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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7ED6F it is the complementary color #581290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7ED6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7ED6F shade: #ACED6A, #BDFF7D, #CEFF90, #DFFFA3 and #F0FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7ED6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7ED6F shade: #A7ED6F, #96DB5C, #85C949, #74B736 and #63A523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7ED6F shade: #A6ED6E, #C9ED6E, #EBED6E, #EDCD6E and #EDAA6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7ED6F shade: #A6ED6E, #84ED6E, #6EED7A, #6EED9C and #6EEDBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7ED6F shade matches the following richer shades: #A6ED6E and #A5FA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7ED6F shade: #A6ED6E, #A8E07B, #A9D388, #ABC595 and #ACB8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7ED6F shade: #EBED6E, #C9ED6E, #A7ED6E, #85ED6E and #6EED78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7ED6F shade: #7AE424, #90E949, #A6ED6E, #BDF292 and #D3F6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7ED6F shade: #A7ED6F, #6EEDCD and #ED6EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7ED6F shade: #A7ED6F, #6EA7ED and #ED6EA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7ED6F shade: #A7ED6F, #6EEDCD, #B46EED and #ED6E8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7ED6F shade: #A7ED6F, #6EE7ED, #B46EED and #ED746E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

Complementary color

CMYK 39 / 88 / 0 / 44

HEX #581290

RGB 88 18 144

HSL 273.33, 0.78%, 0.32%

LAB 25.32, 52.07, -54.04

 

CMYK 27 / 0 / 55 / 7

HEX #ACED6A

RGB 172 237 106

HSL 89.77, 0.78%, 0.67%

LAB 87.18, -41.4, 56.11

 

CMYK 26 / 0 / 51 / 0

HEX #BDFF7D

RGB 189 255 125

HSL 90.46, 1%, 0.75%

LAB 93.37, -41.45, 55.06

 

CMYK 19 / 0 / 44 / 0

HEX #CEFF90

RGB 206 255 144

HSL 86.49, 1%, 0.78%

LAB 94.59, -33.37, 47.89

 

CMYK 13 / 0 / 36 / 0

HEX #DFFFA3

RGB 223 255 163

HSL 80.87, 1%, 0.82%

LAB 95.94, -25, 40.61

 

CMYK 6 / 0 / 29 / 0

HEX #F0FFB6

RGB 240 255 182

HSL 72.33, 1%, 0.86%

LAB 97.4, -16.43, 33.33

 

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

CMYK 32 / 0 / 58 / 14

HEX #96DB5C

RGB 150 219 92

HSL 92.6, 0.64%, 0.61%

LAB 80.69, -42.59, 54.55

 

CMYK 34 / 0 / 64 / 21

HEX #85C949

RGB 133 201 73

HSL 91.88, 0.54%, 0.54%

LAB 74.34, -42.44, 55.43

 

CMYK 37 / 0 / 70 / 28

HEX #74B736

RGB 116 183 54

HSL 91.16, 0.54%, 0.46%

LAB 67.91, -42.16, 56

 

CMYK 40 / 0 / 79 / 35

HEX #63A523

RGB 99 165 35

HSL 90.46, 0.65%, 0.39%

LAB 61.38, -41.68, 55.96

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6E

RGB 166 237 110

HSL 93.54, 0.78%, 0.68%

LAB 86.9, -43.09, 53.89

 

CMYK 15 / 0 / 54 / 7

HEX #C9ED6E

RGB 201 237 110

HSL 77.01, 0.78%, 0.68%

LAB 88.98, -30.37, 56.84

 

CMYK 1 / 0 / 54 / 7

HEX #EBED6E

RGB 235 237 110

HSL 60.94, 0.78%, 0.68%

LAB 91.4, -17.13, 60.26

 

CMYK 0 / 14 / 54 / 7

HEX #EDCD6E

RGB 237 205 110

HSL 44.88, 0.78%, 0.68%

LAB 83.33, -0.27, 50.9

 

CMYK 0 / 28 / 54 / 7

HEX #EDAA6E

RGB 237 170 110

HSL 28.35, 0.78%, 0.68%

LAB 74.75, 18.08, 40.46

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6E

RGB 166 237 110

HSL 93.54, 0.78%, 0.68%

LAB 86.9, -43.09, 53.89

 

CMYK 44 / 0 / 54 / 7

HEX #84ED6E

RGB 132 237 110

HSL 109.61, 0.78%, 0.68%

LAB 85.3, -53.96, 51.6

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 54 / 0 / 34 / 7

HEX #6EED9C

RGB 110 237 156

HSL 141.73, 0.78%, 0.68%

LAB 85.14, -52.96, 28.8

 

CMYK 54 / 0 / 20 / 7

HEX #6EEDBE

RGB 110 237 190

HSL 157.8, 0.78%, 0.68%

LAB 85.81, -46.23, 12.16

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6E

RGB 166 237 110

HSL 93.54, 0.78%, 0.68%

LAB 86.9, -43.09, 53.89

 

CMYK 34 / 0 / 61 / 2

HEX #A5FA61

RGB 165 250 97

HSL 93.33, 0.94%, 0.68%

LAB 90.43, -50.17, 63.56

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6E

RGB 166 237 110

HSL 93.54, 0.78%, 0.68%

LAB 86.9, -43.09, 53.89

 

