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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AAFD it is the complementary color #585502. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AAFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AAFD shade: #ACAAF8, #BDBCFF, #CECEFF, #DFE0FF and #F0F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AAFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AAFD shade: #A7AAFD, #9698EA, #8586D7, #7474C4 and #6362B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AAFD shade: #A5A8FD, #BAA5FD, #D1A5FD, #E9A5FD and #FDA5F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AAFD shade: #A5A8FD and #A5A5FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AAFD shade matches the following richer shades: #A5A8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AAFD shade: #A5A8FD, #ACAFF6, #B4B6EE, #BBBDE7 and #C3C4DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AAFD shade: #A5D8FD, #A5C1FD, #A5A9FD, #B8A5FD and #D0A5FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AAFD shade: #545AFC, #7D81FC, #A5A8FD, #CDCFFE and #F6F6FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AAFD shade: #A7AAFD, #FDA5F0 and #CDFDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AAFD shade: #A7AAFD, #FDA5A9 and #A9FDA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AAFD shade: #A7AAFD, #FDA5F0, #FDF9A5 and #A5FDB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AAFD shade: #A7AAFD, #FDA5D6, #FDF9A5 and #A5FDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

Complementary color

CMYK 0 / 3 / 98 / 65

HEX #585502

RGB 88 85 2

HSL 57.91, 0.96%, 0.18%

LAB 35.15, -8.12, 42.15

 

CMYK 31 / 31 / 0 / 3

HEX #ACAAF8

RGB 172 170 248

HSL 241.54, 0.85%, 0.82%

LAB 72.43, 17.94, -38.52

 

CMYK 26 / 26 / 0 / 0

HEX #BDBCFF

RGB 189 188 255

HSL 240.9, 1%, 0.87%

LAB 78.46, 14.52, -32.84

 

CMYK 19 / 19 / 0 / 0

HEX #CECEFF

RGB 206 206 255

HSL 240, 1%, 0.9%

LAB 84.22, 9.84, -23.92

 

CMYK 13 / 12 / 0 / 0

HEX #DFE0FF

RGB 223 224 255

HSL 238.13, 1%, 0.94%

LAB 89.96, 5.59, -15.13

 

CMYK 6 / 5 / 0 / 0

HEX #F0F2FF

RGB 240 242 255

HSL 232, 1%, 0.97%

LAB 95.68, 1.71, -6.48

 

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

CMYK 36 / 35 / 0 / 8

HEX #9698EA

RGB 150 152 234

HSL 238.57, 0.67%, 0.75%

LAB 65.66, 18.49, -41.57

 

CMYK 38 / 38 / 0 / 16

HEX #8586D7

RGB 133 134 215

HSL 239.27, 0.51%, 0.68%

LAB 58.92, 19.24, -41.68

 

CMYK 41 / 41 / 0 / 23

HEX #7474C4

RGB 116 116 196

HSL 240, 0.4%, 0.61%

LAB 52.05, 20.1, -41.84

 

CMYK 44 / 45 / 0 / 31

HEX #6362B1

RGB 99 98 177

HSL 240.76, 0.34%, 0.54%

LAB 45.03, 21.12, -42.06

 

CMYK 35 / 34 / 0 / 1

HEX #A5A8FD

RGB 165 168 253

HSL 237.95, 0.96%, 0.82%

LAB 71.62, 18.41, -42.53

 

CMYK 26 / 35 / 0 / 1

HEX #BAA5FD

RGB 186 165 253

HSL 254.32, 0.96%, 0.82%

LAB 72.52, 25.89, -41

 

CMYK 17 / 35 / 0 / 1

HEX #D1A5FD

RGB 209 165 253

HSL 270, 0.96%, 0.82%

LAB 74.54, 32.55, -37.7

 

CMYK 8 / 35 / 0 / 1

HEX #E9A5FD

RGB 233 165 253

HSL 286.36, 0.96%, 0.82%

LAB 76.88, 39.71, -33.9

 

CMYK 0 / 35 / 2 / 1

HEX #FDA5F9

RGB 253 165 249

HSL 302.73, 0.96%, 0.82%

LAB 78.83, 45.06, -28.56

 

CMYK 35 / 34 / 0 / 1

HEX #A5A8FD

RGB 165 168 253

HSL 237.95, 0.96%, 0.82%

LAB 71.62, 18.41, -42.53

 

CMYK 35 / 35 / 0 / 1

HEX #A5A5FD

RGB 165 165 253

HSL 240, 0.96%, 0.82%

LAB 70.87, 20.1, -43.7

 

CMYK 35 / 34 / 0 / 1

HEX #A5A8FD

RGB 165 168 253

HSL 237.95, 0.96%, 0.82%

LAB 71.62, 18.41, -42.53

 

CMYK 35 / 34 / 0 / 1

HEX #A5A8FD

RGB 165 168 253

HSL 237.95, 0.96%, 0.82%

LAB 71.62, 18.41, -42.53

 

CMYK 30 / 29 / 0 / 4

HEX #ACAFF6

RGB 172 175 246

HSL 237.57, 0.8%, 0.82%

LAB 73.6, 14.65, -35.62

 

