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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C056 it is the complementary color #573FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C056 shade: #ADC051, #BED264, #CFE477, #E0F68A and #F1FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C056 shade: #A8C056, #97AE43, #869C30, #758A1D and #64780A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C056 shade: #A9C157, #C1BC57, #C19F57, #C18357 and #C16757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C056 shade: #A9C157, #8CC157, #70C157, #57C15B and #57C177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C056 shade matches the following richer shades: #A9C157, #B3D344, #BDE632 and #C7F81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C056 shade: #A9C157, #9EAE6A, #949B7C, #8A898F and #8076A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C056 shade: #C19F57, #C1BB57, #AAC157, #8EC157 and #71C157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C056 shade: #7B9035, #95AE40, #A9C157, #B8CC75 and #C8D793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C056 shade: #A8C056, #57C183 and #AD57C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C056 shade: #A8C056, #57AAC1 and #C157AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C056 shade: #A8C056, #57C183, #6E57C1 and #C15795

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C056 shade: #A8C056, #57C1A3, #6E57C1 and #C15775

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

Complementary color

CMYK 49 / 63 / 0 / 34

HEX #573FA9

RGB 87 63 169

HSL 253.58, 0.46%, 0.45%

LAB 34.89, 37.38, -53.66

 

CMYK 10 / 0 / 58 / 25

HEX #ADC051

RGB 173 192 81

HSL 70.27, 0.47%, 0.54%

LAB 74.3, -22.3, 52.61

 

CMYK 10 / 0 / 52 / 18

HEX #BED264

RGB 190 210 100

HSL 70.91, 0.55%, 0.61%

LAB 80.72, -22.67, 51.59

 

CMYK 9 / 0 / 48 / 11

HEX #CFE477

RGB 207 228 119

HSL 71.56, 0.67%, 0.68%

LAB 87.04, -22.96, 50.49

 

CMYK 9 / 0 / 44 / 4

HEX #E0F68A

RGB 224 246 138

HSL 72.22, 0.86%, 0.75%

LAB 93.27, -23.2, 49.37

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9D

RGB 241 255 157

HSL 68.57, 1%, 0.81%

LAB 97.09, -19.09, 45.27

 

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

CMYK 13 / 0 / 61 / 32

HEX #97AE43

RGB 151 174 67

HSL 72.9, 0.44%, 0.47%

LAB 67.47, -23.52, 50.83

 

CMYK 14 / 0 / 69 / 39

HEX #869C30

RGB 134 156 48

HSL 72.22, 0.53%, 0.4%

LAB 60.83, -23.01, 51.47

 

CMYK 15 / 0 / 79 / 46

HEX #758A1D

RGB 117 138 29

HSL 71.56, 0.65%, 0.33%

LAB 54.08, -22.31, 51.47

 

CMYK 17 / 0 / 92 / 53

HEX #64780A

RGB 100 120 10

HSL 70.91, 0.85%, 0.25%

LAB 47.19, -21.35, 50.1

 

CMYK 12 / 0 / 55 / 24

HEX #A9C157

RGB 169 193 87

HSL 73.58, 0.46%, 0.55%

LAB 74.36, -23.89, 49.85

 

CMYK 0 / 3 / 55 / 24

HEX #C1BC57

RGB 193 188 87

HSL 57.17, 0.46%, 0.55%

LAB 74.82, -11.55, 50.86

 

CMYK 0 / 18 / 55 / 24

HEX #C19F57

RGB 193 159 87

HSL 40.75, 0.46%, 0.55%

LAB 67.14, 3.76, 41.88

 

CMYK 0 / 32 / 55 / 24

HEX #C18357

RGB 193 131 87

HSL 24.91, 0.46%, 0.55%

LAB 60.12, 19.11, 33.29

 

CMYK 0 / 47 / 55 / 24

HEX #C16757

RGB 193 103 87

HSL 9.06, 0.46%, 0.55%

LAB 53.74, 34.32, 25.14

 

CMYK 12 / 0 / 55 / 24

HEX #A9C157

RGB 169 193 87

HSL 73.58, 0.46%, 0.55%

LAB 74.36, -23.89, 49.85

 

CMYK 27 / 0 / 55 / 24

HEX #8CC157

RGB 140 193 87

HSL 90, 0.46%, 0.55%

LAB 72.5, -35.05, 47.21

 

CMYK 42 / 0 / 55 / 24

HEX #70C157

RGB 112 193 87

HSL 105.85, 0.46%, 0.55%

LAB 71.06, -44.66, 45.16

 

CMYK 55 / 0 / 53 / 24

HEX #57C15B

RGB 87 193 91

HSL 122.26, 0.46%, 0.55%

LAB 70.12, -51.33, 41.89

 

CMYK 55 / 0 / 38 / 24

HEX #57C177

RGB 87 193 119

HSL 138.11, 0.46%, 0.55%

LAB 70.52, -47, 28.24

 

CMYK 12 / 0 / 55 / 24

HEX #A9C157

RGB 169 193 87

HSL 73.58, 0.46%, 0.55%

LAB 74.36, -23.89, 49.85

 

CMYK 15 / 0 / 68 / 17

HEX #B3D344

RGB 179 211 68

HSL 73.43, 0.62%, 0.55%

LAB 79.95, -29.95, 64.17

 

