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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A840DF it is the complementary color #57BF20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A840DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A840DF shade: #AD40DA, #BE52ED, #CF64FF, #E076FF and #F188FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A840DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A840DF shade: #A840DF, #972ECC, #861CB9, #750AA6 and #640093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A840DF shade: #A73FDE, #D23FDE, #DE3FC0, #DE3F95 and #DE3F6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A840DF shade: #A73FDE, #7C3FDE, #513FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A840DF shade matches the following richer shades: #A73FDE and #AD2DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A840DF shade: #A73FDE, #A251CC, #9C63BA, #9776A8 and #918896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A840DF shade: #523FDE, #7C3FDE, #A73FDE, #D13FDE and #DE3FC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A840DF shade: #7C1DAE, #9523D1, #A73FDE, #B762E4 and #C886EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A840DF shade: #A840DF, #DE3F57 and #3FDE67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A840DF shade: #A840DF, #DEA73F and #3FDEA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A840DF shade: #A840DF, #DE3F57, #77DE3F and #3FDEC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A840DF shade: #A840DF, #DE573F, #77DE3F and #3FC7DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

Complementary color

CMYK 54 / 0 / 83 / 25

HEX #57BF20

RGB 87 191 32

HSL 99.25, 0.71%, 0.44%

LAB 69.03, -55.76, 63.66

 

CMYK 21 / 71 / 0 / 15

HEX #AD40DA

RGB 173 64 218

HSL 282.47, 0.68%, 0.55%

LAB 49.02, 66.55, -58.89

 

CMYK 20 / 65 / 0 / 7

HEX #BE52ED

RGB 190 82 237

HSL 281.81, 0.81%, 0.63%

LAB 55.17, 66.48, -59.62

 

CMYK 19 / 61 / 0 / 0

HEX #CF64FF

RGB 207 100 255

HSL 281.42, 1%, 0.7%

LAB 61.31, 65.89, -59.66

 

CMYK 12 / 54 / 0 / 0

HEX #E076FF

RGB 224 118 255

HSL 286.42, 1%, 0.73%

LAB 66.54, 61.57, -51.22

 

CMYK 5 / 47 / 0 / 0

HEX #F188FF

RGB 241 136 255

HSL 292.94, 1%, 0.77%

LAB 71.91, 57.32, -42.63

 

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

CMYK 26 / 77 / 0 / 20

HEX #972ECC

RGB 151 46 204

HSL 279.87, 0.63%, 0.49%

LAB 42.6, 66.22, -61.38

 

CMYK 28 / 85 / 0 / 27

HEX #861CB9

RGB 134 28 185

HSL 280.51, 0.74%, 0.42%

LAB 36.75, 65.02, -59.9

 

CMYK 30 / 94 / 0 / 35

HEX #750AA6

RGB 117 10 166

HSL 281.15, 0.89%, 0.35%

LAB 31.24, 62.5, -57.65

 

CMYK 32 / 100 / 0 / 42

HEX #640093

RGB 100 0 147

HSL 280.82, 1%, 0.29%

LAB 26.2, 58.17, -54.39

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 5 / 72 / 0 / 13

HEX #D23FDE

RGB 210 63 222

HSL 295.47, 0.71%, 0.56%

LAB 54.59, 75.2, -51.95

 

CMYK 0 / 72 / 14 / 13

HEX #DE3FC0

RGB 222 63 192

HSL 311.32, 0.71%, 0.56%

LAB 54.96, 73.21, -34.09

 

CMYK 0 / 72 / 33 / 13

HEX #DE3F95

RGB 222 63 149

HSL 327.55, 0.71%, 0.56%

LAB 53.23, 67.76, -11.6

 

CMYK 0 / 72 / 52 / 13

HEX #DE3F6A

RGB 222 63 106

HSL 343.77, 0.71%, 0.56%

LAB 51.98, 63.67, 12.32

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 44 / 72 / 0 / 13

HEX #7C3FDE

RGB 124 63 222

HSL 263.02, 0.71%, 0.56%

LAB 42.93, 58.78, -71.34

 

CMYK 64 / 72 / 0 / 13

HEX #513FDE

RGB 81 63 222

HSL 246.79, 0.71%, 0.56%

LAB 38.86, 52.54, -78.18

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 28 / 81 / 0 / 5

HEX #AD2DF1

RGB 173 45 241

HSL 279.18, 0.88%, 0.56%

LAB 48.4, 77.52, -72.92

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 21 / 60 / 0 / 20

HEX #A251CC

RGB 162 81 204

HSL 279.51, 0.55%, 0.56%

LAB 49.41, 53.68, -50.35

 

