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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B9CF it is the complementary color #574630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B9CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B9CF shade: #ADB9CA, #BECBDD, #CFDDF0, #E0EFFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B9CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B9CF shade: #A8B9CF, #97A7BC, #8695A9, #758396 and #647183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B9CF shade: #A9BAD0, #A9B0D0, #ADA9D0, #B8A9D0 and #C2A9D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B9CF shade: #A9BAD0, #A9B0D0 and #A9A9D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B9CF shade matches the following richer shades: #A9BAD0, #9FB9DB, #94B7E5, #89B6F0 and #7FB5FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B9CF shade: #A9BAD0, #B4BCC5, #BFBDBA, #CABEB0 and #D4C0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B9CF shade: #A9CFD0, #A9C5D0, #A9BBD0, #A9B1D0 and #ADA9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B9CF shade: #748FB3, #8FA5C1, #A9BAD0, #C4D0DF and #DFE5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B9CF shade: #A8B9CF, #C6A9D0 and #CAD0A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B9CF shade: #A8B9CF, #D0A9BB and #BBD0A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B9CF shade: #A8B9CF, #C6A9D0, #D0BFA9 and #B3D0A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B9CF shade: #A8B9CF, #D0A9CE, #D0BFA9 and #A9D0AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

Complementary color

CMYK 0 / 20 / 45 / 66

HEX #574630

RGB 87 70 48

HSL 33.85, 0.29%, 0.26%

LAB 30.93, 3.81, 15.99

 

CMYK 14 / 8 / 0 / 21

HEX #ADB9CA

RGB 173 185 202

HSL 215.17, 0.21%, 0.74%

LAB 74.73, -0.67, -9.99

 

CMYK 14 / 8 / 0 / 13

HEX #BECBDD

RGB 190 203 221

HSL 214.84, 0.31%, 0.81%

LAB 81.23, -0.8, -10.43

 

CMYK 14 / 8 / 0 / 6

HEX #CFDDF0

RGB 207 221 240

HSL 214.55, 0.52%, 0.88%

LAB 87.62, -0.93, -10.87

 

CMYK 12 / 6 / 0 / 0

HEX #E0EFFF

RGB 224 239 255

HSL 210.97, 1%, 0.94%

LAB 93.8, -1.85, -9.4

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

CMYK 20 / 11 / 0 / 26

HEX #97A7BC

RGB 151 167 188

HSL 214.05, 0.22%, 0.66%

LAB 67.91, -1.06, -12.66

 

CMYK 21 / 12 / 0 / 34

HEX #8695A9

RGB 134 149 169

HSL 214.29, 0.17%, 0.59%

LAB 61.16, -0.91, -12.27

 

CMYK 22 / 13 / 0 / 41

HEX #758396

RGB 117 131 150

HSL 214.55, 0.14%, 0.52%

LAB 54.26, -0.76, -11.89

 

CMYK 24 / 14 / 0 / 49

HEX #647183

RGB 100 113 131

HSL 214.84, 0.13%, 0.45%

LAB 47.18, -0.6, -11.52

 

CMYK 19 / 11 / 0 / 18

HEX #A9BAD0

RGB 169 186 208

HSL 213.85, 0.29%, 0.74%

LAB 74.89, -1.2, -13.04

 

CMYK 19 / 15 / 0 / 18

HEX #A9B0D0

RGB 169 176 208

HSL 229.23, 0.29%, 0.74%

LAB 72.26, 4.24, -17.01

 

CMYK 17 / 19 / 0 / 18

HEX #ADA9D0

RGB 173 169 208

HSL 246.15, 0.29%, 0.74%

LAB 70.74, 9.37, -19.27

 

CMYK 12 / 19 / 0 / 18

HEX #B8A9D0

RGB 184 169 208

HSL 263.08, 0.29%, 0.74%

LAB 71.64, 12.93, -17.83

 

CMYK 7 / 19 / 0 / 18

HEX #C2A9D0

RGB 194 169 208

HSL 278.46, 0.29%, 0.74%

LAB 72.49, 16.24, -16.45

 

CMYK 19 / 11 / 0 / 18

HEX #A9BAD0

RGB 169 186 208

HSL 213.85, 0.29%, 0.74%

LAB 74.89, -1.2, -13.04

 

CMYK 19 / 15 / 0 / 18

HEX #A9B0D0

RGB 169 176 208

HSL 229.23, 0.29%, 0.74%

LAB 72.26, 4.24, -17.01

 

CMYK 19 / 19 / 0 / 18

HEX #A9A9D0

RGB 169 169 208

HSL 240, 0.29%, 0.74%

LAB 70.43, 8.1, -19.77

 

CMYK 19 / 11 / 0 / 18

HEX #A9BAD0

RGB 169 186 208

HSL 213.85, 0.29%, 0.74%

LAB 74.89, -1.2, -13.04

 

CMYK 27 / 16 / 0 / 14

HEX #9FB9DB

RGB 159 185 219

HSL 214, 0.45%, 0.74%

LAB 74.31, -1.2, -19.97

 

CMYK 35 / 20 / 0 / 10

HEX #94B7E5

RGB 148 183 229

HSL 214.07, 0.61%, 0.74%

LAB 73.43, -0.77, -26.8

 

CMYK 43 / 24 / 0 / 6

HEX #89B6F0

RGB 137 182 240

HSL 213.79, 0.77%, 0.74%

LAB 72.94, -0.18, -33.58

 

