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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A895C0 it is the complementary color #576A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A895C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A895C0 shade: #AD95BB, #BEA7CE, #CFB9E1, #E0CBF4 and #F1DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A895C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A895C0 shade: #A895C0, #9783AD, #86719A, #755F87 and #644D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A895C0 shade: #A895BF, #B395BF, #BF95BF, #BF95B5 and #BF95A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A895C0 shade: #A895BF, #9D95BF and #9595BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A895C0 shade matches the following richer shades: #A895BF, #A688CD, #A57ADB, #A36CE8 and #A25FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A895C0 shade: #A895BF, #A9A3B2, #ABB1A4, #ADBE97 and #AECC89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A895C0 shade: #959ABF, #9C95BF, #A895BF, #B395BF and #BE95BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A895C0 shade: #7D62A0, #937CB0, #A895BF, #BDAFCF and #D2C9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A895C0 shade: #A895C0, #BF95A5 and #95BF97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A895C0 shade: #A895C0, #BFA895 and #95BFA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A895C0 shade: #A895C0, #BF95A5, #ADBF95 and #95BFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A895C0 shade: #A895C0, #BF9598, #ADBF95 and #95BFBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

Complementary color

CMYK 18 / 0 / 41 / 58

HEX #576A3F

RGB 87 106 63

HSL 86.51, 0.25%, 0.33%

LAB 42.3, -15.38, 21.84

 

CMYK 7 / 20 / 0 / 27

HEX #AD95BB

RGB 173 149 187

HSL 277.89, 0.22%, 0.66%

LAB 64.94, 16.06, -16.41

 

CMYK 8 / 19 / 0 / 19

HEX #BEA7CE

RGB 190 167 206

HSL 275.38, 0.28%, 0.73%

LAB 71.58, 15.6, -16.76

 

CMYK 8 / 18 / 0 / 12

HEX #CFB9E1

RGB 207 185 225

HSL 273, 0.4%, 0.8%

LAB 78.11, 15.19, -17.12

 

CMYK 8 / 17 / 0 / 4

HEX #E0CBF4

RGB 224 203 244

HSL 270.73, 0.65%, 0.88%

LAB 84.53, 14.8, -17.48

 

CMYK 5 / 13 / 0 / 0

HEX #F1DDFF

RGB 241 221 255

HSL 275.29, 1%, 0.93%

LAB 90.61, 12.91, -14.01

 

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

CMYK 13 / 24 / 0 / 32

HEX #9783AD

RGB 151 131 173

HSL 268.57, 0.2%, 0.6%

LAB 57.87, 15.93, -19.39

 

CMYK 13 / 27 / 0 / 40

HEX #86719A

RGB 134 113 154

HSL 270.73, 0.17%, 0.52%

LAB 50.93, 16.47, -19.13

 

CMYK 13 / 30 / 0 / 47

HEX #755F87

RGB 117 95 135

HSL 273, 0.17%, 0.45%

LAB 43.82, 17.08, -18.89

 

CMYK 14 / 34 / 0 / 55

HEX #644D74

RGB 100 77 116

HSL 275.38, 0.2%, 0.38%

LAB 36.51, 17.76, -18.67

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 6 / 22 / 0 / 25

HEX #B395BF

RGB 179 149 191

HSL 282.86, 0.25%, 0.67%

LAB 65.62, 18.9, -17.55

 

CMYK 0 / 22 / 0 / 25

HEX #BF95BF

RGB 191 149 191

HSL 300, 0.25%, 0.67%

LAB 66.77, 22.96, -15.7

 

CMYK 0 / 22 / 5 / 25

HEX #BF95B5

RGB 191 149 181

HSL 314.29, 0.25%, 0.67%

LAB 66.45, 21.09, -10.6

 

CMYK 0 / 22 / 12 / 25

HEX #BF95A9

RGB 191 149 169

HSL 331.43, 0.25%, 0.67%

LAB 66.09, 18.97, -4.41

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 18 / 22 / 0 / 25

HEX #9D95BF

RGB 157 149 191

HSL 251.43, 0.25%, 0.67%

LAB 63.69, 11.63, -20.67

 

CMYK 22 / 22 / 0 / 25

HEX #9595BF

RGB 149 149 191

HSL 240, 0.25%, 0.67%

LAB 63.05, 9.07, -21.71

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 19 / 34 / 0 / 20

HEX #A688CD

RGB 166 136 205

HSL 266.09, 0.41%, 0.67%

LAB 61.76, 25.07, -31.43

 

CMYK 25 / 44 / 0 / 14

HEX #A57ADB

RGB 165 122 219

HSL 266.6, 0.57%, 0.67%

LAB 59, 35.98, -43.6

 

CMYK 30 / 53 / 0 / 9

HEX #A36CE8

RGB 163 108 232

HSL 266.61, 0.73%, 0.67%

LAB 56.42, 46.32, -54.99

 

