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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A87EF1CE it is the complementary color #57810ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A87EF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A87EF1CE shade: #AD7EECCE, #BE90FFCE, #CFA2FFCE, #E0B4FFCE and #F1C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A87EF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A87EF1CE shade: #A87EF1CE, #976CDECE, #865ACBCE, #7548B8CE and #6436A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A87EF1CE shade: #A87EF1, #C77EF1, #E67EF1, #F17EDD and #F17EBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A87EF1CE shade: #A87EF1, #897EF1 and #7E7EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A87EF1CE shade matches the following richer shades: #A87EF1 and #A573FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A87EF1CE shade: #A87EF1, #AB8AE5, #AE96DA, #B2A1CE and #B5ADC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A87EF1CE shade: #7E93F1, #887EF1, #A67EF1, #C57EF1 and #E37EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A87EF1CE shade: #7634E8, #8F59ED, #A87EF1, #C1A4F5 and #DAC9F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A87EF1CE shade: #A87EF1, #F17EB2 and #84F17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A87EF1CE shade: #A87EF1, #F1A67E and #7EF1A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A87EF1CE shade: #A87EF1, #F17EB2, #C9F17E and #7EF1BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A87EF1CE shade: #A87EF1, #F17E90, #C9F17E and #7EF1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 39 / 0 / 4

HEX #A87EF1CE

RGBA 168 126 241 0.81

HSLA 261.91, 0.8%, 0.72%, 0.81

LABA 61.31, 39.87, -52.2, 0.81

 

Complementary color

CMYK 26 / 0 / 72 / 40

HEX #57810ECE

RGBA 87 129 14 0.81

HSLA 81.91, 0.8%, 0.28%, 0.81

LABA 49.2, -31.19, 50.58, 0.81

 

CMYK 22 / 38 / 0 / 6

HEX #AD7EECCE

RGBA 173 126 236 0.81

HSLA 265.64, 0.74%, 0.71%, 0.81

LABA 61.54, 39.97, -49.03, 0.81

 

CMYK 21 / 35 / 0 / 0

HEX #BE90FFCE

RGBA 190 144 255 0.81

HSLA 264.86, 1%, 0.78%, 0.81

LABA 68.1, 39.1, -48.99, 0.81

 

CMYK 15 / 30 / 0 / 0

HEX #CFA2FFCE

RGBA 207 162 255 0.81

HSLA 269.03, 1%, 0.82%, 0.81

LABA 73.76, 34.03, -40.02, 0.81

 

CMYK 10 / 24 / 0 / 0

HEX #E0B4FFCE

RGBA 224 180 255 0.81

HSLA 275.2, 1%, 0.85%, 0.81

LABA 79.45, 29.35, -31.08, 0.81

 

CMYK 4 / 18 / 0 / 0

HEX #F1C6FFCE

RGBA 241 198 255 0.81

HSLA 285.26, 1%, 0.89%, 0.81

LABA 85.15, 25.04, -22.23, 0.81

 

CMYK 25 / 39 / 0 / 4

HEX #A87EF1CE

RGBA 168 126 241 0.81

HSLA 261.91, 0.8%, 0.72%, 0.81

LABA 61.31, 39.87, -52.2, 0.81

 

CMYK 26 / 42 / 0 / 10

HEX #976CDECE

RGBA 151 108 222 0.81

HSLA 262.63, 0.63%, 0.65%, 0.81

LABA 54.64, 40.85, -52.31, 0.81

 

CMYK 28 / 45 / 0 / 17

HEX #865ACBCE

RGBA 134 90 203 0.81

HSLA 263.36, 0.52%, 0.57%, 0.81

LABA 47.87, 41.9, -52.42, 0.81

 

CMYK 29 / 49 / 0 / 23

HEX #7548B8CE

RGBA 117 72 184 0.81

HSLA 264.11, 0.44%, 0.5%, 0.81

LABA 41.02, 42.97, -52.49, 0.81

 

CMYK 32 / 54 / 0 / 29

HEX #6436A5CE

RGBA 100 54 165 0.81

HSLA 264.86, 0.51%, 0.43%, 0.81

LABA 34.12, 43.99, -52.46, 0.81

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 17 / 48 / 0 / 5

HEX #C77EF1

RGB 199 126 241

HSL 278.09, 0.8%, 0.72%

LAB 64.5, 48.12, -46.94

 

CMYK 5 / 48 / 0 / 5

HEX #E67EF1

RGB 230 126 241

HSL 294.26, 0.8%, 0.72%

LAB 68.09, 56.63, -41.04

 

CMYK 0 / 48 / 8 / 5

HEX #F17EDD

RGB 241 126 221

HSL 310.43, 0.8%, 0.72%

LAB 68.64, 56.31, -29.05

 

