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Color name
HEX #A81D99

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A81D99 it is the complementary color #57E266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A81D99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A81D99 shade: #AD1D94, #BE2FA7, #CF41BA, #E053CD and #F165E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A81D99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A81D99 shade: #A81D99, #970B86, #860073, #750060 and #64004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A81D99 shade: #AA1D9B, #AA1D75, #AA1D4F, #AA1D29 and #AA1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A81D99 shade: #AA1D9B, #931DAA, #6D1DAA, #471DAA and #211DAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A81D99 shade matches the following richer shades: #AA1D9B and #BA0DA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A81D99 shade: #AA1D9B, #9A2D8E, #8A3D82, #7A4D75 and #6A5D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A81D99 shade: #6D1DAA, #931DAA, #AA1D9C, #AA1D76 and #AA1D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A81D99 shade: #64115B, #87177B, #AA1D9B, #CD23BB and #DE3CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A81D99 shade: #A81D99, #AA471D and #1DAA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A81D99 shade: #A81D99, #9CAA1D and #1D9CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A81D99 shade: #A81D99, #AA471D, #1DAA2B and #1D80AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A81D99 shade: #A81D99, #AA721D, #1DAA2B and #1D55AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

Complementary color

CMYK 62 / 0 / 55 / 11

HEX #57E266

RGB 87 226 102

HSL 126.47, 0.71%, 0.61%

LAB 80.39, -62.21, 49.05

 

CMYK 0 / 83 / 14 / 32

HEX #AD1D94

RGB 173 29 148

HSL 310.42, 0.71%, 0.4%

LAB 41.06, 65.72, -30.45

 

CMYK 0 / 75 / 12 / 25

HEX #BE2FA7

RGB 190 47 167

HSL 309.65, 0.6%, 0.46%

LAB 46.67, 67.35, -32.83

 

CMYK 0 / 69 / 10 / 19

HEX #CF41BA

RGB 207 65 186

HSL 308.87, 0.6%, 0.53%

LAB 52.5, 68.13, -34.65

 

CMYK 0 / 63 / 8 / 12

HEX #E053CD

RGB 224 83 205

HSL 308.09, 0.69%, 0.6%

LAB 58.45, 68.35, -36.05

 

CMYK 0 / 58 / 7 / 5

HEX #F165E0

RGB 241 101 224

HSL 307.29, 0.83%, 0.67%

LAB 64.48, 68.22, -37.17

 

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

CMYK 0 / 93 / 11 / 41

HEX #970B86

RGB 151 11 134

HSL 307.29, 0.86%, 0.32%

LAB 35.08, 62.55, -31.55

 

CMYK 0 / 100 / 14 / 47

HEX #860073

RGB 134 0 115

HSL 308.51, 1%, 0.26%

LAB 30.17, 58.11, -27.57

 

CMYK 0 / 100 / 18 / 54

HEX #750060

RGB 117 0 96

HSL 310.77, 1%, 0.23%

LAB 25.64, 52.12, -22.63

 

CMYK 0 / 100 / 23 / 61

HEX #64004D

RGB 100 0 77

HSL 313.8, 1%, 0.2%

LAB 21, 45.98, -17.46

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9B

RGB 170 29 155

HSL 306.38, 0.71%, 0.39%

LAB 40.88, 66.09, -35.01

 

CMYK 0 / 83 / 31 / 33

HEX #AA1D75

RGB 170 29 117

HSL 322.55, 0.71%, 0.39%

LAB 39.09, 61.08, -14.44

 

CMYK 0 / 83 / 54 / 33

HEX #AA1D4F

RGB 170 29 79

HSL 338.72, 0.71%, 0.39%

LAB 37.82, 57.39, 7.81

 

CMYK 0 / 83 / 76 / 33

HEX #AA1D29

RGB 170 29 41

HSL 354.89, 0.71%, 0.39%

LAB 37.09, 55.18, 30.92

 

CMYK 0 / 83 / 83 / 33

HEX #AA1D1D

RGB 170 29 29

HSL 0, 0.71%, 0.39%

LAB 36.95, 54.77, 37.75

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9B

RGB 170 29 155

HSL 306.38, 0.71%, 0.39%

LAB 40.88, 66.09, -35.01

 

CMYK 14 / 83 / 0 / 33

HEX #931DAA

RGB 147 29 170

HSL 290.21, 0.71%, 0.39%

LAB 37.81, 64.08, -49.15

 

CMYK 36 / 83 / 0 / 33

HEX #6D1DAA

RGB 109 29 170

HSL 274.04, 0.71%, 0.39%

LAB 31.88, 57.69, -59.06

 

CMYK 58 / 83 / 0 / 33

HEX #471DAA

RGB 71 29 170

HSL 257.87, 0.71%, 0.39%

LAB 27.08, 52.66, -67.13

 

CMYK 81 / 83 / 0 / 33

HEX #211DAA

RGB 33 29 170

HSL 241.7, 0.71%, 0.39%

LAB 24.01, 49.55, -72.3

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9B

RGB 170 29 155

HSL 306.38, 0.71%, 0.39%

LAB 40.88, 66.09, -35.01

 

