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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A895C7 it is the complementary color #576A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A895C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A895C7 shade: #AD95C2, #BEA7D5, #CFB9E8, #E0CBFB and #F1DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A895C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A895C7 shade: #A895C7, #9783B4, #8671A1, #755F8E and #644D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A895C7 shade: #A794C7, #B594C7, #C394C7, #C794BD and #C794AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A895C7 shade: #A794C7, #9A94C7 and #9494C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A895C7 shade matches the following richer shades: #A794C7, #A487D4, #A17AE1, #9E6CEE and #9B5FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A895C7 shade: #A794C7, #AAA1B9, #AEAFAC, #B1BC9F and #B4C992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A895C7 shade: #949DC7, #9994C7, #A794C7, #B494C7 and #C294C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A895C7 shade: #7B5EAA, #9179B8, #A794C7, #BDAFD5 and #D4CAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A895C7 shade: #A895C7, #C794AA and #96C794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A895C7 shade: #A895C7, #C7A794 and #94C7A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A895C7 shade: #A895C7, #C794AA, #B4C794 and #94C7B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A895C7 shade: #A895C7, #C7949B, #B4C794 and #94C7C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

Complementary color

CMYK 18 / 0 / 47 / 58

HEX #576A38

RGB 87 106 56

HSL 82.8, 0.31%, 0.32%

LAB 42.18, -16.35, 25.67

 

CMYK 11 / 23 / 0 / 24

HEX #AD95C2

RGB 173 149 194

HSL 272, 0.27%, 0.67%

LAB 65.18, 17.52, -19.96

 

CMYK 11 / 22 / 0 / 16

HEX #BEA7D5

RGB 190 167 213

HSL 270, 0.35%, 0.75%

LAB 71.82, 17.04, -20.25

 

CMYK 11 / 20 / 0 / 9

HEX #CFB9E8

RGB 207 185 232

HSL 268.09, 0.51%, 0.82%

LAB 78.34, 16.6, -20.55

 

CMYK 11 / 19 / 0 / 2

HEX #E0CBFB

RGB 224 203 251

HSL 266.25, 0.86%, 0.89%

LAB 84.75, 16.19, -20.86

 

CMYK 5 / 13 / 0 / 0

HEX #F1DDFF

RGB 241 221 255

HSL 275.29, 1%, 0.93%

LAB 90.61, 12.91, -14.01

 

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

CMYK 16 / 27 / 0 / 29

HEX #9783B4

RGB 151 131 180

HSL 264.49, 0.25%, 0.61%

LAB 58.14, 17.5, -22.99

 

CMYK 17 / 30 / 0 / 37

HEX #8671A1

RGB 134 113 161

HSL 266.25, 0.2%, 0.54%

LAB 51.21, 18.08, -22.8

 

CMYK 18 / 33 / 0 / 44

HEX #755F8E

RGB 117 95 142

HSL 268.09, 0.2%, 0.46%

LAB 44.12, 18.73, -22.65

 

CMYK 19 / 37 / 0 / 52

HEX #644D7B

RGB 100 77 123

HSL 270, 0.23%, 0.39%

LAB 36.83, 19.47, -22.52

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 9 / 26 / 0 / 22

HEX #B594C7

RGB 181 148 199

HSL 278.82, 0.31%, 0.68%

LAB 65.85, 21.76, -21.67

 

CMYK 2 / 26 / 0 / 22

HEX #C394C7

RGB 195 148 199

HSL 295.29, 0.31%, 0.68%

LAB 67.21, 26.39, -19.47

 

CMYK 0 / 26 / 5 / 22

HEX #C794BD

RGB 199 148 189

HSL 311.76, 0.31%, 0.68%

LAB 67.27, 25.87, -13.75

 

CMYK 0 / 26 / 12 / 22

HEX #C794AF

RGB 199 148 175

HSL 328.24, 0.31%, 0.68%

LAB 66.84, 23.42, -6.57

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 23 / 26 / 0 / 22

HEX #9A94C7

RGB 154 148 199

HSL 247.06, 0.31%, 0.68%

LAB 63.49, 13.11, -25.49

 

CMYK 26 / 26 / 0 / 22

HEX #9494C7

RGB 148 148 199

HSL 240, 0.31%, 0.68%

LAB 63.01, 11.26, -26.26

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 23 / 36 / 0 / 17

HEX #A487D4

RGB 164 135 212

HSL 262.6, 0.47%, 0.68%

LAB 61.63, 26.67, -35.57

 

CMYK 28 / 46 / 0 / 12

HEX #A17AE1

RGB 161 122 225

HSL 262.72, 0.63%, 0.68%

LAB 58.91, 36.33, -47.14

 

CMYK 34 / 55 / 0 / 7

HEX #9E6CEE

RGB 158 108 238

HSL 263.08, 0.79%, 0.68%

LAB 56.25, 46.58, -58.64

 

