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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84AE4 it is the complementary color #57B51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84AE4 shade: #AD4ADF, #BE5CF2, #CF6EFF, #E080FF and #F192FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84AE4 shade: #A84AE4, #9738D1, #8626BE, #7514AB and #640298

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84AE4 shade: #A849E4, #D149E4, #E449CD, #E449A3 and #E44979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84AE4 shade: #A849E4, #7E49E4, #5449E4 and #4949E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84AE4 shade matches the following richer shades: #A849E4 and #AB38F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84AE4 shade: #A849E4, #A45AD3, #A06BC2, #9C7CB1 and #998DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84AE4 shade: #5349E4, #7D49E4, #A649E4, #CF49E4 and #E449CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84AE4 shade: #7F1CBE, #9625DE, #A849E4, #B96DE9 and #CA91EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84AE4 shade: #A84AE4, #E44968 and #49E468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84AE4 shade: #A84AE4, #E4A649 and #49E4A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84AE4 shade: #A84AE4, #E44968, #87E449 and #49E4C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84AE4 shade: #A84AE4, #E45949, #87E449 and #49D4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

Complementary color

CMYK 52 / 0 / 85 / 29

HEX #57B51B

RGB 87 181 27

HSL 96.62, 0.74%, 0.41%

LAB 65.87, -52.28, 62.06

 

CMYK 22 / 67 / 0 / 13

HEX #AD4ADF

RGB 173 74 223

HSL 279.87, 0.7%, 0.58%

LAB 50.82, 63.43, -58.85

 

CMYK 21 / 62 / 0 / 5

HEX #BE5CF2

RGB 190 92 242

HSL 279.2, 0.85%, 0.65%

LAB 57.09, 63.03, -59.34

 

CMYK 19 / 57 / 0 / 0

HEX #CF6EFF

RGB 207 110 255

HSL 280.14, 1%, 0.72%

LAB 63.04, 61.19, -56.9

 

CMYK 12 / 50 / 0 / 0

HEX #E080FF

RGB 224 128 255

HSL 285.35, 1%, 0.75%

LAB 68.39, 56.68, -48.29

 

CMYK 5 / 43 / 0 / 0

HEX #F192FF

RGB 241 146 255

HSL 292.29, 1%, 0.79%

LAB 73.85, 52.31, -39.6

 

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

CMYK 28 / 73 / 0 / 18

HEX #9738D1

RGB 151 56 209

HSL 277.25, 0.62%, 0.52%

LAB 44.25, 63.57, -61.6

 

CMYK 29 / 80 / 0 / 25

HEX #8626BE

RGB 134 38 190

HSL 277.89, 0.67%, 0.45%

LAB 38.15, 63.09, -60.56

 

CMYK 32 / 88 / 0 / 33

HEX #7514AB

RGB 117 20 171

HSL 278.54, 0.79%, 0.37%

LAB 32.31, 61.6, -58.91

 

CMYK 34 / 99 / 0 / 40

HEX #640298

RGB 100 2 152

HSL 279.2, 0.97%, 0.3%

LAB 26.79, 58.81, -56.51

 

CMYK 26 / 68 / 0 / 11

HEX #A849E4

RGB 168 73 228

HSL 276.77, 0.74%, 0.59%

LAB 50.32, 63.88, -62.51

 

CMYK 8 / 68 / 0 / 11

HEX #D149E4

RGB 209 73 228

HSL 292.65, 0.74%, 0.59%

LAB 56.01, 72.5, -53.08

 

CMYK 0 / 68 / 10 / 11

HEX #E449CD

RGB 228 73 205

HSL 308.9, 0.74%, 0.59%

LAB 57.72, 73.08, -37.16

 

CMYK 0 / 68 / 29 / 11

HEX #E449A3

RGB 228 73 163

HSL 325.16, 0.74%, 0.59%

LAB 55.99, 67.45, -15.57

 

CMYK 0 / 68 / 47 / 11

HEX #E44979

RGB 228 73 121

HSL 341.42, 0.74%, 0.59%

LAB 54.7, 63.05, 7.33

 

CMYK 26 / 68 / 0 / 11

HEX #A849E4

RGB 168 73 228

HSL 276.77, 0.74%, 0.59%

LAB 50.32, 63.88, -62.51

 

CMYK 45 / 68 / 0 / 11

HEX #7E49E4

RGB 126 73 228

HSL 260.52, 0.74%, 0.59%

LAB 45.36, 55.83, -70.79

 

CMYK 63 / 68 / 0 / 11

HEX #5449E4

RGB 84 73 228

HSL 244.26, 0.74%, 0.59%

LAB 41.61, 49.27, -77.07

 

CMYK 68 / 68 / 0 / 11

HEX #4949E4

RGB 73 73 228

HSL 240, 0.74%, 0.59%

LAB 40.87, 47.91, -78.32

 

CMYK 26 / 68 / 0 / 11

HEX #A849E4

RGB 168 73 228

HSL 276.77, 0.74%, 0.59%

LAB 50.32, 63.88, -62.51

 

CMYK 30 / 77 / 0 / 4

HEX #AB38F5

RGB 171 56 245

HSL 276.51, 0.9%, 0.59%

LAB 49.59, 74.6, -73.24

 

