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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7D983 it is the complementary color #58267C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7D983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7D983 shade: #ACD97E, #BDEB91, #CEFDA4, #DFFFB7 and #F0FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7D983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7D983 shade: #A7D983, #96C770, #85B55D, #74A34A and #639137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7D983 shade: #A6D982, #BED982, #D5D982, #D9C582 and #D9AE82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7D983 shade: #A6D982, #8FD982, #82D98D, #82D9A4 and #82D9BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7D983 shade matches the following richer shades: #A6D982, #A4E675 and #A2F368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7D983 shade: #A6D982, #A9CB8F, #ABBE9D, #ADB1AA and #AFA4B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7D983 shade: #D6D982, #BFD982, #A8D982, #91D982 and #82D98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7D983 shade: #7AC543, #90CF63, #A6D982, #BDE2A2 and #D3ECC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7D983 shade: #A7D983, #82D9C4 and #D982CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7D983 shade: #A7D983, #82A8D9 and #D982A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7D983 shade: #A7D983, #82D9C4, #B382D9 and #D98296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7D983 shade: #A7D983, #82D3D9, #B382D9 and #D98882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

Complementary color

CMYK 29 / 69 / 0 / 51

HEX #58267C

RGB 88 38 124

HSL 274.88, 0.53%, 0.32%

LAB 26.49, 39.16, -39.62

 

CMYK 21 / 0 / 42 / 15

HEX #ACD97E

RGB 172 217 126

HSL 89.67, 0.54%, 0.67%

LAB 81.79, -30.09, 40.07

 

CMYK 20 / 0 / 38 / 8

HEX #BDEB91

RGB 189 235 145

HSL 90.67, 0.69%, 0.75%

LAB 88.1, -30.04, 38.93

 

CMYK 19 / 0 / 35 / 1

HEX #CEFDA4

RGB 206 253 164

HSL 91.69, 0.96%, 0.82%

LAB 94.33, -29.97, 37.82

 

CMYK 13 / 0 / 28 / 0

HEX #DFFFB7

RGB 223 255 183

HSL 86.67, 1%, 0.86%

LAB 96.26, -22.36, 31.09

 

CMYK 6 / 0 / 21 / 0

HEX #F0FFCA

RGB 240 255 202

HSL 76.98, 1%, 0.9%

LAB 97.76, -13.66, 23.73

 

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

CMYK 25 / 0 / 44 / 22

HEX #96C770

RGB 150 199 112

HSL 93.79, 0.44%, 0.61%

LAB 75.14, -31.33, 38.38

 

CMYK 27 / 0 / 49 / 29

HEX #85B55D

RGB 133 181 93

HSL 92.73, 0.37%, 0.54%

LAB 68.62, -31.38, 39.57

 

CMYK 29 / 0 / 55 / 36

HEX #74A34A

RGB 116 163 74

HSL 91.69, 0.38%, 0.46%

LAB 62, -31.38, 40.74

 

CMYK 32 / 0 / 62 / 43

HEX #639137

RGB 99 145 55

HSL 90.67, 0.45%, 0.39%

LAB 55.26, -31.29, 41.8

 

CMYK 24 / 0 / 40 / 15

HEX #A6D982

RGB 166 217 130

HSL 95.17, 0.53%, 0.68%

LAB 81.48, -31.73, 37.6

 

CMYK 12 / 0 / 40 / 15

HEX #BED982

RGB 190 217 130

HSL 78.62, 0.53%, 0.68%

LAB 83.01, -22.94, 39.87

 

CMYK 2 / 0 / 40 / 15

HEX #D5D982

RGB 213 217 130

HSL 62.76, 0.53%, 0.68%

LAB 84.68, -14.1, 42.34

 

CMYK 0 / 9 / 40 / 15

HEX #D9C582

RGB 217 197 130

HSL 46.21, 0.53%, 0.68%

LAB 79.78, -2.32, 36.15

 

CMYK 0 / 20 / 40 / 15

HEX #D9AE82

RGB 217 174 130

HSL 30.34, 0.53%, 0.68%

LAB 73.96, 9.82, 28.52

 

CMYK 24 / 0 / 40 / 15

HEX #A6D982

RGB 166 217 130

HSL 95.17, 0.53%, 0.68%

LAB 81.48, -31.73, 37.6

 

CMYK 34 / 0 / 40 / 15

HEX #8FD982

RGB 143 217 130

HSL 111.03, 0.53%, 0.68%

LAB 80.22, -39.53, 35.73

 

CMYK 40 / 0 / 35 / 15

HEX #82D98D

RGB 130 217 141

HSL 127.59, 0.53%, 0.68%

LAB 79.78, -41.86, 29.43

 

CMYK 40 / 0 / 24 / 15

HEX #82D9A4

RGB 130 217 164

HSL 143.45, 0.53%, 0.68%

LAB 80.21, -37.76, 18.03

 

CMYK 40 / 0 / 14 / 15

HEX #82D9BB

RGB 130 217 187

HSL 159.31, 0.53%, 0.68%

LAB 80.72, -33.08, 6.57

 

CMYK 24 / 0 / 40 / 15

HEX #A6D982

RGB 166 217 130

HSL 95.17, 0.53%, 0.68%

LAB 81.48, -31.73, 37.6

 

CMYK 29 / 0 / 49 / 10

HEX #A4E675

RGB 164 230 117

HSL 95.04, 0.69%, 0.68%

LAB 84.88, -39.95, 48.19

 

