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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A851 it is the complementary color #5757AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8A851 shade: #ADA84C, #BEBA5F, #CFCC72, #E0DE85 and #F1F098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8A851 shade: #A8A851, #97963E, #86842B, #757218 and #646005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8A851 shade: #A9A951, #A99151, #A97A51, #A96251 and #A95151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8A851 shade: #A9A951, #91A951, #7AA951, #62A951 and #51A958

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8A851 shade matches the following richer shades: #A9A951, #BDBD3D, #D1D129, #E5E515 and #FAFA00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8A851 shade: #A9A951, #949465, #80807A, #6C6C8E and #5858A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8A851 shade: #A97A51, #A99151, #A9A951, #91A951 and #7AA951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8A851 shade: #717136, #8D8D44, #A9A951, #B8B86B and #C5C587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8A851 shade: #A8A851, #51A963 and #8651A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8A851 shade: #A8A851, #51A9A9 and #A951A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8A851 shade: #A8A851, #51A963, #5151A9 and #A95197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8A851 shade: #A8A851, #51A97D, #5151A9 and #A9517D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 52 / 34

HEX #A8A851

RGB 168 168 81

HSL 60, 0.35%, 0.49%

LAB 67.22, -12.19, 44.39

 

Complementary color

CMYK 50 / 50 / 0 / 32

HEX #5757AE

RGB 87 87 174

HSL 240, 0.35%, 0.51%

LAB 41.05, 24.15, -46.7

 

CMYK 0 / 3 / 56 / 32

HEX #ADA84C

RGB 173 168 76

HSL 56.91, 0.39%, 0.49%

LAB 67.58, -10.49, 47.32

 

CMYK 0 / 2 / 50 / 25

HEX #BEBA5F

RGB 190 186 95

HSL 57.47, 0.42%, 0.56%

LAB 74.12, -11.09, 46.18

 

CMYK 0 / 1 / 45 / 19

HEX #CFCC72

RGB 207 204 114

HSL 58.06, 0.49%, 0.63%

LAB 80.55, -11.58, 45

 

CMYK 0 / 1 / 41 / 12

HEX #E0DE85

RGB 224 222 133

HSL 58.68, 0.59%, 0.7%

LAB 86.89, -11.98, 43.82

 

CMYK 0 / 0 / 37 / 5

HEX #F1F098

RGB 241 240 152

HSL 59.33, 0.76%, 0.77%

LAB 93.14, -12.32, 42.67

 

CMYK 0 / 0 / 52 / 34

HEX #A8A851

RGB 168 168 81

HSL 60, 0.35%, 0.49%

LAB 67.22, -12.19, 44.39

 

CMYK 0 / 1 / 59 / 41

HEX #97963E

RGB 151 150 62

HSL 59.33, 0.42%, 0.42%

LAB 60.55, -11.59, 45.48

 

CMYK 0 / 1 / 68 / 47

HEX #86842B

RGB 134 132 43

HSL 58.68, 0.51%, 0.35%

LAB 53.76, -10.81, 46.31

 

CMYK 0 / 3 / 79 / 54

HEX #757218

RGB 117 114 24

HSL 58.06, 0.66%, 0.28%

LAB 46.82, -9.78, 46.48

 

CMYK 0 / 4 / 95 / 61

HEX #646005

RGB 100 96 5

HSL 57.47, 0.9%, 0.21%

LAB 39.72, -8.43, 45.28

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 0 / 14 / 52 / 34

HEX #A99151

RGB 169 145 81

HSL 43.64, 0.35%, 0.49%

LAB 61.03, 0.57, 37.02

 

CMYK 0 / 28 / 52 / 34

HEX #A97A51

RGB 169 122 81

HSL 27.95, 0.35%, 0.49%

LAB 55.02, 13.42, 29.56

 

CMYK 0 / 42 / 52 / 34

HEX #A96251

RGB 169 98 81

HSL 11.59, 0.35%, 0.49%

LAB 49.21, 26.92, 22.07

 

