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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A844E2 it is the complementary color #57BB1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A844E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A844E2 shade: #AD44DD, #BE56F0, #CF68FF, #E07AFF and #F18CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A844E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A844E2 shade: #A844E2, #9732CF, #8620BC, #750EA9 and #640096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A844E2 shade: #A946E2, #D346E2, #E246C7, #E2469D and #E24673

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A844E2 shade: #A946E2, #7F46E2, #5446E2 and #4646E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A844E2 shade matches the following richer shades: #A946E2 and #AD34F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A844E2 shade: #A946E2, #A457D1, #9F68BF, #9B7AAE and #968B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A844E2 shade: #5346E2, #7C46E2, #A646E2, #D046E2 and #E246CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A844E2 shade: #7F1DB8, #9822DC, #A946E2, #B969E8 and #CA8DED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A844E2 shade: #A844E2, #E24662 and #46E268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A844E2 shade: #A844E2, #E2A646 and #46E2A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A844E2 shade: #A844E2, #E24662, #82E246 and #46E2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A844E2 shade: #A844E2, #E25846, #82E246 and #46D0E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

Complementary color

CMYK 53 / 0 / 84 / 27

HEX #57BB1D

RGB 87 187 29

HSL 97.97, 0.73%, 0.42%

LAB 67.77, -54.43, 63.27

 

CMYK 22 / 69 / 0 / 13

HEX #AD44DD

RGB 173 68 221

HSL 281.18, 0.69%, 0.57%

LAB 49.78, 65.55, -59.37

 

CMYK 21 / 64 / 0 / 6

HEX #BE56F0

RGB 190 86 240

HSL 280.52, 0.84%, 0.64%

LAB 55.98, 65.34, -60

 

CMYK 19 / 59 / 0 / 0

HEX #CF68FF

RGB 207 104 255

HSL 280.93, 1%, 0.7%

LAB 61.99, 64.04, -58.58

 

CMYK 12 / 52 / 0 / 0

HEX #E07AFF

RGB 224 122 255

HSL 286.02, 1%, 0.74%

LAB 67.27, 59.63, -50.07

 

CMYK 5 / 45 / 0 / 0

HEX #F18CFF

RGB 241 140 255

HSL 292.7, 1%, 0.77%

LAB 72.68, 55.33, -41.43

 

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

CMYK 27 / 76 / 0 / 19

HEX #9732CF

RGB 151 50 207

HSL 278.6, 0.62%, 0.5%

LAB 43.31, 65.42, -61.97

 

CMYK 29 / 83 / 0 / 26

HEX #8620BC

RGB 134 32 188

HSL 279.23, 0.71%, 0.43%

LAB 37.36, 64.53, -60.67

 

CMYK 31 / 92 / 0 / 34

HEX #750EA9

RGB 117 14 169

HSL 279.87, 0.85%, 0.36%

LAB 31.72, 62.43, -58.67

 

CMYK 33 / 100 / 0 / 41

HEX #640096

RGB 100 0 150

HSL 280, 1%, 0.29%

LAB 26.48, 58.77, -55.78

 

CMYK 25 / 69 / 0 / 11

HEX #A946E2

RGB 169 70 226

HSL 278.08, 0.73%, 0.58%

LAB 49.87, 64.94, -62.11

 

CMYK 7 / 69 / 0 / 11

HEX #D346E2

RGB 211 70 226

HSL 294.23, 0.73%, 0.58%

LAB 55.81, 73.67, -52.25

 

CMYK 0 / 69 / 12 / 11

HEX #E246C7

RGB 226 70 199

HSL 310.38, 0.73%, 0.58%

LAB 56.76, 72.79, -35.26

 

CMYK 0 / 69 / 31 / 11

HEX #E2469D

RGB 226 70 157

HSL 326.54, 0.73%, 0.58%

LAB 55.06, 67.29, -13.5

 

CMYK 0 / 69 / 49 / 11

HEX #E24673

RGB 226 70 115

HSL 342.69, 0.73%, 0.58%

LAB 53.8, 63.06, 9.59

 

CMYK 25 / 69 / 0 / 11

HEX #A946E2

RGB 169 70 226

HSL 278.08, 0.73%, 0.58%

LAB 49.87, 64.94, -62.11

 

CMYK 44 / 69 / 0 / 11

HEX #7F46E2

RGB 127 70 226

HSL 261.92, 0.73%, 0.58%

LAB 44.78, 56.97, -70.6

 

CMYK 63 / 69 / 0 / 11

HEX #5446E2

RGB 84 70 226

HSL 245.38, 0.73%, 0.58%

LAB 40.83, 50.33, -77.22

 

CMYK 69 / 69 / 0 / 11

HEX #4646E2

RGB 70 70 226

HSL 240, 0.73%, 0.58%

LAB 39.87, 48.65, -78.82

 

CMYK 25 / 69 / 0 / 11

HEX #A946E2

RGB 169 70 226

HSL 278.08, 0.73%, 0.58%

LAB 49.87, 64.94, -62.11

 

CMYK 29 / 79 / 0 / 5

HEX #AD34F3

RGB 173 52 243

HSL 278.01, 0.89%, 0.58%

LAB 49.27, 75.83, -72.64

 

