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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84D344C it is the complementary color #57B2CB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84D344C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84D344C shade: #AD4D2F4C, #BE5F424C, #CF71554C, #E083684C and #F1957B4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84D344C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84D344C shade: #A84D344C, #973B214C, #86290E4C, #7517004C and #6405004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84D344C shade: #A84D34 and #A83434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84D344C shade: #A84D34, #A86C34, #A88B34, #A5A834 and #86A834

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84D344C shade matches the following richer shades: #A84D34, #BA4222 and #CB3810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84D344C shade: #A84D34, #965745, #846157, #736B69 and #61757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84D344C shade: #A8345A, #A8343B, #A84B34, #A86A34 and #A88934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84D344C shade: #693020, #883E2A, #A84D34, #C45D40 and #CE7860

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84D344C shade: #A84D34, #79A834 and #344BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84D344C shade: #A84D34, #34A84B and #4B34A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84D344C shade: #A84D34, #79A834, #3491A8 and #6234A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84D344C shade: #A84D34, #56A834, #3491A8 and #8534A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 21 / 10

HEX #A84D344C

RGBA 168 77 52 0.3

HSLA 12.93, 0.53%, 0.43%, 0.3

LABA 44.06, 35.62, 32.39, 0.3

 

Complementary color

CMYK 17 / 4 / 0 / 6

HEX #57B2CB4C

RGBA 87 178 203 0.3

HSLA 192.93, 0.53%, 0.57%, 0.3

LABA 68.15, -19.92, -20.91, 0.3

 

CMYK 0 / 17 / 22 / 10

HEX #AD4D2F4C

RGBA 173 77 47 0.3

HSLA 14.29, 0.57%, 0.43%, 0.3

LABA 44.8, 37.31, 36.23, 0.3

 

CMYK 0 / 15 / 20 / 8

HEX #BE5F424C

RGBA 190 95 66 0.3

HSLA 14.03, 0.49%, 0.5%, 0.3

LABA 51.3, 35.8, 33.91, 0.3

 

CMYK 0 / 14 / 18 / 6

HEX #CF71554C

RGBA 207 113 85 0.3

HSLA 13.77, 0.56%, 0.57%, 0.3

LABA 57.78, 34.38, 31.84, 0.3

 

CMYK 0 / 12 / 16 / 4

HEX #E083684C

RGBA 224 131 104 0.3

HSLA 13.5, 0.66%, 0.64%, 0.3

LABA 64.23, 33.08, 29.99, 0.3

 

CMYK 0 / 11 / 15 / 2

HEX #F1957B4C

RGBA 241 149 123 0.3

HSLA 13.22, 0.81%, 0.71%, 0.3

LABA 70.61, 31.9, 28.34, 0.3

 

CMYK 0 / 16 / 21 / 10

HEX #A84D344C

RGBA 168 77 52 0.3

HSLA 12.93, 0.53%, 0.43%, 0.3

LABA 44.06, 35.62, 32.39, 0.3

 

CMYK 0 / 18 / 23 / 12

HEX #973B214C

RGBA 151 59 33 0.3

HSLA 13.22, 0.64%, 0.36%, 0.3

LABA 37.51, 37.13, 34.94, 0.3

 

CMYK 0 / 21 / 27 / 14

HEX #86290E4C

RGBA 134 41 14 0.3

HSLA 13.5, 0.81%, 0.29%, 0.3

LABA 31.08, 38.52, 37.4, 0.3

 

CMYK 0 / 24 / 30 / 16

HEX #7517004C

RGBA 117 23 0 0.3

HSLA 11.79, 1%, 0.23%, 0.3

LABA 24.94, 39.36, 36.62, 0.3

 

CMYK 0 / 29 / 30 / 18

HEX #6405004C

RGBA 100 5 0 0.3

HSLA 3, 1%, 0.2%, 0.3

LABA 19.3, 38.99, 29.5, 0.3

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 0 / 69 / 69 / 34

HEX #A83434

RGB 168 52 52

HSL 0, 0.53%, 0.43%

LAB 39.63, 47.33, 27.13

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 0 / 36 / 69 / 34

HEX #A86C34

RGB 168 108 52

HSL 28.97, 0.53%, 0.43%

LAB 51.03, 18.66, 40.29

 

CMYK 0 / 17 / 69 / 34

HEX #A88B34

RGB 168 139 52

HSL 45, 0.53%, 0.43%

LAB 59.01, 1.26, 48.84

 

CMYK 2 / 0 / 69 / 34

HEX #A5A834

RGB 165 168 52

HSL 61.55, 0.53%, 0.43%

LAB 66.71, -15.56, 56.61

 

CMYK 20 / 0 / 69 / 34

HEX #86A834

RGB 134 168 52

HSL 77.59, 0.53%, 0.43%

LAB 64.42, -28.63, 53.54

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 0 / 65 / 82 / 27

HEX #BA4222

RGB 186 66 34

HSL 12.63, 0.69%, 0.43%

LAB 44.87, 46.86, 43.77

 

