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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83F2D it is the complementary color #57C0D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83F2D shade: #AD3F28, #BE513B, #CF634E, #E07561 and #F18774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83F2D shade: #A83F2D, #972D1A, #861B07, #750900 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83F2D shade: #A93F2D and #A92D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83F2D shade: #A93F2D, #A9612D, #A9822D, #A9A42D and #8DA92D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83F2D shade matches the following richer shades: #A93F2D, #BB331C and #CC270A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83F2D shade: #A93F2D, #984B3E, #875850, #756461 and #647072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83F2D shade: #A92D5F, #A92D3E, #A93E2D, #A95F2D and #A9802D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83F2D shade: #68271C, #893324, #A93F2D, #CA4C36 and #D26957

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83F2D shade: #A83F2D, #80A92D and #2D4EA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83F2D shade: #A83F2D, #2DA93E and #3E2DA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83F2D shade: #A83F2D, #80A92D, #2D99A9 and #562DA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83F2D shade: #A83F2D, #5BA92D, #2D99A9 and #7C2DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

Complementary color

CMYK 59 / 9 / 0 / 18

HEX #57C0D2

RGB 87 192 210

HSL 188.78, 0.58%, 0.58%

LAB 72.48, -25.02, -18.17

 

CMYK 0 / 64 / 77 / 32

HEX #AD3F28

RGB 173 63 40

HSL 10.38, 0.62%, 0.42%

LAB 42.14, 43.75, 37.17

 

CMYK 0 / 57 / 69 / 25

HEX #BE513B

RGB 190 81 59

HSL 10.08, 0.53%, 0.49%

LAB 48.45, 42.44, 34.45

 

CMYK 0 / 52 / 62 / 19

HEX #CF634E

RGB 207 99 78

HSL 9.77, 0.57%, 0.56%

LAB 54.8, 41.08, 32.04

 

CMYK 0 / 48 / 57 / 12

HEX #E07561

RGB 224 117 97

HSL 9.45, 0.67%, 0.63%

LAB 61.16, 39.77, 29.93

 

CMYK 0 / 44 / 52 / 5

HEX #F18774

RGB 241 135 116

HSL 9.12, 0.82%, 0.7%

LAB 67.49, 38.54, 28.06

 

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

CMYK 0 / 70 / 83 / 41

HEX #972D1A

RGB 151 45 26

HSL 9.12, 0.71%, 0.35%

LAB 35.06, 43.24, 36.24

 

CMYK 0 / 80 / 95 / 47

HEX #861B07

RGB 134 27 7

HSL 9.45, 0.9%, 0.28%

LAB 29.08, 43.79, 38.79

 

CMYK 0 / 92 / 100 / 54

HEX #750900

RGB 117 9 0

HSL 4.62, 1%, 0.23%

LAB 23.6, 43.15, 35.31

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 63 / 73 / 34

HEX #A93F2D

RGB 169 63 45

HSL 8.71, 0.58%, 0.42%

LAB 41.5, 42.51, 33.48

 

CMYK 0 / 73 / 73 / 34

HEX #A92D2D

RGB 169 45 45

HSL 0, 0.58%, 0.42%

LAB 38.73, 50.03, 30.33

 

CMYK 0 / 63 / 73 / 34

HEX #A93F2D

RGB 169 63 45

HSL 8.71, 0.58%, 0.42%

LAB 41.5, 42.51, 33.48

 

CMYK 0 / 43 / 73 / 34

HEX #A9612D

RGB 169 97 45

HSL 25.16, 0.58%, 0.42%

LAB 48.48, 24.88, 41.09

 

CMYK 0 / 23 / 73 / 34

HEX #A9822D

RGB 169 130 45

HSL 41.13, 0.58%, 0.42%

LAB 56.67, 6.33, 49.53

 

CMYK 0 / 3 / 73 / 34

HEX #A9A42D

RGB 169 164 45

HSL 57.58, 0.58%, 0.42%

LAB 65.88, -12.1, 58.53

 

CMYK 17 / 0 / 73 / 34

HEX #8DA92D

RGB 141 169 45

HSL 73.55, 0.58%, 0.42%

LAB 65.14, -26.66, 57.06

 

CMYK 0 / 63 / 73 / 34

HEX #A93F2D

RGB 169 63 45

HSL 8.71, 0.58%, 0.42%

LAB 41.5, 42.51, 33.48

 

CMYK 0 / 73 / 85 / 27

HEX #BB331C

RGB 187 51 28

HSL 8.68, 0.74%, 0.42%

LAB 42.79, 53.07, 44.84

 

CMYK 0 / 81 / 95 / 20

HEX #CC270A

RGB 204 39 10

HSL 8.97, 0.91%, 0.42%

LAB 44.67, 61.72, 54.67

 

CMYK 0 / 63 / 73 / 34

HEX #A93F2D

RGB 169 63 45

HSL 8.71, 0.58%, 0.42%

LAB 41.5, 42.51, 33.48

 

