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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83377 it is the complementary color #57CC88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83377 shade: #AD3372, #BE4585, #CF5798, #E069AB and #F17BBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83377 shade: #A83377, #972164, #860F51, #75003E and #64002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83377 shade: #A83477, #A83458, #A83438 and #A83434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83377 shade: #A83477, #A83496, #9A34A8, #7A34A8 and #5B34A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83377 shade matches the following richer shades: #A83477, #BA227A and #CB107D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83377 shade: #A83477, #964574, #845771, #73696E and #617B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83377 shade: #9A34A8, #A83496, #A83477, #A83458 and #A83439

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83377 shade: #69204A, #882A61, #A83477, #C4408D and #CE60A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83377 shade: #A83377, #A87B34 and #34A6A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83377 shade: #A83377, #77A834 and #3477A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83377 shade: #A83377, #A87B34, #34A864 and #3460A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83377 shade: #A83377, #A89E34, #34A864 and #343DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

Complementary color

CMYK 57 / 0 / 33 / 20

HEX #57CC88

RGB 87 204 136

HSL 145.13, 0.53%, 0.57%

LAB 74.18, -48.41, 24.22

 

CMYK 0 / 71 / 34 / 32

HEX #AD3372

RGB 173 51 114

HSL 329.02, 0.54%, 0.44%

LAB 41.95, 54.66, -8.19

 

CMYK 0 / 64 / 30 / 25

HEX #BE4585

RGB 190 69 133

HSL 328.26, 0.48%, 0.51%

LAB 48.13, 54.67, -10.24

 

CMYK 0 / 58 / 27 / 19

HEX #CF5798

RGB 207 87 152

HSL 327.5, 0.56%, 0.58%

LAB 54.4, 54.3, -11.86

 

CMYK 0 / 53 / 24 / 12

HEX #E069AB

RGB 224 105 171

HSL 326.72, 0.66%, 0.65%

LAB 60.69, 53.72, -13.18

 

CMYK 0 / 49 / 21 / 5

HEX #F17BBE

RGB 241 123 190

HSL 325.93, 0.81%, 0.71%

LAB 66.96, 53.04, -14.29

 

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

CMYK 0 / 78 / 34 / 41

HEX #972164

RGB 151 33 100

HSL 325.93, 0.64%, 0.36%

LAB 35.18, 53.21, -9.97

 

CMYK 0 / 89 / 40 / 47

HEX #860F51

RGB 134 15 81

HSL 326.72, 0.8%, 0.29%

LAB 29.42, 51.42, -6.62

 

CMYK 0 / 100 / 47 / 54

HEX #75003E

RGB 117 0 62

HSL 328.21, 1%, 0.23%

LAB 24.1, 48.16, -2.12

 

CMYK 0 / 100 / 57 / 61

HEX #64002B

RGB 100 0 43

HSL 334.2, 1%, 0.2%

LAB 19.57, 42.29, 4.17

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 69 / 48 / 34

HEX #A83458

RGB 168 52 88

HSL 341.38, 0.53%, 0.43%

LAB 40.39, 50.01, 5.68

 

CMYK 0 / 69 / 67 / 34

HEX #A83438

RGB 168 52 56

HSL 357.93, 0.53%, 0.43%

LAB 39.69, 47.56, 24.77

 

CMYK 0 / 69 / 69 / 34

HEX #A83434

RGB 168 52 52

HSL 0, 0.53%, 0.43%

LAB 39.63, 47.33, 27.13

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 69 / 11 / 34

HEX #A83496

RGB 168 52 150

HSL 309.31, 0.53%, 0.43%

LAB 42.74, 57.86, -29.09

 

CMYK 8 / 69 / 0 / 34

HEX #9A34A8

RGB 154 52 168

HSL 292.76, 0.53%, 0.43%

LAB 41.46, 57.56, -42.06

 

CMYK 27 / 69 / 0 / 34

HEX #7A34A8

RGB 122 52 168

HSL 276.21, 0.53%, 0.43%

LAB 36.78, 50.41, -49.81

 

CMYK 46 / 69 / 0 / 34

HEX #5B34A8

RGB 91 52 168

HSL 260.17, 0.53%, 0.43%

LAB 32.93, 44.09, -56.23

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 82 / 34 / 27

HEX #BA227A

RGB 186 34 122

HSL 325.26, 0.69%, 0.43%

LAB 42.75, 64.28, -11.71

 

