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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A79A8C it is the complementary color #586573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A79A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A79A8C shade: #AC9A87, #BDAC9A, #CEBEAD, #DFD0C0 and #F0E2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A79A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A79A8C shade: #A79A8C, #968879, #857666, #746453 and #635240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A79A8C shade: #A6998B, #A6928B and #A68B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A79A8C shade: #A6998B, #A6A08B, #A4A68B, #9DA68B and #96A68B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A79A8C shade matches the following richer shades: #A6998B, #B69A7B, #C79A6A, #D79B5A and #E89B49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A79A8C shade: #A6998B, #95989C, #8598AC, #7497BD and #6497CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A79A8C shade: #A68B8C, #A6928B, #A6998B, #A6A08B and #A4A68B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A79A8C shade: #7E7061, #948474, #A6998B, #B8AEA3 and #CAC2BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A79A8C shade: #A79A8C, #93A68B and #8E8BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A79A8C shade: #A79A8C, #8BA699 and #998BA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A79A8C shade: #A79A8C, #93A68B, #8B98A6 and #9E8BA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A79A8C shade: #A79A8C, #8BA68C, #8B98A6 and #A68BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

Complementary color

CMYK 23 / 12 / 0 / 55

HEX #586573

RGB 88 101 115

HSL 211.11, 0.13%, 0.4%

LAB 42.18, -1.56, -9.52

 

CMYK 0 / 10 / 22 / 33

HEX #AC9A87

RGB 172 154 135

HSL 30.81, 0.18%, 0.6%

LAB 64.67, 3.51, 12.39

 

CMYK 0 / 9 / 19 / 26

HEX #BDAC9A

RGB 189 172 154

HSL 30.86, 0.21%, 0.67%

LAB 71.32, 3.15, 11.48

 

CMYK 0 / 8 / 16 / 19

HEX #CEBEAD

RGB 206 190 173

HSL 30.91, 0.25%, 0.74%

LAB 77.85, 2.84, 10.62

 

CMYK 0 / 7 / 14 / 13

HEX #DFD0C0

RGB 223 208 192

HSL 30.97, 0.33%, 0.81%

LAB 84.28, 2.56, 9.8

 

CMYK 0 / 6 / 12 / 6

HEX #F0E2D3

RGB 240 226 211

HSL 31.03, 0.49%, 0.88%

LAB 90.61, 2.3, 9.03

 

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

CMYK 0 / 9 / 19 / 41

HEX #968879

RGB 150 136 121

HSL 31.03, 0.12%, 0.53%

LAB 57.53, 2.69, 9.96

 

CMYK 0 / 11 / 23 / 48

HEX #857666

RGB 133 118 102

HSL 30.97, 0.13%, 0.46%

LAB 50.57, 3.07, 10.94

 

CMYK 0 / 14 / 28 / 55

HEX #746453

RGB 116 100 83

HSL 30.91, 0.17%, 0.39%

LAB 43.44, 3.53, 12.01

 

CMYK 0 / 17 / 35 / 61

HEX #635240

RGB 99 82 64

HSL 30.86, 0.21%, 0.32%

LAB 36.09, 4.09, 13.21

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 0 / 12 / 16 / 35

HEX #A6928B

RGB 166 146 139

HSL 15.56, 0.13%, 0.6%

LAB 62.11, 6.26, 6.43

 

CMYK 0 / 16 / 16 / 35

HEX #A68B8B

RGB 166 139 139

HSL 0, 0.13%, 0.6%

LAB 60.28, 10.19, 3.8

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 0 / 4 / 16 / 35

HEX #A6A08B

RGB 166 160 139

HSL 46.67, 0.13%, 0.6%

LAB 65.84, -1.47, 11.73

 

CMYK 1 / 0 / 16 / 35

HEX #A4A68B

RGB 164 166 139

HSL 64.44, 0.13%, 0.6%

LAB 67.3, -5.49, 13.76

 

CMYK 5 / 0 / 16 / 35

HEX #9DA68B

RGB 157 166 139

HSL 80, 0.13%, 0.6%

LAB 66.75, -8.13, 12.92

 

