37 / 22 / 0 / 15

HEX #89AADA

RGB 137 170 218

HSL 215.56, 0.52%, 0.7%

LAB 68.85, 0.51, -27.89

 

CMYK 26 / 16 / 0 / 11

HEX #A9C0E4

RGB 169 192 228

HSL 216.61, 0.52%, 0.78%

LAB 77.12, 0.11, -20.51

 

CMYK 16 / 10 / 0 / 7

HEX #C8D7EE

RGB 200 215 238

HSL 216.32, 0.53%, 0.86%

LAB 85.53, -0.41, -12.98

 

CMYK 6 / 4 / 0 / 3

HEX #E8EEF8

RGB 232 238 248

HSL 217.5, 0.53%, 0.94%

LAB 93.92, -0.14, -5.52

 

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

CMYK 5 / 26 / 0 / 11

HEX #D8A9E4

RGB 216 169 228

HSL 287.8, 0.52%, 0.78%

LAB 75.19, 27.39, -23.1

 

CMYK 5 / 0 / 26 / 11

HEX #D8E4A9

RGB 216 228 169

HSL 72.2, 0.52%, 0.78%

LAB 88.42, -13.64, 27.53

 

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

CMYK 0 / 26 / 16 / 11

HEX #E4A9C0

RGB 228 169 192

HSL 336.61, 0.52%, 0.78%

LAB 75.25, 25.09, -3.23

 

CMYK 16 / 0 / 26 / 11

HEX #C0E4A9

RGB 192 228 169

HSL 96.61, 0.52%, 0.78%

LAB 86.78, -22.25, 25.02

 

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

CMYK 5 / 26 / 0 / 11

HEX #D8A9E4

RGB 216 169 228

HSL 287.8, 0.52%, 0.78%

LAB 75.19, 27.39, -23.1

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 21 / 0 / 26 / 11

HEX #B5E4A9

RGB 181 228 169

HSL 107.8, 0.52%, 0.78%

LAB 86.09, -26.04, 23.97

 

CMYK 26 / 16 / 0 / 11

HEX #A8C0E4

RGB 168 192 228

HSL 216, 0.53%, 0.78%

LAB 77.06, -0.18, -20.61

 

CMYK 0 / 26 / 3 / 11

HEX #E4A9DE

RGB 228 169 222

HSL 306.1, 0.52%, 0.78%

LAB 76.16, 30.18, -18.25

 

CMYK 0 / 11 / 26 / 11

HEX #E4CCA9

RGB 228 204 169

HSL 35.59, 0.52%, 0.78%

LAB 83.2, 3.1, 20.53

 

CMYK 26 / 0 / 23 / 11

HEX #A9E4AF

RGB 169 228 175

HSL 126.1, 0.52%, 0.78%

LAB 85.51, -29.03, 19.94

 

Description

Color code: HEX #A8C0E4 | qconv.com Color code: HEX #A8C0E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 192 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 192 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 16 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 16% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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