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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7FB58 it is the complementary color #5804A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7FB58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7FB58 shade: #ACFB53, #BDFF66, #CEFF79, #DFFF8C and #F0FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7FB58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7FB58 shade: #A7FB58, #96E945, #85D732, #74C51F and #63B30C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7FB58 shade: #A6FB56, #D2FB56, #FBF756, #FBCA56 and #FB9E56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7FB58 shade: #A6FB56, #79FB56, #56FB5F, #56FB8B and #56FBB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7FB58 shade matches the following richer shades: #A6FB56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7FB58 shade: #A6FB56, #A6ED64, #A7DF72, #A7D180 and #A7C38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7FB58 shade: #FBF556, #D4FB56, #A8FB56, #7CFB56 and #56FB5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7FB58 shade: #7BF806, #91FA2E, #A6FB56, #BBFC7E and #D0FDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7FB58 shade: #A7FB58, #56FBC9 and #FB56EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7FB58 shade: #A7FB58, #56A8FB and #FB56A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7FB58 shade: #A7FB58, #56FBC9, #A856FB and #FB5687

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7FB58 shade: #A7FB58, #56FBFB, #A856FB and #FB5656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

Complementary color

CMYK 47 / 98 / 0 / 35

HEX #5804A7

RGB 88 4 167

HSL 270.92, 0.95%, 0.34%

LAB 26.6, 60.37, -66.04

 

CMYK 31 / 0 / 67 / 2

HEX #ACFB53

RGB 172 251 83

HSL 88.21, 0.95%, 0.65%

LAB 90.96, -49.29, 69.75

 

CMYK 26 / 0 / 60 / 0

HEX #BDFF66

RGB 189 255 102

HSL 85.88, 1%, 0.7%

LAB 93.14, -43.58, 64.85

 

CMYK 19 / 0 / 53 / 0

HEX #CEFF79

RGB 206 255 121

HSL 81.94, 1%, 0.74%

LAB 94.32, -35.77, 58.24

 

CMYK 13 / 0 / 45 / 0

HEX #DFFF8C

RGB 223 255 140

HSL 76.7, 1%, 0.77%

LAB 95.62, -27.62, 51.31

 

CMYK 6 / 0 / 38 / 0

HEX #F0FF9F

RGB 240 255 159

HSL 69.38, 1%, 0.81%

LAB 97.04, -19.23, 44.23

 

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

CMYK 36 / 0 / 70 / 9

HEX #96E945

RGB 150 233 69

HSL 90.37, 0.79%, 0.59%

LAB 84.58, -50.33, 67.97

 

CMYK 38 / 0 / 77 / 16

HEX #85D732

RGB 133 215 50

HSL 89.82, 0.67%, 0.52%

LAB 78.36, -49.87, 67.91

 

CMYK 41 / 0 / 84 / 23

HEX #74C51F

RGB 116 197 31

HSL 89.28, 0.73%, 0.45%

LAB 72.06, -49.19, 67.04

 

CMYK 45 / 0 / 93 / 30

HEX #63B30C

RGB 99 179 12

HSL 88.74, 0.87%, 0.37%

LAB 65.69, -48.24, 64.88

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB56

RGB 166 251 86

HSL 90.91, 0.95%, 0.66%

LAB 90.68, -51.13, 68.22

 

CMYK 16 / 0 / 66 / 2

HEX #D2FB56

RGB 210 251 86

HSL 74.91, 0.95%, 0.66%

LAB 93.18, -35.2, 71.61

 

CMYK 0 / 2 / 66 / 2

HEX #FBF756

RGB 251 247 86

HSL 58.55, 0.95%, 0.66%

LAB 95.04, -17.13, 74.45

 

CMYK 0 / 20 / 66 / 2

HEX #FBCA56

RGB 251 202 86

HSL 42.18, 0.95%, 0.66%

LAB 83.66, 5.4, 62.58

 

CMYK 0 / 37 / 66 / 2

HEX #FB9E56

RGB 251 158 86

HSL 26.18, 0.95%, 0.66%

LAB 73.31, 28.37, 51.19

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB56

RGB 166 251 86

HSL 90.91, 0.95%, 0.66%

LAB 90.68, -51.13, 68.22

 

CMYK 52 / 0 / 66 / 2

HEX #79FB56

RGB 121 251 86

HSL 107.27, 0.95%, 0.66%

LAB 88.8, -64.73, 65.66

 

CMYK 66 / 0 / 62 / 2

HEX #56FB5F

RGB 86 251 95

HSL 123.27, 0.95%, 0.66%

LAB 87.87, -71.78, 60.75

 

CMYK 66 / 0 / 45 / 2

HEX #56FB8B

RGB 86 251 139

HSL 139.27, 0.95%, 0.66%

LAB 88.37, -66.05, 41.37

 