CMYK 0 / 92 / 38 / 20

HEX #CB107D

RGB 203 16 125

HSL 325.03, 0.85%, 0.43%

LAB 45.01, 71.75, -9.83

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 54 / 23 / 41

HEX #964574

RGB 150 69 116

HSL 325.19, 0.37%, 0.43%

LAB 41.22, 39.75, -10.91

 

CMYK 0 / 34 / 14 / 48

HEX #845771

RGB 132 87 113

HSL 325.33, 0.21%, 0.43%

LAB 42.63, 22.8, -7.18

 

CMYK 0 / 9 / 4 / 55

HEX #73696E

RGB 115 105 110

HSL 330, 0.05%, 0.43%

LAB 45.46, 4.9, -1.38

 

CMYK 21 / 0 / 12 / 52

HEX #617B6C

RGB 97 123 108

HSL 145.38, 0.12%, 0.43%

LAB 49.24, -12.7, 5.12

 

CMYK 8 / 69 / 0 / 34

HEX #9A34A8

RGB 154 52 168

HSL 292.76, 0.53%, 0.43%

LAB 41.46, 57.56, -42.06

 

CMYK 0 / 69 / 11 / 34

HEX #A83496

RGB 168 52 150

HSL 309.31, 0.53%, 0.43%

LAB 42.74, 57.86, -29.09

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 69 / 48 / 34

HEX #A83458

RGB 168 52 88

HSL 341.38, 0.53%, 0.43%

LAB 40.39, 50.01, 5.68

 

CMYK 0 / 69 / 66 / 34

HEX #A83439

RGB 168 52 57

HSL 357.41, 0.53%, 0.43%

LAB 39.71, 47.62, 24.17

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 69 / 29 / 47

HEX #882A61

RGB 136 42 97

HSL 324.89, 0.53%, 0.35%

LAB 33.46, 45.32, -10.91

 

CMYK 0 / 69 / 29 / 34

HEX #A83477

RGB 168 52 119

HSL 325.34, 0.53%, 0.43%

LAB 41.39, 53.46, -12.21

 

CMYK 0 / 67 / 28 / 23

HEX #C4408D

RGB 196 64 141

HSL 325, 0.53%, 0.51%

LAB 48.67, 59.43, -14.14

 

CMYK 0 / 53 / 22 / 19

HEX #CE60A0

RGB 206 96 160

HSL 325.09, 0.53%, 0.59%

LAB 56.11, 50.87, -13.96

 

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

CMYK 0 / 27 / 69 / 34

HEX #A87B34

RGB 168 123 52

HSL 36.72, 0.53%, 0.43%

LAB 54.8, 10.19, 44.39

 

CMYK 69 / 1 / 0 / 34

HEX #34A6A8

RGB 52 166 168

HSL 181.03, 0.53%, 0.43%

LAB 62.36, -30.22, -10.28

 

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

CMYK 29 / 0 / 69 / 34

HEX #77A834

RGB 119 168 52

HSL 85.34, 0.53%, 0.43%

LAB 63.49, -34.56, 52.29

 

CMYK 69 / 29 / 0 / 34

HEX #3477A8

RGB 52 119 168

HSL 205.34, 0.53%, 0.43%

LAB 47.94, -4.94, -32.37

 

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

CMYK 0 / 27 / 69 / 34

HEX #A87B34

RGB 168 123 52

HSL 36.72, 0.53%, 0.43%

LAB 54.8, 10.19, 44.39

 

CMYK 69 / 0 / 40 / 34

HEX #34A864

RGB 52 168 100

HSL 144.83, 0.53%, 0.43%

LAB 61.36, -47.8, 26

 

CMYK 69 / 43 / 0 / 34

HEX #3460A8

RGB 52 96 168

HSL 217.24, 0.53%, 0.43%

LAB 41.09, 9.3, -43.21

 

CMYK 0 / 70 / 29 / 34

HEX #A83377

RGB 168 51 119

HSL 325.13, 0.53%, 0.43%

LAB 41.25, 53.85, -12.43

 

CMYK 0 / 6 / 69 / 34

HEX #A89E34

RGB 168 158 52

HSL 54.83, 0.53%, 0.43%

LAB 64.18, -9.03, 54.15

 

CMYK 69 / 0 / 40 / 34

HEX #34A864

RGB 52 168 100

HSL 144.83, 0.53%, 0.43%

LAB 61.36, -47.8, 26

 

CMYK 69 / 64 / 0 / 34

HEX #343DA8

RGB 52 61 168

HSL 235.34, 0.53%, 0.43%

LAB 31.57, 32.21, -58.61

 

Description

Color code: HEX #A83377 | qconv.com Color code: HEX #A83377 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 51 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 51 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 29 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 29% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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