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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8596C it is the complementary color #57A693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8596C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8596C shade: #AD5967, #BE6B7A, #CF7D8D, #E08FA0 and #F1A1B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8596C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8596C shade: #A8596C, #974759, #863546, #752333 and #641120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8596C shade: #A7586B and #A75858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8596C shade: #A7586B, #A75880, #A75896, #A358A7 and #8E58A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8596C shade matches the following richer shades: #A7586B, #BC4360, #D02F56, #E51A4B and #FA0540

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8596C shade: #A7586B, #926D76, #7E8180, #69968B and #55AA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8596C shade: #A75896, #A75881, #A7586C, #A75958 and #A76E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8596C shade: #713C48, #8C4A5A, #A7586B, #B57383 and #C38E9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8596C shade: #A8596C, #A7A358 and #588BA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8596C shade: #A8596C, #6CA758 and #586CA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8596C shade: #A8596C, #A7A358, #58A793 and #585CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8596C shade: #A8596C, #93A758, #58A793 and #6C58A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

Complementary color

CMYK 48 / 0 / 11 / 35

HEX #57A693

RGB 87 166 147

HSL 165.57, 0.31%, 0.5%

LAB 62.85, -29.04, 2.34

 

CMYK 0 / 49 / 40 / 32

HEX #AD5967

RGB 173 89 103

HSL 350, 0.34%, 0.51%

LAB 48.27, 35.69, 7.77

 

CMYK 0 / 44 / 36 / 25

HEX #BE6B7A

RGB 190 107 122

HSL 349.16, 0.39%, 0.58%

LAB 54.94, 34.7, 6.3

 

CMYK 0 / 40 / 32 / 19

HEX #CF7D8D

RGB 207 125 141

HSL 348.29, 0.46%, 0.65%

LAB 61.53, 33.75, 5.04

 

CMYK 0 / 36 / 29 / 12

HEX #E08FA0

RGB 224 143 160

HSL 347.41, 0.57%, 0.72%

LAB 68.04, 32.88, 3.93

 

CMYK 0 / 33 / 26 / 5

HEX #F1A1B3

RGB 241 161 179

HSL 346.5, 0.74%, 0.79%

LAB 74.47, 32.06, 2.94

 

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

CMYK 0 / 53 / 41 / 41

HEX #974759

RGB 151 71 89

HSL 346.5, 0.36%, 0.44%

LAB 40.91, 35.42, 5.41

 

CMYK 0 / 60 / 48 / 47

HEX #863546

RGB 134 53 70

HSL 347.41, 0.43%, 0.37%

LAB 34.1, 36.34, 7.4

 

CMYK 0 / 70 / 56 / 54

HEX #752333

RGB 117 35 51

HSL 348.29, 0.54%, 0.3%

LAB 27.36, 37, 10.04

 

CMYK 0 / 83 / 68 / 61

HEX #641120

RGB 100 17 32

HSL 349.16, 0.71%, 0.23%

LAB 20.88, 36.92, 13.75

 

CMYK 0 / 47 / 36 / 35

HEX #A7586B

RGB 167 88 107

HSL 345.57, 0.31%, 0.5%

LAB 47.31, 34.48, 3.87

 

CMYK 0 / 47 / 47 / 35

HEX #A75858

RGB 167 88 88

HSL 0, 0.31%, 0.5%

LAB 46.84, 32.3, 14.68

 

CMYK 0 / 47 / 36 / 35

HEX #A7586B

RGB 167 88 107

HSL 345.57, 0.31%, 0.5%

LAB 47.31, 34.48, 3.87

 

CMYK 0 / 47 / 23 / 35

HEX #A75880

RGB 167 88 128

HSL 329.62, 0.31%, 0.5%

LAB 47.95, 37.39, -7.86

 

CMYK 0 / 47 / 10 / 35

HEX #A75896

RGB 167 88 150

HSL 312.91, 0.31%, 0.5%

LAB 48.76, 40.94, -19.78

 

CMYK 2 / 47 / 0 / 35

HEX #A358A7

RGB 163 88 167

HSL 296.96, 0.31%, 0.5%

LAB 48.95, 42.8, -29.56

 

CMYK 15 / 47 / 0 / 35

HEX #8E58A7

RGB 142 88 167

HSL 281.01, 0.31%, 0.5%

LAB 46.34, 36.52, -33.84

 

CMYK 0 / 47 / 36 / 35

HEX #A7586B

RGB 167 88 107

HSL 345.57, 0.31%, 0.5%

LAB 47.31, 34.48, 3.87

 

CMYK 0 / 64 / 49 / 26

HEX #BC4360

RGB 188 67 96

HSL 345.62, 0.47%, 0.5%

LAB 46.38, 50.88, 9.68

 

CMYK 0 / 77 / 59 / 18

HEX #D02F56

RGB 208 47 86

HSL 345.47, 0.63%, 0.5%

LAB 47.12, 63.39, 17.41

 

CMYK 0 / 89 / 67 / 10

HEX #E51A4B

RGB 229 26 75

HSL 345.52, 0.8%, 0.5%

LAB 49.38, 72.96, 27.85

 

CMYK 0 / 98 / 74 / 2

HEX #FA0540

RGB 250 5 64

HSL 345.55, 0.96%, 0.5%

LAB 52.73, 79.69, 39.4

 

