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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82FAD it is the complementary color #57D052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82FAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82FAD shade: #AD2FA8, #BE41BB, #CF53CE, #E065E1 and #F177F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82FAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82FAD shade: #A82FAD, #971D9A, #860B87, #750074 and #640061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82FAD shade: #A72FAC, #AC2F8F, #AC2F6E, #AC2F4C and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82FAD shade: #A72FAC, #852FAC, #642FAC, #422FAC and #2F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82FAD shade matches the following richer shades: #A72FAC, #B81DBE and #C80CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82FAD shade: #A72FAC, #97419A, #875389, #766477 and #667665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82FAD shade: #632FAC, #852FAC, #A62FAC, #AC2F91 and #AC2F70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82FAD shade: #681D6B, #88268C, #A72FAC, #C43BC9 and #CE5CD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82FAD shade: #A82FAD, #AC422F and #2FAC74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82FAD shade: #A82FAD, #ACA62F and #2FACA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82FAD shade: #A82FAD, #AC422F, #35AC2F and #2F99AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82FAD shade: #A82FAD, #AC672F, #35AC2F and #2F74AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

Complementary color

CMYK 58 / 0 / 61 / 18

HEX #57D052

RGB 87 208 82

HSL 117.62, 0.57%, 0.57%

LAB 74.67, -58.07, 51.39

 

CMYK 0 / 73 / 3 / 32

HEX #AD2FA8

RGB 173 47 168

HSL 302.38, 0.57%, 0.43%

LAB 43.86, 63.68, -38.05

 

CMYK 0 / 66 / 2 / 25

HEX #BE41BB

RGB 190 65 187

HSL 301.44, 0.49%, 0.5%

LAB 49.88, 64.23, -39.54

 

CMYK 0 / 60 / 0 / 19

HEX #CF53CE

RGB 207 83 206

HSL 300.48, 0.56%, 0.57%

LAB 56, 64.26, -40.65

 

CMYK 0 / 55 / 0 / 12

HEX #E065E1

RGB 224 101 225

HSL 299.52, 0.67%, 0.64%

LAB 62.16, 63.98, -41.52

 

CMYK 1 / 51 / 0 / 4

HEX #F177F4

RGB 241 119 244

HSL 298.56, 0.85%, 0.71%

LAB 68.33, 63.5, -42.21

 

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

CMYK 2 / 81 / 0 / 40

HEX #971D9A

RGB 151 29 154

HSL 298.56, 0.68%, 0.36%

LAB 37.46, 62.08, -40.04

 

CMYK 1 / 92 / 0 / 47

HEX #860B87

RGB 134 11 135

HSL 299.52, 0.85%, 0.29%

LAB 31.94, 59.46, -37.37

 

CMYK 0 / 100 / 1 / 54

HEX #750074

RGB 117 0 116

HSL 300.51, 1%, 0.23%

LAB 26.86, 55.1, -33.68

 

CMYK 0 / 100 / 3 / 61

HEX #640061

RGB 100 0 97

HSL 301.8, 1%, 0.2%

LAB 22.2, 48.96, -28.96

 

CMYK 3 / 73 / 0 / 33

HEX #A72FAC

RGB 167 47 172

HSL 297.6, 0.57%, 0.43%

LAB 43.1, 63.02, -41.69

 

CMYK 0 / 73 / 17 / 33

HEX #AC2F8F

RGB 172 47 143

HSL 313.92, 0.57%, 0.43%

LAB 42.44, 59.62, -25.27

 

CMYK 0 / 73 / 36 / 33

HEX #AC2F6E

RGB 172 47 110

HSL 329.76, 0.57%, 0.43%

LAB 41.1, 55.39, -6.99

 

CMYK 0 / 73 / 56 / 33

HEX #AC2F4C

RGB 172 47 76

HSL 346.08, 0.57%, 0.43%

LAB 40.12, 52.15, 12.98

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 3 / 73 / 0 / 33

HEX #A72FAC

RGB 167 47 172

HSL 297.6, 0.57%, 0.43%

LAB 43.1, 63.02, -41.69

 

CMYK 23 / 73 / 0 / 33

HEX #852FAC

RGB 133 47 172

HSL 281.28, 0.57%, 0.43%

LAB 37.84, 55.79, -50.42

 

CMYK 42 / 73 / 0 / 33

HEX #642FAC

RGB 100 47 172

HSL 265.44, 0.57%, 0.43%

LAB 33.39, 49.37, -57.83

 

CMYK 62 / 73 / 0 / 33

HEX #422FAC

RGB 66 47 172

HSL 249.12, 0.57%, 0.43%

LAB 29.84, 43.93, -63.8

 

CMYK 73 / 73 / 0 / 33

HEX #2F2FAC

RGB 47 47 172

HSL 240, 0.57%, 0.43%

LAB 28.42, 41.66, -66.18

 

CMYK 3 / 73 / 0 / 33

HEX #A72FAC

RGB 167 47 172

HSL 297.6, 0.57%, 0.43%

LAB 43.1, 63.02, -41.69

 

CMYK 3 / 85 / 0 / 25

HEX #B81DBE

RGB 184 29 190

HSL 297.76, 0.74%, 0.43%

LAB 45.34, 74.13, -48.56

 