CMYK 49 / 28 / 0 / 2

HEX #7FB5FB

RGB 127 181 251

HSL 213.87, 0.94%, 0.74%

LAB 72.58, 1.11, -40.13

 

CMYK 19 / 11 / 0 / 18

HEX #A9BAD0

RGB 169 186 208

HSL 213.85, 0.29%, 0.74%

LAB 74.89, -1.2, -13.04

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 0 / 1 / 3 / 25

HEX #BFBDBA

RGB 191 189 186

HSL 36, 0.04%, 0.74%

LAB 76.69, 0.16, 1.75

 

CMYK 0 / 6 / 13 / 21

HEX #CABEB0

RGB 202 190 176

HSL 32.31, 0.2%, 0.74%

LAB 77.59, 1.85, 8.57

 

CMYK 0 / 9 / 22 / 17

HEX #D4C0A5

RGB 212 192 165

HSL 34.47, 0.35%, 0.74%

LAB 78.7, 2.81, 16.18

 

CMYK 19 / 0 / 0 / 18

HEX #A9CFD0

RGB 169 207 208

HSL 181.54, 0.29%, 0.74%

LAB 80.52, -12.26, -4.66

 

CMYK 19 / 5 / 0 / 18

HEX #A9C5D0

RGB 169 197 208

HSL 196.92, 0.29%, 0.74%

LAB 77.83, -7.06, -8.65

 

CMYK 19 / 10 / 0 / 18

HEX #A9BBD0

RGB 169 187 208

HSL 212.31, 0.29%, 0.74%

LAB 75.16, -1.74, -12.64

 

CMYK 19 / 15 / 0 / 18

HEX #A9B1D0

RGB 169 177 208

HSL 227.69, 0.29%, 0.74%

LAB 72.52, 3.69, -16.61

 

CMYK 17 / 19 / 0 / 18

HEX #ADA9D0

RGB 173 169 208

HSL 246.15, 0.29%, 0.74%

LAB 70.74, 9.37, -19.27

 

CMYK 35 / 20 / 0 / 30

HEX #748FB3

RGB 116 143 179

HSL 214.29, 0.29%, 0.58%

LAB 58.61, -0.56, -21.92

 

CMYK 26 / 15 / 0 / 24

HEX #8FA5C1

RGB 143 165 193

HSL 213.6, 0.29%, 0.66%

LAB 66.98, -1.3, -16.89

 

CMYK 19 / 11 / 0 / 18

HEX #A9BAD0

RGB 169 186 208

HSL 213.85, 0.29%, 0.74%

LAB 74.89, -1.2, -13.04

 

CMYK 12 / 7 / 0 / 13

HEX #C4D0DF

RGB 196 208 223

HSL 213.33, 0.3%, 0.82%

LAB 83.01, -1.1, -8.8

 

CMYK 6 / 3 / 0 / 7

HEX #DFE5ED

RGB 223 229 237

HSL 214.29, 0.28%, 0.9%

LAB 90.71, -0.52, -4.59

 

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

CMYK 5 / 19 / 0 / 18

HEX #C6A9D0

RGB 198 169 208

HSL 284.62, 0.29%, 0.74%

LAB 72.85, 17.57, -15.88

 

CMYK 3 / 0 / 19 / 18

HEX #CAD0A9

RGB 202 208 169

HSL 69.23, 0.29%, 0.74%

LAB 82.13, -8.66, 18.71

 

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

CMYK 0 / 19 / 10 / 18

HEX #D0A9BB

RGB 208 169 187

HSL 332.31, 0.29%, 0.74%

LAB 73.14, 17.17, -3.82

 

CMYK 10 / 0 / 19 / 18

HEX #BBD0A9

RGB 187 208 169

HSL 92.31, 0.29%, 0.74%

LAB 81.04, -14.08, 17.03

 

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

CMYK 5 / 19 / 0 / 18

HEX #C6A9D0

RGB 198 169 208

HSL 284.62, 0.29%, 0.74%

LAB 72.85, 17.57, -15.88

 

CMYK 0 / 8 / 19 / 18

HEX #D0BFA9

RGB 208 191 169

HSL 33.85, 0.29%, 0.74%

LAB 78.19, 2.43, 13.27

 

CMYK 14 / 0 / 19 / 18

HEX #B3D0A9

RGB 179 208 169

HSL 104.62, 0.29%, 0.74%

LAB 80.49, -16.9, 16.19

 

CMYK 19 / 11 / 0 / 19

HEX #A8B9CF

RGB 168 185 207

HSL 213.85, 0.29%, 0.74%

LAB 74.53, -1.2, -13.05

 

CMYK 0 / 19 / 1 / 18

HEX #D0A9CE

RGB 208 169 206

HSL 303.08, 0.29%, 0.74%

LAB 73.7, 20.56, -13.41

 

CMYK 0 / 8 / 19 / 18

HEX #D0BFA9

RGB 208 191 169

HSL 33.85, 0.29%, 0.74%

LAB 78.19, 2.43, 13.27

 

CMYK 19 / 0 / 18 / 18

HEX #A9D0AB

RGB 169 208 171

HSL 123.08, 0.29%, 0.74%

LAB 79.89, -19.99, 14.19

 

Description

Color code: HEX #A8B9CF | qconv.com Color code: HEX #A8B9CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 185 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 185 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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