CMYK 25 / 0 / 45 / 12

HEX #A8E07B

RGB 168 224 123

HSL 93.27, 0.62%, 0.68%

LAB 83.48, -35.14, 43.63

 

CMYK 20 / 0 / 36 / 17

HEX #A9D388

RGB 169 211 136

HSL 93.6, 0.46%, 0.68%

LAB 80.07, -27, 32.76

 

CMYK 13 / 0 / 24 / 23

HEX #ABC595

RGB 171 197 149

HSL 92.5, 0.29%, 0.68%

LAB 76.53, -17.45, 21.23

 

CMYK 7 / 0 / 11 / 28

HEX #ACB8A3

RGB 172 184 163

HSL 94.29, 0.13%, 0.68%

LAB 73.35, -8.05, 9.25

 

CMYK 1 / 0 / 54 / 7

HEX #EBED6E

RGB 235 237 110

HSL 60.94, 0.78%, 0.68%

LAB 91.4, -17.13, 60.26

 

CMYK 15 / 0 / 54 / 7

HEX #C9ED6E

RGB 201 237 110

HSL 77.01, 0.78%, 0.68%

LAB 88.98, -30.37, 56.84

 

CMYK 30 / 0 / 54 / 7

HEX #A7ED6E

RGB 167 237 110

HSL 93.07, 0.78%, 0.68%

LAB 86.95, -42.75, 53.97

 

CMYK 44 / 0 / 54 / 7

HEX #85ED6E

RGB 133 237 110

HSL 109.13, 0.78%, 0.68%

LAB 85.34, -53.67, 51.66

 

CMYK 54 / 0 / 49 / 7

HEX #6EED78

RGB 110 237 120

HSL 124.72, 0.78%, 0.68%

LAB 84.61, -58.63, 45.9

 

CMYK 46 / 0 / 84 / 11

HEX #7AE424

RGB 122 228 36

HSL 93.13, 0.78%, 0.52%

LAB 81.7, -59.08, 74.47

 

CMYK 38 / 0 / 69 / 9

HEX #90E949

RGB 144 233 73

HSL 93.38, 0.78%, 0.6%

LAB 84.32, -52.06, 66.16

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6E

RGB 166 237 110

HSL 93.54, 0.78%, 0.68%

LAB 86.9, -43.09, 53.89

 

CMYK 22 / 0 / 40 / 5

HEX #BDF292

RGB 189 242 146

HSL 93.13, 0.79%, 0.76%

LAB 90.04, -33.17, 40.94

 

CMYK 14 / 0 / 26 / 4

HEX #D3F6B7

RGB 211 246 183

HSL 93.33, 0.78%, 0.84%

LAB 93.09, -22.23, 26.67

 

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

CMYK 54 / 0 / 14 / 7

HEX #6EEDCD

RGB 110 237 205

HSL 164.88, 0.78%, 0.68%

LAB 86.15, -42.87, 4.82

 

CMYK 0 / 54 / 8 / 7

HEX #ED6EDA

RGB 237 110 218

HSL 308.98, 0.78%, 0.68%

LAB 65.14, 62.22, -32.83

 

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

CMYK 54 / 30 / 0 / 7

HEX #6EA7ED

RGB 110 167 237

HSL 213.07, 0.78%, 0.68%

LAB 67.33, 1.03, -40.78

 

CMYK 0 / 54 / 30 / 7

HEX #ED6EA7

RGB 237 110 167

HSL 333.07, 0.78%, 0.68%

LAB 63.3, 54.91, -6.78

 

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

CMYK 54 / 0 / 14 / 7

HEX #6EEDCD

RGB 110 237 205

HSL 164.88, 0.78%, 0.68%

LAB 86.15, -42.87, 4.82

 

CMYK 24 / 54 / 0 / 7

HEX #B46EED

RGB 180 110 237

HSL 273.07, 0.78%, 0.68%

LAB 58.95, 50.66, -53.65

 

CMYK 0 / 54 / 40 / 7

HEX #ED6E8E

RGB 237 110 142

HSL 344.88, 0.78%, 0.68%

LAB 62.6, 52.01, 6.54

 

CMYK 30 / 0 / 53 / 7

HEX #A7ED6F

RGB 167 237 111

HSL 93.33, 0.78%, 0.68%

LAB 86.96, -42.64, 53.52

 

CMYK 54 / 3 / 0 / 7

HEX #6EE7ED

RGB 110 231 237

HSL 182.83, 0.78%, 0.68%

LAB 85.29, -32.19, -13.28

 

CMYK 24 / 54 / 0 / 7

HEX #B46EED

RGB 180 110 237

HSL 273.07, 0.78%, 0.68%

LAB 58.95, 50.66, -53.65

 

CMYK 0 / 51 / 54 / 7

HEX #ED746E

RGB 237 116 110

HSL 2.83, 0.78%, 0.68%

LAB 63.03, 46.11, 25.41

 

Description

Color code: HEX #A7ED6F | qconv.com Color code: HEX #A7ED6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 237 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 237 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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