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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82170 it is the complementary color #57DE8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82170 shade: #AD216B, #BE337E, #CF4591, #E057A4 and #F169B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82170 shade: #A82170, #970F5D, #86004A, #750037 and #640024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82170 shade: #A6216F, #A6214B, #A62127 and #A62121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82170 shade: #A6216F, #A62193, #9521A6, #7221A6 and #4E21A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82170 shade matches the following richer shades: #A6216F, #B61172 and #C60174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82170 shade: #A6216F, #96316C, #864169, #765167 and #666164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82170 shade: #9421A6, #A62194, #A62171, #A6214D and #A6212A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82170 shade: #611341, #841A58, #A6216F, #C92886 and #D9409A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82170 shade: #A82170, #A67121 and #21A6A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82170 shade: #A82170, #71A621 and #2171A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82170 shade: #A82170, #A67121, #21A656 and #2156A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82170 shade: #A82170, #A69921, #21A656 and #212EA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

Complementary color

CMYK 61 / 0 / 36 / 13

HEX #57DE8F

RGB 87 222 143

HSL 144.89, 0.67%, 0.61%

LAB 79.76, -54.33, 28.1

 

CMYK 0 / 81 / 38 / 32

HEX #AD216B

RGB 173 33 107

HSL 328.29, 0.68%, 0.4%

LAB 39.64, 59.7, -7.28

 

CMYK 0 / 73 / 34 / 25

HEX #BE337E

RGB 190 51 126

HSL 327.63, 0.58%, 0.47%

LAB 45.39, 60.74, -10.11

 

CMYK 0 / 67 / 30 / 19

HEX #CF4591

RGB 207 69 145

HSL 326.96, 0.59%, 0.54%

LAB 51.34, 61.05, -12.31

 

CMYK 0 / 61 / 27 / 12

HEX #E057A4

RGB 224 87 164

HSL 326.28, 0.69%, 0.61%

LAB 57.41, 60.91, -14.07

 

CMYK 0 / 56 / 24 / 5

HEX #F169B7

RGB 241 105 183

HSL 325.59, 0.83%, 0.68%

LAB 63.53, 60.5, -15.51

 

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

CMYK 0 / 90 / 38 / 41

HEX #970F5D

RGB 151 15 93

HSL 325.59, 0.82%, 0.33%

LAB 33.37, 56.83, -8.19

 

CMYK 0 / 100 / 45 / 47

HEX #86004A

RGB 134 0 74

HSL 326.87, 1%, 0.26%

LAB 28.28, 53.29, -3.65

 

CMYK 0 / 100 / 53 / 54

HEX #750037

RGB 117 0 55

HSL 331.79, 1%, 0.23%

LAB 23.86, 47.54, 2.38

 

CMYK 0 / 100 / 64 / 61

HEX #640024

RGB 100 0 36

HSL 338.4, 1%, 0.2%

LAB 19.38, 41.77, 8.91

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 80 / 55 / 35

HEX #A6214B

RGB 166 33 75

HSL 341.05, 0.67%, 0.39%

LAB 37.3, 54.91, 9.54

 

CMYK 0 / 80 / 77 / 35

HEX #A62127

RGB 166 33 39

HSL 357.29, 0.67%, 0.39%

LAB 36.63, 52.82, 31.39

 

CMYK 0 / 80 / 80 / 35

HEX #A62121

RGB 166 33 33

HSL 0, 0.67%, 0.39%

LAB 36.56, 52.6, 34.84

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 80 / 11 / 35

HEX #A62193

RGB 166 33 147

HSL 308.57, 0.67%, 0.39%

LAB 40.08, 63.08, -31.46

 

CMYK 10 / 80 / 0 / 35

HEX #9521A6

RGB 149 33 166

HSL 292.33, 0.67%, 0.39%

LAB 38.25, 62.66, -46.03

 

CMYK 31 / 80 / 0 / 35

HEX #7221A6

RGB 114 33 166

HSL 276.54, 0.67%, 0.39%

LAB 32.74, 56.25, -55.22

 

CMYK 53 / 80 / 0 / 35

HEX #4E21A6

RGB 78 33 166

HSL 260.3, 0.67%, 0.39%

LAB 28.01, 50.74, -63.15

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 91 / 37 / 29

HEX #B61172

RGB 182 17 114

HSL 324.73, 0.83%, 0.39%

LAB 40.51, 65.86, -10.19

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 67 / 28 / 41

HEX #96316C

RGB 150 49 108

HSL 324.95, 0.51%, 0.39%

LAB 37.41, 48.03, -11.68

 

