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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8125B it is the complementary color #57EDA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8125B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8125B shade: #AD1256, #BE2469, #CF367C, #E0488F and #F15AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8125B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8125B shade: #A8125B, #970048, #860035, #750022 and #64000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8125B shade: #A6115A, #A61132 and #A61111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8125B shade: #A6115A, #A61182, #A211A6, #7A11A6 and #5211A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8125B shade matches the following richer shades: #A6115A and #B50359

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8125B shade: #A6115A, #97205A, #882F5B, #7A3E5B and #6B4D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8125B shade: #A111A6, #A61183, #A6115C, #A61134 and #A61611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8125B shade: #5B0A31, #810E46, #A6115A, #CB156E and #E82282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8125B shade: #A8125B, #A67A11 and #1197A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8125B shade: #A8125B, #5CA611 and #115CA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8125B shade: #A8125B, #A67A11, #11A65C and #113EA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8125B shade: #A8125B, #A6A611, #11A65C and #1111A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

Complementary color

CMYK 63 / 0 / 31 / 7

HEX #57EDA4

RGB 87 237 164

HSL 150.8, 0.81%, 0.64%

LAB 84.63, -56.2, 23.9

 

CMYK 0 / 90 / 50 / 32

HEX #AD1256

RGB 173 18 86

HSL 333.68, 0.81%, 0.37%

LAB 37.82, 61.02, 3.4

 

CMYK 0 / 81 / 45 / 25

HEX #BE2469

RGB 190 36 105

HSL 333.12, 0.68%, 0.44%

LAB 43.11, 63.08, -0.53

 

CMYK 0 / 74 / 40 / 19

HEX #CF367C

RGB 207 54 124

HSL 332.55, 0.61%, 0.51%

LAB 48.71, 64.1, -3.62

 

CMYK 0 / 68 / 36 / 12

HEX #E0488F

RGB 224 72 143

HSL 331.97, 0.71%, 0.58%

LAB 54.52, 64.44, -6.08

 

CMYK 0 / 63 / 33 / 5

HEX #F15AA2

RGB 241 90 162

HSL 331.39, 0.84%, 0.65%

LAB 60.45, 64.34, -8.09

 

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

CMYK 0 / 100 / 52 / 41

HEX #970048

RGB 151 0 72

HSL 331.39, 1%, 0.3%

LAB 31.91, 57.11, 3.43

 

CMYK 0 / 100 / 60 / 47

HEX #860035

RGB 134 0 53

HSL 336.27, 1%, 0.26%

LAB 27.64, 51.6, 9.64

 

CMYK 0 / 100 / 71 / 54

HEX #750022

RGB 117 0 34

HSL 342.56, 1%, 0.23%

LAB 23.33, 46.12, 16.27

 

CMYK 0 / 100 / 85 / 61

HEX #64000F

RGB 100 0 15

HSL 351, 1%, 0.2%

LAB 18.99, 40.71, 22.72

 

CMYK 0 / 90 / 46 / 35

HEX #A6115A

RGB 166 17 90

HSL 330.6, 0.81%, 0.36%

LAB 36.45, 59.82, -1.34

 

CMYK 0 / 90 / 70 / 35

HEX #A61132

RGB 166 17 50

HSL 346.71, 0.81%, 0.36%

LAB 35.48, 57.06, 23.19

 

CMYK 0 / 90 / 90 / 35

HEX #A61111

RGB 166 17 17

HSL 0, 0.81%, 0.36%

LAB 35.1, 55.98, 41.98

 

CMYK 0 / 90 / 46 / 35

HEX #A6115A

RGB 166 17 90

HSL 330.6, 0.81%, 0.36%

LAB 36.45, 59.82, -1.34

 

CMYK 0 / 90 / 22 / 35

HEX #A61182

RGB 166 17 130

HSL 314.5, 0.81%, 0.36%

LAB 38.06, 64.17, -24.2

 

CMYK 2 / 90 / 0 / 35

HEX #A211A6

RGB 162 17 166

HSL 298.39, 0.81%, 0.36%

LAB 39.3, 68.55, -44.23

 

CMYK 27 / 90 / 0 / 35

HEX #7A11A6

RGB 122 17 166

HSL 282.28, 0.81%, 0.36%

LAB 32.46, 61.97, -55.62

 

CMYK 51 / 90 / 0 / 35

HEX #5211A6

RGB 82 17 166

HSL 266.17, 0.81%, 0.36%

LAB 26.59, 56.83, -65.48

 

CMYK 0 / 90 / 46 / 35

HEX #A6115A

RGB 166 17 90

HSL 330.6, 0.81%, 0.36%

LAB 36.45, 59.82, -1.34

 

CMYK 0 / 98 / 51 / 29

HEX #B50359

RGB 181 3 89

HSL 331.01, 0.97%, 0.36%

LAB 38.92, 65.04, 3.27

 

CMYK 0 / 90 / 46 / 35

HEX #A6115A

RGB 166 17 90

HSL 330.6, 0.81%, 0.36%

LAB 36.45, 59.82, -1.34

 

