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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7B526 it is the complementary color #584AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7B526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7B526 shade: #ACB521, #BDC734, #CED947, #DFEB5A and #F0FD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7B526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7B526 shade: #A7B526, #96A313, #859100, #747F00 and #636D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7B526 shade: #A7B526, #B59C26, #B57626, #B55026 and #B52926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7B526 shade: #A7B526, #81B526, #5AB526, #34B526 and #26B540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7B526 shade matches the following richer shades: #A7B526, #B5C715 and #C4D803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7B526 shade: #A7B526, #99A338, #8A914A, #7C805C and #6E6E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7B526 shade: #B57526, #B59B26, #A9B526, #83B526 and #5DB526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7B526 shade: #687118, #88931F, #A7B526, #C3D331 and #CDDB53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7B526 shade: #A7B526, #26B54F and #8826B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7B526 shade: #A7B526, #26A9B5 and #B526A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7B526 shade: #A7B526, #26B54F, #3226B5 and #B5268D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7B526 shade: #A7B526, #26B57A, #3226B5 and #B52662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

Complementary color

CMYK 59 / 66 / 0 / 15

HEX #584AD9

RGB 88 74 217

HSL 245.87, 0.65%, 0.57%

LAB 41.19, 45.84, -71.48

 

CMYK 5 / 0 / 82 / 29

HEX #ACB521

RGB 172 181 33

HSL 63.65, 0.69%, 0.42%

LAB 70.82, -19.95, 66.81

 

CMYK 5 / 0 / 74 / 22

HEX #BDC734

RGB 189 199 52

HSL 64.08, 0.59%, 0.49%

LAB 77.23, -20.92, 67.44

 

CMYK 5 / 0 / 67 / 15

HEX #CED947

RGB 206 217 71

HSL 64.52, 0.66%, 0.56%

LAB 83.55, -21.72, 67.32

 

CMYK 5 / 0 / 62 / 8

HEX #DFEB5A

RGB 223 235 90

HSL 64.97, 0.78%, 0.64%

LAB 89.79, -22.38, 66.75

 

CMYK 5 / 0 / 57 / 1

HEX #F0FD6D

RGB 240 253 109

HSL 65.42, 0.97%, 0.71%

LAB 95.95, -22.93, 65.94

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 8 / 0 / 88 / 36

HEX #96A313

RGB 150 163 19

HSL 65.42, 0.79%, 0.36%

LAB 63.94, -20.85, 63.57

 

CMYK 8 / 0 / 100 / 43

HEX #859100

RGB 133 145 0

HSL 64.97, 1%, 0.28%

LAB 57.31, -19.58, 60.87

 

CMYK 9 / 0 / 100 / 50

HEX #747F00

RGB 116 127 0

HSL 65.2, 1%, 0.25%

LAB 50.56, -17.95, 55.26

 

CMYK 9 / 0 / 100 / 57

HEX #636D00

RGB 99 109 0

HSL 65.5, 1%, 0.21%

LAB 43.64, -16.28, 49.5

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 0 / 14 / 79 / 29

HEX #B59C26

RGB 181 156 38

HSL 49.51, 0.65%, 0.43%

LAB 64.76, -2.83, 60.29

 

CMYK 0 / 35 / 79 / 29

HEX #B57626

RGB 181 118 38

HSL 33.57, 0.65%, 0.43%

LAB 54.99, 18.1, 51.29

 

CMYK 0 / 56 / 79 / 29

HEX #B55026

RGB 181 80 38

HSL 17.62, 0.65%, 0.43%

LAB 46.58, 38.53, 43.17

 

CMYK 0 / 77 / 79 / 29

HEX #B52926

RGB 181 41 38

HSL 1.26, 0.65%, 0.43%

LAB 40.49, 54.88, 37

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 29 / 0 / 79 / 29

HEX #81B526

RGB 129 181 38

HSL 81.82, 0.65%, 0.43%

LAB 67.91, -37.43, 61.71

 

CMYK 50 / 0 / 79 / 29

HEX #5AB526

RGB 90 181 38

HSL 98.18, 0.65%, 0.43%

LAB 66.03, -50.87, 59.27

 

CMYK 71 / 0 / 79 / 29

HEX #34B526

RGB 52 181 38

HSL 114.13, 0.65%, 0.43%

LAB 64.9, -60.03, 57.8

 

CMYK 79 / 0 / 65 / 29

HEX #26B540

RGB 38 181 64

HSL 130.91, 0.65%, 0.43%

LAB 64.83, -59.95, 47.88

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 9 / 0 / 89 / 22

HEX #B5C715

RGB 181 199 21

HSL 66.07, 0.81%, 0.43%

LAB 76.51, -25.27, 74.32

 