CMYK 0 / 72 / 92 / 20

HEX #CB3810

RGB 203 56 16

HSL 12.83, 0.85%, 0.43%

LAB 46.39, 56.2, 53.8

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 0 / 42 / 54 / 41

HEX #965745

RGB 150 87 69

HSL 13.33, 0.37%, 0.43%

LAB 43.84, 24.1, 21.63

 

CMYK 0 / 27 / 34 / 48

HEX #846157

RGB 132 97 87

HSL 13.33, 0.21%, 0.43%

LAB 44.44, 12.73, 11.25

 

CMYK 0 / 7 / 9 / 55

HEX #736B69

RGB 115 107 105

HSL 12, 0.05%, 0.43%

LAB 45.88, 2.74, 2.24

 

CMYK 21 / 5 / 0 / 52

HEX #61757B

RGB 97 117 123

HSL 193.85, 0.12%, 0.43%

LAB 47.87, -5.92, -5.75

 

CMYK 0 / 69 / 46 / 34

HEX #A8345A

RGB 168 52 90

HSL 340.34, 0.53%, 0.43%

LAB 40.44, 50.21, 4.5

 

CMYK 0 / 69 / 65 / 34

HEX #A8343B

RGB 168 52 59

HSL 356.38, 0.53%, 0.43%

LAB 39.74, 47.74, 22.98

 

CMYK 0 / 55 / 69 / 34

HEX #A84B34

RGB 168 75 52

HSL 11.9, 0.53%, 0.43%

LAB 43.66, 36.65, 31.93

 

CMYK 0 / 37 / 69 / 34

HEX #A86A34

RGB 168 106 52

HSL 27.93, 0.53%, 0.43%

LAB 50.55, 19.79, 39.76

 

CMYK 0 / 18 / 69 / 34

HEX #A88934

RGB 168 137 52

HSL 43.97, 0.53%, 0.43%

LAB 58.47, 2.37, 48.28

 

CMYK 0 / 54 / 70 / 59

HEX #693020

RGB 105 48 32

HSL 13.15, 0.53%, 0.27%

LAB 27.36, 24.12, 22

 

CMYK 0 / 54 / 69 / 47

HEX #883E2A

RGB 136 62 42

HSL 12.77, 0.53%, 0.35%

LAB 35.69, 30.07, 27.08

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 0 / 53 / 67 / 23

HEX #C45D40

RGB 196 93 64

HSL 13.18, 0.53%, 0.51%

LAB 51.76, 39.04, 35.8

 

CMYK 0 / 42 / 53 / 19

HEX #CE7860

RGB 206 120 96

HSL 13.09, 0.53%, 0.59%

LAB 59.34, 31.16, 27.65

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 28 / 0 / 69 / 34

HEX #79A834

RGB 121 168 52

HSL 84.31, 0.53%, 0.43%

LAB 63.6, -33.79, 52.45

 

CMYK 69 / 55 / 0 / 34

HEX #344BA8

RGB 52 75 168

HSL 228.1, 0.53%, 0.43%

LAB 35.18, 23.05, -52.72

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 69 / 0 / 55 / 34

HEX #34A84B

RGB 52 168 75

HSL 131.9, 0.53%, 0.43%

LAB 61, -51.89, 38.43

 

CMYK 55 / 69 / 0 / 34

HEX #4B34A8

RGB 75 52 168

HSL 251.9, 0.53%, 0.43%

LAB 31.3, 41.24, -58.97

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 28 / 0 / 69 / 34

HEX #79A834

RGB 121 168 52

HSL 84.31, 0.53%, 0.43%

LAB 63.6, -33.79, 52.45

 

CMYK 69 / 14 / 0 / 34

HEX #3491A8

RGB 52 145 168

HSL 191.9, 0.53%, 0.43%

LAB 55.9, -19.56, -20.07

 

CMYK 42 / 69 / 0 / 34

HEX #6234A8

RGB 98 52 168

HSL 263.79, 0.53%, 0.43%

LAB 33.73, 45.44, -54.9

 

CMYK 0 / 54 / 69 / 34

HEX #A84D34

RGB 168 77 52

HSL 12.93, 0.53%, 0.43%

LAB 44.06, 35.62, 32.39

 

CMYK 49 / 0 / 69 / 34

HEX #56A834

RGB 86 168 52

HSL 102.41, 0.53%, 0.43%

LAB 61.85, -46.02, 50.08

 

CMYK 69 / 14 / 0 / 34

HEX #3491A8

RGB 52 145 168

HSL 191.9, 0.53%, 0.43%

LAB 55.9, -19.56, -20.07

 

CMYK 21 / 69 / 0 / 34

HEX #8534A8

RGB 133 52 168

HSL 281.9, 0.53%, 0.43%

LAB 38.32, 52.82, -47.25

 

Description

Color code: HEX #A84D344C | qconv.com Color code: HEX #A84D344C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 77 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 77 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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