CMYK 0 / 52 / 52 / 34

HEX #A95151

RGB 169 81 81

HSL 0, 0.35%, 0.49%

LAB 45.52, 36.1, 17.15

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 14 / 0 / 52 / 34

HEX #91A951

RGB 145 169 81

HSL 76.36, 0.35%, 0.49%

LAB 65.74, -22.23, 42.21

 

CMYK 28 / 0 / 52 / 34

HEX #7AA951

RGB 122 169 81

HSL 92.05, 0.35%, 0.49%

LAB 64.25, -31.19, 40.06

 

CMYK 42 / 0 / 52 / 34

HEX #62A951

RGB 98 169 81

HSL 108.41, 0.35%, 0.49%

LAB 62.98, -39.57, 38.24

 

CMYK 52 / 0 / 48 / 34

HEX #51A958

RGB 81 169 88

HSL 124.77, 0.35%, 0.49%

LAB 62.36, -43.67, 33.77

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 0 / 0 / 68 / 26

HEX #BDBD3D

RGB 189 189 61

HSL 60, 0.51%, 0.49%

LAB 74.54, -15.49, 61.61

 

CMYK 0 / 0 / 80 / 18

HEX #D1D129

RGB 209 209 41

HSL 60, 0.67%, 0.49%

LAB 81.47, -17.84, 75.07

 

CMYK 0 / 0 / 91 / 10

HEX #E5E515

RGB 229 229 21

HSL 60, 0.83%, 0.49%

LAB 88.33, -19.66, 85.16

 

CMYK 0 / 0 / 100 / 2

HEX #FAFA00

RGB 250 250 0

HSL 60, 1%, 0.49%

LAB 95.45, -21.23, 93.08

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 0 / 0 / 32 / 42

HEX #949465

RGB 148 148 101

HSL 60, 0.19%, 0.49%

LAB 60.26, -7.71, 24.92

 

CMYK 0 / 0 / 5 / 50

HEX #80807A

RGB 128 128 122

HSL 60, 0.02%, 0.49%

LAB 53.42, -1.16, 3.25

 

CMYK 24 / 24 / 0 / 44

HEX #6C6C8E

RGB 108 108 142

HSL 240, 0.14%, 0.49%

LAB 46.8, 7.84, -18.59

 

CMYK 46 / 46 / 0 / 36

HEX #5858A2

RGB 88 88 162

HSL 240, 0.3%, 0.49%

LAB 40.68, 19.99, -40.19

 

CMYK 0 / 28 / 52 / 34

HEX #A97A51

RGB 169 122 81

HSL 27.95, 0.35%, 0.49%

LAB 55.02, 13.42, 29.56

 

CMYK 0 / 14 / 52 / 34

HEX #A99151

RGB 169 145 81

HSL 43.64, 0.35%, 0.49%

LAB 61.03, 0.57, 37.02

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 14 / 0 / 52 / 34

HEX #91A951

RGB 145 169 81

HSL 76.36, 0.35%, 0.49%

LAB 65.74, -22.23, 42.21

 

CMYK 28 / 0 / 52 / 34

HEX #7AA951

RGB 122 169 81

HSL 92.05, 0.35%, 0.49%

LAB 64.25, -31.19, 40.06

 

CMYK 0 / 0 / 52 / 56

HEX #717136

RGB 113 113 54

HSL 60, 0.35%, 0.33%

LAB 46.43, -8.98, 32.41

 

CMYK 0 / 0 / 52 / 45

HEX #8D8D44

RGB 141 141 68

HSL 60, 0.35%, 0.41%

LAB 57.2, -10.62, 38.5

 

CMYK 0 / 0 / 52 / 34

HEX #A9A951

RGB 169 169 81

HSL 60, 0.35%, 0.49%

LAB 67.58, -12.29, 44.83

 

CMYK 0 / 0 / 42 / 28

HEX #B8B86B

RGB 184 184 107

HSL 60, 0.35%, 0.57%

LAB 73.24, -11.34, 39.02

 

CMYK 0 / 0 / 31 / 23

HEX #C5C587

RGB 197 197 135

HSL 60, 0.35%, 0.65%

LAB 78.2, -9.62, 31.18

 

Description

Color code: HEX #A8A851 | qconv.com Color code: HEX #A8A851 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 168 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 168 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 52 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 52% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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