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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8317D it is the complementary color #57CE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8317D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8317D shade: #AD3178, #BE438B, #CF559E, #E067B1 and #F179C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8317D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8317D shade: #A8317D, #971F6A, #860D57, #750044 and #640031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8317D shade: #AA317E, #AA315E, #AA313D and #AA3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8317D shade: #AA317E, #AA319F, #9431AA, #7431AA and #5331AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8317D shade matches the following richer shades: #AA317E, #BC2083 and #CD0E88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8317D shade: #AA317E, #984379, #865575, #756770 and #63786B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8317D shade: #9431AA, #AA31A0, #AA3180, #AA3160 and #AA313F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8317D shade: #6A1F4F, #8A2867, #AA317E, #C73E95 and #D05EA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8317D shade: #A8317D, #AA7431 and #31AAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8317D shade: #A8317D, #80AA31 and #3180AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8317D shade: #A8317D, #AA7431, #31AA5C and #3168AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8317D shade: #A8317D, #AA9831, #31AA5C and #3143AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

Complementary color

CMYK 58 / 0 / 37 / 19

HEX #57CE82

RGB 87 206 130

HSL 141.68, 0.55%, 0.57%

LAB 74.69, -50.34, 28.03

 

CMYK 0 / 72 / 31 / 32

HEX #AD3178

RGB 173 49 120

HSL 325.65, 0.56%, 0.44%

LAB 41.9, 56.12, -11.98

 

CMYK 0 / 65 / 27 / 25

HEX #BE438B

RGB 190 67 139

HSL 324.88, 0.49%, 0.5%

LAB 48.04, 56.27, -13.99

 

CMYK 0 / 59 / 24 / 19

HEX #CF559E

RGB 207 85 158

HSL 324.1, 0.56%, 0.57%

LAB 54.27, 56.01, -15.57

 

CMYK 0 / 54 / 21 / 12

HEX #E067B1

RGB 224 103 177

HSL 323.31, 0.66%, 0.64%

LAB 60.54, 55.5, -16.85

 

CMYK 0 / 50 / 19 / 5

HEX #F179C4

RGB 241 121 196

HSL 322.5, 0.81%, 0.71%

LAB 66.79, 54.87, -17.91

 

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

CMYK 0 / 79 / 30 / 41

HEX #971F6A

RGB 151 31 106

HSL 322.5, 0.66%, 0.36%

LAB 35.2, 54.54, -13.76

 

CMYK 0 / 90 / 35 / 47

HEX #860D57

RGB 134 13 87

HSL 323.31, 0.82%, 0.29%

LAB 29.52, 52.47, -10.42

 

CMYK 0 / 100 / 42 / 54

HEX #750044

RGB 117 0 68

HSL 325.13, 1%, 0.23%

LAB 24.32, 48.74, -5.9

 

CMYK 0 / 100 / 51 / 61

HEX #640031

RGB 100 0 49

HSL 330.6, 1%, 0.2%

LAB 19.77, 42.8, 0.17

 

CMYK 0 / 71 / 26 / 33

HEX #AA317E

RGB 170 49 126

HSL 321.82, 0.55%, 0.43%

LAB 41.61, 56.06, -16.18

 

CMYK 0 / 71 / 45 / 33

HEX #AA315E

RGB 170 49 94

HSL 337.69, 0.55%, 0.43%

LAB 40.49, 52.38, 2.1

 

CMYK 0 / 71 / 64 / 33

HEX #AA313D

RGB 170 49 61

HSL 354.05, 0.55%, 0.43%

LAB 39.71, 49.71, 21.78

 

CMYK 0 / 71 / 71 / 33

HEX #AA3131

RGB 170 49 49

HSL 0, 0.55%, 0.43%

LAB 39.52, 49.04, 28.9

 

CMYK 0 / 71 / 26 / 33

HEX #AA317E

RGB 170 49 126

HSL 321.82, 0.55%, 0.43%

LAB 41.61, 56.06, -16.18

 

CMYK 0 / 71 / 6 / 33

HEX #AA319F

RGB 170 49 159

HSL 305.45, 0.55%, 0.43%

LAB 43.13, 60.86, -33.86

 

CMYK 13 / 71 / 0 / 33

HEX #9431AA

RGB 148 49 170

HSL 289.09, 0.55%, 0.43%

LAB 40.24, 57.77, -45.25

 

CMYK 32 / 71 / 0 / 33

HEX #7431AA

RGB 116 49 170

HSL 273.22, 0.55%, 0.43%

LAB 35.62, 51, -52.93

 

CMYK 51 / 71 / 0 / 33

HEX #5331AA

RGB 83 49 170

HSL 256.86, 0.55%, 0.43%

LAB 31.67, 44.83, -59.54

 

CMYK 0 / 71 / 26 / 33

HEX #AA317E

RGB 170 49 126

HSL 321.82, 0.55%, 0.43%

LAB 41.61, 56.06, -16.18

 

CMYK 0 / 83 / 30 / 26

HEX #BC2083

RGB 188 32 131

HSL 321.92, 0.71%, 0.43%

LAB 43.31, 66.23, -16.37

 

CMYK 0 / 93 / 34 / 20

HEX #CD0E88

RGB 205 14 136

HSL 321.68, 0.87%, 0.43%

LAB 45.73, 73.51, -15.43

 