CMYK 0 / 47 / 36 / 35

HEX #A7586B

RGB 167 88 107

HSL 345.57, 0.31%, 0.5%

LAB 47.31, 34.48, 3.87

 

CMYK 0 / 25 / 19 / 43

HEX #926D76

RGB 146 109 118

HSL 345.41, 0.15%, 0.5%

LAB 49.93, 16.14, 0.74

 

CMYK 2 / 0 / 1 / 49

HEX #7E8180

RGB 126 129 128

HSL 160, 0.01%, 0.5%

LAB 53.7, -1.31, 0.14

 

CMYK 30 / 0 / 7 / 41

HEX #69968B

RGB 105 150 139

HSL 165.33, 0.18%, 0.5%

LAB 58.68, -17.74, 0.9

 

CMYK 50 / 0 / 12 / 33

HEX #55AA96

RGB 85 170 150

HSL 165.88, 0.33%, 0.5%

LAB 64.07, -30.73, 2.42

 

CMYK 0 / 47 / 10 / 35

HEX #A75896

RGB 167 88 150

HSL 312.91, 0.31%, 0.5%

LAB 48.76, 40.94, -19.78

 

CMYK 0 / 47 / 23 / 35

HEX #A75881

RGB 167 88 129

HSL 328.86, 0.31%, 0.5%

LAB 47.98, 37.54, -8.41

 

CMYK 0 / 47 / 35 / 35

HEX #A7586C

RGB 167 88 108

HSL 344.81, 0.31%, 0.5%

LAB 47.34, 34.61, 3.3

 

CMYK 0 / 47 / 47 / 35

HEX #A75958

RGB 167 89 88

HSL 0.76, 0.31%, 0.5%

LAB 47.06, 31.75, 14.98

 

CMYK 0 / 34 / 47 / 35

HEX #A76E58

RGB 167 110 88

HSL 16.71, 0.31%, 0.5%

LAB 51.92, 20.06, 21.53

 

CMYK 0 / 47 / 36 / 56

HEX #713C48

RGB 113 60 72

HSL 346.42, 0.31%, 0.34%

LAB 32.28, 24.71, 3.06

 

CMYK 0 / 47 / 36 / 45

HEX #8C4A5A

RGB 140 74 90

HSL 345.45, 0.31%, 0.42%

LAB 39.93, 29.76, 3.18

 

CMYK 0 / 47 / 36 / 35

HEX #A7586B

RGB 167 88 107

HSL 345.57, 0.31%, 0.5%

LAB 47.31, 34.48, 3.87

 

CMYK 0 / 36 / 28 / 29

HEX #B57383

RGB 181 115 131

HSL 345.45, 0.31%, 0.58%

LAB 55.81, 28.17, 2.15

 

CMYK 0 / 27 / 21 / 24

HEX #C38E9B

RGB 195 142 155

HSL 345.28, 0.31%, 0.66%

LAB 64.41, 22.03, 1.08

 

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

CMYK 0 / 2 / 47 / 35

HEX #A7A358

RGB 167 163 88

HSL 56.96, 0.31%, 0.5%

LAB 65.84, -9.34, 39.23

 

CMYK 47 / 17 / 0 / 35

HEX #588BA7

RGB 88 139 167

HSL 201.27, 0.31%, 0.5%

LAB 55.41, -9.26, -20.11

 

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

CMYK 35 / 0 / 47 / 35

HEX #6CA758

RGB 108 167 88

HSL 104.81, 0.31%, 0.5%

LAB 62.95, -34.42, 34.77

 

CMYK 47 / 35 / 0 / 35

HEX #586CA7

RGB 88 108 167

HSL 224.81, 0.31%, 0.5%

LAB 46.43, 9.04, -34.04

 

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

CMYK 0 / 2 / 47 / 35

HEX #A7A358

RGB 167 163 88

HSL 56.96, 0.31%, 0.5%

LAB 65.84, -9.34, 39.23

 

CMYK 47 / 0 / 12 / 35

HEX #58A793

RGB 88 167 147

HSL 164.81, 0.31%, 0.5%

LAB 63.19, -29.28, 2.84

 

CMYK 47 / 45 / 0 / 35

HEX #585CA7

RGB 88 92 167

HSL 236.96, 0.31%, 0.5%

LAB 42.03, 19.03, -41

 

CMYK 0 / 47 / 36 / 34

HEX #A8596C

RGB 168 89 108

HSL 345.57, 0.31%, 0.5%

LAB 47.69, 34.44, 3.83

 

CMYK 12 / 0 / 47 / 35

HEX #93A758

RGB 147 167 88

HSL 75.19, 0.31%, 0.5%

LAB 65.39, -19.68, 38.33

 

CMYK 47 / 0 / 12 / 35

HEX #58A793

RGB 88 167 147

HSL 164.81, 0.31%, 0.5%

LAB 63.19, -29.28, 2.84

 

CMYK 35 / 47 / 0 / 35

HEX #6C58A7

RGB 108 88 167

HSL 255.19, 0.31%, 0.5%

LAB 42.7, 26.75, -39.83

 

Description

Color code: HEX #A8596C | qconv.com Color code: HEX #A8596C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 89 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 89 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 36 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 36% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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