CMYK 33 / 0 / 57 / 5

HEX #A2F368

RGB 162 243 104

HSL 94.96, 0.85%, 0.68%

LAB 88.34, -47.62, 58.19

 

CMYK 24 / 0 / 40 / 15

HEX #A6D982

RGB 166 217 130

HSL 95.17, 0.53%, 0.68%

LAB 81.48, -31.73, 37.6

 

CMYK 17 / 0 / 30 / 20

HEX #A9CB8F

RGB 169 203 143

HSL 94, 0.37%, 0.68%

LAB 77.95, -22.09, 26.31

 

CMYK 10 / 0 / 17 / 25

HEX #ABBE9D

RGB 171 190 157

HSL 94.55, 0.2%, 0.68%

LAB 74.77, -12.58, 14.51

 

CMYK 2 / 0 / 4 / 31

HEX #ADB1AA

RGB 173 177 170

HSL 94.29, 0.04%, 0.68%

LAB 71.71, -2.71, 3.08

 

CMYK 4 / 10 / 0 / 28

HEX #AFA4B7

RGB 175 164 183

HSL 274.74, 0.12%, 0.68%

LAB 68.81, 7.56, -8.34

 

CMYK 1 / 0 / 40 / 15

HEX #D6D982

RGB 214 217 130

HSL 62.07, 0.53%, 0.68%

LAB 84.76, -13.71, 42.45

 

CMYK 12 / 0 / 40 / 15

HEX #BFD982

RGB 191 217 130

HSL 77.93, 0.53%, 0.68%

LAB 83.08, -22.56, 39.97

 

CMYK 23 / 0 / 40 / 15

HEX #A8D982

RGB 168 217 130

HSL 93.79, 0.53%, 0.68%

LAB 81.6, -31.02, 37.78

 

CMYK 33 / 0 / 40 / 15

HEX #91D982

RGB 145 217 130

HSL 109.66, 0.53%, 0.68%

LAB 80.32, -38.88, 35.88

 

CMYK 40 / 0 / 36 / 15

HEX #82D98B

RGB 130 217 139

HSL 126.21, 0.53%, 0.68%

LAB 79.75, -42.18, 30.41

 

CMYK 38 / 0 / 66 / 23

HEX #7AC543

RGB 122 197 67

HSL 94.62, 0.53%, 0.52%

LAB 72.55, -45.03, 55.81

 

CMYK 30 / 0 / 52 / 19

HEX #90CF63

RGB 144 207 99

HSL 95, 0.53%, 0.6%

LAB 76.95, -38.68, 46.89

 

CMYK 24 / 0 / 40 / 15

HEX #A6D982

RGB 166 217 130

HSL 95.17, 0.53%, 0.68%

LAB 81.48, -31.73, 37.6

 

CMYK 16 / 0 / 28 / 11

HEX #BDE2A2

RGB 189 226 162

HSL 94.69, 0.52%, 0.76%

LAB 85.92, -23.39, 27.42

 

CMYK 11 / 0 / 18 / 7

HEX #D3ECC1

RGB 211 236 193

HSL 94.88, 0.53%, 0.84%

LAB 90.64, -15.8, 18.14

 

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

CMYK 40 / 0 / 10 / 15

HEX #82D9C4

RGB 130 217 196

HSL 165.52, 0.53%, 0.68%

LAB 80.94, -31.09, 2.1

 

CMYK 0 / 40 / 7 / 15

HEX #D982CA

RGB 217 130 202

HSL 310.34, 0.53%, 0.68%

LAB 65.73, 43.81, -23.17

 

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

CMYK 40 / 23 / 0 / 15

HEX #82A8D9

RGB 130 168 217

HSL 213.79, 0.53%, 0.68%

LAB 67.84, -0.53, -28.91

 

CMYK 0 / 40 / 23 / 15

HEX #D982A8

RGB 217 130 168

HSL 333.79, 0.53%, 0.68%

LAB 64.6, 38.4, -5.72

 

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

CMYK 40 / 0 / 10 / 15

HEX #82D9C4

RGB 130 217 196

HSL 165.52, 0.53%, 0.68%

LAB 80.94, -31.09, 2.1

 

CMYK 18 / 40 / 0 / 15

HEX #B382D9

RGB 179 130 217

HSL 273.79, 0.53%, 0.68%

LAB 62.13, 35.07, -37.48

 

CMYK 0 / 40 / 31 / 15

HEX #D98296

RGB 217 130 150

HSL 346.21, 0.53%, 0.68%

LAB 64.1, 35.91, 3.77

 

CMYK 23 / 0 / 40 / 15

HEX #A7D983

RGB 167 217 131

HSL 94.88, 0.53%, 0.68%

LAB 81.55, -31.24, 37.21

 

CMYK 40 / 3 / 0 / 15

HEX #82D3D9

RGB 130 211 217

HSL 184.14, 0.53%, 0.68%

LAB 79.81, -23.2, -10.77

 

CMYK 18 / 40 / 0 / 15

HEX #B382D9

RGB 179 130 217

HSL 273.79, 0.53%, 0.68%

LAB 62.13, 35.07, -37.48

 

CMYK 0 / 37 / 40 / 15

HEX #D98882

RGB 217 136 130

HSL 4.14, 0.53%, 0.68%

LAB 64.94, 30.28, 16.29

 

Description

Color code: HEX #A7D983 | qconv.com Color code: HEX #A7D983 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 217 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 217 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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