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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A4A6 it is the complementary color #575B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A4A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8A4A6 shade: #ADA4A1, #BEB6B4, #CFC8C7, #E0DADA and #F1ECED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A4A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8A4A6 shade: #A8A4A6, #979293, #868080, #756E6D and #645C5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8A4A6 shade: #A8A4A6, #A8A4A5 and #A8A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8A4A6 shade: #A8A4A6, #A8A4A7, #A7A4A8, #A6A4A8 and #A5A4A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8A4A6 shade matches the following richer shades: #A8A4A6, #B696A6, #C487A6, #D379A6 and #E16AA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8A4A6 shade: #A8A4A6, #99B2A6, #8BC1A6, #7CCFA6 and #6EDEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8A4A6 shade: #A7A4A8, #A8A4A7, #A8A4A6, #A8A4A5 and #A8A4A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8A4A6 shade: #7F7A7C, #938F91, #A8A4A6, #BCB9BA and #D0CECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8A4A6 shade: #A8A4A6, #A8A6A4 and #A4A7A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8A4A6 shade: #A8A4A6, #A6A8A4 and #A4A6A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8A4A6 shade: #A8A4A6, #A8A6A4, #A4A8A6 and #A4A5A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8A4A6 shade: #A8A4A6, #A8A8A4, #A4A8A6 and #A4A4A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

Complementary color

CMYK 4 / 0 / 2 / 64

HEX #575B59

RGB 87 91 89

HSL 150, 0.02%, 0.35%

LAB 38.25, -2.01, 0.6

 

CMYK 0 / 5 / 7 / 32

HEX #ADA4A1

RGB 173 164 161

HSL 15, 0.07%, 0.65%

LAB 68.03, 2.71, 2.71

 

CMYK 0 / 4 / 5 / 25

HEX #BEB6B4

RGB 190 182 180

HSL 12, 0.07%, 0.73%

LAB 74.63, 2.47, 2.02

 

CMYK 0 / 3 / 4 / 19

HEX #CFC8C7

RGB 207 200 199

HSL 7.5, 0.08%, 0.8%

LAB 81.13, 2.25, 1.35

 

CMYK 0 / 3 / 3 / 12

HEX #E0DADA

RGB 224 218 218

HSL 0, 0.09%, 0.87%

LAB 87.51, 2.05, 0.72

 

CMYK 0 / 2 / 2 / 5

HEX #F1ECED

RGB 241 236 237

HSL 348, 0.15%, 0.94%

LAB 93.8, 1.85, 0.1

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 3 / 3 / 41

HEX #979293

RGB 151 146 147

HSL 348, 0.02%, 0.58%

LAB 61, 2.03, 0.12

 

CMYK 0 / 4 / 4 / 47

HEX #868080

RGB 134 128 128

HSL 0, 0.02%, 0.51%

LAB 54.1, 2.26, 0.8

 

CMYK 0 / 6 / 7 / 54

HEX #756E6D

RGB 117 110 109

HSL 7.5, 0.04%, 0.44%

LAB 47.02, 2.52, 1.52

 

CMYK 0 / 8 / 10 / 61

HEX #645C5A

RGB 100 92 90

HSL 12, 0.05%, 0.37%

LAB 39.75, 2.82, 2.3

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 2 / 2 / 34

HEX #A8A4A5

RGB 168 164 165

HSL 345, 0.02%, 0.65%

LAB 67.72, 1.63, -0.02

 

CMYK 0 / 2 / 2 / 34

HEX #A8A4A4

RGB 168 164 164

HSL 0, 0.02%, 0.65%

LAB 67.69, 1.44, 0.5

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A7

RGB 168 164 167

HSL 315, 0.02%, 0.65%

LAB 67.77, 2, -1.05

 

CMYK 1 / 2 / 0 / 34

HEX #A7A4A8

RGB 167 164 168

HSL 285, 0.02%, 0.65%

LAB 67.72, 1.84, -1.69

 

CMYK 1 / 2 / 0 / 34

HEX #A6A4A8

RGB 166 164 168

HSL 270, 0.02%, 0.65%

LAB 67.64, 1.48, -1.82

 

CMYK 2 / 2 / 0 / 34

HEX #A5A4A8

RGB 165 164 168

HSL 255, 0.02%, 0.65%

LAB 67.56, 1.13, -1.95

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 18 / 9 / 29

HEX #B696A6

RGB 182 150 166

HSL 330, 0.18%, 0.65%

LAB 65.37, 14.63, -3.88

 

CMYK 0 / 31 / 15 / 23

HEX #C487A6

RGB 196 135 166

HSL 329.51, 0.34%, 0.65%

LAB 63.19, 28.01, -6.94

 

