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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82FD4 it is the complementary color #57D02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82FD4 shade: #AD2FCF, #BE41E2, #CF53F5, #E065FF and #F177FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82FD4 shade: #A82FD4, #971DC1, #860BAE, #75009B and #640088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82FD4 shade: #A82FD4, #D42FD4, #D42FA7, #D42F7B and #D42F4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82FD4 shade: #A82FD4, #7C2FD4, #4F2FD4 and #2F2FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82FD4 shade matches the following richer shades: #A82FD4, #B11BE8 and #BB07FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82FD4 shade: #A82FD4, #9F43C0, #9558AC, #8C6C97 and #828083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82FD4 shade: #502FD4, #7C2FD4, #A82FD4, #D42FD4 and #D42FA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82FD4 shade: #741E93, #8F25B5, #A82FD4, #B651DB and #C574E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82FD4 shade: #A82FD4, #D42F3A and #2FD466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82FD4 shade: #A82FD4, #D4A82F and #2FD4A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82FD4 shade: #A82FD4, #D42F3A, #5BD42F and #2FD4C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82FD4 shade: #A82FD4, #D4562F, #5BD42F and #2FAED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

Complementary color

CMYK 58 / 0 / 79 / 18

HEX #57D02B

RGB 87 208 43

HSL 104, 0.66%, 0.49%

LAB 74.39, -61.24, 65.61

 

CMYK 16 / 77 / 0 / 19

HEX #AD2FCF

RGB 173 47 207

HSL 287.25, 0.63%, 0.5%

LAB 46.21, 70.44, -57.13

 

CMYK 16 / 71 / 0 / 11

HEX #BE41E2

RGB 190 65 226

HSL 286.58, 0.74%, 0.57%

LAB 52.08, 71.13, -58.39

 

CMYK 16 / 66 / 0 / 4

HEX #CF53F5

RGB 207 83 245

HSL 285.93, 0.89%, 0.64%

LAB 58.08, 71.27, -59.29

 

CMYK 12 / 60 / 0 / 0

HEX #E065FF

RGB 224 101 255

HSL 287.92, 1%, 0.7%

LAB 63.65, 69.37, -55.8

 

CMYK 5 / 53 / 0 / 0

HEX #F177FF

RGB 241 119 255

HSL 293.82, 1%, 0.73%

LAB 68.83, 65.44, -47.46

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 22 / 85 / 0 / 24

HEX #971DC1

RGB 151 29 193

HSL 284.63, 0.74%, 0.44%

LAB 40.09, 69.01, -59.04

 

CMYK 23 / 94 / 0 / 32

HEX #860BAE

RGB 134 11 174

HSL 285.28, 0.88%, 0.36%

LAB 34.73, 66.28, -56.64

 

CMYK 25 / 100 / 0 / 39

HEX #75009B

RGB 117 0 155

HSL 285.29, 1%, 0.3%

LAB 29.78, 61.93, -53.34

 

CMYK 26 / 100 / 0 / 47

HEX #640088

RGB 100 0 136

HSL 284.12, 1%, 0.27%

LAB 25.22, 55.98, -49.15

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 78 / 0 / 17

HEX #D42FD4

RGB 212 47 212

HSL 300, 0.66%, 0.51%

LAB 52.71, 78.68, -49.23

 

CMYK 0 / 78 / 21 / 17

HEX #D42FA7

RGB 212 47 167

HSL 316.36, 0.66%, 0.51%

LAB 50.48, 72.33, -26.62

 

CMYK 0 / 78 / 42 / 17

HEX #D42F7B

RGB 212 47 123

HSL 332.36, 0.66%, 0.51%

LAB 48.83, 67.44, -2.73

 

CMYK 0 / 78 / 63 / 17

HEX #D42F4E

RGB 212 47 78

HSL 348.73, 0.66%, 0.51%

LAB 47.73, 64.01, 23.24

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 42 / 78 / 0 / 17

HEX #7C2FD4

RGB 124 47 212

HSL 268, 0.66%, 0.51%

LAB 39.7, 63.2, -70.89

 

CMYK 63 / 78 / 0 / 17

HEX #4F2FD4

RGB 79 47 212

HSL 251.64, 0.66%, 0.51%

LAB 34.9, 57.39, -78.96

 

CMYK 78 / 78 / 0 / 17

HEX #2F2FD4

RGB 47 47 212

HSL 240, 0.66%, 0.51%

LAB 32.68, 54.68, -82.7

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 24 / 88 / 0 / 9

HEX #B11BE8

RGB 177 27 232

HSL 283.9, 0.82%, 0.51%

LAB 46.92, 80.54, -70.23

 

