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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83972 it is the complementary color #57C68D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83972 shade: #AD396D, #BE4B80, #CF5D93, #E06FA6 and #F181B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83972 shade: #A83972, #97275F, #86154C, #750339 and #640026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83972 shade: #A73972, #A73954 and #A73939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83972 shade: #A73972, #A7398F, #A139A7, #8439A7 and #6639A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83972 shade matches the following richer shades: #A73972, #B92772, #CB1573 and #DE0373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83972 shade: #A73972, #954B71, #835E71, #717070 and #5F8270

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83972 shade: #A239A7, #A7398F, #A73972, #A73955 and #A73B39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83972 shade: #6A2448, #882F5D, #A73972, #C14986 and #CB689B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83972 shade: #A83972, #A78439 and #399EA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83972 shade: #A83972, #72A739 and #3972A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83972 shade: #A83972, #A78439, #39A76E and #395CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83972 shade: #A83972, #A7A539, #39A76E and #393BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

Complementary color

CMYK 56 / 0 / 29 / 22

HEX #57C68D

RGB 87 198 141

HSL 149.19, 0.49%, 0.56%

LAB 72.45, -44.92, 19.21

 

CMYK 0 / 67 / 37 / 32

HEX #AD396D

RGB 173 57 109

HSL 333.1, 0.5%, 0.45%

LAB 42.63, 51.71, -4.07

 

CMYK 0 / 61 / 33 / 25

HEX #BE4B80

RGB 190 75 128

HSL 332.35, 0.47%, 0.52%

LAB 48.93, 51.42, -6.03

 

CMYK 0 / 55 / 29 / 19

HEX #CF5D93

RGB 207 93 147

HSL 331.58, 0.54%, 0.59%

LAB 55.28, 50.85, -7.6

 

CMYK 0 / 50 / 26 / 12

HEX #E06FA6

RGB 224 111 166

HSL 330.8, 0.65%, 0.66%

LAB 61.63, 50.15, -8.89

 

CMYK 0 / 46 / 23 / 5

HEX #F181B9

RGB 241 129 185

HSL 330, 0.8%, 0.73%

LAB 67.95, 49.39, -10

 

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

CMYK 0 / 74 / 37 / 41

HEX #97275F

RGB 151 39 95

HSL 330, 0.59%, 0.37%

LAB 35.71, 50.61, -5.98

 

CMYK 0 / 84 / 43 / 47

HEX #86154C

RGB 134 21 76

HSL 330.8, 0.73%, 0.3%

LAB 29.73, 49.5, -2.84

 

CMYK 0 / 97 / 51 / 54

HEX #750339

RGB 117 3 57

HSL 331.58, 0.95%, 0.24%

LAB 24.14, 47.09, 1.39

 

CMYK 0 / 100 / 62 / 61

HEX #640026

RGB 100 0 38

HSL 337.2, 1%, 0.2%

LAB 19.43, 41.91, 7.55

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 66 / 50 / 35

HEX #A73954

RGB 167 57 84

HSL 345.27, 0.49%, 0.44%

LAB 40.87, 47.23, 8.85

 

CMYK 0 / 66 / 66 / 35

HEX #A73939

RGB 167 57 57

HSL 0, 0.49%, 0.44%

LAB 40.31, 45.16, 24.88

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 66 / 14 / 35

HEX #A7398F

RGB 167 57 143

HSL 313.09, 0.49%, 0.44%

LAB 42.95, 54.55, -24.54

 

CMYK 4 / 66 / 0 / 35

HEX #A139A7

RGB 161 57 167

HSL 296.73, 0.49%, 0.44%

LAB 43.2, 57.01, -38.62

 

CMYK 21 / 66 / 0 / 35

HEX #8439A7

RGB 132 57 167

HSL 280.91, 0.49%, 0.44%

LAB 38.94, 50.09, -45.68

 

CMYK 39 / 66 / 0 / 35

HEX #6639A7

RGB 102 57 167

HSL 264.55, 0.49%, 0.44%

LAB 35.09, 43.34, -52.08

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 79 / 38 / 27

HEX #B92772

RGB 185 39 114

HSL 329.18, 0.65%, 0.44%

LAB 42.73, 61.86, -6.79

 

CMYK 0 / 90 / 43 / 20

HEX #CB1573

RGB 203 21 115

HSL 329.01, 0.81%, 0.44%

LAB 44.9, 70.16, -3.82

 

CMYK 0 / 99 / 48 / 13

HEX #DE0373

RGB 222 3 115

HSL 329.32, 0.97%, 0.44%

LAB 48.05, 76.24, 1.24

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 50 / 24 / 42

HEX #954B71

RGB 149 75 113

HSL 329.19, 0.33%, 0.44%

LAB 42.18, 35.79, -7.63

 