CMYK 0 / 43 / 21 / 17

HEX #D379A6

RGB 211 121 166

HSL 330, 0.51%, 0.65%

LAB 61.89, 40.77, -8.68

 

CMYK 0 / 53 / 26 / 12

HEX #E16AA6

RGB 225 106 166

HSL 329.75, 0.66%, 0.65%

LAB 60.84, 52.88, -10.05

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 14 / 0 / 7 / 30

HEX #99B2A6

RGB 153 178 166

HSL 151.2, 0.14%, 0.65%

LAB 70.43, -10.99, 3.24

 

CMYK 28 / 0 / 14 / 24

HEX #8BC1A6

RGB 139 193 166

HSL 150, 0.3%, 0.65%

LAB 73.79, -23.27, 7.97

 

CMYK 40 / 0 / 20 / 19

HEX #7CCFA6

RGB 124 207 166

HSL 150.36, 0.46%, 0.65%

LAB 77.08, -34.46, 12.54

 

CMYK 50 / 0 / 25 / 13

HEX #6EDEA6

RGB 110 222 166

HSL 150, 0.63%, 0.65%

LAB 80.91, -44.8, 17.83

 

CMYK 1 / 2 / 0 / 34

HEX #A7A4A8

RGB 167 164 168

HSL 285, 0.02%, 0.65%

LAB 67.72, 1.84, -1.69

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A7

RGB 168 164 167

HSL 315, 0.02%, 0.65%

LAB 67.77, 2, -1.05

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 2 / 2 / 34

HEX #A8A4A5

RGB 168 164 165

HSL 345, 0.02%, 0.65%

LAB 67.72, 1.63, -0.02

 

CMYK 0 / 2 / 2 / 34

HEX #A8A4A4

RGB 168 164 164

HSL 0, 0.02%, 0.65%

LAB 67.69, 1.44, 0.5

 

CMYK 0 / 4 / 2 / 50

HEX #7F7A7C

RGB 127 122 124

HSL 336, 0.02%, 0.49%

LAB 51.71, 2.29, -0.42

 

CMYK 0 / 3 / 1 / 42

HEX #938F91

RGB 147 143 145

HSL 330, 0.02%, 0.57%

LAB 59.79, 1.86, -0.54

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 2 / 1 / 26

HEX #BCB9BA

RGB 188 185 186

HSL 340, 0.02%, 0.73%

LAB 75.41, 1.24, -0.14

 

CMYK 0 / 1 / 0 / 18

HEX #D0CECF

RGB 208 206 207

HSL 330, 0.02%, 0.81%

LAB 82.94, 0.87, -0.26

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 1 / 2 / 34

HEX #A8A6A4

RGB 168 166 164

HSL 30, 0.02%, 0.65%

LAB 68.22, 0.34, 1.28

 

CMYK 2 / 1 / 0 / 34

HEX #A4A7A8

RGB 164 167 168

HSL 195, 0.02%, 0.65%

LAB 68.28, -0.87, -0.9

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 1 / 0 / 2 / 34

HEX #A6A8A4

RGB 166 168 164

HSL 90, 0.02%, 0.65%

LAB 68.6, -1.46, 1.81

 

CMYK 2 / 1 / 0 / 34

HEX #A4A6A8

RGB 164 166 168

HSL 210, 0.02%, 0.65%

LAB 68.01, -0.32, -1.29

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 1 / 2 / 34

HEX #A8A6A4

RGB 168 166 164

HSL 30, 0.02%, 0.65%

LAB 68.22, 0.34, 1.28

 

CMYK 2 / 0 / 1 / 34

HEX #A4A8A6

RGB 164 168 166

HSL 150, 0.02%, 0.65%

LAB 68.5, -1.8, 0.53

 

CMYK 2 / 2 / 0 / 34

HEX #A4A5A8

RGB 164 165 168

HSL 225, 0.02%, 0.65%

LAB 67.75, 0.22, -1.68

 

CMYK 0 / 2 / 1 / 34

HEX #A8A4A6

RGB 168 164 166

HSL 330, 0.02%, 0.65%

LAB 67.75, 1.81, -0.53

 

CMYK 0 / 0 / 2 / 34

HEX #A8A8A4

RGB 168 168 164

HSL 60, 0.02%, 0.65%

LAB 68.76, -0.74, 2.05

 

CMYK 2 / 0 / 1 / 34

HEX #A4A8A6

RGB 164 168 166

HSL 150, 0.02%, 0.65%

LAB 68.5, -1.8, 0.53

 

CMYK 2 / 2 / 0 / 34

HEX #A4A4A8

RGB 164 164 168

HSL 240, 0.02%, 0.65%

LAB 67.48, 0.77, -2.07

 

Description

Color code: HEX #A8A4A6 | qconv.com Color code: HEX #A8A4A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 164 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 164 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 1 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 1% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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