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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7D66F it is the complementary color #582990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7D66F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7D66F shade: #ACD66A, #BDE87D, #CEFA90, #DFFFA3 and #F0FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7D66F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7D66F shade: #A7D66F, #96C45C, #85B249, #74A036 and #638E23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7D66F shade: #A8D770, #C3D770, #D7CE70, #D7B270 and #D79770

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7D66F shade: #A8D770, #8CD770, #70D770, #70D78B and #70D7A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7D66F shade matches the following richer shades: #A8D770, #A9E561 and #AAF452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7D66F shade: #A8D770, #A6C87F, #A5B98D, #A4AA9C and #A39BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7D66F shade: #D7CE70, #C4D770, #A8D770, #8DD770 and #72D770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7D66F shade: #80BE36, #94CE50, #A8D770, #BBE090 and #CFE9B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7D66F shade: #A7D66F, #70D7B3 and #D770D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7D66F shade: #A7D66F, #70A8D7 and #D770A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7D66F shade: #A7D66F, #70D7B3, #9E70D7 and #D77094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7D66F shade: #A7D66F, #70D7D1, #9E70D7 and #D77075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

Complementary color

CMYK 39 / 72 / 0 / 44

HEX #582990

RGB 88 41 144

HSL 267.38, 0.56%, 0.36%

LAB 28.58, 42.73, -48.74

 

CMYK 20 / 0 / 50 / 16

HEX #ACD66A

RGB 172 214 106

HSL 83.33, 0.57%, 0.63%

LAB 80.69, -30.95, 48.44

 

CMYK 19 / 0 / 46 / 9

HEX #BDE87D

RGB 189 232 125

HSL 84.11, 0.7%, 0.7%

LAB 87, -31.03, 47.31

 

CMYK 18 / 0 / 42 / 2

HEX #CEFA90

RGB 206 250 144

HSL 84.91, 0.91%, 0.77%

LAB 93.24, -31.07, 46.19

 

CMYK 13 / 0 / 36 / 0

HEX #DFFFA3

RGB 223 255 163

HSL 80.87, 1%, 0.82%

LAB 95.94, -25, 40.61

 

CMYK 6 / 0 / 29 / 0

HEX #F0FFB6

RGB 240 255 182

HSL 72.33, 1%, 0.86%

LAB 97.4, -16.43, 33.33

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 23 / 0 / 53 / 23

HEX #96C45C

RGB 150 196 92

HSL 86.54, 0.47%, 0.56%

LAB 74.02, -32.22, 46.8

 

CMYK 25 / 0 / 59 / 30

HEX #85B249

RGB 133 178 73

HSL 85.71, 0.42%, 0.49%

LAB 67.51, -32.09, 47.84

 

CMYK 28 / 0 / 66 / 37

HEX #74A036

RGB 116 160 54

HSL 84.91, 0.5%, 0.42%

LAB 60.89, -31.86, 48.68

 

CMYK 30 / 0 / 75 / 44

HEX #638E23

RGB 99 142 35

HSL 84.11, 0.6%, 0.35%

LAB 54.15, -31.46, 49.04

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 9 / 0 / 48 / 16

HEX #C3D770

RGB 195 215 112

HSL 71.65, 0.56%, 0.64%

LAB 82.58, -22.01, 48.23

 

CMYK 0 / 4 / 48 / 16

HEX #D7CE70

RGB 215 206 112

HSL 54.76, 0.56%, 0.64%

LAB 81.71, -9.56, 47.53

 

CMYK 0 / 17 / 48 / 16

HEX #D7B270

RGB 215 178 112

HSL 38.45, 0.56%, 0.64%

LAB 74.48, 5.01, 38.61

 

CMYK 0 / 30 / 48 / 16

HEX #D79770

RGB 215 151 112

HSL 22.72, 0.56%, 0.64%

LAB 67.84, 19.52, 30.1

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 35 / 0 / 48 / 16

HEX #8CD770

RGB 140 215 112

HSL 103.69, 0.56%, 0.64%

LAB 79.24, -42.05, 43.38

 

CMYK 48 / 0 / 48 / 16

HEX #70D770

RGB 112 215 112

HSL 120, 0.56%, 0.64%

LAB 78, -50.57, 41.57

 

CMYK 48 / 0 / 35 / 16

HEX #70D78B

RGB 112 215 139

HSL 135.73, 0.56%, 0.64%

LAB 78.41, -46.37, 28.49

 

CMYK 48 / 0 / 22 / 16

HEX #70D7A7

RGB 112 215 167

HSL 152.04, 0.56%, 0.64%

LAB 78.95, -41.05, 14.57

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 26 / 0 / 58 / 10

HEX #A9E561

RGB 169 229 97

HSL 87.27, 0.72%, 0.64%

LAB 84.66, -39.77, 57.14

 