CMYK 0 / 71 / 26 / 33

HEX #AA317E

RGB 170 49 126

HSL 321.82, 0.55%, 0.43%

LAB 41.61, 56.06, -16.18

 

CMYK 0 / 56 / 20 / 40

HEX #984379

RGB 152 67 121

HSL 321.88, 0.39%, 0.43%

LAB 41.33, 42.18, -13.79

 

CMYK 0 / 37 / 13 / 47

HEX #865575

RGB 134 85 117

HSL 320.82, 0.22%, 0.43%

LAB 42.54, 25.43, -9.75

 

CMYK 0 / 12 / 4 / 54

HEX #756770

RGB 117 103 112

HSL 321.43, 0.06%, 0.43%

LAB 45.15, 7.27, -3.01

 

CMYK 18 / 0 / 11 / 53

HEX #63786B

RGB 99 120 107

HSL 142.86, 0.1%, 0.43%

LAB 48.44, -10.52, 4.58

 

CMYK 13 / 71 / 0 / 33

HEX #9431AA

RGB 148 49 170

HSL 289.09, 0.55%, 0.43%

LAB 40.24, 57.77, -45.25

 

CMYK 0 / 71 / 6 / 33

HEX #AA31A0

RGB 170 49 160

HSL 304.96, 0.55%, 0.43%

LAB 43.18, 61.02, -34.38

 

CMYK 0 / 71 / 25 / 33

HEX #AA3180

RGB 170 49 128

HSL 320.83, 0.55%, 0.43%

LAB 41.69, 56.32, -17.28

 

CMYK 0 / 71 / 44 / 33

HEX #AA3160

RGB 170 49 96

HSL 336.69, 0.55%, 0.43%

LAB 40.55, 52.58, 0.93

 

CMYK 0 / 71 / 63 / 33

HEX #AA313F

RGB 170 49 63

HSL 353.06, 0.55%, 0.43%

LAB 39.75, 49.84, 20.58

 

CMYK 0 / 71 / 25 / 58

HEX #6A1F4F

RGB 106 31 79

HSL 321.6, 0.55%, 0.27%

LAB 25.59, 38.43, -11.62

 

CMYK 0 / 71 / 25 / 46

HEX #8A2867

RGB 138 40 103

HSL 321.43, 0.55%, 0.35%

LAB 33.77, 47.54, -14.24

 

CMYK 0 / 71 / 26 / 33

HEX #AA317E

RGB 170 49 126

HSL 321.82, 0.55%, 0.43%

LAB 41.61, 56.06, -16.18

 

CMYK 0 / 69 / 25 / 22

HEX #C73E95

RGB 199 62 149

HSL 321.9, 0.55%, 0.51%

LAB 49.2, 62.03, -18.08

 

CMYK 0 / 55 / 20 / 18

HEX #D05EA7

RGB 208 94 167

HSL 321.58, 0.55%, 0.59%

LAB 56.29, 53.44, -17.73

 

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

CMYK 0 / 32 / 71 / 33

HEX #AA7431

RGB 170 116 49

HSL 33.22, 0.55%, 0.43%

LAB 53.23, 14.86, 44.21

 

CMYK 71 / 0 / 4 / 33

HEX #31AAA4

RGB 49 170 164

HSL 177.02, 0.55%, 0.43%

LAB 63.41, -33.71, -6.49

 

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

CMYK 25 / 0 / 71 / 33

HEX #80AA31

RGB 128 170 49

HSL 80.83, 0.55%, 0.43%

LAB 64.61, -32.18, 54.78

 

CMYK 71 / 25 / 0 / 33

HEX #3180AA

RGB 49 128 170

HSL 200.83, 0.55%, 0.43%

LAB 50.68, -9.95, -29.27

 

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

CMYK 0 / 32 / 71 / 33

HEX #AA7431

RGB 170 116 49

HSL 33.22, 0.55%, 0.43%

LAB 53.23, 14.86, 44.21

 

CMYK 71 / 0 / 46 / 33

HEX #31AA5C

RGB 49 170 92

HSL 141.32, 0.55%, 0.43%

LAB 61.81, -50.52, 30.8

 

CMYK 71 / 39 / 0 / 33

HEX #3168AA

RGB 49 104 170

HSL 212.73, 0.55%, 0.43%

LAB 43.44, 4.48, -40.65

 

CMYK 0 / 71 / 26 / 34

HEX #A8317D

RGB 168 49 125

HSL 321.68, 0.55%, 0.43%

LAB 41.22, 55.39, -16.19

 

CMYK 0 / 11 / 71 / 33

HEX #AA9831

RGB 170 152 49

HSL 51.07, 0.55%, 0.43%

LAB 62.7, -5.1, 53.93

 

CMYK 71 / 0 / 46 / 33

HEX #31AA5C

RGB 49 170 92

HSL 141.32, 0.55%, 0.43%

LAB 61.81, -50.52, 30.8

 

CMYK 71 / 61 / 0 / 33

HEX #3143AA

RGB 49 67 170

HSL 231.07, 0.55%, 0.43%

LAB 33.07, 28.63, -57.36

 

Description

Color code: HEX #A8317D | qconv.com Color code: HEX #A8317D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 49 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 49 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 26 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 26% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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