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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8449D it is the complementary color #57BB62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8449D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8449D shade: #AD4498, #BE56AB, #CF68BE, #E07AD1 and #F18CE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8449D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8449D shade: #A8449D, #97328A, #862077, #750E64 and #640051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8449D shade: #A7449C, #A74481, #A74467, #A7444C and #A74444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8449D shade: #A7449C, #9744A7, #7C44A7, #6244A7 and #4744A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8449D shade matches the following richer shades: #A7449C, #BA31AB, #CD1EB9 and #E00BC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8449D shade: #A7449C, #94578D, #816A7E, #6E7D6F and #5B9061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8449D shade: #7C44A7, #9644A7, #A7449D, #A74482 and #A74468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8449D shade: #6C2C65, #893880, #A7449C, #BB59B0 and #C776BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8449D shade: #A8449D, #A76244 and #44A789

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8449D shade: #A8449D, #9DA744 and #449DA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8449D shade: #A8449D, #A76244, #44A74E and #4489A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8449D shade: #A8449D, #A77F44, #44A74E and #446BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

Complementary color

CMYK 53 / 0 / 48 / 27

HEX #57BB62

RGB 87 187 98

HSL 126.6, 0.42%, 0.54%

LAB 68.35, -47.96, 36.24

 

CMYK 0 / 61 / 12 / 32

HEX #AD4498

RGB 173 68 152

HSL 312, 0.44%, 0.47%

LAB 46.02, 52.88, -25.12

 

CMYK 0 / 55 / 10 / 25

HEX #BE56AB

RGB 190 86 171

HSL 310.96, 0.44%, 0.54%

LAB 52.45, 52.5, -26.19

 

CMYK 0 / 50 / 8 / 19

HEX #CF68BE

RGB 207 104 190

HSL 309.9, 0.52%, 0.61%

LAB 58.87, 51.92, -27.05

 

CMYK 0 / 46 / 7 / 12

HEX #E07AD1

RGB 224 122 209

HSL 308.82, 0.62%, 0.68%

LAB 65.26, 51.25, -27.75

 

CMYK 0 / 42 / 5 / 5

HEX #F18CE4

RGB 241 140 228

HSL 307.72, 0.78%, 0.75%

LAB 71.59, 50.54, -28.36

 

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

CMYK 0 / 67 / 9 / 41

HEX #97328A

RGB 151 50 138

HSL 307.72, 0.5%, 0.39%

LAB 39.06, 52.38, -27.75

 

CMYK 0 / 76 / 11 / 47

HEX #862077

RGB 134 32 119

HSL 308.82, 0.61%, 0.33%

LAB 32.77, 51.79, -26.01

 

CMYK 0 / 88 / 15 / 54

HEX #750E64

RGB 117 14 100

HSL 309.9, 0.79%, 0.26%

LAB 26.78, 50.01, -23.47

 

CMYK 0 / 100 / 19 / 61

HEX #640051

RGB 100 0 81

HSL 311.4, 1%, 0.2%

LAB 21.22, 46.53, -19.83

 

CMYK 0 / 59 / 7 / 35

HEX #A7449C

RGB 167 68 156

HSL 306.67, 0.42%, 0.46%

LAB 45.29, 51.87, -28.72

 

CMYK 0 / 59 / 23 / 35

HEX #A74481

RGB 167 68 129

HSL 323.03, 0.42%, 0.46%

LAB 44.14, 47.62, -14.2

 

CMYK 0 / 59 / 38 / 35

HEX #A74467

RGB 167 68 103

HSL 338.79, 0.42%, 0.46%

LAB 43.25, 44.21, 0.44

 

CMYK 0 / 59 / 54 / 35

HEX #A7444C

RGB 167 68 76

HSL 355.15, 0.42%, 0.46%

LAB 42.57, 41.47, 16.17

 

CMYK 0 / 59 / 59 / 35

HEX #A74444

RGB 167 68 68

HSL 0, 0.42%, 0.46%

LAB 42.41, 40.83, 20.86

 

CMYK 0 / 59 / 7 / 35

HEX #A7449C

RGB 167 68 156

HSL 306.67, 0.42%, 0.46%

LAB 45.29, 51.87, -28.72

 

CMYK 10 / 59 / 0 / 35

HEX #9744A7

RGB 151 68 167

HSL 290.3, 0.42%, 0.46%

LAB 43.51, 49.56, -38.22

 

CMYK 26 / 59 / 0 / 35

HEX #7C44A7

RGB 124 68 167

HSL 273.94, 0.42%, 0.46%

LAB 39.93, 42.58, -44.14

 

CMYK 41 / 59 / 0 / 35

HEX #6244A7

RGB 98 68 167

HSL 258.18, 0.42%, 0.46%

LAB 36.97, 36.24, -49.06

 

CMYK 57 / 59 / 0 / 35

HEX #4744A7

RGB 71 68 167

HSL 241.82, 0.42%, 0.46%

LAB 34.53, 30.52, -53.13

 

CMYK 0 / 59 / 7 / 35

HEX #A7449C

RGB 167 68 156

HSL 306.67, 0.42%, 0.46%

LAB 45.29, 51.87, -28.72

 

CMYK 0 / 74 / 8 / 27

HEX #BA31AB

RGB 186 49 171

HSL 306.57, 0.58%, 0.46%

LAB 46.41, 66.41, -35.66

 

CMYK 0 / 85 / 10 / 20

HEX #CD1EB9

RGB 205 30 185

HSL 306.86, 0.74%, 0.46%

LAB 48.77, 77.12, -39.95

 