CMYK 0 / 28 / 14 / 49

HEX #835E71

RGB 131 94 113

HSL 329.19, 0.16%, 0.44%

LAB 44.27, 18.27, -4.77

 

CMYK 0 / 1 / 1 / 56

HEX #717070

RGB 113 112 112

HSL 0, 0%, 0.44%

LAB 47.33, 0.39, 0.13

 

CMYK 27 / 0 / 14 / 49

HEX #5F8270

RGB 95 130 112

HSL 149.14, 0.16%, 0.44%

LAB 51.35, -16.37, 5.78

 

CMYK 3 / 66 / 0 / 35

HEX #A239A7

RGB 162 57 167

HSL 297.27, 0.49%, 0.44%

LAB 43.36, 57.25, -38.37

 

CMYK 0 / 66 / 14 / 35

HEX #A7398F

RGB 167 57 143

HSL 313.09, 0.49%, 0.44%

LAB 42.95, 54.55, -24.54

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 66 / 49 / 35

HEX #A73955

RGB 167 57 85

HSL 344.73, 0.49%, 0.44%

LAB 40.89, 47.33, 8.25

 

CMYK 0 / 65 / 66 / 35

HEX #A73B39

RGB 167 59 57

HSL 1.09, 0.49%, 0.44%

LAB 40.64, 44.27, 25.29

 

CMYK 0 / 66 / 32 / 58

HEX #6A2448

RGB 106 36 72

HSL 329.14, 0.49%, 0.28%

LAB 26.14, 35.13, -6.1

 

CMYK 0 / 65 / 32 / 47

HEX #882F5D

RGB 136 47 93

HSL 328.99, 0.49%, 0.36%

LAB 34.1, 42.61, -7.38

 

CMYK 0 / 66 / 32 / 35

HEX #A73972

RGB 167 57 114

HSL 328.91, 0.49%, 0.44%

LAB 41.78, 50.5, -8.56

 

CMYK 0 / 62 / 31 / 24

HEX #C14986

RGB 193 73 134

HSL 329.5, 0.49%, 0.52%

LAB 49.28, 53.97, -9.06

 

CMYK 0 / 49 / 24 / 20

HEX #CB689B

RGB 203 104 155

HSL 329.09, 0.49%, 0.6%

LAB 57.04, 45.24, -9.7

 

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

CMYK 0 / 21 / 66 / 35

HEX #A78439

RGB 167 132 57

HSL 40.91, 0.49%, 0.44%

LAB 57.09, 5.01, 44.45

 

CMYK 66 / 5 / 0 / 35

HEX #399EA7

RGB 57 158 167

HSL 184.91, 0.49%, 0.44%

LAB 59.99, -25.81, -13.27

 

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

CMYK 32 / 0 / 66 / 35

HEX #72A739

RGB 114 167 57

HSL 88.91, 0.49%, 0.44%

LAB 62.94, -35.61, 49.56

 

CMYK 66 / 32 / 0 / 35

HEX #3972A7

RGB 57 114 167

HSL 208.91, 0.49%, 0.44%

LAB 46.57, -1.44, -33.93

 

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

CMYK 0 / 21 / 66 / 35

HEX #A78439

RGB 167 132 57

HSL 40.91, 0.49%, 0.44%

LAB 57.09, 5.01, 44.45

 

CMYK 66 / 0 / 34 / 35

HEX #39A76E

RGB 57 167 110

HSL 148.91, 0.49%, 0.44%

LAB 61.34, -44.52, 20.59

 

CMYK 66 / 45 / 0 / 35

HEX #395CA7

RGB 57 92 167

HSL 220.91, 0.49%, 0.44%

LAB 40.1, 12.37, -44.18

 

CMYK 0 / 66 / 32 / 34

HEX #A83972

RGB 168 57 114

HSL 329.19, 0.49%, 0.44%

LAB 41.95, 50.8, -8.28

 

CMYK 0 / 1 / 66 / 35

HEX #A7A539

RGB 167 165 57

HSL 58.91, 0.49%, 0.44%

LAB 66.08, -12.85, 54

 

CMYK 66 / 0 / 34 / 35

HEX #39A76E

RGB 57 167 110

HSL 148.91, 0.49%, 0.44%

LAB 61.34, -44.52, 20.59

 

CMYK 66 / 65 / 0 / 35

HEX #393BA7

RGB 57 59 167

HSL 238.91, 0.49%, 0.44%

LAB 31.32, 33.85, -58.4

 

Description

Color code: HEX #A83972 | qconv.com Color code: HEX #A83972 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 57 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 57 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 32 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 32% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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