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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AABA it is the complementary color #585545. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AABA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AABA shade: #ACAAB5, #BDBCC8, #CECEDB, #DFE0EE and #F0F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AABA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AABA shade: #A7AABA, #9698A7, #858694, #747481 and #63626E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AABA shade: #A6A9B9, #A9A6B9, #AEA6B9, #B3A6B9 and #B8A6B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AABA shade: #A6A9B9 and #A6A6B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AABA shade matches the following richer shades: #A6A9B9, #9AA1C6, #8D98D3, #808FE0 and #7386ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AABA shade: #A6A9B9, #B3B2AD, #C0BBA0, #CDC493 and #DACC86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AABA shade: #A6B4B9, #A6AFB9, #A6AAB9, #A8A6B9 and #ADA6B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AABA shade: #787D95, #8F93A7, #A6A9B9, #BEC0CC and #D5D6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AABA shade: #A7AABA, #B9A6B9 and #B1B9A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AABA shade: #A7AABA, #B9A6AA and #AAB9A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AABA shade: #A7AABA, #B9A6B9, #B9B6A6 and #A6B9A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AABA shade: #A7AABA, #B9A6B3, #B9B6A6 and #A6B9AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

Complementary color

CMYK 0 / 3 / 22 / 65

HEX #585545

RGB 88 85 69

HSL 50.53, 0.12%, 0.31%

LAB 35.99, -1.83, 9.79

 

CMYK 5 / 6 / 0 / 29

HEX #ACAAB5

RGB 172 170 181

HSL 250.91, 0.07%, 0.69%

LAB 70.08, 2.83, -5.39

 

CMYK 5 / 6 / 0 / 22

HEX #BDBCC8

RGB 189 188 200

HSL 245, 0.1%, 0.76%

LAB 76.65, 2.63, -5.91

 

CMYK 6 / 6 / 0 / 14

HEX #CECEDB

RGB 206 206 219

HSL 240, 0.15%, 0.83%

LAB 83.11, 2.44, -6.43

 

CMYK 6 / 6 / 0 / 7

HEX #DFE0EE

RGB 223 224 238

HSL 236, 0.31%, 0.9%

LAB 89.47, 2.26, -6.94

 

CMYK 6 / 5 / 0 / 0

HEX #F0F2FF

RGB 240 242 255

HSL 232, 1%, 0.97%

LAB 95.68, 1.71, -6.48

 

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

CMYK 10 / 9 / 0 / 35

HEX #9698A7

RGB 150 152 167

HSL 232.94, 0.09%, 0.62%

LAB 63.12, 2.33, -8.08

 

CMYK 10 / 9 / 0 / 42

HEX #858694

RGB 133 134 148

HSL 236, 0.07%, 0.55%

LAB 56.26, 2.54, -7.6

 

CMYK 10 / 10 / 0 / 49

HEX #747481

RGB 116 116 129

HSL 240, 0.05%, 0.48%

LAB 49.24, 2.76, -7.12

 

CMYK 10 / 11 / 0 / 57

HEX #63626E

RGB 99 98 110

HSL 245, 0.06%, 0.41%

LAB 42.02, 3, -6.63

 

CMYK 10 / 9 / 0 / 27

HEX #A6A9B9

RGB 166 169 185

HSL 230.53, 0.12%, 0.69%

LAB 69.46, 2.14, -8.56

 

CMYK 9 / 10 / 0 / 27

HEX #A9A6B9

RGB 169 166 185

HSL 249.47, 0.12%, 0.69%

LAB 68.9, 4.8, -9.37

 

CMYK 6 / 10 / 0 / 27

HEX #AEA6B9

RGB 174 166 185

HSL 265.26, 0.12%, 0.69%

LAB 69.31, 6.51, -8.72

 

CMYK 3 / 10 / 0 / 27

HEX #B3A6B9

RGB 179 166 185

HSL 281.05, 0.12%, 0.69%

LAB 69.72, 8.24, -8.06

 

CMYK 1 / 10 / 0 / 27

HEX #B8A6B9

RGB 184 166 185

HSL 296.84, 0.12%, 0.69%

LAB 70.15, 9.98, -7.38

 

CMYK 10 / 9 / 0 / 27

HEX #A6A9B9

RGB 166 169 185

HSL 230.53, 0.12%, 0.69%

LAB 69.46, 2.14, -8.56

 

CMYK 10 / 10 / 0 / 27

HEX #A6A6B9

RGB 166 166 185

HSL 240, 0.12%, 0.69%

LAB 68.67, 3.79, -9.75

 

CMYK 10 / 9 / 0 / 27

HEX #A6A9B9

RGB 166 169 185

HSL 230.53, 0.12%, 0.69%

LAB 69.46, 2.14, -8.56

 

CMYK 22 / 19 / 0 / 22

HEX #9AA1C6

RGB 154 161 198

HSL 230.45, 0.28%, 0.69%

LAB 66.85, 5.52, -19.79

 

CMYK 33 / 28 / 0 / 17

HEX #8D98D3

RGB 141 152 211

HSL 230.57, 0.44%, 0.69%

LAB 64.02, 9.93, -31.45

 

CMYK 43 / 36 / 0 / 12

HEX #808FE0

RGB 128 143 224

HSL 230.63, 0.61%, 0.69%

LAB 61.32, 15.2, -42.96

 

