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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A841DC it is the complementary color #57BE23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A841DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A841DC shade: #AD41D7, #BE53EA, #CF65FD, #E077FF and #F189FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A841DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A841DC shade: #A841DC, #972FC9, #861DB6, #750BA3 and #640090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A841DC shade: #A841DC, #D241DC, #DC41BC, #DC4192 and #DC4169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A841DC shade: #A841DC, #7E41DC, #5441DC and #4141DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A841DC shade matches the following richer shades: #A841DC and #AE2FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A841DC shade: #A841DC, #A253CA, #9C65B7, #9677A5 and #908993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A841DC shade: #5341DC, #7C41DC, #A641DC, #CF41DC and #DC41BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A841DC shade: #7C1FAB, #9525CE, #A841DC, #B864E2 and #C887E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A841DC shade: #A841DC, #DC4158 and #41DC68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A841DC shade: #A841DC, #DCA641 and #41DCA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A841DC shade: #A841DC, #DC4158, #77DC41 and #41DCC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A841DC shade: #A841DC, #DC5841, #77DC41 and #41C4DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

Complementary color

CMYK 54 / 0 / 82 / 25

HEX #57BE23

RGB 87 190 35

HSL 99.87, 0.69%, 0.44%

LAB 68.73, -55.25, 62.61

 

CMYK 20 / 70 / 0 / 16

HEX #AD41D7

RGB 173 65 215

HSL 283.2, 0.65%, 0.55%

LAB 48.97, 65.56, -57.26

 

CMYK 19 / 65 / 0 / 8

HEX #BE53EA

RGB 190 83 234

HSL 282.52, 0.78%, 0.62%

LAB 55.15, 65.44, -57.97

 

CMYK 18 / 60 / 0 / 1

HEX #CF65FD

RGB 207 101 253

HSL 281.84, 0.97%, 0.69%

LAB 61.36, 65.03, -58.47

 

CMYK 12 / 53 / 0 / 0

HEX #E077FF

RGB 224 119 255

HSL 286.32, 1%, 0.73%

LAB 66.72, 61.09, -50.93

 

CMYK 5 / 46 / 0 / 0

HEX #F189FF

RGB 241 137 255

HSL 292.88, 1%, 0.77%

LAB 72.1, 56.82, -42.33

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 25 / 77 / 0 / 21

HEX #972FC9

RGB 151 47 201

HSL 280.52, 0.62%, 0.49%

LAB 42.51, 65.26, -59.8

 

CMYK 26 / 84 / 0 / 29

HEX #861DB6

RGB 134 29 182

HSL 281.18, 0.73%, 0.41%

LAB 36.6, 64.15, -58.36

 

CMYK 28 / 93 / 0 / 36

HEX #750BA3

RGB 117 11 163

HSL 281.84, 0.87%, 0.34%

LAB 31.03, 61.75, -56.17

 

CMYK 31 / 100 / 0 / 44

HEX #640090

RGB 100 0 144

HSL 281.67, 1%, 0.28%

LAB 25.93, 57.56, -52.98

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 5 / 70 / 0 / 14

HEX #D241DC

RGB 210 65 220

HSL 296.13, 0.69%, 0.56%

LAB 54.71, 74.19, -50.62

 

CMYK 0 / 70 / 15 / 14

HEX #DC41BC

RGB 220 65 188

HSL 312.39, 0.69%, 0.56%

LAB 54.69, 71.51, -32.23

 

CMYK 0 / 70 / 34 / 14

HEX #DC4192

RGB 220 65 146

HSL 328.65, 0.69%, 0.56%

LAB 53.03, 66.21, -10.16

 

CMYK 0 / 70 / 52 / 14

HEX #DC4169

RGB 220 65 105

HSL 344.52, 0.69%, 0.56%

LAB 51.86, 62.3, 12.7

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 43 / 70 / 0 / 14

HEX #7E41DC

RGB 126 65 220

HSL 263.61, 0.69%, 0.56%

LAB 43.34, 57.67, -69.53

 

CMYK 62 / 70 / 0 / 14

HEX #5441DC

RGB 84 65 220

HSL 247.35, 0.69%, 0.56%

LAB 39.3, 51.23, -76.3

 

CMYK 70 / 70 / 0 / 14

HEX #4141DC

RGB 65 65 220

HSL 240, 0.69%, 0.56%

LAB 37.97, 49.02, -78.53

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 27 / 80 / 0 / 7

HEX #AE2FEE

RGB 174 47 238

HSL 279.9, 0.85%, 0.56%

LAB 48.52, 76.51, -71.04

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 20 / 59 / 0 / 21

HEX #A253CA

RGB 162 83 202

HSL 279.83, 0.53%, 0.56%

LAB 49.66, 52.26, -48.8

 

