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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82CE1 it is the complementary color #57D31E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82CE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82CE1 shade: #AD2CDC, #BE3EEF, #CF50FF, #E062FF and #F174FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82CE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82CE1 shade: #A82CE1, #971ACE, #8608BB, #7500A8 and #640095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82CE1 shade: #A82DE1, #D92DE1, #E12DB9, #E12D88 and #E12D58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82CE1 shade: #A82DE1, #782DE1, #472DE1 and #2D2DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82CE1 shade matches the following richer shades: #A82DE1 and #B01AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82CE1 shade: #A82DE1, #A141CE, #9A54BA, #9367A7 and #8C7B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82CE1 shade: #482DE1, #782DE1, #A82DE1, #D82DE1 and #E12DBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82CE1 shade: #7817A4, #921DC8, #A82DE1, #B751E6 and #C675EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82CE1 shade: #A82CE1, #E12D42 and #2DE160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82CE1 shade: #A82CE1, #E1A82D and #2DE1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82CE1 shade: #A82CE1, #E12D42, #66E12D and #2DE1CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82CE1 shade: #A82CE1, #E14E2D, #66E12D and #2DC0E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

Complementary color

CMYK 59 / 0 / 86 / 17

HEX #57D31E

RGB 87 211 30

HSL 101.1, 0.75%, 0.47%

LAB 75.27, -62.87, 69.65

 

CMYK 21 / 80 / 0 / 14

HEX #AD2CDC

RGB 173 44 220

HSL 283.98, 0.72%, 0.52%

LAB 46.78, 73.76, -63.66

 

CMYK 21 / 74 / 0 / 6

HEX #BE3EEF

RGB 190 62 239

HSL 283.39, 0.85%, 0.59%

LAB 52.54, 74.66, -64.98

 

CMYK 19 / 69 / 0 / 0

HEX #CF50FF

RGB 207 80 255

HSL 283.54, 1%, 0.66%

LAB 58.25, 74.37, -64.57

 

CMYK 12 / 62 / 0 / 0

HEX #E062FF

RGB 224 98 255

HSL 288.15, 1%, 0.69%

LAB 63.18, 70.66, -56.55

 

CMYK 5 / 55 / 0 / 0

HEX #F174FF

RGB 241 116 255

HSL 293.96, 1%, 0.73%

LAB 68.32, 66.81, -48.26

 

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

CMYK 27 / 87 / 0 / 19

HEX #971ACE

RGB 151 26 206

HSL 281.67, 0.78%, 0.45%

LAB 40.86, 72.16, -65.38

 

CMYK 28 / 96 / 0 / 27

HEX #8608BB

RGB 134 8 187

HSL 282.23, 0.92%, 0.38%

LAB 35.65, 69.13, -62.86

 

CMYK 30 / 100 / 0 / 34

HEX #7500A8

RGB 117 0 168

HSL 281.79, 1%, 0.33%

LAB 30.9, 64.42, -59.41

 

CMYK 33 / 100 / 0 / 42

HEX #640095

RGB 100 0 149

HSL 280.27, 1%, 0.29%

LAB 26.39, 58.57, -55.32

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 4 / 80 / 0 / 12

HEX #D92DE1

RGB 217 45 225

HSL 297.33, 0.75%, 0.53%

LAB 54.1, 82.13, -54.37

 

CMYK 0 / 80 / 18 / 12

HEX #E12DB9

RGB 225 45 185

HSL 313.33, 0.75%, 0.53%

LAB 53.37, 78, -32.48

 

CMYK 0 / 80 / 40 / 12

HEX #E12D88

RGB 225 45 136

HSL 329.67, 0.75%, 0.53%

LAB 51.45, 72.47, -6.44

 

CMYK 0 / 80 / 61 / 12

HEX #E12D58

RGB 225 45 88

HSL 345.67, 0.75%, 0.53%

LAB 50.2, 68.71, 20.88

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 47 / 80 / 0 / 12

HEX #782DE1

RGB 120 45 225

HSL 265, 0.75%, 0.53%

LAB 40.09, 66.49, -77.73

 

CMYK 68 / 80 / 0 / 12

HEX #472DE1

RGB 71 45 225

HSL 248.67, 0.75%, 0.53%

LAB 35.31, 61.27, -85.78

 

CMYK 80 / 80 / 0 / 12

HEX #2D2DE1

RGB 45 45 225

HSL 240, 0.75%, 0.53%

LAB 33.71, 59.54, -88.48

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 28 / 89 / 0 / 4

HEX #B01AF4

RGB 176 26 244

HSL 281.28, 0.91%, 0.53%

LAB 47.62, 82.78, -75.85

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 22 / 68 / 0 / 19

HEX #A141CE

RGB 161 65 206

HSL 280.85, 0.59%, 0.53%

LAB 46.73, 61.23, -55.8

 

