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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7EF36 it is the complementary color #5810C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7EF36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7EF36 shade: #ACEF31, #BDFF44, #CEFF57, #DFFF6A and #F0FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7EF36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7EF36 shade: #A7EF36, #96DD23, #85CB10, #74B900 and #63A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7EF36 shade: #A6EF34, #D8EF34, #EFD334, #EFA034 and #EF6E34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7EF36 shade: #A6EF34, #74EF34, #41EF34, #34EF59 and #34EF8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7EF36 shade matches the following richer shades: #A6EF34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7EF36 shade: #A6EF34, #A2DD46, #9ECB58, #9AB969 and #96A87B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7EF36 shade: #EFD334, #D9EF34, #A7EF34, #75EF34 and #44EF34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7EF36 shade: #7CC110, #94E713, #A6EF34, #B7F25A and #C7F580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7EF36 shade: #A7EF36, #34EFA1 and #EB34EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7EF36 shade: #A7EF36, #34A7EF and #EF34A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7EF36 shade: #A7EF36, #34EFA1, #7C34EF and #EF3482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7EF36 shade: #A7EF36, #34EFD9, #7C34EF and #EF344A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

Complementary color

CMYK 56 / 92 / 0 / 21

HEX #5810C9

RGB 88 16 201

HSL 263.35, 0.85%, 0.43%

LAB 31.03, 66.01, -78.94

 

CMYK 28 / 0 / 79 / 6

HEX #ACEF31

RGB 172 239 49

HSL 81.16, 0.86%, 0.56%

LAB 87.35, -46.11, 77.24

 

CMYK 26 / 0 / 73 / 0

HEX #BDFF44

RGB 189 255 68

HSL 81.18, 1%, 0.63%

LAB 92.91, -45.84, 77.21

 

CMYK 19 / 0 / 66 / 0

HEX #CEFF57

RGB 206 255 87

HSL 77.5, 1%, 0.67%

LAB 94.03, -38.45, 72.04

 

CMYK 13 / 0 / 58 / 0

HEX #DFFF6A

RGB 223 255 106

HSL 72.89, 1%, 0.71%

LAB 95.27, -30.67, 66.12

 

CMYK 6 / 0 / 51 / 0

HEX #F0FF7D

RGB 240 255 125

HSL 66.92, 1%, 0.75%

LAB 96.63, -22.61, 59.71

 

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

CMYK 32 / 0 / 84 / 13

HEX #96DD23

RGB 150 221 35

HSL 82.9, 0.73%, 0.5%

LAB 80.92, -47.03, 74.5

 

CMYK 34 / 0 / 92 / 20

HEX #85CB10

RGB 133 203 16

HSL 82.46, 0.85%, 0.43%

LAB 74.66, -46.14, 72.32

 

CMYK 37 / 0 / 100 / 27

HEX #74B900

RGB 116 185 0

HSL 82.38, 1%, 0.36%

LAB 68.32, -45.03, 68.77

 

CMYK 41 / 0 / 100 / 35

HEX #63A700

RGB 99 167 0

HSL 84.43, 1%, 0.33%

LAB 61.9, -43.62, 63.43

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 10 / 0 / 78 / 6

HEX #D8EF34

RGB 216 239 52

HSL 67.38, 0.85%, 0.57%

LAB 90.13, -28.99, 79.97

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 0 / 33 / 78 / 6

HEX #EFA034

RGB 239 160 52

HSL 34.65, 0.85%, 0.57%

LAB 72.05, 20.79, 64.31

 

CMYK 0 / 54 / 78 / 6

HEX #EF6E34

RGB 239 110 52

HSL 18.61, 0.85%, 0.57%

LAB 61.44, 46.42, 54.21

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 51 / 0 / 78 / 6

HEX #74EF34

RGB 116 239 52

HSL 99.47, 0.85%, 0.57%

LAB 84.84, -64.1, 73.18

 

CMYK 73 / 0 / 78 / 6

HEX #41EF34

RGB 65 239 52

HSL 115.83, 0.85%, 0.57%

LAB 83.5, -75.1, 71.44

 

CMYK 78 / 0 / 63 / 6

HEX #34EF59

RGB 52 239 89

HSL 131.87, 0.85%, 0.57%

LAB 83.54, -73.81, 58.21

 

CMYK 78 / 0 / 42 / 6

HEX #34EF8B

RGB 52 239 139

HSL 147.91, 0.85%, 0.57%

LAB 84.14, -66.73, 35.78

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 27 / 0 / 68 / 13

HEX #A2DD46

RGB 162 221 70

HSL 83.44, 0.69%, 0.57%

LAB 81.75, -40.91, 64.92

 