CMYK 66 / 0 / 27 / 2

HEX #56FBB8

RGB 86 251 184

HSL 155.64, 0.95%, 0.66%

LAB 89.13, -57.78, 19.84

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB56

RGB 166 251 86

HSL 90.91, 0.95%, 0.66%

LAB 90.68, -51.13, 68.22

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB56

RGB 166 251 86

HSL 90.91, 0.95%, 0.66%

LAB 90.68, -51.13, 68.22

 

CMYK 30 / 0 / 58 / 7

HEX #A6ED64

RGB 166 237 100

HSL 91.09, 0.79%, 0.66%

LAB 86.8, -44.07, 58.22

 

CMYK 25 / 0 / 49 / 13

HEX #A7DF72

RGB 167 223 114

HSL 90.83, 0.63%, 0.66%

LAB 83.02, -36.08, 47.39

 

CMYK 20 / 0 / 39 / 18

HEX #A7D180

RGB 167 209 128

HSL 91.11, 0.47%, 0.66%

LAB 79.26, -27.85, 35.76

 

CMYK 14 / 0 / 27 / 24

HEX #A7C38E

RGB 167 195 142

HSL 91.7, 0.31%, 0.66%

LAB 75.57, -18.98, 23.6

 

CMYK 0 / 2 / 66 / 2

HEX #FBF556

RGB 251 245 86

HSL 57.82, 0.95%, 0.66%

LAB 94.52, -16.16, 73.92

 

CMYK 16 / 0 / 66 / 2

HEX #D4FB56

RGB 212 251 86

HSL 74.18, 0.95%, 0.66%

LAB 93.3, -34.43, 71.78

 

CMYK 33 / 0 / 66 / 2

HEX #A8FB56

RGB 168 251 86

HSL 90.18, 0.95%, 0.66%

LAB 90.78, -50.45, 68.36

 

CMYK 51 / 0 / 66 / 2

HEX #7CFB56

RGB 124 251 86

HSL 106.18, 0.95%, 0.66%

LAB 88.9, -63.94, 65.8

 

CMYK 66 / 0 / 64 / 2

HEX #56FB5B

RGB 86 251 91

HSL 121.82, 0.95%, 0.66%

LAB 87.84, -72.19, 62.35

 

CMYK 50 / 0 / 98 / 3

HEX #7BF806

RGB 123 248 6

HSL 90.99, 0.95%, 0.5%

LAB 87.66, -66.67, 83.52

 

CMYK 42 / 0 / 82 / 2

HEX #91FA2E

RGB 145 250 46

HSL 90.88, 0.95%, 0.58%

LAB 89.2, -59.87, 79.16

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB56

RGB 166 251 86

HSL 90.91, 0.95%, 0.66%

LAB 90.68, -51.13, 68.22

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 18 / 0 / 34 / 1

HEX #D0FDA6

RGB 208 253 166

HSL 91.03, 0.96%, 0.82%

LAB 94.49, -29.01, 37.06

 

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

CMYK 66 / 0 / 20 / 2

HEX #56FBC9

RGB 86 251 201

HSL 161.82, 0.95%, 0.66%

LAB 89.48, -54.08, 11.59

 

CMYK 0 / 66 / 7 / 2

HEX #FB56EA

RGB 251 86 234

HSL 306.18, 0.95%, 0.66%

LAB 64.25, 78.12, -43

 

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

CMYK 66 / 33 / 0 / 2

HEX #56A8FB

RGB 86 168 251

HSL 210.18, 0.95%, 0.66%

LAB 67.24, 0.46, -48.62

 

CMYK 0 / 66 / 33 / 2

HEX #FB56A8

RGB 251 86 168

HSL 330.18, 0.95%, 0.66%

LAB 61.65, 69.42, -9.59

 

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

CMYK 66 / 0 / 20 / 2

HEX #56FBC9

RGB 86 251 201

HSL 161.82, 0.95%, 0.66%

LAB 89.48, -54.08, 11.59

 

CMYK 33 / 66 / 0 / 2

HEX #A856FB

RGB 168 86 251

HSL 269.82, 0.95%, 0.66%

LAB 53.97, 63.13, -69.5

 

CMYK 0 / 66 / 46 / 2

HEX #FB5687

RGB 251 86 135

HSL 342.18, 0.95%, 0.66%

LAB 60.71, 66.11, 8.17

 

CMYK 33 / 0 / 65 / 2

HEX #A7FB58

RGB 167 251 88

HSL 90.92, 0.95%, 0.66%

LAB 90.74, -50.64, 67.54

 

CMYK 66 / 0 / 0 / 2

HEX #56FBFB

RGB 86 251 251

HSL 180, 0.95%, 0.66%

LAB 90.75, -41.6, -12.51

 

CMYK 33 / 66 / 0 / 2

HEX #A856FB

RGB 168 86 251

HSL 269.82, 0.95%, 0.66%

LAB 53.97, 63.13, -69.5

 

CMYK 0 / 66 / 66 / 2

HEX #FB5656

RGB 251 86 86

HSL 0, 0.95%, 0.66%

LAB 59.74, 62.62, 35.19

 

Description

Color code: HEX #A7FB58 | qconv.com Color code: HEX #A7FB58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 251 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 251 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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