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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8693E it is the complementary color #5796C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8693E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8693E shade: #AD6939, #BE7B4C, #CF8D5F, #E09F72 and #F1B185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8693E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8693E shade: #A8693E, #97572B, #864518, #753305 and #642100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8693E shade: #A8693E, #A84C3E and #A83E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8693E shade: #A8693E, #A8853E, #A8A23E, #91A83E and #74A83E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8693E shade matches the following richer shades: #A8693E, #BA652B, #CD6219 and #DF5E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8693E shade: #A8693E, #956C51, #827063, #707376 and #5D7788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8693E shade: #A83E4C, #A84C3E, #A8683E, #A8843E and #A8A03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8693E shade: #6B4328, #895633, #A8693E, #BE7D50 and #CA936E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8693E shade: #A8693E, #68A83E and #3E3EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8693E shade: #A8693E, #3EA868 and #683EA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8693E shade: #A8693E, #68A83E, #3E7DA8 and #7D3EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8693E shade: #A8693E, #49A83E, #3E7DA8 and #9D3EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

Complementary color

CMYK 55 / 22 / 0 / 24

HEX #5796C1

RGB 87 150 193

HSL 204.34, 0.46%, 0.55%

LAB 59.61, -7.85, -28.45

 

CMYK 0 / 39 / 67 / 32

HEX #AD6939

RGB 173 105 57

HSL 24.83, 0.5%, 0.45%

LAB 51.02, 22.82, 37.87

 

CMYK 0 / 35 / 60 / 25

HEX #BE7B4C

RGB 190 123 76

HSL 24.74, 0.47%, 0.52%

LAB 57.69, 21.37, 36.14

 

CMYK 0 / 32 / 54 / 19

HEX #CF8D5F

RGB 207 141 95

HSL 24.64, 0.54%, 0.59%

LAB 64.28, 20.13, 34.53

 

CMYK 0 / 29 / 49 / 12

HEX #E09F72

RGB 224 159 114

HSL 24.55, 0.64%, 0.66%

LAB 70.77, 19.04, 33.03

 

CMYK 0 / 27 / 45 / 5

HEX #F1B185

RGB 241 177 133

HSL 24.44, 0.79%, 0.73%

LAB 77.18, 18.09, 31.64

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 42 / 72 / 41

HEX #97572B

RGB 151 87 43

HSL 24.44, 0.56%, 0.38%

LAB 43.61, 22.58, 36.13

 

CMYK 0 / 49 / 82 / 47

HEX #864518

RGB 134 69 24

HSL 24.55, 0.7%, 0.31%

LAB 36.73, 24.43, 37.81

 

CMYK 0 / 56 / 96 / 54

HEX #753305

RGB 117 51 5

HSL 24.64, 0.92%, 0.24%

LAB 29.81, 26.54, 38.78

 

CMYK 0 / 67 / 100 / 61

HEX #642100

RGB 100 33 0

HSL 19.8, 1%, 0.2%

LAB 22.99, 28.79, 33.52

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 55 / 63 / 34

HEX #A84C3E

RGB 168 76 62

HSL 7.92, 0.46%, 0.45%

LAB 44, 36.77, 26.53

 

CMYK 0 / 63 / 63 / 34

HEX #A83E3E

RGB 168 62 62

HSL 0, 0.46%, 0.45%

LAB 41.4, 43.59, 23.25

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 21 / 63 / 34

HEX #A8853E

RGB 168 133 62

HSL 40.19, 0.46%, 0.45%

LAB 57.51, 5.23, 42.52

 

CMYK 0 / 4 / 63 / 34

HEX #A8A23E

RGB 168 162 62

HSL 56.6, 0.46%, 0.45%

LAB 65.37, -10.53, 51.15

 

CMYK 14 / 0 / 63 / 34

HEX #91A83E

RGB 145 168 62

HSL 73.02, 0.46%, 0.45%

LAB 65.26, -23.4, 50.49

 

CMYK 31 / 0 / 63 / 34

HEX #74A83E

RGB 116 168 62

HSL 89.43, 0.46%, 0.45%

LAB 63.4, -34.89, 47.93

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 46 / 77 / 27

HEX #BA652B

RGB 186 101 43

HSL 24.34, 0.62%, 0.45%

LAB 51.75, 29.79, 46.18

 

CMYK 0 / 52 / 88 / 20

HEX #CD6219

RGB 205 98 25

HSL 24.33, 0.78%, 0.45%

LAB 53.8, 38.52, 56.4

 

CMYK 0 / 58 / 97 / 13

HEX #DF5E06

RGB 223 94 6

HSL 24.33, 0.95%, 0.45%

LAB 55.79, 47.1, 63.84

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 28 / 46 / 42

HEX #956C51

RGB 149 108 81

HSL 23.82, 0.3%, 0.45%

LAB 49.14, 12.81, 21.51

 

