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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A891CB it is the complementary color #576E34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A891CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A891CB shade: #AD91C6, #BEA3D9, #CFB5EC, #E0C7FF and #F1D9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A891CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A891CB shade: #A891CB, #977FB8, #866DA5, #755B92 and #64497F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A891CB shade: #A790CB, #B790CB, #C790CB, #CB90BF and #CB90AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A891CB shade: #A790CB, #9790CB and #9090CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A891CB shade matches the following richer shades: #A790CB, #A583D8, #A276E5 and #9F68F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A891CB shade: #A790CB, #AA9DBE, #ADAAB0, #B0B8A3 and #B2C596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A891CB shade: #9099CB, #9790CB, #A790CB, #B690CB and #C690CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A891CB shade: #7B58B0, #9174BE, #A790CB, #BDACD8 and #D4C8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A891CB shade: #A891CB, #CB90A9 and #91CB90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A891CB shade: #A891CB, #CBA790 and #90CBA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A891CB shade: #A891CB, #CB90A9, #B4CB90 and #90CBB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A891CB shade: #A891CB, #CB9097, #B4CB90 and #90CBC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

Complementary color

CMYK 21 / 0 / 53 / 57

HEX #576E34

RGB 87 110 52

HSL 83.79, 0.36%, 0.32%

LAB 43.4, -19, 29.36

 

CMYK 13 / 27 / 0 / 22

HEX #AD91C6

RGB 173 145 198

HSL 271.7, 0.32%, 0.67%

LAB 64.33, 20.63, -23.49

 

CMYK 12 / 25 / 0 / 15

HEX #BEA3D9

RGB 190 163 217

HSL 270, 0.42%, 0.75%

LAB 70.98, 20.09, -23.73

 

CMYK 12 / 23 / 0 / 7

HEX #CFB5EC

RGB 207 181 236

HSL 268.36, 0.59%, 0.82%

LAB 77.5, 19.6, -23.98

 

CMYK 12 / 22 / 0 / 0

HEX #E0C7FF

RGB 224 199 255

HSL 266.79, 1%, 0.89%

LAB 83.92, 19.14, -24.24

 

CMYK 5 / 15 / 0 / 0

HEX #F1D9FF

RGB 241 217 255

HSL 277.89, 1%, 0.93%

LAB 89.65, 15, -15.45

 

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

CMYK 18 / 31 / 0 / 28

HEX #977FB8

RGB 151 127 184

HSL 265.26, 0.29%, 0.61%

LAB 57.29, 20.72, -26.58

 

CMYK 19 / 34 / 0 / 35

HEX #866DA5

RGB 134 109 165

HSL 266.79, 0.24%, 0.54%

LAB 50.36, 21.38, -26.45

 

CMYK 20 / 38 / 0 / 43

HEX #755B92

RGB 117 91 146

HSL 268.36, 0.23%, 0.46%

LAB 43.27, 22.12, -26.36

 

CMYK 21 / 43 / 0 / 50

HEX #64497F

RGB 100 73 127

HSL 270, 0.27%, 0.39%

LAB 36, 22.95, -26.29

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 10 / 29 / 0 / 20

HEX #B790CB

RGB 183 144 203

HSL 279.66, 0.36%, 0.68%

LAB 65.22, 25.48, -24.84

 

CMYK 2 / 29 / 0 / 20

HEX #C790CB

RGB 199 144 203

HSL 295.93, 0.36%, 0.68%

LAB 66.82, 30.68, -22.24

 

CMYK 0 / 29 / 6 / 20

HEX #CB90BF

RGB 203 144 191

HSL 312.2, 0.36%, 0.68%

LAB 66.83, 29.79, -15.5

 

CMYK 0 / 29 / 14 / 20

HEX #CB90AF

RGB 203 144 175

HSL 328.47, 0.36%, 0.68%

LAB 66.32, 27.04, -7.29

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 26 / 29 / 0 / 20

HEX #9790CB

RGB 151 144 203

HSL 247.12, 0.36%, 0.68%

LAB 62.37, 15.44, -29.47

 

CMYK 29 / 29 / 0 / 20

HEX #9090CB

RGB 144 144 203

HSL 240, 0.36%, 0.68%

LAB 61.82, 13.34, -30.37

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 24 / 39 / 0 / 15

HEX #A583D8

RGB 165 131 216

HSL 264, 0.52%, 0.68%

LAB 60.95, 30.18, -38.87

 

CMYK 29 / 48 / 0 / 10

HEX #A276E5

RGB 162 118 229

HSL 263.78, 0.68%, 0.68%

LAB 58.32, 39.82, -50.31

 

CMYK 34 / 57 / 0 / 5

HEX #9F68F2

RGB 159 104 242

HSL 263.91, 0.84%, 0.68%

LAB 55.77, 49.97, -61.65

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 11 / 17 / 0 / 25

HEX #AA9DBE

RGB 170 157 190

HSL 263.64, 0.2%, 0.68%

LAB 66.81, 11.18, -15.28

 