CMYK 30 / 0 / 66 / 4

HEX #AAF452

RGB 170 244 82

HSL 87.41, 0.88%, 0.64%

LAB 88.85, -47.12, 67.9

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 17 / 0 / 37 / 22

HEX #A6C87F

RGB 166 200 127

HSL 87.95, 0.4%, 0.64%

LAB 76.65, -23.99, 32.87

 

CMYK 11 / 0 / 24 / 27

HEX #A5B98D

RGB 165 185 141

HSL 87.27, 0.24%, 0.64%

LAB 72.64, -14.79, 20.1

 

CMYK 4 / 0 / 8 / 33

HEX #A4AA9C

RGB 164 170 156

HSL 85.71, 0.08%, 0.64%

LAB 68.78, -4.73, 6.48

 

CMYK 5 / 9 / 0 / 33

HEX #A39BAB

RGB 163 155 171

HSL 270, 0.09%, 0.64%

LAB 65.1, 5.99, -7.28

 

CMYK 0 / 4 / 48 / 16

HEX #D7CE70

RGB 215 206 112

HSL 54.76, 0.56%, 0.64%

LAB 81.71, -9.56, 47.53

 

CMYK 9 / 0 / 48 / 16

HEX #C4D770

RGB 196 215 112

HSL 71.07, 0.56%, 0.64%

LAB 82.65, -21.62, 48.33

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 34 / 0 / 48 / 16

HEX #8DD770

RGB 141 215 112

HSL 103.11, 0.56%, 0.64%

LAB 79.29, -41.72, 43.46

 

CMYK 47 / 0 / 48 / 16

HEX #72D770

RGB 114 215 112

HSL 118.83, 0.56%, 0.64%

LAB 78.08, -50.01, 41.69

 

CMYK 33 / 0 / 72 / 25

HEX #80BE36

RGB 128 190 54

HSL 87.35, 0.56%, 0.48%

LAB 70.65, -40.88, 58.98

 

CMYK 28 / 0 / 61 / 19

HEX #94CE50

RGB 148 206 80

HSL 87.62, 0.56%, 0.56%

LAB 76.69, -38.66, 55.26

 

CMYK 22 / 0 / 48 / 16

HEX #A8D770

RGB 168 215 112

HSL 87.38, 0.56%, 0.64%

LAB 80.79, -32.26, 45.64

 

CMYK 17 / 0 / 36 / 12

HEX #BBE090

RGB 187 224 144

HSL 87.75, 0.56%, 0.72%

LAB 84.94, -25.67, 35.29

 

CMYK 11 / 0 / 24 / 9

HEX #CFE9B0

RGB 207 233 176

HSL 87.37, 0.56%, 0.8%

LAB 89.24, -18.35, 24.94

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 48 / 0 / 17 / 16

HEX #70D7B3

RGB 112 215 179

HSL 159.03, 0.56%, 0.64%

LAB 79.21, -38.48, 8.58

 

CMYK 0 / 48 / 3 / 16

HEX #D770D1

RGB 215 112 209

HSL 303.5, 0.56%, 0.64%

LAB 62.2, 53.56, -32.57

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 48 / 22 / 0 / 16

HEX #70A8D7

RGB 112 168 215

HSL 207.38, 0.56%, 0.64%

LAB 66.79, -5.61, -29.52

 

CMYK 0 / 48 / 22 / 16

HEX #D770A8

RGB 215 112 168

HSL 327.38, 0.56%, 0.64%

LAB 60.66, 47.01, -11.62

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 48 / 0 / 17 / 16

HEX #70D7B3

RGB 112 215 179

HSL 159.03, 0.56%, 0.64%

LAB 79.21, -38.48, 8.58

 

CMYK 27 / 48 / 0 / 16

HEX #9E70D7

RGB 158 112 215

HSL 266.8, 0.56%, 0.64%

LAB 55.85, 38.72, -46.39

 

CMYK 0 / 48 / 31 / 16

HEX #D77094

RGB 215 112 148

HSL 339.03, 0.56%, 0.64%

LAB 60.05, 44.28, -1.01

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 48 / 0 / 3 / 16

HEX #70D7D1

RGB 112 215 209

HSL 176.5, 0.56%, 0.64%

LAB 79.98, -31.4, -6.32

 

CMYK 27 / 48 / 0 / 16

HEX #9E70D7

RGB 158 112 215

HSL 266.8, 0.56%, 0.64%

LAB 55.85, 38.72, -46.39

 

CMYK 0 / 48 / 46 / 16

HEX #D77075

RGB 215 112 117

HSL 357.09, 0.56%, 0.64%

LAB 59.27, 40.74, 15.8

 

Description

Color code: HEX #A7D66F | qconv.com Color code: HEX #A7D66F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 214 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 214 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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