CMYK 0 / 48 / 21 / 5

HEX #F17EBE

RGB 241 126 190

HSL 326.61, 0.8%, 0.72%

LAB 67.53, 51.57, -13.43

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 43 / 48 / 0 / 5

HEX #897EF1

RGB 137 126 241

HSL 245.74, 0.8%, 0.72%

LAB 58.59, 32.21, -56.68

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF1

RGB 126 126 241

HSL 240, 0.8%, 0.72%

LAB 57.76, 29.7, -58.06

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 35 / 54 / 0 / 1

HEX #A573FC

RGB 165 115 252

HSL 261.9, 0.96%, 0.72%

LAB 59.24, 47.92, -61.58

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 25 / 40 / 0 / 10

HEX #AB8AE5

RGB 171 138 229

HSL 261.76, 0.64%, 0.72%

LAB 63.75, 31.04, -41.68

 

CMYK 20 / 31 / 0 / 15

HEX #AE96DA

RGB 174 150 218

HSL 261.18, 0.48%, 0.72%

LAB 66.42, 22.57, -31.4

 

CMYK 14 / 22 / 0 / 19

HEX #B2A1CE

RGB 178 161 206

HSL 262.67, 0.31%, 0.72%

LAB 69.05, 14.99, -20.7

 

CMYK 7 / 11 / 0 / 24

HEX #B5ADC3

RGB 181 173 195

HSL 261.82, 0.15%, 0.72%

LAB 71.99, 7.06, -10.17

 

CMYK 48 / 39 / 0 / 5

HEX #7E93F1

RGB 126 147 241

HSL 229.04, 0.8%, 0.72%

LAB 63.06, 17.33, -49.63

 

CMYK 44 / 48 / 0 / 5

HEX #887EF1

RGB 136 126 241

HSL 245.22, 0.8%, 0.72%

LAB 58.52, 31.97, -56.81

 

CMYK 31 / 48 / 0 / 5

HEX #A67EF1

RGB 166 126 241

HSL 260.87, 0.8%, 0.72%

LAB 61.12, 39.36, -52.51

 

CMYK 18 / 48 / 0 / 5

HEX #C57EF1

RGB 197 126 241

HSL 277.04, 0.8%, 0.72%

LAB 64.28, 47.58, -47.3

 

CMYK 6 / 48 / 0 / 5

HEX #E37EF1

RGB 227 126 241

HSL 292.7, 0.8%, 0.72%

LAB 67.73, 55.8, -41.64

 

CMYK 49 / 78 / 0 / 9

HEX #7634E8

RGB 118 52 232

HSL 262, 0.8%, 0.56%

LAB 41.43, 65.23, -79.53

 

CMYK 40 / 62 / 0 / 7

HEX #8F59ED

RGB 143 89 237

HSL 261.89, 0.8%, 0.64%

LAB 50.8, 53.19, -66.95

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 21 / 33 / 0 / 4

HEX #C1A4F5

RGB 193 164 245

HSL 261.48, 0.8%, 0.8%

LAB 72.55, 26.6, -36.57

 

CMYK 12 / 19 / 0 / 2

HEX #DAC9F9

RGB 218 201 249

HSL 261.25, 0.8%, 0.88%

LAB 83.71, 14.96, -21.41

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 48 / 26 / 5

HEX #F17EB2

RGB 241 126 178

HSL 332.87, 0.8%, 0.72%

LAB 67.15, 49.92, -7.24

 

CMYK 45 / 0 / 48 / 5

HEX #84F17E

RGB 132 241 126

HSL 116.87, 0.8%, 0.72%

LAB 86.66, -53.58, 45.77

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 31 / 48 / 5

HEX #F1A67E

RGB 241 166 126

HSL 20.87, 0.8%, 0.72%

LAB 74.5, 23.22, 31.83

 

CMYK 48 / 0 / 31 / 5

HEX #7EF1A6

RGB 126 241 166

HSL 140.87, 0.8%, 0.72%

LAB 87.05, -48.94, 26.37

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 48 / 26 / 5

HEX #F17EB2

RGB 241 126 178

HSL 332.87, 0.8%, 0.72%

LAB 67.15, 49.92, -7.24

 

CMYK 17 / 0 / 48 / 5

HEX #C9F17E

RGB 201 241 126

HSL 80.87, 0.8%, 0.72%

LAB 90.25, -30.69, 50.99

 

CMYK 48 / 0 / 22 / 5

HEX #7EF1BD

RGB 126 241 189

HSL 152.87, 0.8%, 0.72%

LAB 87.49, -44.51, 15.15

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 48 / 40 / 5

HEX #F17E90

RGB 241 126 144

HSL 350.61, 0.8%, 0.72%

LAB 66.24, 45.8, 10.66

 

CMYK 17 / 0 / 48 / 5

HEX #C9F17E

RGB 201 241 126

HSL 80.87, 0.8%, 0.72%

LAB 90.25, -30.69, 50.99

 

CMYK 48 / 0 / 7 / 5

HEX #7EF1E0

RGB 126 241 224

HSL 171.13, 0.8%, 0.72%

LAB 88.32, -36.78, -1.91

 

Description

Color code: HEX #A87EF1CE | qconv.com Color code: HEX #A87EF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 126 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 126 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 39 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 39% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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