CMYK 51 / 43 / 0 / 7

HEX #7386ED

RGB 115 134 237

HSL 230.66, 0.77%, 0.69%

LAB 58.8, 21.33, -54.23

 

CMYK 10 / 9 / 0 / 27

HEX #A6A9B9

RGB 166 169 185

HSL 230.53, 0.12%, 0.69%

LAB 69.46, 2.14, -8.56

 

CMYK 0 / 1 / 3 / 30

HEX #B3B2AD

RGB 179 178 173

HSL 50, 0.04%, 0.69%

LAB 72.52, -0.56, 2.67

 

CMYK 0 / 3 / 17 / 25

HEX #C0BBA0

RGB 192 187 160

HSL 50.63, 0.2%, 0.69%

LAB 75.63, -2.8, 14.32

 

CMYK 0 / 4 / 28 / 20

HEX #CDC493

RGB 205 196 147

HSL 50.69, 0.37%, 0.69%

LAB 78.79, -4.46, 25.79

 

CMYK 0 / 6 / 39 / 15

HEX #DACC86

RGB 218 204 134

HSL 50, 0.53%, 0.69%

LAB 81.74, -5.1, 36.64

 

CMYK 10 / 3 / 0 / 27

HEX #A6B4B9

RGB 166 180 185

HSL 195.79, 0.12%, 0.69%

LAB 72.4, -3.83, -4.21

 

CMYK 10 / 5 / 0 / 27

HEX #A6AFB9

RGB 166 175 185

HSL 211.58, 0.12%, 0.69%

LAB 71.06, -1.13, -6.19

 

CMYK 10 / 8 / 0 / 27

HEX #A6AAB9

RGB 166 170 185

HSL 227.37, 0.12%, 0.69%

LAB 69.72, 1.59, -8.17

 

CMYK 9 / 10 / 0 / 27

HEX #A8A6B9

RGB 168 166 185

HSL 246.32, 0.12%, 0.69%

LAB 68.82, 4.46, -9.49

 

CMYK 6 / 10 / 0 / 27

HEX #ADA6B9

RGB 173 166 185

HSL 262.11, 0.12%, 0.69%

LAB 69.23, 6.17, -8.85

 

CMYK 19 / 16 / 0 / 42

HEX #787D95

RGB 120 125 149

HSL 229.66, 0.12%, 0.53%

LAB 52.76, 3.48, -13.54

 

CMYK 14 / 12 / 0 / 35

HEX #8F93A7

RGB 143 147 167

HSL 230, 0.12%, 0.61%

LAB 61.22, 2.75, -10.98

 

CMYK 10 / 9 / 0 / 27

HEX #A6A9B9

RGB 166 169 185

HSL 230.53, 0.12%, 0.69%

LAB 69.46, 2.14, -8.56

 

CMYK 7 / 6 / 0 / 20

HEX #BEC0CC

RGB 190 192 204

HSL 231.43, 0.12%, 0.77%

LAB 77.88, 1.61, -6.26

 

CMYK 4 / 4 / 0 / 13

HEX #D5D6DE

RGB 213 214 222

HSL 233.33, 0.12%, 0.85%

LAB 85.76, 1.14, -4.06

 

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

CMYK 0 / 10 / 0 / 27

HEX #B9A6B9

RGB 185 166 185

HSL 300, 0.12%, 0.69%

LAB 70.24, 10.33, -7.24

 

CMYK 4 / 0 / 10 / 27

HEX #B1B9A6

RGB 177 185 166

HSL 85.26, 0.12%, 0.69%

LAB 74.06, -6.26, 8.68

 

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

CMYK 0 / 10 / 8 / 27

HEX #B9A6AA

RGB 185 166 170

HSL 347.37, 0.12%, 0.69%

LAB 69.82, 7.58, 0.44

 

CMYK 8 / 0 / 10 / 27

HEX #AAB9A6

RGB 170 185 166

HSL 107.37, 0.12%, 0.69%

LAB 73.54, -8.76, 7.87

 

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

CMYK 0 / 10 / 0 / 27

HEX #B9A6B9

RGB 185 166 185

HSL 300, 0.12%, 0.69%

LAB 70.24, 10.33, -7.24

 

CMYK 0 / 2 / 10 / 27

HEX #B9B6A6

RGB 185 182 166

HSL 50.53, 0.12%, 0.69%

LAB 73.88, -1.76, 8.51

 

CMYK 10 / 0 / 10 / 27

HEX #A6B9A7

RGB 166 185 167

HSL 123.16, 0.12%, 0.69%

LAB 73.28, -9.99, 6.92

 

CMYK 10 / 9 / 0 / 27

HEX #A7AABA

RGB 167 170 186

HSL 230.53, 0.12%, 0.69%

LAB 69.83, 2.13, -8.55

 

CMYK 0 / 10 / 3 / 27

HEX #B9A6B3

RGB 185 166 179

HSL 318.95, 0.12%, 0.69%

LAB 70.06, 9.21, -4.17

 

CMYK 0 / 2 / 10 / 27

HEX #B9B6A6

RGB 185 182 166

HSL 50.53, 0.12%, 0.69%

LAB 73.88, -1.76, 8.51

 

CMYK 10 / 0 / 6 / 27

HEX #A6B9AD

RGB 166 185 173

HSL 142.11, 0.12%, 0.69%

LAB 73.43, -8.86, 3.86

 

Description

Color code: HEX #A7AABA | qconv.com Color code: HEX #A7AABA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 170 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 170 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 9 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 9% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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