CMYK 0 / 93 / 10 / 27

HEX #BA0DA7

RGB 186 13 167

HSL 306.59, 0.87%, 0.39%

LAB 43.53, 73.57, -37.83

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9B

RGB 170 29 155

HSL 306.38, 0.71%, 0.39%

LAB 40.88, 66.09, -35.01

 

CMYK 0 / 71 / 8 / 40

HEX #9A2D8E

RGB 154 45 142

HSL 306.61, 0.55%, 0.39%

LAB 39.07, 55.74, -30.15

 

CMYK 0 / 56 / 6 / 46

HEX #8A3D82

RGB 138 61 130

HSL 306.23, 0.39%, 0.39%

LAB 38.47, 42.33, -23.92

 

CMYK 0 / 37 / 4 / 52

HEX #7A4D75

RGB 122 77 117

HSL 306.67, 0.23%, 0.39%

LAB 39.12, 25.78, -15.07

 

CMYK 0 / 12 / 2 / 58

HEX #6A5D68

RGB 106 93 104

HSL 309.23, 0.07%, 0.39%

LAB 41.04, 7.41, -4.34

 

CMYK 36 / 83 / 0 / 33

HEX #6D1DAA

RGB 109 29 170

HSL 274.04, 0.71%, 0.39%

LAB 31.88, 57.69, -59.06

 

CMYK 14 / 83 / 0 / 33

HEX #931DAA

RGB 147 29 170

HSL 290.21, 0.71%, 0.39%

LAB 37.81, 64.08, -49.15

 

CMYK 0 / 83 / 8 / 33

HEX #AA1D9C

RGB 170 29 156

HSL 305.96, 0.71%, 0.39%

LAB 40.94, 66.24, -35.52

 

CMYK 0 / 83 / 31 / 33

HEX #AA1D76

RGB 170 29 118

HSL 322.13, 0.71%, 0.39%

LAB 39.13, 61.2, -15.01

 

CMYK 0 / 83 / 52 / 33

HEX #AA1D51

RGB 170 29 81

HSL 337.87, 0.71%, 0.39%

LAB 37.88, 57.55, 6.61

 

CMYK 0 / 83 / 9 / 61

HEX #64115B

RGB 100 17 91

HSL 306.51, 0.71%, 0.23%

LAB 23.22, 43.9, -23.38

 

CMYK 0 / 83 / 9 / 47

HEX #87177B

RGB 135 23 123

HSL 306.43, 0.71%, 0.31%

LAB 32.24, 55.31, -29.35

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9B

RGB 170 29 155

HSL 306.38, 0.71%, 0.39%

LAB 40.88, 66.09, -35.01

 

CMYK 0 / 83 / 9 / 20

HEX #CD23BB

RGB 205 35 187

HSL 306.35, 0.71%, 0.47%

LAB 49.21, 76.42, -40.42

 

CMYK 0 / 73 / 8 / 13

HEX #DE3CCC

RGB 222 60 204

HSL 306.67, 0.71%, 0.55%

LAB 55.2, 75.88, -40.61

 

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

CMYK 0 / 58 / 83 / 33

HEX #AA471D

RGB 170 71 29

HSL 17.87, 0.71%, 0.39%

LAB 42.98, 38.42, 43.4

 

CMYK 83 / 0 / 25 / 33

HEX #1DAA80

RGB 29 170 128

HSL 162.13, 0.71%, 0.39%

LAB 62.14, -45.61, 11.72

 

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

CMYK 8 / 0 / 83 / 33

HEX #9CAA1D

RGB 156 170 29

HSL 65.96, 0.71%, 0.39%

LAB 66.45, -21.48, 63.58

 

CMYK 83 / 8 / 0 / 33

HEX #1D9CAA

RGB 29 156 170

HSL 185.96, 0.71%, 0.39%

LAB 58.92, -27.27, -16.64

 

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

CMYK 0 / 58 / 83 / 33

HEX #AA471D

RGB 170 71 29

HSL 17.87, 0.71%, 0.39%

LAB 42.98, 38.42, 43.4

 

CMYK 83 / 0 / 75 / 33

HEX #1DAA2B

RGB 29 170 43

HSL 125.96, 0.71%, 0.39%

LAB 60.94, -59.56, 52.12

 

CMYK 83 / 25 / 0 / 33

HEX #1D80AA

RGB 29 128 170

HSL 197.87, 0.71%, 0.39%

LAB 50.22, -12.36, -30.02

 

CMYK 0 / 83 / 9 / 34

HEX #A81D99

RGB 168 29 153

HSL 306.47, 0.71%, 0.39%

LAB 40.42, 65.39, -34.56

 

CMYK 0 / 33 / 83 / 33

HEX #AA721D

RGB 170 114 29

HSL 36.17, 0.71%, 0.39%

LAB 52.59, 15.12, 52.05

 

CMYK 83 / 0 / 75 / 33

HEX #1DAA2B

RGB 29 170 43

HSL 125.96, 0.71%, 0.39%

LAB 60.94, -59.56, 52.12

 

CMYK 83 / 50 / 0 / 33

HEX #1D55AA

RGB 29 85 170

HSL 216.17, 0.71%, 0.39%

LAB 37.23, 14.32, -50.65

 

Description

Color code: HEX #A81D99 | qconv.com Color code: HEX #A81D99 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 29 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 29 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 9 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 9% 34% C M Y K

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Provide designers and agencies with accurate color values.

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