CMYK 26 / 68 / 0 / 11

HEX #A849E4

RGB 168 73 228

HSL 276.77, 0.74%, 0.59%

LAB 50.32, 63.88, -62.51

 

CMYK 22 / 57 / 0 / 17

HEX #A45AD3

RGB 164 90 211

HSL 276.69, 0.58%, 0.59%

LAB 51.73, 51.2, -50.62

 

CMYK 18 / 45 / 0 / 24

HEX #A06BC2

RGB 160 107 194

HSL 276.55, 0.42%, 0.59%

LAB 53.9, 37.19, -37.5

 

CMYK 12 / 30 / 0 / 31

HEX #9C7CB1

RGB 156 124 177

HSL 276.23, 0.25%, 0.59%

LAB 56.74, 22.5, -23.38

 

CMYK 4 / 12 / 0 / 37

HEX #998DA0

RGB 153 141 160

HSL 277.89, 0.09%, 0.59%

LAB 60.21, 8.13, -8.42

 

CMYK 64 / 68 / 0 / 11

HEX #5349E4

RGB 83 73 228

HSL 243.87, 0.74%, 0.59%

LAB 41.54, 49.14, -77.19

 

CMYK 45 / 68 / 0 / 11

HEX #7D49E4

RGB 125 73 228

HSL 260.13, 0.74%, 0.59%

LAB 45.26, 55.65, -70.96

 

CMYK 27 / 68 / 0 / 11

HEX #A649E4

RGB 166 73 228

HSL 276, 0.74%, 0.59%

LAB 50.07, 63.48, -62.94

 

CMYK 9 / 68 / 0 / 11

HEX #CF49E4

RGB 207 73 228

HSL 291.87, 0.74%, 0.59%

LAB 55.72, 72.07, -53.56

 

CMYK 0 / 68 / 9 / 11

HEX #E449CF

RGB 228 73 207

HSL 308.13, 0.74%, 0.59%

LAB 57.81, 73.38, -38.15

 

CMYK 33 / 85 / 0 / 25

HEX #7F1CBE

RGB 127 28 190

HSL 276.67, 0.74%, 0.43%

LAB 36.1, 65, -63.95

 

CMYK 32 / 83 / 0 / 13

HEX #9625DE

RGB 150 37 222

HSL 276.65, 0.74%, 0.51%

LAB 42.89, 72.51, -71.28

 

CMYK 26 / 68 / 0 / 11

HEX #A849E4

RGB 168 73 228

HSL 276.77, 0.74%, 0.59%

LAB 50.32, 63.88, -62.51

 

CMYK 21 / 53 / 0 / 9

HEX #B96DE9

RGB 185 109 233

HSL 276.77, 0.74%, 0.67%

LAB 59.1, 51.57, -51.15

 

CMYK 15 / 39 / 0 / 6

HEX #CA91EF

RGB 202 145 239

HSL 276.38, 0.75%, 0.75%

LAB 68.78, 38.37, -39.1

 

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

CMYK 0 / 68 / 54 / 11

HEX #E44968

RGB 228 73 104

HSL 348, 0.74%, 0.59%

LAB 54.3, 61.66, 16.89

 

CMYK 68 / 0 / 54 / 11

HEX #49E468

RGB 73 228 104

HSL 132, 0.74%, 0.59%

LAB 80.68, -65.36, 48.4

 

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

CMYK 0 / 27 / 68 / 11

HEX #E4A649

RGB 228 166 73

HSL 36, 0.74%, 0.59%

LAB 72.39, 13.91, 55.52

 

CMYK 68 / 0 / 27 / 11

HEX #49E4A6

RGB 73 228 166

HSL 156, 0.74%, 0.59%

LAB 81.65, -54.6, 18.71

 

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

CMYK 0 / 68 / 54 / 11

HEX #E44968

RGB 228 73 104

HSL 348, 0.74%, 0.59%

LAB 54.3, 61.66, 16.89

 

CMYK 41 / 0 / 68 / 11

HEX #87E449

RGB 135 228 73

HSL 96, 0.74%, 0.59%

LAB 82.44, -52.97, 64.08

 

CMYK 68 / 0 / 14 / 11

HEX #49E4C5

RGB 73 228 197

HSL 168, 0.74%, 0.59%

LAB 82.34, -47.43, 3.39

 

CMYK 26 / 68 / 0 / 11

HEX #A84AE4

RGB 168 74 228

HSL 276.62, 0.74%, 0.59%

LAB 50.48, 63.45, -62.25

 

CMYK 0 / 61 / 68 / 11

HEX #E45949

RGB 228 89 73

HSL 6.19, 0.74%, 0.59%

LAB 56.21, 53.08, 37.31

 

CMYK 41 / 0 / 68 / 11

HEX #87E449

RGB 135 228 73

HSL 96, 0.74%, 0.59%

LAB 82.44, -52.97, 64.08

 

CMYK 68 / 7 / 0 / 11

HEX #49D4E4

RGB 73 212 228

HSL 186.19, 0.74%, 0.59%

LAB 78.52, -31.81, -18.78

 

Description

Color code: HEX #A84AE4 | qconv.com Color code: HEX #A84AE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 74 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 74 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 68 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 68% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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