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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83B9F it is the complementary color #57C460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83B9F shade: #AD3B9A, #BE4DAD, #CF5FC0, #E071D3 and #F183E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83B9F shade: #A83B9F, #97298C, #861779, #750566 and #640053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83B9F shade: #AA3CA1, #AA3C83, #AA3C65, #AA3C48 and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83B9F shade: #AA3CA1, #953CAA, #783CAA, #5A3CAA and #3C3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83B9F shade matches the following richer shades: #AA3CA1, #BC29B0, #CF17C0 and #E204CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83B9F shade: #AA3CA1, #974E91, #856182, #727372 and #608663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83B9F shade: #763CAA, #943CAA, #AA3CA2, #AA3C85 and #AA3C68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83B9F shade: #6D2667, #8B3184, #AA3CA1, #C14EB7 and #CC6CC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83B9F shade: #A83B9F, #AA593C and #3CAA85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83B9F shade: #A83B9F, #A2AA3C and #3CA2AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83B9F shade: #A83B9F, #AA593C, #3CAA43 and #3C8CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83B9F shade: #A83B9F, #AA7A3C, #3CAA43 and #3C6BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

Complementary color

CMYK 56 / 0 / 51 / 23

HEX #57C460

RGB 87 196 96

HSL 124.95, 0.48%, 0.55%

LAB 71.11, -51.82, 40.67

 

CMYK 0 / 66 / 11 / 32

HEX #AD3B9A

RGB 173 59 154

HSL 310, 0.49%, 0.45%

LAB 44.72, 57.03, -28.33

 

CMYK 0 / 59 / 9 / 25

HEX #BE4DAD

RGB 190 77 173

HSL 309.03, 0.47%, 0.52%

LAB 51, 56.95, -29.6

 

CMYK 0 / 54 / 7 / 19

HEX #CF5FC0

RGB 207 95 192

HSL 308.04, 0.54%, 0.59%

LAB 57.32, 56.57, -30.58

 

CMYK 0 / 50 / 6 / 12

HEX #E071D3

RGB 224 113 211

HSL 307.03, 0.64%, 0.66%

LAB 63.64, 56.01, -31.37

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

CMYK 0 / 73 / 7 / 41

HEX #97298C

RGB 151 41 140

HSL 306, 0.57%, 0.38%

LAB 37.95, 56.13, -30.73

 

CMYK 0 / 83 / 10 / 47

HEX #861779

RGB 134 23 121

HSL 307.03, 0.71%, 0.31%

LAB 31.95, 54.78, -28.58

 

CMYK 0 / 96 / 13 / 54

HEX #750566

RGB 117 5 102

HSL 308.04, 0.92%, 0.24%

LAB 26.3, 52.03, -25.52

 

CMYK 0 / 100 / 17 / 61

HEX #640053

RGB 100 0 83

HSL 310.2, 1%, 0.2%

LAB 21.33, 46.82, -21

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 65 / 23 / 33

HEX #AA3C83

RGB 170 60 131

HSL 321.27, 0.48%, 0.45%

LAB 43.38, 52.37, -16.53

 

CMYK 0 / 65 / 41 / 33

HEX #AA3C65

RGB 170 60 101

HSL 337.64, 0.48%, 0.45%

LAB 42.33, 48.62, 0.4

 

CMYK 0 / 65 / 58 / 33

HEX #AA3C48

RGB 170 60 72

HSL 353.45, 0.48%, 0.45%

LAB 41.6, 45.91, 17.43

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 12 / 65 / 0 / 33

HEX #953CAA

RGB 149 60 170

HSL 288.55, 0.48%, 0.45%

LAB 42.04, 53.39, -42.37

 

CMYK 29 / 65 / 0 / 33

HEX #783CAA

RGB 120 60 170

HSL 272.73, 0.48%, 0.45%

LAB 38.07, 46.52, -48.94

 

CMYK 47 / 65 / 0 / 33

HEX #5A3CAA

RGB 90 60 170

HSL 256.36, 0.48%, 0.45%

LAB 34.62, 40.02, -54.7

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 78 / 6 / 26

HEX #BC29B0

RGB 188 41 176

HSL 304.9, 0.64%, 0.45%

LAB 46.19, 69.95, -38.94

 

CMYK 0 / 89 / 7 / 19

HEX #CF17C0

RGB 207 23 192

HSL 304.89, 0.8%, 0.45%

LAB 49.11, 79.61, -43.48

 

