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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A81AAC it is the complementary color #57E553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A81AAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A81AAC shade: #AD1AA7, #BE2CBA, #CF3ECD, #E050E0 and #F162F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A81AAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A81AAC shade: #A81AAC, #970899, #860086, #750073 and #640060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A81AAC shade: #A91AAD, #AD1A89, #AD1A62, #AD1A3A and #AD1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A81AAC shade: #A91AAD, #811AAD, #5A1AAD, #321AAD and #1A1AAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A81AAC shade matches the following richer shades: #A91AAD and #B80ABD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A81AAC shade: #A91AAD, #9A2A9D, #8B3A8D, #7B4A7D and #6C5A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A81AAC shade: #5A1AAD, #811AAD, #A81AAD, #AD1A8B and #AD1A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A81AAC shade: #630F65, #861489, #A91AAD, #CC1FD1 and #DD38E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A81AAC shade: #A81AAC, #AD321A and #1AAD6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A81AAC shade: #A81AAC, #ADA81A and #1AADA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A81AAC shade: #A81AAC, #AD321A, #1FAD1A and #1A95AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A81AAC shade: #A81AAC, #AD5F1A, #1FAD1A and #1A68AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

Complementary color

CMYK 62 / 0 / 64 / 10

HEX #57E553

RGB 87 229 83

HSL 118.36, 0.74%, 0.61%

LAB 81.12, -65.4, 58.2

 

CMYK 0 / 85 / 3 / 32

HEX #AD1AA7

RGB 173 26 167

HSL 302.45, 0.74%, 0.39%

LAB 41.87, 69.13, -40.62

 

CMYK 0 / 77 / 2 / 25

HEX #BE2CBA

RGB 190 44 186

HSL 301.64, 0.62%, 0.46%

LAB 47.36, 71.08, -42.94

 

CMYK 0 / 70 / 1 / 19

HEX #CF3ECD

RGB 207 62 205

HSL 300.83, 0.6%, 0.53%

LAB 53.08, 72.11, -44.69

 

CMYK 0 / 64 / 0 / 12

HEX #E050E0

RGB 224 80 224

HSL 300, 0.7%, 0.6%

LAB 58.94, 72.53, -46.03

 

CMYK 1 / 60 / 0 / 5

HEX #F162F3

RGB 241 98 243

HSL 299.17, 0.86%, 0.67%

LAB 64.89, 72.55, -47.08

 

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

CMYK 1 / 95 / 0 / 40

HEX #970899

RGB 151 8 153

HSL 299.17, 0.9%, 0.32%

LAB 36.09, 65.77, -41.63

 

CMYK 0 / 100 / 0 / 47

HEX #860086

RGB 134 0 134

HSL 300, 1%, 0.26%

LAB 31.32, 60.92, -37.73

 

CMYK 0 / 100 / 2 / 54

HEX #750073

RGB 117 0 115

HSL 301.03, 1%, 0.23%

LAB 26.79, 54.94, -33.15

 

CMYK 0 / 100 / 4 / 61

HEX #640060

RGB 100 0 96

HSL 302.4, 1%, 0.2%

LAB 22.14, 48.79, -28.41

 

CMYK 2 / 85 / 0 / 32

HEX #A91AAD

RGB 169 26 173

HSL 298.37, 0.74%, 0.39%

LAB 41.52, 69.31, -44.79

 

CMYK 0 / 85 / 21 / 32

HEX #AD1A89

RGB 173 26 137

HSL 314.69, 0.74%, 0.39%

LAB 40.29, 64.9, -24.93

 

CMYK 0 / 85 / 43 / 32

HEX #AD1A62

RGB 173 26 98

HSL 330.61, 0.74%, 0.39%

LAB 38.73, 60.52, -2.94

 

CMYK 0 / 85 / 66 / 32

HEX #AD1A3A

RGB 173 26 58

HSL 346.94, 0.74%, 0.39%

LAB 37.71, 57.54, 21.22

 

CMYK 0 / 85 / 85 / 32

HEX #AD1A1A

RGB 173 26 26

HSL 0, 0.74%, 0.39%

LAB 37.29, 56.29, 39.91

 

CMYK 2 / 85 / 0 / 32

HEX #A91AAD

RGB 169 26 173

HSL 298.37, 0.74%, 0.39%

LAB 41.52, 69.31, -44.79

 

CMYK 25 / 85 / 0 / 32

HEX #811AAD

RGB 129 26 173

HSL 282.04, 0.74%, 0.39%

LAB 34.85, 62.35, -55.89

 

CMYK 48 / 85 / 0 / 32

HEX #5A1AAD

RGB 90 26 173

HSL 266.12, 0.74%, 0.39%

LAB 29.23, 56.75, -65.3

 

CMYK 71 / 85 / 0 / 32

HEX #321AAD

RGB 50 26 173

HSL 249.8, 0.74%, 0.39%

LAB 25.06, 52.83, -72.34

 

CMYK 85 / 85 / 0 / 32

HEX #1A1AAD

RGB 26 26 173

HSL 240, 0.74%, 0.39%

LAB 23.59, 51.52, -74.82

 

CMYK 2 / 85 / 0 / 32

HEX #A91AAD

RGB 169 26 173

HSL 298.37, 0.74%, 0.39%

LAB 41.52, 69.31, -44.79

 