CMYK 26 / 97 / 0 / 1

HEX #BB07FC

RGB 187 7 252

HSL 284.08, 0.98%, 0.51%

LAB 49.19, 87.82, -77.72

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 17 / 65 / 0 / 25

HEX #9F43C0

RGB 159 67 192

HSL 284.16, 0.5%, 0.51%

LAB 45.89, 57.04, -49.05

 

CMYK 13 / 49 / 0 / 33

HEX #9558AC

RGB 149 88 172

HSL 283.57, 0.34%, 0.51%

LAB 47.43, 39.67, -35.01

 

CMYK 7 / 28 / 0 / 41

HEX #8C6C97

RGB 140 108 151

HSL 284.65, 0.17%, 0.51%

LAB 50.14, 20.81, -18.54

 

CMYK 1 / 2 / 0 / 49

HEX #828083

RGB 130 128 131

HSL 280, 0.01%, 0.51%

LAB 53.84, 1.35, -1.36

 

CMYK 62 / 78 / 0 / 17

HEX #502FD4

RGB 80 47 212

HSL 252, 0.66%, 0.51%

LAB 34.99, 57.5, -78.81

 

CMYK 42 / 78 / 0 / 17

HEX #7C2FD4

RGB 124 47 212

HSL 268, 0.66%, 0.51%

LAB 39.7, 63.2, -70.89

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 78 / 0 / 17

HEX #D42FD4

RGB 212 47 212

HSL 300, 0.66%, 0.51%

LAB 52.71, 78.68, -49.23

 

CMYK 0 / 78 / 21 / 17

HEX #D42FA8

RGB 212 47 168

HSL 316, 0.66%, 0.51%

LAB 50.52, 72.46, -27.14

 

CMYK 21 / 80 / 0 / 42

HEX #741E93

RGB 116 30 147

HSL 284.1, 0.66%, 0.35%

LAB 31.23, 53.61, -46.1

 

CMYK 21 / 80 / 0 / 29

HEX #8F25B5

RGB 143 37 181

HSL 284.17, 0.66%, 0.43%

LAB 38.72, 63.14, -54.26

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 17 / 63 / 0 / 14

HEX #B651DB

RGB 182 81 219

HSL 283.91, 0.66%, 0.59%

LAB 52.89, 61.52, -53.19

 

CMYK 13 / 49 / 0 / 11

HEX #C574E2

RGB 197 116 226

HSL 284.18, 0.65%, 0.67%

LAB 61.53, 49.67, -43.31

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 78 / 73 / 17

HEX #D42F3A

RGB 212 47 58

HSL 356, 0.66%, 0.51%

LAB 47.41, 63.02, 34.82

 

CMYK 78 / 0 / 52 / 17

HEX #2FD466

RGB 47 212 102

HSL 140, 0.66%, 0.51%

LAB 75.23, -64.1, 42.61

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 21 / 78 / 17

HEX #D4A82F

RGB 212 168 47

HSL 44, 0.66%, 0.51%

LAB 71.01, 4.77, 64.08

 

CMYK 78 / 0 / 21 / 17

HEX #2FD4A8

RGB 47 212 168

HSL 164, 0.66%, 0.51%

LAB 76.39, -51.17, 10.18

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 78 / 73 / 17

HEX #D42F3A

RGB 212 47 58

HSL 356, 0.66%, 0.51%

LAB 47.41, 63.02, 34.82

 

CMYK 57 / 0 / 78 / 17

HEX #5BD42F

RGB 91 212 47

HSL 104, 0.66%, 0.51%

LAB 75.77, -61.41, 65.78

 

CMYK 78 / 0 / 5 / 17

HEX #2FD4C9

RGB 47 212 201

HSL 176, 0.66%, 0.51%

LAB 77.23, -42.57, -6.29

 

CMYK 21 / 78 / 0 / 17

HEX #A82FD4

RGB 168 47 212

HSL 284, 0.66%, 0.51%

LAB 45.79, 70.47, -60.72

 

CMYK 0 / 59 / 78 / 17

HEX #D4562F

RGB 212 86 47

HSL 14.18, 0.66%, 0.51%

LAB 52.79, 47.62, 46.6

 

CMYK 57 / 0 / 78 / 17

HEX #5BD42F

RGB 91 212 47

HSL 104, 0.66%, 0.51%

LAB 75.77, -61.41, 65.78

 

CMYK 78 / 18 / 0 / 17

HEX #2FAED4

RGB 47 174 212

HSL 193.82, 0.66%, 0.51%

LAB 66.24, -21.01, -28.9

 

Description

Color code: HEX #A82FD4 | qconv.com Color code: HEX #A82FD4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 47 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 47 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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