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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7EEFC it is the complementary color #581103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7EEFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7EEFC shade: #ACEEF7, #BDFFFF, #CEFFFF, #DFFFFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7EEFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7EEFC shade: #A7EEFC, #96DCE9, #85CAD6, #74B8C3 and #63A6B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7EEFC shade: #A6EEFC, #A6D7FC, #A6C0FC, #A6A9FC and #BBA6FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7EEFC shade: #A6EEFC, #A6D7FC, #A6C0FC, #A6A9FC and #A6A6FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7EEFC shade matches the following richer shades: #A6EEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7EEFC shade: #A6EEFC, #AEE9F4, #B5E4ED, #BDDFE6 and #C4DADE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7EEFC shade: #A6FCDB, #A6FCF2, #A6EFFC, #A6D8FC and #A6C1FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7EEFC shade: #57DEF9, #7FE6FA, #A6EEFC, #CEF5FD and #F6FDFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7EEFC shade: #A7EEFC, #C4A6FC and #FCE6A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7EEFC shade: #A7EEFC, #FCA6EF and #EFFCA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7EEFC shade: #A7EEFC, #C4A6FC, #FCB3A6 and #DEFCA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7EEFC shade: #A7EEFC, #DEA6FC, #FCB3A6 and #C4FCA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

Complementary color

CMYK 0 / 81 / 97 / 65

HEX #581103

RGB 88 17 3

HSL 9.88, 0.93%, 0.18%

LAB 17.84, 31.5, 25.87

 

CMYK 30 / 4 / 0 / 3

HEX #ACEEF7

RGB 172 238 247

HSL 187.2, 0.82%, 0.82%

LAB 90.15, -18.46, -10.99

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

CMYK 36 / 6 / 0 / 9

HEX #96DCE9

RGB 150 220 233

HSL 189.4, 0.65%, 0.75%

LAB 83.73, -18.65, -13.33

 

CMYK 38 / 6 / 0 / 16

HEX #85CAD6

RGB 133 202 214

HSL 188.89, 0.5%, 0.68%

LAB 77.33, -18.65, -12.85

 

CMYK 41 / 6 / 0 / 24

HEX #74B8C3

RGB 116 184 195

HSL 188.35, 0.4%, 0.61%

LAB 70.83, -18.64, -12.35

 

CMYK 44 / 6 / 0 / 31

HEX #63A6B0

RGB 99 166 176

HSL 187.79, 0.33%, 0.54%

LAB 64.21, -18.6, -11.84

 

CMYK 34 / 6 / 0 / 1

HEX #A6EEFC

RGB 166 238 252

HSL 189.77, 0.93%, 0.82%

LAB 89.99, -18.91, -13.88

 

CMYK 34 / 15 / 0 / 1

HEX #A6D7FC

RGB 166 215 252

HSL 205.81, 0.93%, 0.82%

LAB 83.83, -7.18, -23.17

 

CMYK 34 / 24 / 0 / 1

HEX #A6C0FC

RGB 166 192 252

HSL 221.86, 0.93%, 0.82%

LAB 77.78, 5.11, -32.43

 

CMYK 34 / 33 / 0 / 1

HEX #A6A9FC

RGB 166 169 252

HSL 237.91, 0.93%, 0.82%

LAB 71.9, 17.86, -41.54

 

CMYK 26 / 34 / 0 / 1

HEX #BBA6FC

RGB 187 166 252

HSL 254.65, 0.93%, 0.82%

LAB 72.8, 25.38, -40.01

 

CMYK 34 / 6 / 0 / 1

HEX #A6EEFC

RGB 166 238 252

HSL 189.77, 0.93%, 0.82%

LAB 89.99, -18.91, -13.88

 

CMYK 34 / 15 / 0 / 1

HEX #A6D7FC

RGB 166 215 252

HSL 205.81, 0.93%, 0.82%

LAB 83.83, -7.18, -23.17

 

CMYK 34 / 24 / 0 / 1

HEX #A6C0FC

RGB 166 192 252

HSL 221.86, 0.93%, 0.82%

LAB 77.78, 5.11, -32.43

 

CMYK 34 / 33 / 0 / 1

HEX #A6A9FC

RGB 166 169 252

HSL 237.91, 0.93%, 0.82%

LAB 71.9, 17.86, -41.54

 

CMYK 34 / 34 / 0 / 1

HEX #A6A6FC

RGB 166 166 252

HSL 240, 0.93%, 0.82%

LAB 71.15, 19.55, -42.71

 

CMYK 34 / 6 / 0 / 1

HEX #A6EEFC

RGB 166 238 252

HSL 189.77, 0.93%, 0.82%

LAB 89.99, -18.91, -13.88

 

CMYK 34 / 6 / 0 / 1

HEX #A6EEFC

RGB 166 238 252

HSL 189.77, 0.93%, 0.82%

LAB 89.99, -18.91, -13.88

 

CMYK 29 / 5 / 0 / 4

HEX #AEE9F4

RGB 174 233 244

HSL 189.43, 0.76%, 0.82%

LAB 88.83, -16.09, -11.38

 

