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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7F028 it is the complementary color #580FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7F028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7F028 shade: #ACF023, #BDFF36, #CEFF49, #DFFF5C and #F0FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7F028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7F028 shade: #A7F028, #96DE15, #85CC02, #74BA00 and #63A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7F028 shade: #A7F028, #DDF028, #F0CD28, #F09728 and #F06228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7F028 shade: #A7F028, #71F028, #3CF028, #28F04B and #28F081

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7F028 shade matches the following richer shades: #A7F028

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7F028 shade: #A7F028, #A2DE3B, #9DCB4E, #98B860 and #93A673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7F028 shade: #F0CB28, #DFF028, #AAF028, #75F028 and #40F028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7F028 shade: #7AB90D, #94E010, #A7F028, #B7F34F and #C7F576

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7F028 shade: #A7F028, #28F096 and #E628F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7F028 shade: #A7F028, #28AAF0 and #F028AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7F028 shade: #A7F028, #28F096, #6E28F0 and #F02882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7F028 shade: #A7F028, #28F0D2, #6E28F0 and #F02846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

Complementary color

CMYK 59 / 93 / 0 / 16

HEX #580FD7

RGB 88 15 215

HSL 261.9, 0.87%, 0.45%

LAB 32.53, 69.52, -84.59

 

CMYK 28 / 0 / 85 / 6

HEX #ACF023

RGB 172 240 35

HSL 79.9, 0.87%, 0.54%

LAB 87.59, -47.01, 80.68

 

CMYK 26 / 0 / 79 / 0

HEX #BDFF36

RGB 189 255 54

HSL 79.7, 1%, 0.61%

LAB 92.84, -46.48, 81.23

 

CMYK 19 / 0 / 71 / 0

HEX #CEFF49

RGB 206 255 73

HSL 76.15, 1%, 0.64%

LAB 93.94, -39.26, 76.92

 

CMYK 13 / 0 / 64 / 0

HEX #DFFF5C

RGB 223 255 92

HSL 71.78, 1%, 0.68%

LAB 95.15, -31.65, 71.65

 

CMYK 6 / 0 / 56 / 0

HEX #F0FF6F

RGB 240 255 111

HSL 66.25, 1%, 0.72%

LAB 96.49, -23.73, 65.7

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 32 / 0 / 91 / 13

HEX #96DE15

RGB 150 222 21

HSL 81.49, 0.83%, 0.48%

LAB 81.17, -47.82, 77.28

 

CMYK 35 / 0 / 99 / 20

HEX #85CC02

RGB 133 204 2

HSL 81.09, 0.98%, 0.4%

LAB 74.94, -46.77, 74.05

 

CMYK 38 / 0 / 100 / 27

HEX #74BA00

RGB 116 186 0

HSL 82.58, 1%, 0.36%

LAB 68.63, -45.44, 69.01

 

CMYK 41 / 0 / 100 / 34

HEX #63A800

RGB 99 168 0

HSL 84.64, 1%, 0.33%

LAB 62.22, -44.03, 63.68

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 8 / 0 / 83 / 6

HEX #DDF028

RGB 221 240 40

HSL 65.7, 0.87%, 0.55%

LAB 90.71, -27.82, 83.52

 

CMYK 0 / 15 / 83 / 6

HEX #F0CD28

RGB 240 205 40

HSL 49.5, 0.87%, 0.55%

LAB 83.09, -2.67, 77.77

 

CMYK 0 / 37 / 83 / 6

HEX #F09728

RGB 240 151 40

HSL 33.3, 0.87%, 0.55%

LAB 70.04, 25.59, 66.78

 

CMYK 0 / 59 / 83 / 6

HEX #F06228

RGB 240 98 40

HSL 17.4, 0.87%, 0.55%

LAB 59.36, 52.02, 57.57

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 53 / 0 / 83 / 6

HEX #71F028

RGB 113 240 40

HSL 98.1, 0.87%, 0.55%

LAB 84.99, -65.81, 76.34

 

CMYK 75 / 0 / 83 / 6

HEX #3CF028

RGB 60 240 40

HSL 114, 0.87%, 0.55%

LAB 83.67, -76.75, 74.67

 

CMYK 83 / 0 / 69 / 6

HEX #28F04B

RGB 40 240 75

HSL 130.5, 0.87%, 0.55%

LAB 83.59, -76.76, 63.77

 

CMYK 83 / 0 / 46 / 6

HEX #28F081

RGB 40 240 129

HSL 146.7, 0.87%, 0.55%

LAB 84.15, -69.93, 40.69

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 27 / 0 / 73 / 13

HEX #A2DE3B

RGB 162 222 59

HSL 82.09, 0.71%, 0.55%

LAB 81.97, -42.01, 69.03

 