CMYK 0 / 51 / 59 / 40

HEX #984B3E

RGB 152 75 62

HSL 8.67, 0.42%, 0.42%

LAB 41.3, 30.99, 22.59

 

CMYK 0 / 35 / 41 / 47

HEX #875850

RGB 135 88 80

HSL 8.73, 0.26%, 0.42%

LAB 42.32, 18.39, 12.62

 

CMYK 0 / 15 / 17 / 54

HEX #756461

RGB 117 100 97

HSL 9, 0.09%, 0.42%

LAB 43.89, 6.25, 4.21

 

CMYK 12 / 2 / 0 / 55

HEX #647072

RGB 100 112 114

HSL 188.57, 0.07%, 0.42%

LAB 46.33, -4.05, -2.65

 

CMYK 0 / 73 / 44 / 34

HEX #A92D5F

RGB 169 45 95

HSL 335.81, 0.58%, 0.42%

LAB 39.81, 53.65, 0.46

 

CMYK 0 / 73 / 63 / 34

HEX #A92D3E

RGB 169 45 62

HSL 351.77, 0.58%, 0.42%

LAB 39, 50.96, 20.2

 

CMYK 0 / 63 / 73 / 34

HEX #A93E2D

RGB 169 62 45

HSL 8.23, 0.58%, 0.42%

LAB 41.33, 42.97, 33.28

 

CMYK 0 / 44 / 73 / 34

HEX #A95F2D

RGB 169 95 45

HSL 24.19, 0.58%, 0.42%

LAB 48.02, 25.98, 40.6

 

CMYK 0 / 24 / 73 / 34

HEX #A9802D

RGB 169 128 45

HSL 40.16, 0.58%, 0.42%

LAB 56.15, 7.45, 49

 

CMYK 0 / 63 / 73 / 59

HEX #68271C

RGB 104 39 28

HSL 8.68, 0.58%, 0.26%

LAB 25.19, 28.42, 21.9

 

CMYK 0 / 63 / 74 / 46

HEX #893324

RGB 137 51 36

HSL 8.91, 0.58%, 0.34%

LAB 33.59, 35.81, 28.25

 

CMYK 0 / 63 / 73 / 34

HEX #A93F2D

RGB 169 63 45

HSL 8.71, 0.58%, 0.42%

LAB 41.5, 42.51, 33.48

 

CMYK 0 / 62 / 73 / 21

HEX #CA4C36

RGB 202 76 54

HSL 8.92, 0.58%, 0.5%

LAB 49.49, 48.86, 38.94

 

CMYK 0 / 50 / 59 / 18

HEX #D26957

RGB 210 105 87

HSL 8.78, 0.58%, 0.58%

LAB 56.58, 39.82, 29.28

 

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

CMYK 24 / 0 / 73 / 34

HEX #80A92D

RGB 128 169 45

HSL 79.84, 0.58%, 0.42%

LAB 64.29, -31.96, 55.93

 

CMYK 73 / 54 / 0 / 34

HEX #2D4EA9

RGB 45 78 169

HSL 224.03, 0.58%, 0.42%

LAB 35.74, 20.43, -52.44

 

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

CMYK 73 / 0 / 63 / 34

HEX #2DA93E

RGB 45 169 62

HSL 128.23, 0.58%, 0.42%

LAB 61.03, -55.15, 44.55

 

CMYK 63 / 73 / 0 / 34

HEX #3E2DA9

RGB 62 45 169

HSL 248.23, 0.58%, 0.42%

LAB 28.81, 43.56, -63.69

 

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

CMYK 24 / 0 / 73 / 34

HEX #80A92D

RGB 128 169 45

HSL 79.84, 0.58%, 0.42%

LAB 64.29, -31.96, 55.93

 

CMYK 73 / 9 / 0 / 34

HEX #2D99A9

RGB 45 153 169

HSL 187.74, 0.58%, 0.42%

LAB 58.23, -24.39, -17.09

 

CMYK 49 / 73 / 0 / 34

HEX #562DA9

RGB 86 45 169

HSL 259.84, 0.58%, 0.42%

LAB 31.16, 47.12, -59.75

 

CMYK 0 / 63 / 73 / 34

HEX #A83F2D

RGB 168 63 45

HSL 8.78, 0.58%, 0.42%

LAB 41.33, 42.15, 33.24

 

CMYK 46 / 0 / 73 / 34

HEX #5BA92D

RGB 91 169 45

HSL 97.74, 0.58%, 0.42%

LAB 62.33, -45.4, 53.34

 

CMYK 73 / 9 / 0 / 34

HEX #2D99A9

RGB 45 153 169

HSL 187.74, 0.58%, 0.42%

LAB 58.23, -24.39, -17.09

 

CMYK 27 / 73 / 0 / 34

HEX #7C2DA9

RGB 124 45 169

HSL 278.23, 0.58%, 0.42%

LAB 36.04, 54.14, -51.6

 

Description

Color code: HEX #A83F2D | qconv.com Color code: HEX #A83F2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 63 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 63 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 73 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 73% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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