CMYK 2 / 3 / 0 / 31

HEX #ADAAB0

RGB 173 170 176

HSL 270, 0.04%, 0.68%

LAB 70.01, 2.21, -2.71

 

CMYK 4 / 0 / 11 / 28

HEX #B0B8A3

RGB 176 184 163

HSL 82.86, 0.13%, 0.68%

LAB 73.65, -6.61, 9.71

 

CMYK 10 / 0 / 24 / 23

HEX #B2C596

RGB 178 197 150

HSL 84.26, 0.29%, 0.68%

LAB 77.04, -14.74, 21.48

 

CMYK 29 / 25 / 0 / 20

HEX #9099CB

RGB 144 153 203

HSL 230.85, 0.36%, 0.68%

LAB 64.18, 8.19, -26.72

 

CMYK 26 / 29 / 0 / 20

HEX #9790CB

RGB 151 144 203

HSL 247.12, 0.36%, 0.68%

LAB 62.37, 15.44, -29.47

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 10 / 29 / 0 / 20

HEX #B690CB

RGB 182 144 203

HSL 278.64, 0.36%, 0.68%

LAB 65.12, 25.16, -25

 

CMYK 2 / 29 / 0 / 20

HEX #C690CB

RGB 198 144 203

HSL 294.92, 0.36%, 0.68%

LAB 66.72, 30.35, -22.41

 

CMYK 30 / 50 / 0 / 31

HEX #7B58B0

RGB 123 88 176

HSL 263.86, 0.36%, 0.52%

LAB 44.7, 33.25, -41.87

 

CMYK 24 / 39 / 0 / 25

HEX #9174BE

RGB 145 116 190

HSL 263.51, 0.36%, 0.6%

LAB 54.27, 26.68, -34.75

 

CMYK 18 / 29 / 0 / 20

HEX #A790CB

RGB 167 144 203

HSL 263.39, 0.36%, 0.68%

LAB 63.73, 20.38, -27.26

 

CMYK 13 / 20 / 0 / 15

HEX #BDACD8

RGB 189 172 216

HSL 263.18, 0.36%, 0.76%

LAB 73.08, 14.59, -19.99

 

CMYK 7 / 13 / 0 / 10

HEX #D4C8E5

RGB 212 200 229

HSL 264.83, 0.36%, 0.84%

LAB 82.36, 9.55, -12.84

 

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

CMYK 0 / 29 / 17 / 20

HEX #CB90A9

RGB 203 144 169

HSL 334.58, 0.36%, 0.68%

LAB 66.14, 26.06, -4.18

 

CMYK 29 / 0 / 29 / 20

HEX #91CB90

RGB 145 203 144

HSL 118.98, 0.36%, 0.68%

LAB 76.52, -30.25, 23.61

 

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

CMYK 0 / 18 / 29 / 20

HEX #CBA790

RGB 203 167 144

HSL 23.39, 0.36%, 0.68%

LAB 71.11, 9.79, 16.85

 

CMYK 29 / 0 / 18 / 20

HEX #90CBA7

RGB 144 203 167

HSL 143.39, 0.36%, 0.68%

LAB 76.94, -26.43, 11.94

 

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

CMYK 0 / 29 / 17 / 20

HEX #CB90A9

RGB 203 144 169

HSL 334.58, 0.36%, 0.68%

LAB 66.14, 26.06, -4.18

 

CMYK 11 / 0 / 29 / 20

HEX #B4CB90

RGB 180 203 144

HSL 83.39, 0.36%, 0.68%

LAB 78.71, -17.93, 26.94

 

CMYK 29 / 0 / 12 / 20

HEX #90CBB2

RGB 144 203 178

HSL 154.58, 0.36%, 0.68%

LAB 77.19, -24.24, 6.41

 

CMYK 17 / 29 / 0 / 20

HEX #A891CB

RGB 168 145 203

HSL 263.79, 0.36%, 0.68%

LAB 64.07, 20.13, -26.73

 

CMYK 0 / 29 / 26 / 20

HEX #CB9097

RGB 203 144 151

HSL 352.88, 0.36%, 0.68%

LAB 65.65, 23.33, 5.24

 

CMYK 11 / 0 / 29 / 20

HEX #B4CB90

RGB 180 203 144

HSL 83.39, 0.36%, 0.68%

LAB 78.71, -17.93, 26.94

 

CMYK 29 / 0 / 3 / 20

HEX #90CBC4

RGB 144 203 196

HSL 172.88, 0.36%, 0.68%

LAB 77.65, -20.38, -2.61

 

Description

Color code: HEX #A891CB | qconv.com Color code: HEX #A891CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 145 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 145 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 29 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 29% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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