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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A87F62 it is the complementary color #57809D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A87F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A87F62 shade: #AD7F5D, #BE9170, #CFA383, #E0B596 and #F1C7A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A87F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A87F62 shade: #A87F62, #976D4F, #865B3C, #754929 and #643716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A87F62 shade: #A87F61, #A86B61 and #A86161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A87F62 shade: #A87F61, #A89261, #A8A561, #98A861 and #85A861

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A87F62 shade matches the following richer shades: #A87F61, #BC7B4D, #D07839, #E47426 and #F77112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A87F62 shade: #A87F61, #948275, #808589, #6D899D and #598CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A87F62 shade: #A8616B, #A86B61, #A87E61, #A89061 and #A8A361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A87F62 shade: #765741, #906A4F, #A87F61, #B7947C and #C5AA96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A87F62 shade: #A87F62, #7EA861 and #6161A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A87F62 shade: #A87F62, #61A87E and #7E61A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A87F62 shade: #A87F62, #7EA861, #618CA8 and #8C61A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A87F62 shade: #A87F62, #68A861, #618CA8 and #A161A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

Complementary color

CMYK 45 / 18 / 0 / 38

HEX #57809D

RGB 87 128 157

HSL 204.86, 0.29%, 0.48%

LAB 51.72, -6.19, -19.98

 

CMYK 0 / 27 / 46 / 32

HEX #AD7F5D

RGB 173 127 93

HSL 25.5, 0.33%, 0.52%

LAB 56.93, 13.5, 25.43

 

CMYK 0 / 24 / 41 / 25

HEX #BE9170

RGB 190 145 112

HSL 25.38, 0.38%, 0.59%

LAB 63.65, 12.63, 24.07

 

CMYK 0 / 21 / 37 / 19

HEX #CFA383

RGB 207 163 131

HSL 25.26, 0.44%, 0.66%

LAB 70.24, 11.87, 22.83

 

CMYK 0 / 19 / 33 / 12

HEX #E0B596

RGB 224 181 150

HSL 25.14, 0.54%, 0.73%

LAB 76.74, 11.21, 21.68

 

CMYK 0 / 17 / 30 / 5

HEX #F1C7A9

RGB 241 199 169

HSL 25, 0.72%, 0.8%

LAB 83.13, 10.63, 20.61

 

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

CMYK 0 / 28 / 48 / 41

HEX #976D4F

RGB 151 109 79

HSL 25, 0.31%, 0.45%

LAB 49.59, 12.88, 23.31

 

CMYK 0 / 32 / 55 / 47

HEX #865B3C

RGB 134 91 60

HSL 25.14, 0.38%, 0.38%

LAB 42.58, 13.99, 24.88

 

CMYK 0 / 38 / 65 / 54

HEX #754929

RGB 117 73 41

HSL 25.26, 0.48%, 0.31%

LAB 35.41, 15.36, 26.64

 

CMYK 0 / 45 / 78 / 61

HEX #643716

RGB 100 55 22

HSL 25.38, 0.64%, 0.24%

LAB 28.11, 17.08, 28.5

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 36 / 42 / 34

HEX #A86B61

RGB 168 107 97

HSL 8.45, 0.29%, 0.52%

LAB 51.5, 23.15, 15.75

 

CMYK 0 / 42 / 42 / 34

HEX #A86161

RGB 168 97 97

HSL 0, 0.29%, 0.52%

LAB 49.18, 28.74, 12.54

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 13 / 42 / 34

HEX #A89261

RGB 168 146 97

HSL 41.41, 0.29%, 0.52%

LAB 61.43, 1.23, 28.98

 

CMYK 0 / 2 / 42 / 34

HEX #A8A561

RGB 168 165 97

HSL 57.46, 0.29%, 0.52%

LAB 66.59, -9.04, 35.56

 

CMYK 10 / 0 / 42 / 34

HEX #98A861

RGB 152 168 97

HSL 73.52, 0.29%, 0.52%

LAB 66.17, -17.15, 34.75

 

CMYK 21 / 0 / 42 / 34

HEX #85A861

RGB 133 168 97

HSL 89.58, 0.29%, 0.52%

LAB 64.85, -24.6, 32.8

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 35 / 59 / 26

HEX #BC7B4D

RGB 188 123 77

HSL 24.86, 0.45%, 0.52%

LAB 57.46, 20.61, 35.27

 

CMYK 0 / 42 / 73 / 18

HEX #D07839

RGB 208 120 57

HSL 25.03, 0.62%, 0.52%

LAB 59.1, 29.36, 48.07

 

CMYK 0 / 49 / 83 / 11

HEX #E47426

RGB 228 116 38

HSL 24.63, 0.78%, 0.52%

LAB 60.89, 38.81, 58.99

 