CMYK 0 / 95 / 11 / 12

HEX #E00BC8

RGB 224 11 200

HSL 306.76, 0.91%, 0.46%

LAB 52.13, 85.02, -43.14

 

CMYK 0 / 59 / 7 / 35

HEX #A7449C

RGB 167 68 156

HSL 306.67, 0.42%, 0.46%

LAB 45.29, 51.87, -28.72

 

CMYK 0 / 41 / 5 / 42

HEX #94578D

RGB 148 87 141

HSL 306.89, 0.26%, 0.46%

LAB 45.68, 33.63, -19.34

 

CMYK 0 / 18 / 2 / 49

HEX #816A7E

RGB 129 106 126

HSL 307.83, 0.1%, 0.46%

LAB 47.6, 12.85, -7.66

 

CMYK 12 / 0 / 11 / 51

HEX #6E7D6F

RGB 110 125 111

HSL 124, 0.06%, 0.46%

LAB 50.84, -8.43, 5.77

 

CMYK 37 / 0 / 33 / 44

HEX #5B9061

RGB 91 144 97

HSL 126.79, 0.23%, 0.46%

LAB 55.11, -27.88, 19.56

 

CMYK 26 / 59 / 0 / 35

HEX #7C44A7

RGB 124 68 167

HSL 273.94, 0.42%, 0.46%

LAB 39.93, 42.58, -44.14

 

CMYK 10 / 59 / 0 / 35

HEX #9644A7

RGB 150 68 167

HSL 289.7, 0.42%, 0.46%

LAB 43.37, 49.3, -38.46

 

CMYK 0 / 59 / 6 / 35

HEX #A7449D

RGB 167 68 157

HSL 306.06, 0.42%, 0.46%

LAB 45.34, 52.04, -29.24

 

CMYK 0 / 59 / 22 / 35

HEX #A74482

RGB 167 68 130

HSL 322.42, 0.42%, 0.46%

LAB 44.18, 47.76, -14.75

 

CMYK 0 / 59 / 38 / 35

HEX #A74468

RGB 167 68 104

HSL 338.18, 0.42%, 0.46%

LAB 43.28, 44.33, -0.14

 

CMYK 0 / 59 / 6 / 58

HEX #6C2C65

RGB 108 44 101

HSL 306.56, 0.42%, 0.3%

LAB 29.23, 36.53, -20.39

 

CMYK 0 / 59 / 7 / 46

HEX #893880

RGB 137 56 128

HSL 306.67, 0.42%, 0.38%

LAB 37.31, 44.14, -24.5

 

CMYK 0 / 59 / 7 / 35

HEX #A7449C

RGB 167 68 156

HSL 306.67, 0.42%, 0.46%

LAB 45.29, 51.87, -28.72

 

CMYK 0 / 52 / 6 / 27

HEX #BB59B0

RGB 187 89 176

HSL 306.73, 0.42%, 0.54%

LAB 52.78, 51.02, -28.62

 

CMYK 0 / 41 / 5 / 22

HEX #C776BE

RGB 199 118 190

HSL 306.67, 0.42%, 0.62%

LAB 60.62, 42.32, -24.43

 

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

CMYK 0 / 41 / 59 / 35

HEX #A76244

RGB 167 98 68

HSL 18.18, 0.42%, 0.46%

LAB 48.72, 24.96, 28.89

 

CMYK 59 / 0 / 18 / 35

HEX #44A789

RGB 68 167 137

HSL 161.82, 0.42%, 0.46%

LAB 62.23, -36.29, 6.95

 

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

CMYK 6 / 0 / 59 / 35

HEX #9DA744

RGB 157 167 68

HSL 66.06, 0.42%, 0.46%

LAB 65.92, -17.41, 48.8

 

CMYK 59 / 6 / 0 / 35

HEX #449DA7

RGB 68 157 167

HSL 186.06, 0.42%, 0.46%

LAB 60.01, -23.37, -13.21

 

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

CMYK 0 / 41 / 59 / 35

HEX #A76244

RGB 167 98 68

HSL 18.18, 0.42%, 0.46%

LAB 48.72, 24.96, 28.89

 

CMYK 59 / 0 / 53 / 35

HEX #44A74E

RGB 68 167 78

HSL 126.06, 0.42%, 0.46%

LAB 61.15, -47.66, 37.23

 

CMYK 59 / 18 / 0 / 35

HEX #4489A7

RGB 68 137 167

HSL 198.18, 0.42%, 0.46%

LAB 53.93, -12.69, -22.46

 

CMYK 0 / 60 / 7 / 34

HEX #A8449D

RGB 168 68 157

HSL 306.6, 0.42%, 0.46%

LAB 45.49, 52.31, -28.99

 

CMYK 0 / 24 / 59 / 35

HEX #A77F44

RGB 167 127 68

HSL 35.76, 0.42%, 0.46%

LAB 55.9, 8.6, 37.59

 

CMYK 59 / 0 / 53 / 35

HEX #44A74E

RGB 68 167 78

HSL 126.06, 0.42%, 0.46%

LAB 61.15, -47.66, 37.23

 

CMYK 59 / 36 / 0 / 35

HEX #446BA7

RGB 68 107 167

HSL 216.36, 0.42%, 0.46%

LAB 44.99, 4.99, -36.39

 

Description

Color code: HEX #A8449D | qconv.com Color code: HEX #A8449D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 68 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 68 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 7 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 7% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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