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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8811F it is the complementary color #577EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8811F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8811F shade: #AD811A, #BE932D, #CFA540, #E0B753 and #F1C966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8811F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8811F shade: #A8811F, #976F0C, #865D00, #754B00 and #643900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8811F shade: #A8811F, #A85C1F, #A8371F and #A81F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8811F shade: #A8811F, #A8A61F, #85A81F, #60A81F and #3BA81F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8811F shade matches the following richer shades: #A8811F and #B8880F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8811F shade: #A8811F, #987A2F, #88733F, #786C4F and #68655F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8811F shade: #A8361F, #A85A1F, #A87F1F, #A8A31F and #88A81F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8811F shade: #624B12, #856618, #A8811F, #CB9C25 and #DCAF3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8811F shade: #A8811F, #2DA81F and #481FA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8811F shade: #A8811F, #1FA87F and #7F1FA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8811F shade: #A8811F, #2DA81F, #1F48A8 and #9A1FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8811F shade: #A8811F, #1FA83A, #1F48A8 and #A81F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

Complementary color

CMYK 61 / 44 / 0 / 12

HEX #577EE0

RGB 87 126 224

HSL 222.92, 0.69%, 0.61%

LAB 54.38, 16.36, -54.12

 

CMYK 0 / 25 / 85 / 32

HEX #AD811A

RGB 173 129 26

HSL 42.04, 0.74%, 0.39%

LAB 56.74, 7.97, 56.76

 

CMYK 0 / 23 / 76 / 25

HEX #BE932D

RGB 190 147 45

HSL 42.21, 0.62%, 0.46%

LAB 63.35, 6.34, 56.81

 

CMYK 0 / 20 / 69 / 19

HEX #CFA540

RGB 207 165 64

HSL 42.38, 0.6%, 0.53%

LAB 69.86, 4.97, 56.13

 

CMYK 0 / 18 / 63 / 12

HEX #E0B753

RGB 224 183 83

HSL 42.55, 0.69%, 0.6%

LAB 76.28, 3.81, 55.11

 

CMYK 0 / 17 / 58 / 5

HEX #F1C966

RGB 241 201 102

HSL 42.73, 0.83%, 0.67%

LAB 82.61, 2.82, 53.94

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 26 / 92 / 41

HEX #976F0C

RGB 151 111 12

HSL 42.73, 0.85%, 0.32%

LAB 49.47, 7.66, 53.55

 

CMYK 0 / 31 / 100 / 47

HEX #865D00

RGB 134 93 0

HSL 41.64, 1%, 0.26%

LAB 42.61, 9.83, 50.43

 

CMYK 0 / 36 / 100 / 54

HEX #754B00

RGB 117 75 0

HSL 38.46, 1%, 0.23%

LAB 35.62, 12.36, 44.72

 

CMYK 0 / 43 / 100 / 61

HEX #643900

RGB 100 57 0

HSL 34.2, 1%, 0.2%

LAB 28.47, 15.04, 38.6

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 45 / 82 / 34

HEX #A85C1F

RGB 168 92 31

HSL 26.72, 0.69%, 0.39%

LAB 47.08, 26.61, 46.18

 

CMYK 0 / 67 / 82 / 34

HEX #A8371F

RGB 168 55 31

HSL 10.51, 0.69%, 0.39%

LAB 39.84, 45.16, 39.33

 

CMYK 0 / 82 / 82 / 34

HEX #A81F1F

RGB 168 31 31

HSL 0, 0.69%, 0.39%

LAB 36.75, 53.71, 36.3

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 1 / 82 / 34

HEX #A8A61F

RGB 168 166 31

HSL 59.12, 0.69%, 0.39%

LAB 66.29, -14.13, 63.3

 

CMYK 21 / 0 / 82 / 34

HEX #85A81F

RGB 133 168 31

HSL 75.33, 0.69%, 0.39%

LAB 64.23, -30.15, 60.48

 

CMYK 43 / 0 / 82 / 34

HEX #60A81F

RGB 96 168 31

HSL 91.53, 0.69%, 0.39%

LAB 62.16, -44.17, 57.83

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81F

RGB 59 168 31

HSL 107.74, 0.69%, 0.39%

LAB 60.81, -54.7, 56.1

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 26 / 92 / 28

HEX #B8880F

RGB 184 136 15

HSL 42.96, 0.85%, 0.39%

LAB 59.74, 8.82, 62.4

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 20 / 69 / 40

HEX #987A2F

RGB 152 122 47

HSL 42.86, 0.53%, 0.39%

LAB 52.73, 3.22, 44

 