CMYK 17 / 55 / 0 / 27

HEX #9A54BA

RGB 154 84 186

HSL 281.18, 0.43%, 0.53%

LAB 47.95, 46.24, -42.33

 

CMYK 12 / 38 / 0 / 35

HEX #9367A7

RGB 147 103 167

HSL 281.25, 0.27%, 0.53%

LAB 50.33, 29.51, -27.57

 

CMYK 5 / 16 / 0 / 42

HEX #8C7B93

RGB 140 123 147

HSL 282.5, 0.1%, 0.53%

LAB 53.87, 11.18, -10.55

 

CMYK 68 / 80 / 0 / 12

HEX #482DE1

RGB 72 45 225

HSL 249, 0.75%, 0.53%

LAB 35.38, 61.35, -85.66

 

CMYK 47 / 80 / 0 / 12

HEX #782DE1

RGB 120 45 225

HSL 265, 0.75%, 0.53%

LAB 40.09, 66.49, -77.73

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 4 / 80 / 0 / 12

HEX #D82DE1

RGB 216 45 225

HSL 297, 0.75%, 0.53%

LAB 53.93, 81.95, -54.63

 

CMYK 0 / 80 / 17 / 12

HEX #E12DBA

RGB 225 45 186

HSL 313, 0.75%, 0.53%

LAB 53.42, 78.13, -32.99

 

CMYK 27 / 86 / 0 / 36

HEX #7817A4

RGB 120 23 164

HSL 281.28, 0.75%, 0.37%

LAB 32.45, 59.87, -54.44

 

CMYK 27 / 86 / 0 / 22

HEX #921DC8

RGB 146 29 200

HSL 281.05, 0.75%, 0.45%

LAB 39.85, 69.58, -63.57

 

CMYK 25 / 80 / 0 / 12

HEX #A82DE1

RGB 168 45 225

HSL 281, 0.75%, 0.53%

LAB 46.5, 73.6, -67

 

CMYK 20 / 65 / 0 / 10

HEX #B751E6

RGB 183 81 230

HSL 281.07, 0.75%, 0.61%

LAB 53.67, 63.97, -58.15

 

CMYK 16 / 50 / 0 / 8

HEX #C675EB

RGB 198 117 235

HSL 281.19, 0.75%, 0.69%

LAB 62.28, 51.27, -47.13

 

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

CMYK 0 / 80 / 71 / 12

HEX #E12D42

RGB 225 45 66

HSL 353, 0.75%, 0.53%

LAB 49.83, 67.57, 33.59

 

CMYK 80 / 0 / 57 / 12

HEX #2DE160

RGB 45 225 96

HSL 137, 0.75%, 0.53%

LAB 79.19, -69.41, 50.15

 

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

CMYK 0 / 25 / 80 / 12

HEX #E1A82D

RGB 225 168 45

HSL 41, 0.75%, 0.53%

LAB 72.36, 10.34, 66.49

 

CMYK 80 / 0 / 25 / 12

HEX #2DE1A8

RGB 45 225 168

HSL 161, 0.75%, 0.53%

LAB 80.31, -56.5, 15.72

 

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

CMYK 0 / 80 / 71 / 12

HEX #E12D42

RGB 225 45 66

HSL 353, 0.75%, 0.53%

LAB 49.83, 67.57, 33.59

 

CMYK 55 / 0 / 80 / 12

HEX #66E12D

RGB 102 225 45

HSL 101, 0.75%, 0.53%

LAB 80.1, -63.25, 70.54

 

CMYK 80 / 0 / 9 / 12

HEX #2DE1CC

RGB 45 225 204

HSL 173, 0.75%, 0.53%

LAB 81.16, -47.56, -2.1

 

CMYK 25 / 80 / 0 / 12

HEX #A82CE1

RGB 168 44 225

HSL 281.1, 0.75%, 0.53%

LAB 46.4, 73.89, -67.17

 

CMYK 0 / 65 / 80 / 12

HEX #E14E2D

RGB 225 78 45

HSL 11, 0.75%, 0.53%

LAB 53.65, 55.59, 49.16

 

CMYK 55 / 0 / 80 / 12

HEX #66E12D

RGB 102 225 45

HSL 101, 0.75%, 0.53%

LAB 80.1, -63.25, 70.54

 

CMYK 80 / 15 / 0 / 12

HEX #2DC0E1

RGB 45 192 225

HSL 191, 0.75%, 0.53%

LAB 72.02, -26.14, -27.11

 

Description

Color code: HEX #A82CE1 | qconv.com Color code: HEX #A82CE1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 44 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 44 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 80 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 80% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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