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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8BF56 it is the complementary color #5740A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8BF56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8BF56 shade: #ADBF51, #BED164, #CFE377, #E0F58A and #F1FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8BF56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8BF56 shade: #A8BF56, #97AD43, #869B30, #75891D and #64770A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8BF56 shade: #A7BE55, #BEB955, #BE9D55, #BE8055 and #BE6455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8BF56 shade: #A7BE55, #8BBE55, #6EBE55, #55BE58 and #55BE74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8BF56 shade matches the following richer shades: #A7BE55, #B2D142, #BDE42F and #C7F71C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8BF56 shade: #A7BE55, #9DAC68, #92997B, #87868E and #7D73A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8BF56 shade: #BE9D55, #BEB955, #A8BE55, #8BBE55 and #6FBE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8BF56 shade: #798C35, #93AA40, #A7BE55, #B7CA73 and #C6D591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8BF56 shade: #A8BF56, #55BE81 and #AB55BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8BF56 shade: #A8BF56, #55A8BE and #BE55A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8BF56 shade: #A8BF56, #55BE81, #6C55BE and #BE5592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8BF56 shade: #A8BF56, #55BEA1, #6C55BE and #BE5573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

Complementary color

CMYK 49 / 62 / 0 / 34

HEX #5740A9

RGB 87 64 169

HSL 253.14, 0.45%, 0.46%

LAB 35.12, 36.78, -53.3

 

CMYK 9 / 0 / 58 / 25

HEX #ADBF51

RGB 173 191 81

HSL 69.82, 0.46%, 0.53%

LAB 74.02, -21.8, 52.29

 

CMYK 9 / 0 / 52 / 18

HEX #BED164

RGB 190 209 100

HSL 70.46, 0.54%, 0.61%

LAB 80.44, -22.18, 51.27

 

CMYK 9 / 0 / 48 / 11

HEX #CFE377

RGB 207 227 119

HSL 71.11, 0.66%, 0.68%

LAB 86.77, -22.48, 50.16

 

CMYK 9 / 0 / 44 / 4

HEX #E0F58A

RGB 224 245 138

HSL 71.78, 0.84%, 0.75%

LAB 93.01, -22.72, 49.04

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9D

RGB 241 255 157

HSL 68.57, 1%, 0.81%

LAB 97.09, -19.09, 45.27

 

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

CMYK 13 / 0 / 61 / 32

HEX #97AD43

RGB 151 173 67

HSL 72.45, 0.44%, 0.47%

LAB 67.18, -23.02, 50.51

 

CMYK 14 / 0 / 69 / 39

HEX #869B30

RGB 134 155 48

HSL 71.78, 0.53%, 0.4%

LAB 60.54, -22.51, 51.17

 

CMYK 15 / 0 / 79 / 46

HEX #75891D

RGB 117 137 29

HSL 71.11, 0.65%, 0.33%

LAB 53.77, -21.8, 51.19

 

CMYK 16 / 0 / 92 / 53

HEX #64770A

RGB 100 119 10

HSL 70.46, 0.84%, 0.25%

LAB 46.88, -20.83, 49.85

 

CMYK 12 / 0 / 55 / 25

HEX #A7BE55

RGB 167 190 85

HSL 73.14, 0.45%, 0.54%

LAB 73.35, -23.4, 49.58

 

CMYK 0 / 3 / 55 / 25

HEX #BEB955

RGB 190 185 85

HSL 57.14, 0.45%, 0.54%

LAB 73.74, -11.42, 50.5

 

CMYK 0 / 17 / 55 / 25

HEX #BE9D55

RGB 190 157 85

HSL 41.14, 0.45%, 0.54%

LAB 66.3, 3.39, 41.81

 

CMYK 0 / 33 / 55 / 25

HEX #BE8055

RGB 190 128 85

HSL 24.57, 0.45%, 0.54%

LAB 59.01, 19.33, 32.91

 

CMYK 0 / 47 / 55 / 25

HEX #BE6455

RGB 190 100 85

HSL 8.57, 0.45%, 0.54%

LAB 52.64, 34.57, 24.78

 

CMYK 12 / 0 / 55 / 25

HEX #A7BE55

RGB 167 190 85

HSL 73.14, 0.45%, 0.54%

LAB 73.35, -23.4, 49.58

 

CMYK 27 / 0 / 55 / 25

HEX #8BBE55

RGB 139 190 85

HSL 89.14, 0.45%, 0.54%

LAB 71.54, -34.25, 47.01

 

CMYK 42 / 0 / 55 / 25

HEX #6EBE55

RGB 110 190 85

HSL 105.71, 0.45%, 0.54%

LAB 70.03, -44.26, 44.87

 

CMYK 55 / 0 / 54 / 25

HEX #55BE58

RGB 85 190 88

HSL 121.71, 0.45%, 0.54%

LAB 69.09, -51.06, 42.07

 

CMYK 55 / 0 / 39 / 25

HEX #55BE74

RGB 85 190 116

HSL 137.71, 0.45%, 0.54%

LAB 69.48, -46.77, 28.42

 

CMYK 12 / 0 / 55 / 25

HEX #A7BE55

RGB 167 190 85

HSL 73.14, 0.45%, 0.54%

LAB 73.35, -23.4, 49.58

 

CMYK 15 / 0 / 68 / 18

HEX #B2D142

RGB 178 209 66

HSL 73.01, 0.61%, 0.54%

LAB 79.31, -29.53, 64.25

 