CMYK 23 / 0 / 62 / 20

HEX #9DCB4E

RGB 157 203 78

HSL 82.08, 0.55%, 0.55%

LAB 76.33, -34.1, 55.88

 

CMYK 17 / 0 / 48 / 28

HEX #98B860

RGB 152 184 96

HSL 81.82, 0.38%, 0.55%

LAB 70.73, -25.29, 40.93

 

CMYK 11 / 0 / 31 / 35

HEX #93A673

RGB 147 166 115

HSL 82.35, 0.22%, 0.55%

LAB 65.52, -15.71, 24.27

 

CMYK 0 / 15 / 83 / 6

HEX #F0CB28

RGB 240 203 40

HSL 48.9, 0.87%, 0.55%

LAB 82.59, -1.65, 77.35

 

CMYK 7 / 0 / 83 / 6

HEX #DFF028

RGB 223 240 40

HSL 65.1, 0.87%, 0.55%

LAB 90.85, -27, 83.7

 

CMYK 29 / 0 / 83 / 6

HEX #AAF028

RGB 170 240 40

HSL 81, 0.87%, 0.55%

LAB 87.49, -47.59, 79.51

 

CMYK 51 / 0 / 83 / 6

HEX #75F028

RGB 117 240 40

HSL 96.9, 0.87%, 0.55%

LAB 85.13, -64.73, 76.52

 

CMYK 73 / 0 / 83 / 6

HEX #40F028

RGB 64 240 40

HSL 112.8, 0.87%, 0.55%

LAB 83.74, -76.16, 74.75

 

CMYK 34 / 0 / 93 / 27

HEX #7AB90D

RGB 122 185 13

HSL 81.98, 0.87%, 0.39%

LAB 68.65, -42.62, 67.62

 

CMYK 34 / 0 / 93 / 12

HEX #94E010

RGB 148 224 16

HSL 81.92, 0.87%, 0.47%

LAB 81.64, -49.46, 78.27

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 25 / 0 / 67 / 5

HEX #B7F34F

RGB 183 243 79

HSL 81.95, 0.87%, 0.63%

LAB 89.27, -42.22, 69.68

 

CMYK 19 / 0 / 52 / 4

HEX #C7F576

RGB 199 245 118

HSL 81.73, 0.86%, 0.71%

LAB 91.12, -34.07, 55.71

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 83 / 0 / 38 / 6

HEX #28F096

RGB 40 240 150

HSL 153, 0.87%, 0.55%

LAB 84.47, -66.21, 30.68

 

CMYK 4 / 83 / 0 / 6

HEX #E628F0

RGB 230 40 240

HSL 297, 0.87%, 0.55%

LAB 56.71, 87.82, -58.5

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 83 / 29 / 0 / 6

HEX #28AAF0

RGB 40 170 240

HSL 201, 0.87%, 0.55%

LAB 66.13, -9.92, -44.45

 

CMYK 0 / 83 / 29 / 6

HEX #F028AA

RGB 240 40 170

HSL 321, 0.87%, 0.55%

LAB 55.02, 80.54, -20.97

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 83 / 0 / 38 / 6

HEX #28F096

RGB 40 240 150

HSL 153, 0.87%, 0.55%

LAB 84.47, -66.21, 30.68

 

CMYK 54 / 83 / 0 / 6

HEX #6E28F0

RGB 110 40 240

HSL 261, 0.87%, 0.55%

LAB 39.79, 70.74, -86.79

 

CMYK 0 / 83 / 46 / 6

HEX #F02882

RGB 240 40 130

HSL 333, 0.87%, 0.55%

LAB 53.66, 76.69, 0.73

 

CMYK 30 / 0 / 83 / 6

HEX #A7F028

RGB 167 240 40

HSL 81.9, 0.87%, 0.55%

LAB 87.33, -48.68, 79.3

 

CMYK 83 / 0 / 13 / 6

HEX #28F0D2

RGB 40 240 210

HSL 171, 0.87%, 0.55%

LAB 85.72, -52.62, 1.39

 

CMYK 54 / 83 / 0 / 6

HEX #6E28F0

RGB 110 40 240

HSL 261, 0.87%, 0.55%

LAB 39.79, 70.74, -86.79

 

CMYK 0 / 83 / 71 / 6

HEX #F02846

RGB 240 40 70

HSL 351, 0.87%, 0.55%

LAB 52.38, 72.95, 34.99

 

Description

Color code: HEX #A7F028 | qconv.com Color code: HEX #A7F028 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 240 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 240 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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