CMYK 34 / 61 / 0 / 4

HEX #A25FF6

RGB 162 95 246

HSL 266.62, 0.89%, 0.67%

LAB 54.57, 56.31, -65.78

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 5 / 8 / 0 / 30

HEX #A9A3B2

RGB 169 163 178

HSL 264, 0.09%, 0.67%

LAB 67.91, 5.04, -6.96

 

CMYK 3 / 0 / 7 / 31

HEX #ABB1A4

RGB 171 177 164

HSL 87.69, 0.08%, 0.67%

LAB 71.41, -4.52, 5.91

 

CMYK 9 / 0 / 21 / 25

HEX #ADBE97

RGB 173 190 151

HSL 86.15, 0.23%, 0.67%

LAB 74.79, -12.83, 17.78

 

CMYK 15 / 0 / 33 / 20

HEX #AECC89

RGB 174 204 137

HSL 86.87, 0.4%, 0.67%

LAB 78.46, -21.63, 30.17

 

CMYK 22 / 19 / 0 / 25

HEX #959ABF

RGB 149 154 191

HSL 232.86, 0.25%, 0.67%

LAB 64.37, 6.24, -19.69

 

CMYK 18 / 22 / 0 / 25

HEX #9C95BF

RGB 156 149 191

HSL 250, 0.25%, 0.67%

LAB 63.61, 11.31, -20.8

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 6 / 22 / 0 / 25

HEX #B395BF

RGB 179 149 191

HSL 282.86, 0.25%, 0.67%

LAB 65.62, 18.9, -17.55

 

CMYK 1 / 22 / 0 / 25

HEX #BE95BF

RGB 190 149 191

HSL 298.57, 0.25%, 0.67%

LAB 66.68, 22.62, -15.86

 

CMYK 22 / 39 / 0 / 37

HEX #7D62A0

RGB 125 98 160

HSL 266.13, 0.25%, 0.51%

LAB 46.49, 23.87, -29.61

 

CMYK 16 / 30 / 0 / 31

HEX #937CB0

RGB 147 124 176

HSL 266.54, 0.25%, 0.59%

LAB 55.84, 19.34, -24.26

 

CMYK 12 / 22 / 0 / 25

HEX #A895BF

RGB 168 149 191

HSL 267.14, 0.25%, 0.67%

LAB 64.63, 15.23, -19.16

 

CMYK 9 / 15 / 0 / 19

HEX #BDAFCF

RGB 189 175 207

HSL 266.25, 0.25%, 0.75%

LAB 73.53, 11.08, -14.38

 

CMYK 5 / 9 / 0 / 13

HEX #D2C9DE

RGB 210 201 222

HSL 265.71, 0.24%, 0.83%

LAB 82.24, 7, -9.29

 

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

CMYK 0 / 22 / 14 / 25

HEX #BF95A5

RGB 191 149 165

HSL 337.14, 0.25%, 0.67%

LAB 65.97, 18.3, -2.33

 

CMYK 22 / 0 / 21 / 25

HEX #95BF97

RGB 149 191 151

HSL 122.86, 0.25%, 0.67%

LAB 73.47, -21.85, 15.7

 

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

CMYK 0 / 12 / 22 / 25

HEX #BFA895

RGB 191 168 149

HSL 27.14, 0.25%, 0.67%

LAB 70.35, 5.32, 12.88

 

CMYK 22 / 0 / 12 / 25

HEX #95BFA8

RGB 149 191 168

HSL 147.14, 0.25%, 0.67%

LAB 73.85, -18.66, 7.05

 

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

CMYK 0 / 22 / 14 / 25

HEX #BF95A5

RGB 191 149 165

HSL 337.14, 0.25%, 0.67%

LAB 65.97, 18.3, -2.33

 

CMYK 9 / 0 / 22 / 25

HEX #ADBF95

RGB 173 191 149

HSL 85.71, 0.25%, 0.67%

LAB 75.02, -13.67, 19.18

 

CMYK 22 / 0 / 8 / 25

HEX #95BFB0

RGB 149 191 176

HSL 158.57, 0.25%, 0.67%

LAB 74.05, -17.05, 2.99

 

CMYK 13 / 22 / 0 / 25

HEX #A895C0

RGB 168 149 192

HSL 266.51, 0.25%, 0.67%

LAB 64.66, 15.44, -19.66

 

CMYK 0 / 22 / 20 / 25

HEX #BF9598

RGB 191 149 152

HSL 355.71, 0.25%, 0.67%

LAB 65.62, 16.2, 4.47

 

CMYK 9 / 0 / 22 / 25

HEX #ADBF95

RGB 173 191 149

HSL 85.71, 0.25%, 0.67%

LAB 75.02, -13.67, 19.18

 

CMYK 22 / 0 / 1 / 25

HEX #95BFBD

RGB 149 191 189

HSL 177.14, 0.25%, 0.67%

LAB 74.4, -14.29, -3.58

 

Description

Color code: HEX #A895C0 | qconv.com Color code: HEX #A895C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 149 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 149 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 22 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 22% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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