CMYK 16 / 47 / 0 / 27

HEX #9C63BA

RGB 156 99 186

HSL 279.31, 0.39%, 0.56%

LAB 51.31, 38.7, -37.01

 

CMYK 10 / 30 / 0 / 34

HEX #9776A8

RGB 151 118 168

HSL 279.6, 0.22%, 0.56%

LAB 54.41, 22.36, -21.81

 

CMYK 3 / 9 / 0 / 41

HEX #918896

RGB 145 136 150

HSL 278.57, 0.06%, 0.56%

LAB 57.88, 6.09, -6.25

 

CMYK 63 / 72 / 0 / 13

HEX #523FDE

RGB 82 63 222

HSL 247.17, 0.71%, 0.56%

LAB 38.94, 52.66, -78.05

 

CMYK 44 / 72 / 0 / 13

HEX #7C3FDE

RGB 124 63 222

HSL 263.02, 0.71%, 0.56%

LAB 42.93, 58.78, -71.34

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 6 / 72 / 0 / 13

HEX #D13FDE

RGB 209 63 222

HSL 295.09, 0.71%, 0.56%

LAB 54.43, 74.99, -52.2

 

CMYK 0 / 72 / 13 / 13

HEX #DE3FC1

RGB 222 63 193

HSL 310.94, 0.71%, 0.56%

LAB 55.01, 73.35, -34.6

 

CMYK 29 / 83 / 0 / 32

HEX #7C1DAE

RGB 124 29 174

HSL 279.31, 0.71%, 0.4%

LAB 34.44, 60.91, -57.19

 

CMYK 29 / 83 / 0 / 18

HEX #9523D1

RGB 149 35 209

HSL 279.31, 0.71%, 0.48%

LAB 41.52, 70.28, -66.04

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 20 / 57 / 0 / 11

HEX #B762E4

RGB 183 98 228

HSL 279.23, 0.71%, 0.64%

LAB 56.49, 55.56, -52.52

 

CMYK 15 / 43 / 0 / 8

HEX #C886EA

RGB 200 134 234

HSL 279.6, 0.7%, 0.72%

LAB 65.96, 42.67, -40.77

 

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

CMYK 0 / 72 / 61 / 13

HEX #DE3F57

RGB 222 63 87

HSL 350.94, 0.71%, 0.56%

LAB 51.58, 62.33, 23.2

 

CMYK 72 / 0 / 54 / 13

HEX #3FDE67

RGB 63 222 103

HSL 135.09, 0.71%, 0.56%

LAB 78.62, -65.1, 46.33

 

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

CMYK 0 / 25 / 72 / 13

HEX #DEA73F

RGB 222 167 63

HSL 39.25, 0.71%, 0.56%

LAB 71.91, 10.31, 59.16

 

CMYK 72 / 0 / 25 / 13

HEX #3FDEA7

RGB 63 222 167

HSL 159.25, 0.71%, 0.56%

LAB 79.66, -53.47, 15.38

 

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

CMYK 0 / 72 / 61 / 13

HEX #DE3F57

RGB 222 63 87

HSL 350.94, 0.71%, 0.56%

LAB 51.58, 62.33, 23.2

 

CMYK 46 / 0 / 72 / 13

HEX #77DE3F

RGB 119 222 63

HSL 98.87, 0.71%, 0.56%

LAB 79.91, -56.31, 64.93

 

CMYK 72 / 0 / 10 / 13

HEX #3FDEC7

RGB 63 222 199

HSL 171.32, 0.71%, 0.56%

LAB 80.42, -45.7, -0.5

 

CMYK 25 / 71 / 0 / 13

HEX #A840DF

RGB 168 64 223

HSL 279.25, 0.71%, 0.56%

LAB 48.66, 66.58, -62.36

 

CMYK 0 / 61 / 72 / 13

HEX #DE573F

RGB 222 87 63

HSL 9.06, 0.71%, 0.56%

LAB 54.77, 51.39, 40.87

 

CMYK 46 / 0 / 72 / 13

HEX #77DE3F

RGB 119 222 63

HSL 98.87, 0.71%, 0.56%

LAB 79.91, -56.31, 64.93

 

CMYK 72 / 10 / 0 / 13

HEX #3FC7DE

RGB 63 199 222

HSL 188.68, 0.71%, 0.56%

LAB 74.3, -28.62, -21.98

 

Description

Color code: HEX #A840DF | qconv.com Color code: HEX #A840DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 64 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 64 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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