CMYK 0 / 14 / 24 / 49

HEX #827063

RGB 130 112 99

HSL 25.16, 0.14%, 0.45%

LAB 48.55, 4.85, 9.83

 

CMYK 5 / 3 / 0 / 54

HEX #707376

RGB 112 115 118

HSL 210, 0.03%, 0.45%

LAB 48.28, -0.51, -2.06

 

CMYK 32 / 13 / 0 / 47

HEX #5D7788

RGB 93 119 136

HSL 203.72, 0.19%, 0.45%

LAB 48.63, -5.1, -12.34

 

CMYK 0 / 63 / 55 / 34

HEX #A83E4C

RGB 168 62 76

HSL 352.08, 0.46%, 0.45%

LAB 41.68, 44.65, 14.98

 

CMYK 0 / 55 / 63 / 34

HEX #A84C3E

RGB 168 76 62

HSL 7.92, 0.46%, 0.45%

LAB 44, 36.77, 26.53

 

CMYK 0 / 38 / 63 / 34

HEX #A8683E

RGB 168 104 62

HSL 23.77, 0.46%, 0.45%

LAB 50.18, 21.57, 34.05

 

CMYK 0 / 21 / 63 / 34

HEX #A8843E

RGB 168 132 62

HSL 39.62, 0.46%, 0.45%

LAB 57.25, 5.79, 42.22

 

CMYK 0 / 5 / 63 / 34

HEX #A8A03E

RGB 168 160 62

HSL 55.47, 0.46%, 0.45%

LAB 64.81, -9.47, 50.55

 

CMYK 0 / 37 / 63 / 58

HEX #6B4328

RGB 107 67 40

HSL 24.18, 0.46%, 0.29%

LAB 32.47, 14.28, 23.36

 

CMYK 0 / 37 / 63 / 46

HEX #895633

RGB 137 86 51

HSL 24.42, 0.46%, 0.37%

LAB 41.55, 17.5, 28.88

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 0 / 34 / 58 / 25

HEX #BE7D50

RGB 190 125 80

HSL 24.55, 0.46%, 0.53%

LAB 58.22, 20.58, 34.64

 

CMYK 0 / 27 / 46 / 21

HEX #CA936E

RGB 202 147 110

HSL 24.13, 0.46%, 0.61%

LAB 65.4, 16.22, 27.72

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 38 / 0 / 63 / 34

HEX #68A83E

RGB 104 168 62

HSL 96.23, 0.46%, 0.45%

LAB 62.76, -39.22, 47.04

 

CMYK 63 / 63 / 0 / 34

HEX #3E3EA8

RGB 62 62 168

HSL 240, 0.46%, 0.45%

LAB 32.47, 33.07, -57.1

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 63 / 0 / 38 / 34

HEX #3EA868

RGB 62 168 104

HSL 143.77, 0.46%, 0.45%

LAB 61.68, -45.12, 24.33

 

CMYK 38 / 63 / 0 / 34

HEX #683EA8

RGB 104 62 168

HSL 263.77, 0.46%, 0.45%

LAB 36.4, 41.32, -50.55

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 38 / 0 / 63 / 34

HEX #68A83E

RGB 104 168 62

HSL 96.23, 0.46%, 0.45%

LAB 62.76, -39.22, 47.04

 

CMYK 63 / 26 / 0 / 34

HEX #3E7DA8

RGB 62 125 168

HSL 204.34, 0.46%, 0.45%

LAB 50.12, -6.7, -28.95

 

CMYK 26 / 63 / 0 / 34

HEX #7D3EA8

RGB 125 62 168

HSL 275.66, 0.46%, 0.45%

LAB 38.95, 46.2, -46.3

 

CMYK 0 / 38 / 63 / 34

HEX #A8693E

RGB 168 105 62

HSL 24.34, 0.46%, 0.45%

LAB 50.42, 21.01, 34.33

 

CMYK 57 / 0 / 63 / 34

HEX #49A83E

RGB 73 168 62

HSL 113.77, 0.46%, 0.45%

LAB 61.45, -48.76, 45.23

 

CMYK 63 / 26 / 0 / 34

HEX #3E7DA8

RGB 62 125 168

HSL 204.34, 0.46%, 0.45%

LAB 50.12, -6.7, -28.95

 

CMYK 7 / 63 / 0 / 34

HEX #9D3EA8

RGB 157 62 168

HSL 293.77, 0.46%, 0.45%

LAB 43.42, 54.08, -38.91

 

Description

Color code: HEX #A8693E | qconv.com Color code: HEX #A8693E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 105 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 105 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 63 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 63% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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