CMYK 18 / 0 / 78 / 10

HEX #BDE632

RGB 189 230 50

HSL 73.67, 0.78%, 0.55%

LAB 85.83, -35.66, 75.97

 

CMYK 20 / 0 / 88 / 3

HEX #C7F81F

RGB 199 248 31

HSL 73.55, 0.94%, 0.55%

LAB 91.4, -40.4, 85.22

 

CMYK 12 / 0 / 55 / 24

HEX #A9C157

RGB 169 193 87

HSL 73.58, 0.46%, 0.55%

LAB 74.36, -23.89, 49.85

 

CMYK 9 / 0 / 39 / 32

HEX #9EAE6A

RGB 158 174 106

HSL 74.12, 0.3%, 0.55%

LAB 68.45, -16.75, 33.05

 

CMYK 5 / 0 / 20 / 39

HEX #949B7C

RGB 148 155 124

HSL 73.55, 0.13%, 0.55%

LAB 62.67, -8.11, 15.44

 

CMYK 3 / 4 / 0 / 44

HEX #8A898F

RGB 138 137 143

HSL 250, 0.03%, 0.55%

LAB 57.35, 1.57, -3.08

 

CMYK 20 / 27 / 0 / 37

HEX #8076A1

RGB 128 118 161

HSL 253.95, 0.19%, 0.55%

LAB 51.97, 13.14, -21.68

 

CMYK 0 / 18 / 55 / 24

HEX #C19F57

RGB 193 159 87

HSL 40.75, 0.46%, 0.55%

LAB 67.14, 3.76, 41.88

 

CMYK 0 / 3 / 55 / 24

HEX #C1BB57

RGB 193 187 87

HSL 56.6, 0.46%, 0.55%

LAB 74.55, -11.04, 50.56

 

CMYK 12 / 0 / 55 / 24

HEX #AAC157

RGB 170 193 87

HSL 73.02, 0.46%, 0.55%

LAB 74.43, -23.49, 49.95

 

CMYK 26 / 0 / 55 / 24

HEX #8EC157

RGB 142 193 87

HSL 88.87, 0.46%, 0.55%

LAB 72.61, -34.32, 47.38

 

CMYK 41 / 0 / 55 / 24

HEX #71C157

RGB 113 193 87

HSL 105.28, 0.46%, 0.55%

LAB 71.1, -44.35, 45.23

 

CMYK 15 / 0 / 63 / 44

HEX #7B9035

RGB 123 144 53

HSL 73.85, 0.46%, 0.39%

LAB 56.5, -21.26, 44.54

 

CMYK 14 / 0 / 63 / 32

HEX #95AE40

RGB 149 174 64

HSL 73.64, 0.46%, 0.47%

LAB 67.3, -24.57, 51.91

 

CMYK 12 / 0 / 55 / 24

HEX #A9C157

RGB 169 193 87

HSL 73.58, 0.46%, 0.55%

LAB 74.36, -23.89, 49.85

 

CMYK 10 / 0 / 43 / 20

HEX #B8CC75

RGB 184 204 117

HSL 73.79, 0.46%, 0.63%

LAB 78.85, -20.36, 41.01

 

CMYK 7 / 0 / 32 / 16

HEX #C8D793

RGB 200 215 147

HSL 73.24, 0.46%, 0.71%

LAB 83.44, -16.06, 31.94

 

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

CMYK 55 / 0 / 32 / 24

HEX #57C183

RGB 87 193 131

HSL 144.91, 0.46%, 0.55%

LAB 70.74, -44.79, 22.19

 

CMYK 10 / 55 / 0 / 24

HEX #AD57C1

RGB 173 87 193

HSL 288.68, 0.46%, 0.55%

LAB 51.33, 51.24, -40.88

 

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

CMYK 55 / 12 / 0 / 24

HEX #57AAC1

RGB 87 170 193

HSL 193.02, 0.46%, 0.55%

LAB 65.46, -18.69, -19.48

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

CMYK 55 / 0 / 32 / 24

HEX #57C183

RGB 87 193 131

HSL 144.91, 0.46%, 0.55%

LAB 70.74, -44.79, 22.19

 

CMYK 43 / 55 / 0 / 24

HEX #6E57C1

RGB 110 87 193

HSL 253.02, 0.46%, 0.55%

LAB 44.21, 35.2, -52.65

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 13 / 0 / 55 / 25

HEX #A8C056

RGB 168 192 86

HSL 73.58, 0.46%, 0.55%

LAB 73.99, -23.89, 49.88

 

CMYK 55 / 0 / 16 / 24

HEX #57C1A3

RGB 87 193 163

HSL 163.02, 0.46%, 0.55%

LAB 71.43, -37.88, 5.9

 

CMYK 43 / 55 / 0 / 24

HEX #6E57C1

RGB 110 87 193

HSL 253.02, 0.46%, 0.55%

LAB 44.21, 35.2, -52.65

 

CMYK 0 / 55 / 39 / 24

HEX #C15775

RGB 193 87 117

HSL 343.02, 0.46%, 0.55%

LAB 51.2, 45.46, 3.95

 

Description

Color code: HEX #A8C056 | qconv.com Color code: HEX #A8C056 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 192 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 192 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 55 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 55% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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