CMYK 25 / 69 / 0 / 11

HEX #A946E2

RGB 169 70 226

HSL 278.08, 0.73%, 0.58%

LAB 49.87, 64.94, -62.11

 

CMYK 22 / 58 / 0 / 18

HEX #A457D1

RGB 164 87 209

HSL 277.87, 0.57%, 0.58%

LAB 51.05, 52.28, -50.57

 

CMYK 17 / 46 / 0 / 25

HEX #9F68BF

RGB 159 104 191

HSL 277.93, 0.4%, 0.58%

LAB 52.99, 37.9, -37.23

 

CMYK 11 / 30 / 0 / 32

HEX #9B7AAE

RGB 155 122 174

HSL 278.08, 0.24%, 0.58%

LAB 56.03, 22.68, -22.75

 

CMYK 4 / 11 / 0 / 38

HEX #968B9D

RGB 150 139 157

HSL 276.67, 0.08%, 0.58%

LAB 59.33, 7.59, -8.05

 

CMYK 63 / 69 / 0 / 11

HEX #5346E2

RGB 83 70 226

HSL 245, 0.73%, 0.58%

LAB 40.75, 50.2, -77.34

 

CMYK 45 / 69 / 0 / 11

HEX #7C46E2

RGB 124 70 226

HSL 260.77, 0.73%, 0.58%

LAB 44.46, 56.45, -71.13

 

CMYK 27 / 69 / 0 / 11

HEX #A646E2

RGB 166 70 226

HSL 276.92, 0.73%, 0.58%

LAB 49.47, 64.34, -62.77

 

CMYK 8 / 69 / 0 / 11

HEX #D046E2

RGB 208 70 226

HSL 293.08, 0.73%, 0.58%

LAB 55.36, 73.04, -52.99

 

CMYK 0 / 69 / 10 / 11

HEX #E246CB

RGB 226 70 203

HSL 308.85, 0.73%, 0.58%

LAB 56.94, 73.37, -37.26

 

CMYK 31 / 84 / 0 / 28

HEX #7F1DB8

RGB 127 29 184

HSL 277.94, 0.73%, 0.42%

LAB 35.7, 63.47, -61.06

 

CMYK 31 / 85 / 0 / 14

HEX #9822DC

RGB 152 34 220

HSL 278.06, 0.73%, 0.5%

LAB 42.74, 73.19, -70.36

 

CMYK 25 / 69 / 0 / 11

HEX #A946E2

RGB 169 70 226

HSL 278.08, 0.73%, 0.58%

LAB 49.87, 64.94, -62.11

 

CMYK 20 / 55 / 0 / 9

HEX #B969E8

RGB 185 105 232

HSL 277.8, 0.73%, 0.66%

LAB 58.27, 53.4, -51.91

 

CMYK 15 / 41 / 0 / 7

HEX #CA8DED

RGB 202 141 237

HSL 278.13, 0.73%, 0.74%

LAB 67.81, 40.11, -39.51

 

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

CMYK 0 / 69 / 57 / 11

HEX #E24662

RGB 226 70 98

HSL 349.23, 0.73%, 0.58%

LAB 53.42, 61.74, 19.21

 

CMYK 69 / 0 / 54 / 11

HEX #46E268

RGB 70 226 104

HSL 133.08, 0.73%, 0.58%

LAB 80.01, -65.19, 47.57

 

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

CMYK 0 / 27 / 69 / 11

HEX #E2A646

RGB 226 166 70

HSL 36.92, 0.73%, 0.58%

LAB 72.15, 12.9, 56.54

 

CMYK 69 / 0 / 27 / 11

HEX #46E2A6

RGB 70 226 166

HSL 156.92, 0.73%, 0.58%

LAB 80.99, -54.27, 17.77

 

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

CMYK 0 / 69 / 57 / 11

HEX #E24662

RGB 226 70 98

HSL 349.23, 0.73%, 0.58%

LAB 53.42, 61.74, 19.21

 

CMYK 42 / 0 / 69 / 11

HEX #82E246

RGB 130 226 70

HSL 96.92, 0.73%, 0.58%

LAB 81.61, -53.99, 64.27

 

CMYK 69 / 0 / 13 / 11

HEX #46E2C5

RGB 70 226 197

HSL 168.85, 0.73%, 0.58%

LAB 81.69, -47, 2.43

 

CMYK 26 / 70 / 0 / 11

HEX #A844E2

RGB 168 68 226

HSL 277.97, 0.73%, 0.58%

LAB 49.44, 65.58, -62.81

 

CMYK 0 / 61 / 69 / 11

HEX #E25846

RGB 226 88 70

HSL 6.92, 0.73%, 0.58%

LAB 55.68, 52.68, 38.26

 

CMYK 42 / 0 / 69 / 11

HEX #82E246

RGB 130 226 70

HSL 96.92, 0.73%, 0.58%

LAB 81.61, -53.99, 64.27

 

CMYK 69 / 8 / 0 / 11

HEX #46D0E2

RGB 70 208 226

HSL 186.92, 0.73%, 0.58%

LAB 77.22, -30.89, -19.68

 

Description

Color code: HEX #A844E2 | qconv.com Color code: HEX #A844E2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 68 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 68 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 70 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 70% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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