CMYK 0 / 15 / 54 / 47

HEX #88733F

RGB 136 115 63

HSL 42.74, 0.37%, 0.39%

LAB 49.32, 1.16, 31.58

 

CMYK 0 / 10 / 34 / 53

HEX #786C4F

RGB 120 108 79

HSL 42.44, 0.21%, 0.39%

LAB 46.02, -0.04, 17.97

 

CMYK 0 / 3 / 9 / 59

HEX #68655F

RGB 104 101 95

HSL 40, 0.05%, 0.39%

LAB 42.88, -0.01, 3.81

 

CMYK 0 / 68 / 82 / 34

HEX #A8361F

RGB 168 54 31

HSL 10.07, 0.69%, 0.39%

LAB 39.68, 45.59, 39.18

 

CMYK 0 / 46 / 82 / 34

HEX #A85A1F

RGB 168 90 31

HSL 25.84, 0.69%, 0.39%

LAB 46.63, 27.71, 45.77

 

CMYK 0 / 24 / 82 / 34

HEX #A87F1F

RGB 168 127 31

HSL 42.04, 0.69%, 0.39%

LAB 55.69, 6.97, 54

 

CMYK 0 / 3 / 82 / 34

HEX #A8A31F

RGB 168 163 31

HSL 57.81, 0.69%, 0.39%

LAB 65.45, -12.58, 62.57

 

CMYK 19 / 0 / 82 / 34

HEX #88A81F

RGB 136 168 31

HSL 74.01, 0.69%, 0.39%

LAB 64.43, -28.91, 60.73

 

CMYK 0 / 23 / 82 / 62

HEX #624B12

RGB 98 75 18

HSL 42.75, 0.69%, 0.23%

LAB 33.29, 3.53, 35.5

 

CMYK 0 / 23 / 82 / 48

HEX #856618

RGB 133 102 24

HSL 42.94, 0.69%, 0.31%

LAB 45.02, 4.7, 45.45

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 0 / 23 / 82 / 20

HEX #CB9C25

RGB 203 156 37

HSL 43.01, 0.69%, 0.47%

LAB 66.98, 6.91, 63.43

 

CMYK 0 / 20 / 72 / 14

HEX #DCAF3E

RGB 220 175 62

HSL 42.91, 0.69%, 0.55%

LAB 73.69, 5.15, 61.29

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 73 / 0 / 82 / 34

HEX #2DA81F

RGB 45 168 31

HSL 113.87, 0.69%, 0.39%

LAB 60.48, -57.48, 55.67

 

CMYK 57 / 82 / 0 / 34

HEX #481FA8

RGB 72 31 168

HSL 257.96, 0.69%, 0.39%

LAB 27.26, 51.4, -65.62

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 82 / 0 / 24 / 34

HEX #1FA87F

RGB 31 168 127

HSL 162.04, 0.69%, 0.39%

LAB 61.51, -44.84, 11.38

 

CMYK 24 / 82 / 0 / 34

HEX #7F1FA8

RGB 127 31 168

HSL 282.04, 0.69%, 0.39%

LAB 34.64, 59.58, -53.25

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 73 / 0 / 82 / 34

HEX #2DA81F

RGB 45 168 31

HSL 113.87, 0.69%, 0.39%

LAB 60.48, -57.48, 55.67

 

CMYK 82 / 57 / 0 / 34

HEX #1F48A8

RGB 31 72 168

HSL 222.04, 0.69%, 0.39%

LAB 33.46, 22.45, -55.55

 

CMYK 8 / 82 / 0 / 34

HEX #9A1FA8

RGB 154 31 168

HSL 293.87, 0.69%, 0.39%

LAB 39.03, 64.51, -45.94

 

CMYK 0 / 23 / 82 / 34

HEX #A8811F

RGB 168 129 31

HSL 42.92, 0.69%, 0.39%

LAB 56.21, 5.85, 54.47

 

CMYK 82 / 0 / 65 / 34

HEX #1FA83A

RGB 31 168 58

HSL 131.82, 0.69%, 0.39%

LAB 60.43, -57.26, 45.58

 

CMYK 82 / 57 / 0 / 34

HEX #1F48A8

RGB 31 72 168

HSL 222.04, 0.69%, 0.39%

LAB 33.46, 22.45, -55.55

 

CMYK 0 / 82 / 16 / 34

HEX #A81F8D

RGB 168 31 141

HSL 311.82, 0.69%, 0.39%

LAB 39.96, 63.18, -27.97

 

Description

Color code: HEX #A8811F | qconv.com Color code: HEX #A8811F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 129 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 129 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 82 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 82% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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