CMYK 38 / 62 / 0 / 1

HEX #9B5FFC

RGB 155 95 252

HSL 262.93, 0.96%, 0.68%

LAB 54.22, 56.33, -69.72

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 8 / 13 / 0 / 27

HEX #AAA1B9

RGB 170 161 185

HSL 262.5, 0.15%, 0.68%

LAB 67.68, 7.91, -11.19

 

CMYK 1 / 0 / 2 / 31

HEX #AEAFAC

RGB 174 175 172

HSL 80, 0.02%, 0.68%

LAB 71.31, -0.91, 1.4

 

CMYK 6 / 0 / 15 / 26

HEX #B1BC9F

RGB 177 188 159

HSL 82.76, 0.18%, 0.68%

LAB 74.71, -9.03, 13.4

 

CMYK 10 / 0 / 27 / 21

HEX #B4C992

RGB 180 201 146

HSL 82.91, 0.34%, 0.68%

LAB 78.2, -16.63, 25.2

 

CMYK 26 / 21 / 0 / 22

HEX #949DC7

RGB 148 157 199

HSL 229.41, 0.31%, 0.68%

LAB 65.38, 6.15, -22.62

 

CMYK 23 / 26 / 0 / 22

HEX #9994C7

RGB 153 148 199

HSL 245.88, 0.31%, 0.68%

LAB 63.41, 12.8, -25.62

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 10 / 26 / 0 / 22

HEX #B494C7

RGB 180 148 199

HSL 277.65, 0.31%, 0.68%

LAB 65.75, 21.43, -21.82

 

CMYK 3 / 26 / 0 / 22

HEX #C294C7

RGB 194 148 199

HSL 294.12, 0.31%, 0.68%

LAB 67.11, 26.06, -19.63

 

CMYK 28 / 45 / 0 / 33

HEX #7B5EAA

RGB 123 94 170

HSL 262.89, 0.31%, 0.52%

LAB 45.8, 28.16, -36.6

 

CMYK 21 / 34 / 0 / 28

HEX #9179B8

RGB 145 121 184

HSL 262.86, 0.31%, 0.6%

LAB 55.23, 22.32, -29.81

 

CMYK 16 / 26 / 0 / 22

HEX #A794C7

RGB 167 148 199

HSL 262.35, 0.31%, 0.68%

LAB 64.58, 17.22, -23.72

 

CMYK 11 / 18 / 0 / 16

HEX #BDAFD5

RGB 189 175 213

HSL 262.11, 0.31%, 0.76%

LAB 73.73, 12.31, -17.36

 

CMYK 7 / 11 / 0 / 11

HEX #D4CAE3

RGB 212 202 227

HSL 264, 0.31%, 0.84%

LAB 82.8, 8.1, -11.12

 

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

CMYK 0 / 26 / 15 / 22

HEX #C794AA

RGB 199 148 170

HSL 334.12, 0.31%, 0.68%

LAB 66.69, 22.59, -3.98

 

CMYK 25 / 0 / 26 / 22

HEX #96C794

RGB 150 199 148

HSL 117.65, 0.31%, 0.68%

LAB 75.74, -25.98, 20.47

 

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

CMYK 0 / 16 / 26 / 22

HEX #C7A794

RGB 199 167 148

HSL 22.35, 0.31%, 0.68%

LAB 70.81, 8.79, 14.18

 

CMYK 26 / 0 / 16 / 22

HEX #94C7A7

RGB 148 199 167

HSL 142.35, 0.31%, 0.68%

LAB 76.03, -23.2, 10.68

 

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

CMYK 0 / 26 / 15 / 22

HEX #C794AA

RGB 199 148 170

HSL 334.12, 0.31%, 0.68%

LAB 66.69, 22.59, -3.98

 

CMYK 10 / 0 / 26 / 22

HEX #B4C794

RGB 180 199 148

HSL 82.35, 0.31%, 0.68%

LAB 77.69, -15.32, 23.45

 

CMYK 26 / 0 / 11 / 22

HEX #94C7B1

RGB 148 199 177

HSL 154.12, 0.31%, 0.68%

LAB 76.26, -21.22, 5.63

 

CMYK 16 / 25 / 0 / 22

HEX #A895C7

RGB 168 149 199

HSL 262.8, 0.31%, 0.68%

LAB 64.92, 16.97, -23.19

 

CMYK 0 / 26 / 22 / 22

HEX #C7949B

RGB 199 148 155

HSL 351.76, 0.31%, 0.68%

LAB 66.28, 20.22, 3.84

 

CMYK 10 / 0 / 26 / 22

HEX #B4C794

RGB 180 199 148

HSL 82.35, 0.31%, 0.68%

LAB 77.69, -15.32, 23.45

 

CMYK 26 / 0 / 4 / 22

HEX #94C7C0

RGB 148 199 192

HSL 171.76, 0.31%, 0.68%

LAB 76.65, -18.05, -1.9

 

Description

Color code: HEX #A895C7 | qconv.com Color code: HEX #A895C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 149 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 149 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 25 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 25% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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