CMYK 24 / 4 / 0 / 7

HEX #B5E4ED

RGB 181 228 237

HSL 189.64, 0.61%, 0.82%

LAB 87.69, -13.11, -9.36

 

CMYK 18 / 3 / 0 / 10

HEX #BDDFE6

RGB 189 223 230

HSL 190.24, 0.45%, 0.82%

LAB 86.66, -9.65, -7.16

 

CMYK 12 / 2 / 0 / 13

HEX #C4DADE

RGB 196 218 222

HSL 189.23, 0.28%, 0.82%

LAB 85.58, -6.51, -4.46

 

CMYK 34 / 0 / 13 / 1

HEX #A6FCDB

RGB 166 252 219

HSL 156.98, 0.93%, 0.82%

LAB 92.95, -32.9, 7.61

 

CMYK 34 / 0 / 4 / 1

HEX #A6FCF2

RGB 166 252 242

HSL 173.02, 0.93%, 0.82%

LAB 93.51, -28.01, -3.46

 

CMYK 34 / 5 / 0 / 1

HEX #A6EFFC

RGB 166 239 252

HSL 189.07, 0.93%, 0.82%

LAB 90.26, -19.4, -13.47

 

CMYK 34 / 14 / 0 / 1

HEX #A6D8FC

RGB 166 216 252

HSL 205.12, 0.93%, 0.82%

LAB 84.09, -7.7, -22.76

 

CMYK 34 / 23 / 0 / 1

HEX #A6C1FC

RGB 166 193 252

HSL 221.16, 0.93%, 0.82%

LAB 78.04, 4.56, -32.03

 

CMYK 65 / 11 / 0 / 2

HEX #57DEF9

RGB 87 222 249

HSL 190, 0.93%, 0.66%

LAB 82.44, -28.49, -23.99

 

CMYK 49 / 8 / 0 / 2

HEX #7FE6FA

RGB 127 230 250

HSL 189.76, 0.92%, 0.74%

LAB 86.01, -24.81, -18.98

 

CMYK 34 / 6 / 0 / 1

HEX #A6EEFC

RGB 166 238 252

HSL 189.77, 0.93%, 0.82%

LAB 89.99, -18.91, -13.88

 

CMYK 19 / 3 / 0 / 1

HEX #CEF5FD

RGB 206 245 253

HSL 190.21, 0.92%, 0.9%

LAB 94.11, -10.85, -8.03

 

CMYK 4 / 1 / 0 / 0

HEX #F6FDFF

RGB 246 253 255

HSL 193.33, 1%, 0.98%

LAB 98.85, -1.93, -1.77

 

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

CMYK 22 / 34 / 0 / 1

HEX #C4A6FC

RGB 196 166 252

HSL 260.93, 0.93%, 0.82%

LAB 73.57, 27.97, -38.76

 

CMYK 0 / 9 / 34 / 1

HEX #FCE6A6

RGB 252 230 166

HSL 44.65, 0.93%, 0.82%

LAB 91.7, -1.54, 33.95

 

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

CMYK 0 / 34 / 5 / 1

HEX #FCA6EF

RGB 252 166 239

HSL 309.07, 0.93%, 0.82%

LAB 78.58, 42.49, -23.56

 

CMYK 5 / 0 / 34 / 1

HEX #EFFCA6

RGB 239 252 166

HSL 69.07, 0.93%, 0.82%

LAB 96.3, -17.34, 39.82

 

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

CMYK 22 / 34 / 0 / 1

HEX #C4A6FC

RGB 196 166 252

HSL 260.93, 0.93%, 0.82%

LAB 73.57, 27.97, -38.76

 

CMYK 0 / 29 / 34 / 1

HEX #FCB3A6

RGB 252 179 166

HSL 9.07, 0.93%, 0.82%

LAB 79.44, 24.93, 17.25

 

CMYK 12 / 0 / 34 / 1

HEX #DEFCA6

RGB 222 252 166

HSL 80.93, 0.93%, 0.82%

LAB 95.12, -23.56, 38.05

 

CMYK 34 / 6 / 0 / 1

HEX #A7EEFC

RGB 167 238 252

HSL 189.88, 0.93%, 0.82%

LAB 90.04, -18.64, -13.79

 

CMYK 12 / 34 / 0 / 1

HEX #DEA6FC

RGB 222 166 252

HSL 279.07, 0.93%, 0.82%

LAB 75.96, 35.67, -34.86

 

CMYK 0 / 29 / 34 / 1

HEX #FCB3A6

RGB 252 179 166

HSL 9.07, 0.93%, 0.82%

LAB 79.44, 24.93, 17.25

 

CMYK 22 / 0 / 34 / 1

HEX #C4FCA6

RGB 196 252 166

HSL 99.07, 0.93%, 0.82%

LAB 93.5, -32.69, 35.62

 

Description

Color code: HEX #A7EEFC | qconv.com Color code: HEX #A7EEFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 238 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 238 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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