CMYK 24 / 24 / 0 / 7

HEX #B4B6EE

RGB 180 182 238

HSL 237.93, 0.63%, 0.82%

LAB 75.66, 11.18, -28.07

 

CMYK 19 / 18 / 0 / 9

HEX #BBBDE7

RGB 187 189 231

HSL 237.27, 0.48%, 0.82%

LAB 77.72, 7.9, -21.11

 

CMYK 13 / 12 / 0 / 13

HEX #C3C4DF

RGB 195 196 223

HSL 237.86, 0.3%, 0.82%

LAB 79.85, 4.95, -13.53

 

CMYK 35 / 15 / 0 / 1

HEX #A5D8FD

RGB 165 216 253

HSL 205.23, 0.96%, 0.82%

LAB 84.07, -7.73, -23.33

 

CMYK 35 / 24 / 0 / 1

HEX #A5C1FD

RGB 165 193 253

HSL 220.91, 0.96%, 0.82%

LAB 78.01, 4.55, -32.61

 

CMYK 35 / 33 / 0 / 1

HEX #A5A9FD

RGB 165 169 253

HSL 237.27, 0.96%, 0.82%

LAB 71.87, 17.85, -42.14

 

CMYK 27 / 35 / 0 / 1

HEX #B8A5FD

RGB 184 165 253

HSL 252.95, 0.96%, 0.82%

LAB 72.36, 25.32, -41.27

 

CMYK 18 / 35 / 0 / 1

HEX #D0A5FD

RGB 208 165 253

HSL 269.32, 0.96%, 0.82%

LAB 74.45, 32.25, -37.85

 

CMYK 67 / 64 / 0 / 1

HEX #545AFC

RGB 84 90 252

HSL 237.86, 0.97%, 0.66%

LAB 47.27, 47.15, -81.3

 

CMYK 50 / 49 / 0 / 1

HEX #7D81FC

RGB 125 129 252

HSL 238.11, 0.95%, 0.74%

LAB 59.06, 30.99, -62.06

 

CMYK 35 / 34 / 0 / 1

HEX #A5A8FD

RGB 165 168 253

HSL 237.95, 0.96%, 0.82%

LAB 71.62, 18.41, -42.53

 

CMYK 19 / 19 / 0 / 0

HEX #CDCFFE

RGB 205 207 254

HSL 237.55, 0.96%, 0.9%

LAB 84.36, 8.78, -23.18

 

CMYK 4 / 4 / 0 / 0

HEX #F6F6FF

RGB 246 246 255

HSL 240, 1%, 0.98%

LAB 97.12, 1.62, -4.32

 

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

CMYK 0 / 35 / 5 / 1

HEX #FDA5F0

RGB 253 165 240

HSL 308.86, 0.96%, 0.82%

LAB 78.51, 43.49, -24.19

 

CMYK 19 / 0 / 35 / 1

HEX #CDFDA5

RGB 205 253 165

HSL 92.73, 0.96%, 0.82%

LAB 94.29, -30.19, 37.25

 

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

CMYK 0 / 35 / 33 / 1

HEX #FDA5A9

RGB 253 165 169

HSL 357.27, 0.96%, 0.82%

LAB 76.47, 33, 11.47

 

CMYK 33 / 0 / 35 / 1

HEX #A9FDA5

RGB 169 253 165

HSL 117.27, 0.96%, 0.82%

LAB 92.31, -42.08, 34.28

 

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

CMYK 0 / 35 / 5 / 1

HEX #FDA5F0

RGB 253 165 240

HSL 308.86, 0.96%, 0.82%

LAB 78.51, 43.49, -24.19

 

CMYK 0 / 2 / 35 / 1

HEX #FDF9A5

RGB 253 249 165

HSL 57.27, 0.96%, 0.82%

LAB 96.55, -10.76, 40.85

 

CMYK 35 / 0 / 30 / 1

HEX #A5FDB2

RGB 165 253 178

HSL 128.86, 0.96%, 0.82%

LAB 92.34, -41.23, 27.75

 

CMYK 34 / 33 / 0 / 1

HEX #A7AAFD

RGB 167 170 253

HSL 237.91, 0.96%, 0.82%

LAB 72.27, 17.83, -41.51

 

CMYK 0 / 35 / 15 / 1

HEX #FDA5D6

RGB 253 165 214

HSL 326.59, 0.96%, 0.82%

LAB 77.67, 39.25, -11.36

 

CMYK 0 / 2 / 35 / 1

HEX #FDF9A5

RGB 253 249 165

HSL 57.27, 0.96%, 0.82%

LAB 96.55, -10.76, 40.85

 

CMYK 35 / 0 / 19 / 1

HEX #A5FDCD

RGB 165 253 205

HSL 147.27, 0.96%, 0.82%

LAB 92.86, -36.4, 14.7

 

Description

Color code: HEX #A7AAFD | qconv.com Color code: HEX #A7AAFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 170 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 170 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 33 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 33% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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