CMYK 0 / 51 / 22 / 47

HEX #864169

RGB 134 65 105

HSL 325.22, 0.35%, 0.39%

LAB 37.61, 34.69, -9.75

 

CMYK 0 / 31 / 13 / 54

HEX #765167

RGB 118 81 103

HSL 324.32, 0.19%, 0.39%

LAB 39.1, 19.21, -6.48

 

CMYK 0 / 5 / 2 / 60

HEX #666164

RGB 102 97 100

HSL 324, 0.03%, 0.39%

LAB 41.68, 2.59, -1

 

CMYK 11 / 80 / 0 / 35

HEX #9421A6

RGB 148 33 166

HSL 291.88, 0.67%, 0.39%

LAB 38.09, 62.46, -46.31

 

CMYK 0 / 80 / 11 / 35

HEX #A62194

RGB 166 33 148

HSL 308.12, 0.67%, 0.39%

LAB 40.14, 63.23, -31.99

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 80 / 54 / 35

HEX #A6214D

RGB 166 33 77

HSL 340.15, 0.67%, 0.39%

LAB 37.35, 55.06, 8.32

 

CMYK 0 / 80 / 75 / 35

HEX #A6212A

RGB 166 33 42

HSL 355.94, 0.67%, 0.39%

LAB 36.67, 52.94, 29.63

 

CMYK 0 / 80 / 33 / 62

HEX #611341

RGB 97 19 65

HSL 324.62, 0.67%, 0.23%

LAB 21.54, 38.57, -8.45

 

CMYK 0 / 80 / 33 / 48

HEX #841A58

RGB 132 26 88

HSL 324.91, 0.67%, 0.31%

LAB 30.28, 48.88, -9.98

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 80 / 33 / 21

HEX #C92886

RGB 201 40 134

HSL 324.97, 0.67%, 0.47%

LAB 46.52, 67.7, -13.09

 

CMYK 0 / 71 / 29 / 15

HEX #D9409A

RGB 217 64 154

HSL 324.71, 0.67%, 0.55%

LAB 52.68, 66.68, -15.48

 

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

CMYK 0 / 32 / 80 / 35

HEX #A67121

RGB 166 113 33

HSL 36.09, 0.67%, 0.39%

LAB 51.87, 14.02, 49.71

 

CMYK 80 / 0 / 0 / 35

HEX #21A6A6

RGB 33 166 166

HSL 180, 0.67%, 0.39%

LAB 61.95, -33.04, -9.81

 

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

CMYK 32 / 0 / 80 / 35

HEX #71A621

RGB 113 166 33

HSL 83.91, 0.67%, 0.39%

LAB 62.42, -37.08, 57.81

 

CMYK 80 / 32 / 0 / 35

HEX #2171A6

RGB 33 113 166

HSL 203.91, 0.67%, 0.39%

LAB 45.48, -4.66, -35.11

 

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

CMYK 0 / 32 / 80 / 35

HEX #A67121

RGB 166 113 33

HSL 36.09, 0.67%, 0.39%

LAB 51.87, 14.02, 49.71

 

CMYK 80 / 0 / 48 / 35

HEX #21A656

RGB 33 166 86

HSL 143.91, 0.67%, 0.39%

LAB 60.13, -52.4, 31.73

 

CMYK 80 / 48 / 0 / 35

HEX #2156A6

RGB 33 86 166

HSL 216.09, 0.67%, 0.39%

LAB 37.36, 12.47, -48.05

 

CMYK 0 / 80 / 33 / 34

HEX #A82170

RGB 168 33 112

HSL 324.89, 0.67%, 0.39%

LAB 38.87, 58.98, -11.68

 

CMYK 0 / 8 / 80 / 35

HEX #A69921

RGB 166 153 33

HSL 54.14, 0.67%, 0.39%

LAB 62.51, -8.13, 59.34

 

CMYK 80 / 0 / 48 / 35

HEX #21A656

RGB 33 166 86

HSL 143.91, 0.67%, 0.39%

LAB 60.13, -52.4, 31.73

 

CMYK 80 / 72 / 0 / 35

HEX #212EA6

RGB 33 46 166

HSL 234.14, 0.67%, 0.39%

LAB 26.82, 38.91, -65.23

 

Description

Color code: HEX #A82170 | qconv.com Color code: HEX #A82170 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 33 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 33 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 33 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 33% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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