CMYK 0 / 54 / 93 / 3

HEX #F77112

RGB 247 113 18

HSL 24.89, 0.93%, 0.52%

LAB 63.03, 47.21, 67.96

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 12 / 21 / 42

HEX #948275

RGB 148 130 117

HSL 25.16, 0.13%, 0.52%

LAB 55.63, 4.65, 9.54

 

CMYK 7 / 3 / 0 / 46

HEX #808589

RGB 128 133 137

HSL 206.67, 0.04%, 0.52%

LAB 55.25, -1.02, -2.79

 

CMYK 31 / 13 / 0 / 38

HEX #6D899D

RGB 109 137 157

HSL 205, 0.2%, 0.52%

LAB 55.66, -5, -13.87

 

CMYK 49 / 20 / 0 / 31

HEX #598CB0

RGB 89 140 176

HSL 204.83, 0.36%, 0.52%

LAB 56.1, -6.92, -24.2

 

CMYK 0 / 42 / 36 / 34

HEX #A8616B

RGB 168 97 107

HSL 351.55, 0.29%, 0.52%

LAB 49.42, 29.95, 6.91

 

CMYK 0 / 36 / 42 / 34

HEX #A86B61

RGB 168 107 97

HSL 8.45, 0.29%, 0.52%

LAB 51.5, 23.15, 15.75

 

CMYK 0 / 25 / 42 / 34

HEX #A87E61

RGB 168 126 97

HSL 24.51, 0.29%, 0.52%

LAB 56.2, 12.41, 22.1

 

CMYK 0 / 14 / 42 / 34

HEX #A89061

RGB 168 144 97

HSL 39.72, 0.29%, 0.52%

LAB 60.9, 2.33, 28.29

 

CMYK 0 / 3 / 42 / 34

HEX #A8A361

RGB 168 163 97

HSL 55.77, 0.29%, 0.52%

LAB 66.05, -7.98, 34.86

 

CMYK 0 / 26 / 45 / 54

HEX #765741

RGB 118 87 65

HSL 24.91, 0.29%, 0.36%

LAB 39.66, 9.74, 17.77

 

CMYK 0 / 26 / 45 / 44

HEX #906A4F

RGB 144 106 79

HSL 24.92, 0.29%, 0.44%

LAB 48.01, 11.58, 21.07

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 19 / 32 / 28

HEX #B7947C

RGB 183 148 124

HSL 24.41, 0.29%, 0.6%

LAB 63.92, 9.61, 17.65

 

CMYK 0 / 14 / 24 / 23

HEX #C5AA96

RGB 197 170 150

HSL 25.53, 0.29%, 0.68%

LAB 71.43, 6.69, 13.93

 

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

CMYK 25 / 0 / 42 / 34

HEX #7EA861

RGB 126 168 97

HSL 95.49, 0.29%, 0.52%

LAB 64.41, -27.23, 32.15

 

CMYK 42 / 42 / 0 / 34

HEX #6161A8

RGB 97 97 168

HSL 240, 0.29%, 0.52%

LAB 44.12, 18.52, -38.24

 

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

CMYK 42 / 0 / 25 / 34

HEX #61A87E

RGB 97 168 126

HSL 144.51, 0.29%, 0.52%

LAB 63.39, -31.97, 14.85

 

CMYK 25 / 42 / 0 / 34

HEX #7E61A8

RGB 126 97 168

HSL 264.51, 0.29%, 0.52%

LAB 46.73, 26.76, -33.94

 

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

CMYK 25 / 0 / 42 / 34

HEX #7EA861

RGB 126 168 97

HSL 95.49, 0.29%, 0.52%

LAB 64.41, -27.23, 32.15

 

CMYK 42 / 17 / 0 / 34

HEX #618CA8

RGB 97 140 168

HSL 203.66, 0.29%, 0.52%

LAB 56.21, -7.2, -19.42

 

CMYK 17 / 42 / 0 / 34

HEX #8C61A8

RGB 140 97 168

HSL 276.34, 0.29%, 0.52%

LAB 48.2, 31.01, -31.53

 

CMYK 0 / 24 / 42 / 34

HEX #A87F62

RGB 168 127 98

HSL 24.86, 0.29%, 0.52%

LAB 56.47, 11.96, 21.9

 

CMYK 38 / 0 / 42 / 34

HEX #68A861

RGB 104 168 97

HSL 114.08, 0.29%, 0.52%

LAB 63.19, -34.94, 30.34

 

CMYK 42 / 17 / 0 / 34

HEX #618CA8

RGB 97 140 168

HSL 203.66, 0.29%, 0.52%

LAB 56.21, -7.2, -19.42

 

CMYK 4 / 42 / 0 / 34

HEX #A161A8

RGB 161 97 168

HSL 294.08, 0.29%, 0.52%

LAB 50.63, 37.53, -27.55

 

Description

Color code: HEX #A87F62 | qconv.com Color code: HEX #A87F62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 127 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 127 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 42 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 42% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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