CMYK 3 / 95 / 0 / 26

HEX #B80ABD

RGB 184 10 189

HSL 298.32, 0.9%, 0.39%

LAB 44.35, 76.72, -49.56

 

CMYK 2 / 85 / 0 / 32

HEX #A91AAD

RGB 169 26 173

HSL 298.37, 0.74%, 0.39%

LAB 41.52, 69.31, -44.79

 

CMYK 2 / 73 / 0 / 38

HEX #9A2A9D

RGB 154 42 157

HSL 298.43, 0.58%, 0.39%

LAB 39.51, 59.3, -38.56

 

CMYK 1 / 59 / 0 / 45

HEX #8B3A8D

RGB 139 58 141

HSL 298.55, 0.42%, 0.39%

LAB 38.62, 46.12, -30.42

 

CMYK 2 / 41 / 0 / 51

HEX #7B4A7D

RGB 123 74 125

HSL 297.65, 0.26%, 0.39%

LAB 38.88, 29.5, -20.36

 

CMYK 1 / 17 / 0 / 57

HEX #6C5A6D

RGB 108 90 109

HSL 296.84, 0.1%, 0.39%

LAB 40.58, 11.07, -8.08

 

CMYK 48 / 85 / 0 / 32

HEX #5A1AAD

RGB 90 26 173

HSL 266.12, 0.74%, 0.39%

LAB 29.23, 56.75, -65.3

 

CMYK 25 / 85 / 0 / 32

HEX #811AAD

RGB 129 26 173

HSL 282.04, 0.74%, 0.39%

LAB 34.85, 62.35, -55.89

 

CMYK 3 / 85 / 0 / 32

HEX #A81AAD

RGB 168 26 173

HSL 297.96, 0.74%, 0.39%

LAB 41.34, 69.12, -45.08

 

CMYK 0 / 85 / 20 / 32

HEX #AD1A8B

RGB 173 26 139

HSL 313.88, 0.74%, 0.39%

LAB 40.39, 65.16, -26.01

 

CMYK 0 / 85 / 43 / 32

HEX #AD1A63

RGB 173 26 99

HSL 330.2, 0.74%, 0.39%

LAB 38.77, 60.61, -3.52

 

CMYK 2 / 85 / 0 / 60

HEX #630F65

RGB 99 15 101

HSL 298.6, 0.74%, 0.23%

LAB 23.45, 45.97, -29.61

 

CMYK 2 / 85 / 0 / 46

HEX #861489

RGB 134 20 137

HSL 298.46, 0.75%, 0.31%

LAB 32.65, 58.08, -37.48

 

CMYK 2 / 85 / 0 / 32

HEX #A91AAD

RGB 169 26 173

HSL 298.37, 0.74%, 0.39%

LAB 41.52, 69.31, -44.79

 

CMYK 2 / 85 / 0 / 18

HEX #CC1FD1

RGB 204 31 209

HSL 298.31, 0.74%, 0.47%

LAB 50, 80.26, -51.91

 

CMYK 2 / 75 / 0 / 12

HEX #DD38E1

RGB 221 56 225

HSL 298.58, 0.74%, 0.55%

LAB 55.72, 80.04, -51.73

 

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

CMYK 0 / 71 / 85 / 32

HEX #AD321A

RGB 173 50 26

HSL 9.8, 0.74%, 0.39%

LAB 39.98, 48.78, 42.31

 

CMYK 85 / 0 / 37 / 32

HEX #1AAD6D

RGB 26 173 109

HSL 153.88, 0.74%, 0.39%

LAB 62.69, -51.34, 22.86

 

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

CMYK 0 / 3 / 85 / 32

HEX #ADA81A

RGB 173 168 26

HSL 57.96, 0.74%, 0.39%

LAB 67.25, -13.11, 65.55

 

CMYK 85 / 0 / 3 / 32

HEX #1AADA8

RGB 26 173 168

HSL 177.96, 0.74%, 0.39%

LAB 64.11, -36.27, -7.73

 

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

CMYK 0 / 71 / 85 / 32

HEX #AD321A

RGB 173 50 26

HSL 9.8, 0.74%, 0.39%

LAB 39.98, 48.78, 42.31

 

CMYK 82 / 0 / 85 / 32

HEX #1FAD1A

RGB 31 173 26

HSL 117.96, 0.74%, 0.39%

LAB 61.87, -61.34, 58.2

 

CMYK 85 / 14 / 0 / 32

HEX #1A95AD

RGB 26 149 173

HSL 189.8, 0.74%, 0.39%

LAB 56.81, -22.96, -21.56

 

CMYK 2 / 85 / 0 / 33

HEX #A81AAC

RGB 168 26 172

HSL 298.36, 0.74%, 0.39%

LAB 41.28, 68.96, -44.58

 

CMYK 0 / 45 / 85 / 32

HEX #AD5F1A

RGB 173 95 26

HSL 28.16, 0.74%, 0.39%

LAB 48.44, 26.95, 49.69

 

CMYK 82 / 0 / 85 / 32

HEX #1FAD1A

RGB 31 173 26

HSL 117.96, 0.74%, 0.39%

LAB 61.87, -61.34, 58.2

 

CMYK 85 / 40 / 0 / 32

HEX #1A68AD

RGB 26 104 173

HSL 208.16, 0.74%, 0.39%

LAB 42.97, 2.9, -43.21

 

Description

Color code: HEX #A81AAC | qconv.com Color code: HEX #A81AAC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 26 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 26 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 85 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 85% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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