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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7F1C9 it is the complementary color #580E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7F1C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7F1C9 shade: #ACF1C4, #BDFFD7, #CEFFEA, #DFFFFD and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7F1C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7F1C9 shade: #A7F1C9, #96DFB6, #85CDA3, #74BB90 and #63A97D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7F1C9 shade: #A7F1C9, #A7F1B5, #ADF1A7, #C1F1A7 and #D5F1A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7F1C9 shade: #A7F1C9, #A7F1DD, #A7F1F1, #A7DDF1 and #A7C9F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7F1C9 shade matches the following richer shades: #A7F1C9 and #9FF9C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7F1C9 shade: #A7F1C9, #AFE9CA, #B7E1CA, #C0D8CB and #C8D0CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7F1C9 shade: #ADF1A7, #A7F1B4, #A7F1C8, #A7F1DC and #A7F1F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7F1C9 shade: #5FE69D, #83ECB3, #A7F1C9, #CAF7DF and #EEFCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7F1C9 shade: #A7F1C9, #A7C1F1 and #F1AAA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7F1C9 shade: #A7F1C9, #C8A7F1 and #F1C8A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7F1C9 shade: #A7F1C9, #A7C1F1, #F1A7D0 and #F1D7A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7F1C9 shade: #A7F1C9, #A7AAF1, #F1A7D0 and #F1EEA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

Complementary color

CMYK 0 / 84 / 39 / 65

HEX #580E36

RGB 88 14 54

HSL 327.57, 0.73%, 0.2%

LAB 18.61, 36.26, -5.39

 

CMYK 29 / 0 / 19 / 5

HEX #ACF1C4

RGB 172 241 196

HSL 140.87, 0.71%, 0.81%

LAB 89.7, -30.47, 14.93

 

CMYK 26 / 0 / 16 / 0

HEX #BDFFD7

RGB 189 255 215

HSL 143.64, 1%, 0.87%

LAB 94.84, -28.37, 12.54

 

CMYK 19 / 0 / 8 / 0

HEX #CEFFEA

RGB 206 255 234

HSL 154.29, 1%, 0.9%

LAB 96.24, -19.57, 4.91

 

CMYK 13 / 0 / 1 / 0

HEX #DFFFFD

RGB 223 255 253

HSL 176.25, 1%, 0.94%

LAB 97.75, -10.64, -2.53

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 33 / 0 / 18 / 13

HEX #96DFB6

RGB 150 223 182

HSL 146.3, 0.53%, 0.73%

LAB 83.25, -31.27, 12.96

 

CMYK 35 / 0 / 20 / 20

HEX #85CDA3

RGB 133 205 163

HSL 145, 0.42%, 0.66%

LAB 76.86, -31.53, 13.89

 

CMYK 38 / 0 / 23 / 27

HEX #74BB90

RGB 116 187 144

HSL 143.66, 0.34%, 0.59%

LAB 70.36, -31.8, 14.87

 

CMYK 41 / 0 / 26 / 34

HEX #63A97D

RGB 99 169 125

HSL 142.29, 0.29%, 0.53%

LAB 63.76, -32.06, 15.94

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 31 / 0 / 25 / 5

HEX #A7F1B5

RGB 167 241 181

HSL 131.35, 0.73%, 0.8%

LAB 89.14, -34.69, 21.85

 

CMYK 28 / 0 / 31 / 5

HEX #ADF1A7

RGB 173 241 167

HSL 115.14, 0.73%, 0.8%

LAB 89.2, -35.11, 29.14

 

CMYK 20 / 0 / 31 / 5

HEX #C1F1A7

RGB 193 241 167

HSL 98.92, 0.73%, 0.8%

LAB 90.34, -28.44, 30.87

 

CMYK 12 / 0 / 31 / 5

HEX #D5F1A7

RGB 213 241 167

HSL 82.7, 0.73%, 0.8%

LAB 91.62, -21.39, 32.8

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 31 / 0 / 8 / 5

HEX #A7F1DD

RGB 167 241 221

HSL 163.78, 0.73%, 0.8%

LAB 90.02, -27.01, 2.35

 

CMYK 31 / 0 / 0 / 5

HEX #A7F1F1

RGB 167 241 241

HSL 180, 0.73%, 0.8%

LAB 90.54, -22.66, -7.31

 

CMYK 31 / 8 / 0 / 5

HEX #A7DDF1

RGB 167 221 241

HSL 196.22, 0.73%, 0.8%

LAB 85.14, -12.65, -15.36

 

CMYK 31 / 17 / 0 / 5

HEX #A7C9F1

RGB 167 201 241

HSL 212.43, 0.73%, 0.8%

LAB 79.81, -2.19, -23.42

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 36 / 0 / 20 / 2

HEX #9FF9C8

RGB 159 249 200

HSL 147.33, 0.88%, 0.8%

LAB 91.37, -37.23, 15.12

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 25 / 0 / 13 / 9

HEX #AFE9CA

RGB 175 233 202

HSL 147.93, 0.57%, 0.8%

LAB 87.8, -24.6, 9.13

 