CMYK 22 / 0 / 57 / 20

HEX #9ECB58

RGB 158 203 88

HSL 83.48, 0.53%, 0.57%

LAB 76.49, -32.86, 51.65

 

CMYK 17 / 0 / 43 / 27

HEX #9AB969

RGB 154 185 105

HSL 83.25, 0.36%, 0.57%

LAB 71.27, -23.96, 37.1

 

CMYK 11 / 0 / 27 / 34

HEX #96A87B

RGB 150 168 123

HSL 84, 0.21%, 0.57%

LAB 66.46, -14.4, 21.22

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 9 / 0 / 78 / 6

HEX #D9EF34

RGB 217 239 52

HSL 67.06, 0.85%, 0.57%

LAB 90.2, -28.59, 80.06

 

CMYK 30 / 0 / 78 / 6

HEX #A7EF34

RGB 167 239 52

HSL 83.1, 0.85%, 0.57%

LAB 87.09, -47.8, 76.09

 

CMYK 51 / 0 / 78 / 6

HEX #75EF34

RGB 117 239 52

HSL 99.14, 0.85%, 0.57%

LAB 84.88, -63.83, 73.23

 

CMYK 72 / 0 / 78 / 6

HEX #44EF34

RGB 68 239 52

HSL 114.87, 0.85%, 0.57%

LAB 83.55, -74.62, 71.51

 

CMYK 36 / 0 / 92 / 24

HEX #7CC110

RGB 124 193 16

HSL 83.39, 0.85%, 0.41%

LAB 71.19, -45.21, 69.31

 

CMYK 36 / 0 / 92 / 9

HEX #94E713

RGB 148 231 19

HSL 83.49, 0.85%, 0.49%

LAB 83.7, -52.25, 79.56

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 24 / 0 / 63 / 5

HEX #B7F25A

RGB 183 242 90

HSL 83.29, 0.85%, 0.65%

LAB 89.07, -41.01, 65.2

 

CMYK 19 / 0 / 48 / 4

HEX #C7F580

RGB 199 245 128

HSL 83.59, 0.85%, 0.73%

LAB 91.24, -33.07, 51.22

 

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

CMYK 78 / 0 / 33 / 6

HEX #34EFA1

RGB 52 239 161

HSL 154.97, 0.85%, 0.57%

LAB 84.5, -62.56, 25.16

 

CMYK 2 / 78 / 0 / 6

HEX #EB34EF

RGB 235 52 239

HSL 298.72, 0.85%, 0.57%

LAB 58.37, 85.93, -55.25

 

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

CMYK 78 / 30 / 0 / 6

HEX #34A7EF

RGB 52 167 239

HSL 203.1, 0.85%, 0.57%

LAB 65.44, -7.53, -44.98

 

CMYK 0 / 78 / 30 / 6

HEX #EF34A7

RGB 239 52 167

HSL 323.1, 0.85%, 0.57%

LAB 55.68, 77.23, -18.21

 

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

CMYK 78 / 0 / 33 / 6

HEX #34EFA1

RGB 52 239 161

HSL 154.97, 0.85%, 0.57%

LAB 84.5, -62.56, 25.16

 

CMYK 48 / 78 / 0 / 6

HEX #7C34EF

RGB 124 52 239

HSL 263.1, 0.85%, 0.57%

LAB 42.72, 67.76, -81.34

 

CMYK 0 / 78 / 46 / 6

HEX #EF3482

RGB 239 52 130

HSL 334.97, 0.85%, 0.57%

LAB 54.47, 73.6, 1.88

 

CMYK 30 / 0 / 77 / 6

HEX #A7EF36

RGB 167 239 54

HSL 83.35, 0.85%, 0.57%

LAB 87.1, -47.71, 75.53

 

CMYK 78 / 0 / 9 / 6

HEX #34EFD9

RGB 52 239 217

HSL 172.94, 0.85%, 0.57%

LAB 85.74, -49.4, -2.23

 

CMYK 48 / 78 / 0 / 6

HEX #7C34EF

RGB 124 52 239

HSL 263.1, 0.85%, 0.57%

LAB 42.72, 67.76, -81.34

 

CMYK 0 / 78 / 69 / 6

HEX #EF344A

RGB 239 52 74

HSL 352.94, 0.85%, 0.57%

LAB 53.28, 69.93, 33.69

 

Description

Color code: HEX #A7EF36 | qconv.com Color code: HEX #A7EF36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 239 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 239 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 77 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 77% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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