CMYK 0 / 79 / 40 / 41

HEX #97205A

RGB 151 32 90

HSL 330.76, 0.65%, 0.36%

LAB 34.7, 52.4, -4.26

 

CMYK 0 / 65 / 33 / 47

HEX #882F5B

RGB 136 47 91

HSL 330.34, 0.49%, 0.36%

LAB 34.03, 42.35, -6.2

 

CMYK 0 / 49 / 25 / 52

HEX #7A3E5B

RGB 122 62 91

HSL 331, 0.33%, 0.36%

LAB 34.68, 29.84, -5.47

 

CMYK 0 / 28 / 15 / 58

HEX #6B4D5B

RGB 107 77 91

HSL 332, 0.16%, 0.36%

LAB 36.35, 15.09, -3.21

 

CMYK 3 / 90 / 0 / 35

HEX #A111A6

RGB 161 17 166

HSL 297.99, 0.81%, 0.36%

LAB 39.12, 68.37, -44.52

 

CMYK 0 / 90 / 21 / 35

HEX #A61183

RGB 166 17 131

HSL 314.09, 0.81%, 0.36%

LAB 38.1, 64.3, -24.74

 

CMYK 0 / 90 / 45 / 35

HEX #A6115C

RGB 166 17 92

HSL 329.8, 0.81%, 0.36%

LAB 36.52, 60, -2.53

 

CMYK 0 / 90 / 69 / 35

HEX #A61134

RGB 166 17 52

HSL 345.91, 0.81%, 0.36%

LAB 35.51, 57.16, 21.96

 

CMYK 0 / 87 / 90 / 35

HEX #A61611

RGB 166 22 17

HSL 2.01, 0.81%, 0.36%

LAB 35.44, 55, 42.24

 

CMYK 0 / 89 / 46 / 64

HEX #5B0A31

RGB 91 10 49

HSL 331.11, 0.8%, 0.2%

LAB 18.64, 37.75, -1.72

 

CMYK 0 / 89 / 46 / 49

HEX #810E46

RGB 129 14 70

HSL 330.78, 0.8%, 0.28%

LAB 27.91, 49.24, -1.64

 

CMYK 0 / 90 / 46 / 35

HEX #A6115A

RGB 166 17 90

HSL 330.6, 0.81%, 0.36%

LAB 36.45, 59.82, -1.34

 

CMYK 0 / 90 / 46 / 20

HEX #CB156E

RGB 203 21 110

HSL 330.66, 0.81%, 0.44%

LAB 44.74, 69.72, -0.95

 

CMYK 0 / 85 / 44 / 9

HEX #E82282

RGB 232 34 130

HSL 330.91, 0.81%, 0.52%

LAB 51.74, 75.98, -2.26

 

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

CMYK 0 / 27 / 90 / 35

HEX #A67A11

RGB 166 122 17

HSL 42.28, 0.81%, 0.36%

LAB 54.1, 8.47, 56.73

 

CMYK 90 / 9 / 0 / 35

HEX #1197A6

RGB 17 151 166

HSL 186.04, 0.81%, 0.36%

LAB 57.08, -26.91, -17.17

 

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

CMYK 45 / 0 / 90 / 35

HEX #5CA611

RGB 92 166 17

HSL 89.8, 0.81%, 0.36%

LAB 61.3, -45.25, 60.32

 

CMYK 90 / 45 / 0 / 35

HEX #115CA6

RGB 17 92 166

HSL 209.8, 0.81%, 0.36%

LAB 38.77, 7.14, -45.8

 

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

CMYK 0 / 27 / 90 / 35

HEX #A67A11

RGB 166 122 17

HSL 42.28, 0.81%, 0.36%

LAB 54.1, 8.47, 56.73

 

CMYK 90 / 0 / 45 / 35

HEX #11A65C

RGB 17 166 92

HSL 150.2, 0.81%, 0.36%

LAB 60.04, -52.83, 28.43

 

CMYK 90 / 63 / 0 / 35

HEX #113EA6

RGB 17 62 166

HSL 221.88, 0.81%, 0.36%

LAB 30.2, 27.37, -59.7

 

CMYK 0 / 89 / 46 / 34

HEX #A8125B

RGB 168 18 91

HSL 330.8, 0.81%, 0.36%

LAB 36.95, 60.22, -1.2

 

CMYK 0 / 0 / 90 / 35

HEX #A6A611

RGB 166 166 17

HSL 60, 0.81%, 0.36%

LAB 66.07, -15.38, 66.19

 

CMYK 90 / 0 / 45 / 35

HEX #11A65C

RGB 17 166 92

HSL 150.2, 0.81%, 0.36%

LAB 60.04, -52.83, 28.43

 

CMYK 90 / 90 / 0 / 35

HEX #1111A6

RGB 17 17 166

HSL 240, 0.81%, 0.36%

LAB 21.11, 52.73, -74.73

 

Description

Color code: HEX #A8125B | qconv.com Color code: HEX #A8125B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 18 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 18 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 46 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 46% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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