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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A896ED it is the complementary color #576912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A896ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A896ED shade: #AD96E8, #BEA8FB, #CFBAFF, #E0CCFF and #F1DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A896ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A896ED shade: #A896ED, #9784DA, #8672C7, #7560B4 and #644EA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A896ED shade: #A896ED, #C096ED, #D796ED, #ED96EC and #ED96D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A896ED shade: #A896ED and #9696ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A896ED shade matches the following richer shades: #A896ED and #A38CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A896ED shade: #A896ED, #AEA0E3, #B4AAD9, #BAB4D0 and #C0BEC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A896ED shade: #96B3ED, #969CED, #A896ED, #BF96ED and #D696ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A896ED shade: #6E50E1, #8B73E7, #A896ED, #C6BAF3 and #E3DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A896ED shade: #A896ED, #ED96CA and #A8ED96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A896ED shade: #A896ED, #EDA896 and #96EDA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A896ED shade: #A896ED, #ED96CA, #DCED96 and #96EDB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A896ED shade: #A896ED, #ED96B0, #DCED96 and #96EDD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

Complementary color

CMYK 17 / 0 / 83 / 59

HEX #576912

RGB 87 105 18

HSL 72.41, 0.71%, 0.24%

LAB 41.49, -19.14, 42.71

 

CMYK 25 / 35 / 0 / 9

HEX #AD96E8

RGB 173 150 232

HSL 256.83, 0.64%, 0.75%

LAB 66.92, 25.55, -38.36

 

CMYK 24 / 33 / 0 / 2

HEX #BEA8FB

RGB 190 168 251

HSL 255.9, 0.91%, 0.82%

LAB 73.49, 24.9, -38.38

 

CMYK 19 / 27 / 0 / 0

HEX #CFBAFF

RGB 207 186 255

HSL 258.26, 1%, 0.86%

LAB 79.39, 20.94, -31.3

 

CMYK 12 / 20 / 0 / 0

HEX #E0CCFF

RGB 224 204 255

HSL 263.53, 1%, 0.9%

LAB 85.13, 16.47, -22.41

 

CMYK 5 / 13 / 0 / 0

HEX #F1DEFF

RGB 241 222 255

HSL 274.55, 1%, 0.94%

LAB 90.85, 12.38, -13.65

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 31 / 39 / 0 / 15

HEX #9784DA

RGB 151 132 218

HSL 253.26, 0.54%, 0.69%

LAB 60.02, 26.11, -41.54

 

CMYK 33 / 43 / 0 / 22

HEX #8672C7

RGB 134 114 199

HSL 254.12, 0.43%, 0.61%

LAB 53.2, 26.97, -41.65

 

CMYK 35 / 47 / 0 / 29

HEX #7560B4

RGB 117 96 180

HSL 255, 0.36%, 0.54%

LAB 46.23, 27.93, -41.81

 

CMYK 38 / 52 / 0 / 37

HEX #644EA1

RGB 100 78 161

HSL 255.9, 0.35%, 0.47%

LAB 39.12, 29.03, -42

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 19 / 37 / 0 / 7

HEX #C096ED

RGB 192 150 237

HSL 268.97, 0.71%, 0.76%

LAB 68.85, 32.26, -37.97

 

CMYK 9 / 37 / 0 / 7

HEX #D796ED

RGB 215 150 237

HSL 284.83, 0.71%, 0.76%

LAB 71.13, 39.12, -34.25

 

CMYK 0 / 37 / 0 / 7

HEX #ED96EC

RGB 237 150 236

HSL 300.69, 0.71%, 0.76%

LAB 73.46, 45.6, -29.91

 

CMYK 0 / 37 / 11 / 7

HEX #ED96D4

RGB 237 150 212

HSL 317.24, 0.71%, 0.76%

LAB 72.61, 41.47, -18.05

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 37 / 37 / 0 / 7

HEX #9696ED

RGB 150 150 237

HSL 240, 0.71%, 0.76%

LAB 65.29, 20.44, -43.8

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 34 / 43 / 0 / 3

HEX #A38CF7

RGB 163 140 247

HSL 252.9, 0.87%, 0.76%

LAB 64.37, 32.2, -50.67

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 23 / 30 / 0 / 11

HEX #AEA0E3

RGB 174 160 227

HSL 252.54, 0.54%, 0.76%

LAB 69.25, 19.03, -31.99

 