CMYK 4 / 94 / 0 / 18

HEX #C80CD0

RGB 200 12 208

HSL 297.55, 0.89%, 0.43%

LAB 48.38, 82.02, -53.97

 

CMYK 3 / 73 / 0 / 33

HEX #A72FAC

RGB 167 47 172

HSL 297.6, 0.57%, 0.43%

LAB 43.1, 63.02, -41.69

 

CMYK 2 / 58 / 0 / 40

HEX #97419A

RGB 151 65 154

HSL 297.98, 0.41%, 0.43%

LAB 42.3, 48.5, -32.38

 

CMYK 1 / 39 / 0 / 46

HEX #875389

RGB 135 83 137

HSL 297.78, 0.25%, 0.43%

LAB 42.98, 30.77, -21.23

 

CMYK 1 / 16 / 0 / 53

HEX #766477

RGB 118 100 119

HSL 296.84, 0.09%, 0.43%

LAB 44.66, 10.88, -7.97

 

CMYK 14 / 0 / 14 / 54

HEX #667665

RGB 102 118 101

HSL 116.47, 0.08%, 0.43%

LAB 47.91, -9.49, 7.39

 

CMYK 42 / 73 / 0 / 33

HEX #632FAC

RGB 99 47 172

HSL 264.96, 0.57%, 0.43%

LAB 33.27, 49.19, -58.04

 

CMYK 23 / 73 / 0 / 33

HEX #852FAC

RGB 133 47 172

HSL 281.28, 0.57%, 0.43%

LAB 37.84, 55.79, -50.42

 

CMYK 3 / 73 / 0 / 33

HEX #A62FAC

RGB 166 47 172

HSL 297.12, 0.57%, 0.43%

LAB 42.94, 62.8, -41.96

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 0 / 73 / 35 / 33

HEX #AC2F70

RGB 172 47 112

HSL 328.8, 0.57%, 0.43%

LAB 41.17, 55.61, -8.13

 

CMYK 3 / 73 / 0 / 58

HEX #681D6B

RGB 104 29 107

HSL 297.69, 0.57%, 0.27%

LAB 26.4, 43.46, -28.77

 

CMYK 3 / 73 / 0 / 45

HEX #88268C

RGB 136 38 140

HSL 297.65, 0.57%, 0.35%

LAB 35.03, 53.68, -35.51

 

CMYK 3 / 73 / 0 / 33

HEX #A72FAC

RGB 167 47 172

HSL 297.6, 0.57%, 0.43%

LAB 43.1, 63.02, -41.69

 

CMYK 2 / 71 / 0 / 21

HEX #C43BC9

RGB 196 59 201

HSL 297.89, 0.57%, 0.51%

LAB 50.78, 70.09, -46.15

 

CMYK 2 / 56 / 0 / 18

HEX #CE5CD2

RGB 206 92 210

HSL 297.97, 0.57%, 0.59%

LAB 57.49, 60.75, -40.58

 

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

CMYK 0 / 62 / 73 / 33

HEX #AC422F

RGB 172 66 47

HSL 9.12, 0.57%, 0.43%

LAB 42.57, 42.31, 33.69

 

CMYK 73 / 0 / 33 / 33

HEX #2FAC74

RGB 47 172 116

HSL 153.12, 0.57%, 0.43%

LAB 62.82, -46.99, 19.3

 

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

CMYK 0 / 3 / 73 / 33

HEX #ACA62F

RGB 172 166 47

HSL 57.12, 0.57%, 0.43%

LAB 66.71, -11.73, 58.68

 

CMYK 73 / 0 / 3 / 33

HEX #2FACA6

RGB 47 172 166

HSL 177.12, 0.57%, 0.43%

LAB 64.05, -34.33, -6.66

 

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

CMYK 0 / 62 / 73 / 33

HEX #AC422F

RGB 172 66 47

HSL 9.12, 0.57%, 0.43%

LAB 42.57, 42.31, 33.69

 

CMYK 69 / 0 / 73 / 33

HEX #35AC2F

RGB 53 172 47

HSL 117.12, 0.57%, 0.43%

LAB 62.06, -56.21, 51.91

 

CMYK 73 / 11 / 0 / 33

HEX #2F99AC

RGB 47 153 172

HSL 189.12, 0.57%, 0.43%

LAB 58.38, -23.17, -18.56

 

CMYK 3 / 73 / 0 / 32

HEX #A82FAD

RGB 168 47 173

HSL 297.62, 0.57%, 0.43%

LAB 43.32, 63.4, -41.92

 

CMYK 0 / 40 / 73 / 33

HEX #AC672F

RGB 172 103 47

HSL 26.88, 0.57%, 0.43%

LAB 50.31, 22.93, 42.16

 

CMYK 69 / 0 / 73 / 33

HEX #35AC2F

RGB 53 172 47

HSL 117.12, 0.57%, 0.43%

LAB 62.06, -56.21, 51.91

 

CMYK 73 / 33 / 0 / 33

HEX #2F74AC

RGB 47 116 172

HSL 206.88, 0.57%, 0.43%

LAB 47.07, -2.47, -36.09

 

Description

Color code: HEX #A82FAD | qconv.com Color code: HEX #A82FAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 47 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 47 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 73 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 73% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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