CMYK 9 / 0 / 99 / 15

HEX #C4D803

RGB 196 216 3

HSL 65.63, 0.97%, 0.43%

LAB 82.3, -27.38, 81.29

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 6 / 0 / 66 / 36

HEX #99A338

RGB 153 163 56

HSL 65.61, 0.49%, 0.43%

LAB 64.36, -17.93, 52.29

 

CMYK 5 / 0 / 49 / 43

HEX #8A914A

RGB 138 145 74

HSL 65.92, 0.32%, 0.43%

LAB 58.18, -13.47, 36.54

 

CMYK 3 / 0 / 28 / 50

HEX #7C805C

RGB 124 128 92

HSL 66.67, 0.16%, 0.43%

LAB 52.39, -7.86, 19.1

 

CMYK 0 / 0 / 1 / 57

HEX #6E6E6D

RGB 110 110 109

HSL 60, 0%, 0.43%

LAB 46.41, -0.2, 0.55

 

CMYK 0 / 35 / 79 / 29

HEX #B57526

RGB 181 117 38

HSL 33.15, 0.65%, 0.43%

LAB 54.75, 18.66, 51.06

 

CMYK 0 / 14 / 79 / 29

HEX #B59B26

RGB 181 155 38

HSL 49.09, 0.65%, 0.43%

LAB 64.49, -2.29, 60.05

 

CMYK 7 / 0 / 79 / 29

HEX #A9B526

RGB 169 181 38

HSL 65.03, 0.65%, 0.43%

LAB 70.61, -21.06, 65.16

 

CMYK 28 / 0 / 79 / 29

HEX #83B526

RGB 131 181 38

HSL 80.98, 0.65%, 0.43%

LAB 68.03, -36.65, 61.86

 

CMYK 49 / 0 / 79 / 29

HEX #5DB526

RGB 93 181 38

HSL 96.92, 0.65%, 0.43%

LAB 66.15, -49.96, 59.43

 

CMYK 8 / 0 / 79 / 56

HEX #687118

RGB 104 113 24

HSL 66.07, 0.65%, 0.27%

LAB 45.39, -15.31, 44.74

 

CMYK 7 / 0 / 79 / 42

HEX #88931F

RGB 136 147 31

HSL 65.69, 0.65%, 0.35%

LAB 58.23, -18.47, 55.16

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 8 / 0 / 77 / 17

HEX #C3D331

RGB 195 211 49

HSL 65.93, 0.65%, 0.51%

LAB 80.97, -24.39, 72

 

CMYK 6 / 0 / 62 / 14

HEX #CDDB53

RGB 205 219 83

HSL 66.18, 0.65%, 0.59%

LAB 84.1, -22.36, 63.15

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 79 / 0 / 56 / 29

HEX #26B54F

RGB 38 181 79

HSL 137.2, 0.65%, 0.43%

LAB 64.98, -58.07, 41.2

 

CMYK 25 / 79 / 0 / 29

HEX #8826B5

RGB 136 38 181

HSL 281.12, 0.65%, 0.43%

LAB 37.76, 61.57, -55.86

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 79 / 7 / 0 / 29

HEX #26A9B5

RGB 38 169 181

HSL 185.03, 0.65%, 0.43%

LAB 63.45, -29.39, -15.96

 

CMYK 0 / 79 / 7 / 29

HEX #B526A9

RGB 181 38 169

HSL 305.03, 0.65%, 0.43%

LAB 44.34, 68.24, -37.8

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 79 / 0 / 56 / 29

HEX #26B54F

RGB 38 181 79

HSL 137.2, 0.65%, 0.43%

LAB 64.98, -58.07, 41.2

 

CMYK 72 / 79 / 0 / 29

HEX #3226B5

RGB 50 38 181

HSL 245.03, 0.65%, 0.43%

LAB 27.85, 49.76, -72.5

 

CMYK 0 / 79 / 22 / 29

HEX #B5268D

RGB 181 38 141

HSL 316.78, 0.65%, 0.43%

LAB 42.96, 64.3, -23.12

 

CMYK 8 / 0 / 79 / 29

HEX #A7B526

RGB 167 181 38

HSL 65.87, 0.65%, 0.43%

LAB 70.46, -21.92, 64.96

 

CMYK 79 / 0 / 33 / 29

HEX #26B57A

RGB 38 181 122

HSL 155.24, 0.65%, 0.43%

LAB 65.64, -50.43, 19.88

 

CMYK 72 / 79 / 0 / 29

HEX #3226B5

RGB 50 38 181

HSL 245.03, 0.65%, 0.43%

LAB 27.85, 49.76, -72.5

 

CMYK 0 / 79 / 46 / 29

HEX #B52662

RGB 181 38 98

HSL 334.83, 0.65%, 0.43%

LAB 41.36, 59.53, 1.1

 

Description

Color code: HEX #A7B526 | qconv.com Color code: HEX #A7B526 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 181 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 181 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 79 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 79% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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