CMYK 0 / 98 / 8 / 11

HEX #E204CF

RGB 226 4 207

HSL 305.14, 0.97%, 0.45%

LAB 52.69, 86.79, -46.26

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 48 / 4 / 41

HEX #974E91

RGB 151 78 145

HSL 304.93, 0.32%, 0.45%

LAB 44.34, 40.26, -23.79

 

CMYK 0 / 27 / 2 / 48

HEX #856182

RGB 133 97 130

HSL 305, 0.16%, 0.45%

LAB 45.84, 20.48, -12.66

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 28 / 0 / 26 / 47

HEX #608663

RGB 96 134 99

HSL 124.74, 0.17%, 0.45%

LAB 52.33, -20.76, 14.68

 

CMYK 31 / 65 / 0 / 33

HEX #763CAA

RGB 118 60 170

HSL 271.64, 0.48%, 0.45%

LAB 37.82, 46.07, -49.37

 

CMYK 13 / 65 / 0 / 33

HEX #943CAA

RGB 148 60 170

HSL 288, 0.48%, 0.45%

LAB 41.89, 53.14, -42.61

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA2

RGB 170 60 162

HSL 304.36, 0.48%, 0.45%

LAB 44.78, 57.15, -33.06

 

CMYK 0 / 65 / 22 / 33

HEX #AA3C85

RGB 170 60 133

HSL 320.18, 0.48%, 0.45%

LAB 43.46, 52.65, -17.63

 

CMYK 0 / 65 / 39 / 33

HEX #AA3C68

RGB 170 60 104

HSL 336, 0.48%, 0.45%

LAB 42.43, 48.95, -1.33

 

CMYK 0 / 65 / 6 / 57

HEX #6D2667

RGB 109 38 103

HSL 305.07, 0.48%, 0.29%

LAB 28.42, 40.13, -22.93

 

CMYK 0 / 65 / 5 / 45

HEX #8B3184

RGB 139 49 132

HSL 304.67, 0.48%, 0.37%

LAB 36.65, 48.61, -27.98

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 60 / 5 / 24

HEX #C14EB7

RGB 193 78 183

HSL 305.22, 0.48%, 0.53%

LAB 52.07, 58.96, -33.73

 

CMYK 0 / 47 / 4 / 20

HEX #CC6CC4

RGB 204 108 196

HSL 305, 0.48%, 0.61%

LAB 59.48, 50.07, -29.55

 

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

CMYK 0 / 48 / 65 / 33

HEX #AA593C

RGB 170 89 60

HSL 15.82, 0.48%, 0.45%

LAB 47, 30.57, 31.42

 

CMYK 65 / 0 / 22 / 33

HEX #3CAA85

RGB 60 170 133

HSL 159.82, 0.48%, 0.45%

LAB 62.85, -40.14, 10.02

 

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

CMYK 5 / 0 / 65 / 33

HEX #A2AA3C

RGB 162 170 60

HSL 64.36, 0.48%, 0.45%

LAB 67.09, -17.39, 53.69

 

CMYK 65 / 5 / 0 / 33

HEX #3CA2AA

RGB 60 162 170

HSL 184.36, 0.48%, 0.45%

LAB 61.4, -26.43, -12.84

 

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

CMYK 0 / 48 / 65 / 33

HEX #AA593C

RGB 170 89 60

HSL 15.82, 0.48%, 0.45%

LAB 47, 30.57, 31.42

 

CMYK 65 / 0 / 61 / 33

HEX #3CAA43

RGB 60 170 67

HSL 123.82, 0.48%, 0.45%

LAB 61.75, -52.05, 43.18

 

CMYK 65 / 18 / 0 / 33

HEX #3C8CAA

RGB 60 140 170

HSL 196.36, 0.48%, 0.45%

LAB 54.68, -14.89, -23.06

 

CMYK 0 / 65 / 5 / 34

HEX #A83B9F

RGB 168 59 159

HSL 304.95, 0.48%, 0.45%

LAB 44.17, 56.55, -32.25

 

CMYK 0 / 28 / 65 / 33

HEX #AA7A3C

RGB 170 122 60

HSL 33.82, 0.48%, 0.45%

LAB 54.86, 12.15, 40.58

 

CMYK 65 / 0 / 61 / 33

HEX #3CAA43

RGB 60 170 67

HSL 123.82, 0.48%, 0.45%

LAB 61.75, -52.05, 43.18

 

CMYK 65 / 37 / 0 / 33

HEX #3C6BAA

RGB 60 107 170

HSL 214.36, 0.48%, 0.45%

LAB 44.77, 4.46, -38.52

 

Description

Color code: HEX #A83B9F | qconv.com Color code: HEX #A83B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 59 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 59 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 5 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 5% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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