CMYK 17 / 0 / 79 / 11

HEX #BDE42F

RGB 189 228 47

HSL 72.93, 0.77%, 0.54%

LAB 85.26, -34.87, 76.27

 

CMYK 19 / 0 / 89 / 3

HEX #C7F71C

RGB 199 247 28

HSL 73.15, 0.93%, 0.54%

LAB 91.12, -40.02, 85.47

 

CMYK 12 / 0 / 55 / 25

HEX #A7BE55

RGB 167 190 85

HSL 73.14, 0.45%, 0.54%

LAB 73.35, -23.4, 49.58

 

CMYK 9 / 0 / 40 / 33

HEX #9DAC68

RGB 157 172 104

HSL 73.24, 0.29%, 0.54%

LAB 67.78, -16.37, 33.22

 

CMYK 5 / 0 / 20 / 40

HEX #92997B

RGB 146 153 123

HSL 74, 0.13%, 0.54%

LAB 61.93, -7.96, 14.95

 

CMYK 5 / 6 / 0 / 44

HEX #87868E

RGB 135 134 142

HSL 247.5, 0.03%, 0.54%

LAB 56.24, 1.98, -4.15

 

CMYK 22 / 29 / 0 / 37

HEX #7D73A1

RGB 125 115 161

HSL 253.04, 0.2%, 0.54%

LAB 50.91, 13.95, -23.33

 

CMYK 0 / 17 / 55 / 25

HEX #BE9D55

RGB 190 157 85

HSL 41.14, 0.45%, 0.54%

LAB 66.3, 3.39, 41.81

 

CMYK 0 / 3 / 55 / 25

HEX #BEB955

RGB 190 185 85

HSL 57.14, 0.45%, 0.54%

LAB 73.74, -11.42, 50.5

 

CMYK 12 / 0 / 55 / 25

HEX #A8BE55

RGB 168 190 85

HSL 72.57, 0.45%, 0.54%

LAB 73.42, -23, 49.68

 

CMYK 27 / 0 / 55 / 25

HEX #8BBE55

RGB 139 190 85

HSL 89.14, 0.45%, 0.54%

LAB 71.54, -34.25, 47.01

 

CMYK 42 / 0 / 55 / 25

HEX #6FBE55

RGB 111 190 85

HSL 105.14, 0.45%, 0.54%

LAB 70.08, -43.94, 44.94

 

CMYK 14 / 0 / 62 / 45

HEX #798C35

RGB 121 140 53

HSL 73.1, 0.45%, 0.38%

LAB 55.15, -20.06, 43.02

 

CMYK 14 / 0 / 62 / 33

HEX #93AA40

RGB 147 170 64

HSL 73.02, 0.45%, 0.46%

LAB 66, -23.42, 50.46

 

CMYK 12 / 0 / 55 / 25

HEX #A7BE55

RGB 167 190 85

HSL 73.14, 0.45%, 0.54%

LAB 73.35, -23.4, 49.58

 

CMYK 9 / 0 / 43 / 21

HEX #B7CA73

RGB 183 202 115

HSL 73.1, 0.45%, 0.62%

LAB 78.2, -19.98, 41.18

 

CMYK 7 / 0 / 32 / 16

HEX #C6D591

RGB 198 213 145

HSL 73.24, 0.45%, 0.7%

LAB 82.72, -16.07, 32

 

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

CMYK 55 / 0 / 32 / 25

HEX #55BE81

RGB 85 190 129

HSL 145.14, 0.45%, 0.54%

LAB 69.71, -44.37, 21.85

 

CMYK 10 / 55 / 0 / 25

HEX #AB55BE

RGB 171 85 190

HSL 289.14, 0.45%, 0.54%

LAB 50.54, 51.11, -40.41

 

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

CMYK 55 / 12 / 0 / 25

HEX #55A8BE

RGB 85 168 190

HSL 192.57, 0.45%, 0.54%

LAB 64.69, -18.93, -18.98

 

CMYK 0 / 55 / 12 / 25

HEX #BE55A8

RGB 190 85 168

HSL 312.57, 0.45%, 0.54%

LAB 52.14, 52.49, -24.91

 

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

CMYK 55 / 0 / 32 / 25

HEX #55BE81

RGB 85 190 129

HSL 145.14, 0.45%, 0.54%

LAB 69.71, -44.37, 21.85

 

CMYK 43 / 55 / 0 / 25

HEX #6C55BE

RGB 108 85 190

HSL 253.14, 0.45%, 0.54%

LAB 43.36, 35.07, -52.27

 

CMYK 0 / 55 / 23 / 25

HEX #BE5592

RGB 190 85 146

HSL 325.14, 0.45%, 0.54%

LAB 51.29, 49.15, -13.25

 

CMYK 12 / 0 / 55 / 25

HEX #A8BF56

RGB 168 191 86

HSL 73.14, 0.45%, 0.54%

LAB 73.71, -23.4, 49.55

 

CMYK 55 / 0 / 15 / 25

HEX #55BEA1

RGB 85 190 161

HSL 163.43, 0.45%, 0.54%

LAB 70.41, -37.42, 5.51

 

CMYK 43 / 55 / 0 / 25

HEX #6C55BE

RGB 108 85 190

HSL 253.14, 0.45%, 0.54%

LAB 43.36, 35.07, -52.27

 

CMYK 0 / 55 / 39 / 25

HEX #BE5573

RGB 190 85 115

HSL 342.86, 0.45%, 0.54%

LAB 50.31, 45.18, 3.82

 

Description

Color code: HEX #A8BF56 | qconv.com Color code: HEX #A8BF56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 191 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 191 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 55 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 55% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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