CMYK 19 / 0 / 10 / 12

HEX #B7E1CA

RGB 183 225 202

HSL 147.14, 0.41%, 0.8%

LAB 86.1, -18.15, 6.75

 

CMYK 11 / 0 / 6 / 15

HEX #C0D8CB

RGB 192 216 203

HSL 147.5, 0.24%, 0.8%

LAB 84.29, -10.47, 3.69

 

CMYK 4 / 0 / 2 / 18

HEX #C8D0CC

RGB 200 208 204

HSL 150, 0.08%, 0.8%

LAB 82.78, -3.46, 1.03

 

CMYK 28 / 0 / 31 / 5

HEX #ADF1A7

RGB 173 241 167

HSL 115.14, 0.73%, 0.8%

LAB 89.2, -35.11, 29.14

 

CMYK 31 / 0 / 25 / 5

HEX #A7F1B4

RGB 167 241 180

HSL 130.54, 0.73%, 0.8%

LAB 89.12, -34.87, 22.34

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C8

RGB 167 241 200

HSL 146.76, 0.73%, 0.8%

LAB 89.53, -31.23, 12.58

 

CMYK 31 / 0 / 9 / 5

HEX #A7F1DC

RGB 167 241 220

HSL 162.97, 0.73%, 0.8%

LAB 90, -27.22, 2.84

 

CMYK 31 / 0 / 0 / 5

HEX #A7F1F0

RGB 167 241 240

HSL 179.19, 0.73%, 0.8%

LAB 90.51, -22.88, -6.83

 

CMYK 59 / 0 / 32 / 10

HEX #5FE69D

RGB 95 230 157

HSL 147.56, 0.73%, 0.64%

LAB 82.63, -53.24, 24.8

 

CMYK 44 / 0 / 24 / 7

HEX #83ECB3

RGB 131 236 179

HSL 147.43, 0.73%, 0.72%

LAB 86.04, -43.07, 18.33

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 18 / 0 / 10 / 3

HEX #CAF7DF

RGB 202 247 223

HSL 148, 0.74%, 0.88%

LAB 93.63, -18.99, 6.78

 

CMYK 6 / 0 / 3 / 1

HEX #EEFCF5

RGB 238 252 245

HSL 150, 0.7%, 0.96%

LAB 97.79, -5.83, 1.75

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 31 / 20 / 0 / 5

HEX #A7C1F1

RGB 167 193 241

HSL 218.92, 0.73%, 0.8%

LAB 77.7, 2.11, -26.64

 

CMYK 0 / 29 / 31 / 5

HEX #F1AAA7

RGB 241 170 167

HSL 2.43, 0.73%, 0.8%

LAB 76.22, 25.7, 12.01

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 17 / 31 / 0 / 5

HEX #C8A7F1

RGB 200 167 241

HSL 266.76, 0.73%, 0.8%

LAB 73.72, 26.15, -32.54

 

CMYK 0 / 17 / 31 / 5

HEX #F1C8A7

RGB 241 200 167

HSL 26.76, 0.73%, 0.8%

LAB 83.34, 9.85, 21.95

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 31 / 20 / 0 / 5

HEX #A7C1F1

RGB 167 193 241

HSL 218.92, 0.73%, 0.8%

LAB 77.7, 2.11, -26.64

 

CMYK 0 / 31 / 14 / 5

HEX #F1A7D0

RGB 241 167 208

HSL 326.76, 0.73%, 0.8%

LAB 76.61, 33.22, -9.8

 

CMYK 0 / 11 / 31 / 5

HEX #F1D7A7

RGB 241 215 167

HSL 38.92, 0.73%, 0.8%

LAB 87.04, 2.06, 27.02

 

CMYK 31 / 0 / 17 / 5

HEX #A7F1C9

RGB 167 241 201

HSL 147.57, 0.73%, 0.8%

LAB 89.55, -31.03, 12.09

 

CMYK 31 / 29 / 0 / 5

HEX #A7AAF1

RGB 167 170 241

HSL 237.57, 0.73%, 0.8%

LAB 71.77, 14.78, -35.78

 

CMYK 0 / 31 / 14 / 5

HEX #F1A7D0

RGB 241 167 208

HSL 326.76, 0.73%, 0.8%

LAB 76.61, 33.22, -9.8

 

CMYK 0 / 1 / 31 / 5

HEX #F1EEA7

RGB 241 238 167

HSL 57.57, 0.73%, 0.8%

LAB 92.86, -9.6, 34.82

 

Description

Color code: HEX #A7F1C9 | qconv.com Color code: HEX #A7F1C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 241 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 241 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 17 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 17% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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