CMYK 15 / 45 / 0 / 28

HEX #9C65B7

RGB 156 101 183

HSL 280.24, 0.36%, 0.56%

LAB 51.6, 36.93, -34.81

 

CMYK 9 / 28 / 0 / 35

HEX #9677A5

RGB 150 119 165

HSL 280.43, 0.2%, 0.56%

LAB 54.44, 20.8, -20.04

 

CMYK 2 / 7 / 0 / 42

HEX #908993

RGB 144 137 147

HSL 282, 0.04%, 0.56%

LAB 57.97, 4.55, -4.4

 

CMYK 62 / 70 / 0 / 14

HEX #5341DC

RGB 83 65 220

HSL 246.97, 0.69%, 0.56%

LAB 39.22, 51.1, -76.44

 

CMYK 44 / 70 / 0 / 14

HEX #7C41DC

RGB 124 65 220

HSL 262.84, 0.69%, 0.56%

LAB 43.11, 57.33, -69.91

 

CMYK 25 / 70 / 0 / 14

HEX #A641DC

RGB 166 65 220

HSL 279.1, 0.69%, 0.56%

LAB 48.33, 65.16, -61.2

 

CMYK 6 / 70 / 0 / 14

HEX #CF41DC

RGB 207 65 220

HSL 294.97, 0.69%, 0.56%

LAB 54.25, 73.56, -51.37

 

CMYK 0 / 70 / 13 / 14

HEX #DC41BF

RGB 220 65 191

HSL 311.23, 0.69%, 0.56%

LAB 54.82, 71.94, -33.75

 

CMYK 27 / 82 / 0 / 33

HEX #7C1FAB

RGB 124 31 171

HSL 279.86, 0.69%, 0.4%

LAB 34.41, 59.68, -55.44

 

CMYK 28 / 82 / 0 / 19

HEX #9525CE

RGB 149 37 206

HSL 279.76, 0.7%, 0.48%

LAB 41.48, 69.12, -64.37

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 19 / 56 / 0 / 11

HEX #B864E2

RGB 184 100 226

HSL 280, 0.68%, 0.64%

LAB 56.88, 54.39, -50.77

 

CMYK 14 / 42 / 0 / 9

HEX #C887E9

RGB 200 135 233

HSL 279.8, 0.69%, 0.72%

LAB 66.13, 41.92, -39.96

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 0 / 70 / 60 / 14

HEX #DC4158

RGB 220 65 88

HSL 351.1, 0.69%, 0.56%

LAB 51.5, 61.08, 22.42

 

CMYK 70 / 0 / 53 / 14

HEX #41DC68

RGB 65 220 104

HSL 135.1, 0.69%, 0.56%

LAB 78.06, -63.96, 45.18

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 0 / 25 / 70 / 14

HEX #DCA641

RGB 220 166 65

HSL 39.1, 0.69%, 0.56%

LAB 71.47, 10.09, 57.79

 

CMYK 70 / 0 / 25 / 14

HEX #41DCA6

RGB 65 220 166

HSL 159.1, 0.69%, 0.56%

LAB 79.08, -52.61, 15.09

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 0 / 70 / 60 / 14

HEX #DC4158

RGB 220 65 88

HSL 351.1, 0.69%, 0.56%

LAB 51.5, 61.08, 22.42

 

CMYK 46 / 0 / 70 / 14

HEX #77DC41

RGB 119 220 65

HSL 99.1, 0.69%, 0.56%

LAB 79.32, -55.4, 63.62

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 24 / 70 / 0 / 14

HEX #A841DC

RGB 168 65 220

HSL 279.87, 0.69%, 0.56%

LAB 48.6, 65.56, -60.75

 

CMYK 0 / 60 / 70 / 14

HEX #DC5841

RGB 220 88 65

HSL 8.9, 0.69%, 0.56%

LAB 54.63, 50.34, 39.55

 

CMYK 46 / 0 / 70 / 14

HEX #77DC41

RGB 119 220 65

HSL 99.1, 0.69%, 0.56%

LAB 79.32, -55.4, 63.62

 

CMYK 70 / 11 / 0 / 14

HEX #41C4DC

RGB 65 196 220

HSL 189.29, 0.69%, 0.56%

LAB 73.4, -27.5, -22.27

 

Description

Color code: HEX #A841DC | qconv.com Color code: HEX #A841DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 65 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 65 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 70 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 70% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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