CMYK 17 / 22 / 0 / 15

HEX #B4AAD9

RGB 180 170 217

HSL 252.77, 0.38%, 0.76%

LAB 71.87, 13.03, -22.44

 

CMYK 11 / 13 / 0 / 18

HEX #BAB4D0

RGB 186 180 208

HSL 252.86, 0.23%, 0.76%

LAB 74.59, 7.56, -13.36

 

CMYK 3 / 4 / 0 / 22

HEX #C0BEC6

RGB 192 190 198

HSL 255, 0.07%, 0.76%

LAB 77.35, 2.2, -3.78

 

CMYK 37 / 24 / 0 / 7

HEX #96B3ED

RGB 150 179 237

HSL 220, 0.71%, 0.76%

LAB 72.79, 4.05, -32.12

 

CMYK 37 / 34 / 0 / 7

HEX #969CED

RGB 150 156 237

HSL 235.86, 0.71%, 0.76%

LAB 66.81, 17, -41.42

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 19 / 37 / 0 / 7

HEX #BF96ED

RGB 191 150 237

HSL 268.28, 0.71%, 0.76%

LAB 68.75, 31.96, -38.13

 

CMYK 10 / 37 / 0 / 7

HEX #D696ED

RGB 214 150 237

HSL 284.14, 0.71%, 0.76%

LAB 71.02, 38.82, -34.42

 

CMYK 51 / 64 / 0 / 12

HEX #6E50E1

RGB 110 80 225

HSL 252.41, 0.71%, 0.6%

LAB 44.93, 48.47, -69.86

 

CMYK 40 / 50 / 0 / 9

HEX #8B73E7

RGB 139 115 231

HSL 252.41, 0.71%, 0.68%

LAB 55.6, 36.28, -55.88

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 19 / 23 / 0 / 5

HEX #C6BAF3

RGB 198 186 243

HSL 252.63, 0.7%, 0.84%

LAB 78.22, 15.57, -26.71

 

CMYK 9 / 11 / 0 / 2

HEX #E3DDF9

RGB 227 221 249

HSL 252.86, 0.7%, 0.92%

LAB 89.34, 7.24, -12.88

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 0 / 37 / 15 / 7

HEX #ED96CA

RGB 237 150 202

HSL 324.14, 0.71%, 0.76%

LAB 72.28, 39.86, -13.03

 

CMYK 29 / 0 / 37 / 7

HEX #A8ED96

RGB 168 237 150

HSL 107.59, 0.71%, 0.76%

LAB 87.53, -37.48, 35.45

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 0 / 29 / 37 / 7

HEX #EDA896

RGB 237 168 150

HSL 12.41, 0.71%, 0.76%

LAB 74.96, 23.16, 19.44

 

CMYK 37 / 0 / 29 / 7

HEX #96EDA8

RGB 150 237 168

HSL 132.41, 0.71%, 0.76%

LAB 86.94, -40.26, 25.37

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 0 / 37 / 15 / 7

HEX #ED96CA

RGB 237 150 202

HSL 324.14, 0.71%, 0.76%

LAB 72.28, 39.86, -13.03

 

CMYK 7 / 0 / 37 / 7

HEX #DCED96

RGB 220 237 150

HSL 71.72, 0.71%, 0.76%

LAB 90.77, -19.03, 40.3

 

CMYK 37 / 0 / 22 / 7

HEX #96EDB9

RGB 150 237 185

HSL 144.14, 0.71%, 0.76%

LAB 87.27, -37.19, 17.05

 

CMYK 29 / 37 / 0 / 7

HEX #A896ED

RGB 168 150 237

HSL 252.41, 0.71%, 0.76%

LAB 66.71, 25.35, -41.47

 

CMYK 0 / 37 / 26 / 7

HEX #ED96B0

RGB 237 150 176

HSL 342.07, 0.71%, 0.76%

LAB 71.52, 36.01, 0.25

 

CMYK 7 / 0 / 37 / 7

HEX #DCED96

RGB 220 237 150

HSL 71.72, 0.71%, 0.76%

LAB 90.77, -19.03, 40.3

 

CMYK 37 / 0 / 11 / 7

HEX #96EDD3

RGB 150 237 211

HSL 162.07, 0.71%, 0.76%

LAB 87.85, -31.94, 4.33

 

Description

Color code: HEX #A896ED | qconv.com Color code: HEX #A896ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 150 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 150 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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