CMYK 10 / 0 / 16 / 35

HEX #96A68B

RGB 150 166 139

HSL 95.56, 0.13%, 0.6%

LAB 66.23, -10.73, 12.1

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 0 / 15 / 32 / 29

HEX #B69A7B

RGB 182 154 123

HSL 31.53, 0.29%, 0.6%

LAB 65.35, 5.77, 20.15

 

CMYK 0 / 23 / 47 / 22

HEX #C79A6A

RGB 199 154 106

HSL 30.97, 0.45%, 0.6%

LAB 66.74, 10.75, 31.58

 

CMYK 0 / 28 / 58 / 16

HEX #D79B5A

RGB 215 155 90

HSL 31.2, 0.61%, 0.6%

LAB 68.48, 15.46, 42.51

 

CMYK 0 / 33 / 69 / 9

HEX #E89B49

RGB 232 155 73

HSL 30.94, 0.78%, 0.6%

LAB 70.23, 21.45, 53.33

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 4 / 3 / 0 / 39

HEX #95989C

RGB 149 152 156

HSL 214.29, 0.03%, 0.6%

LAB 62.72, -0.29, -2.48

 

CMYK 23 / 12 / 0 / 33

HEX #8598AC

RGB 133 152 172

HSL 210.77, 0.19%, 0.6%

LAB 62.02, -2.21, -12.69

 

CMYK 39 / 20 / 0 / 26

HEX #7497BD

RGB 116 151 189

HSL 211.23, 0.36%, 0.6%

LAB 61.24, -2.41, -23.56

 

CMYK 51 / 26 / 0 / 20

HEX #6497CD

RGB 100 151 205

HSL 210.86, 0.51%, 0.6%

LAB 61, -1.84, -32.98

 

CMYK 0 / 16 / 16 / 35

HEX #A68B8C

RGB 166 139 140

HSL 357.78, 0.13%, 0.6%

LAB 60.31, 10.35, 3.27

 

CMYK 0 / 12 / 16 / 35

HEX #A6928B

RGB 166 146 139

HSL 15.56, 0.13%, 0.6%

LAB 62.11, 6.26, 6.43

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 0 / 4 / 16 / 35

HEX #A6A08B

RGB 166 160 139

HSL 46.67, 0.13%, 0.6%

LAB 65.84, -1.47, 11.73

 

CMYK 1 / 0 / 16 / 35

HEX #A4A68B

RGB 164 166 139

HSL 64.44, 0.13%, 0.6%

LAB 67.3, -5.49, 13.76

 

CMYK 0 / 11 / 23 / 51

HEX #7E7061

RGB 126 112 97

HSL 31.03, 0.13%, 0.44%

LAB 48.12, 2.87, 10.34

 

CMYK 0 / 11 / 22 / 42

HEX #948474

RGB 148 132 116

HSL 30, 0.13%, 0.52%

LAB 56.15, 3.36, 10.85

 

CMYK 0 / 8 / 16 / 35

HEX #A6998B

RGB 166 153 139

HSL 31.11, 0.13%, 0.6%

LAB 63.96, 2.37, 9.08

 

CMYK 0 / 5 / 11 / 28

HEX #B8AEA3

RGB 184 174 163

HSL 31.43, 0.13%, 0.68%

LAB 71.63, 1.66, 6.91

 

CMYK 0 / 4 / 8 / 21

HEX #CAC2BA

RGB 202 194 186

HSL 30, 0.13%, 0.76%

LAB 78.86, 1.4, 5.01

 

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

CMYK 11 / 0 / 16 / 35

HEX #93A68B

RGB 147 166 139

HSL 102.22, 0.13%, 0.6%

LAB 66.01, -11.83, 11.77

 

CMYK 14 / 16 / 0 / 35

HEX #8E8BA6

RGB 142 139 166

HSL 246.67, 0.13%, 0.6%

LAB 58.95, 6.74, -13.84

 

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

CMYK 16 / 0 / 8 / 35

HEX #8BA699

RGB 139 166 153

HSL 151.11, 0.13%, 0.6%

LAB 65.8, -12.01, 3.61

 

CMYK 8 / 16 / 0 / 35

HEX #998BA6

RGB 153 139 166

HSL 271.11, 0.13%, 0.6%

LAB 59.88, 10.51, -12.34

 

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

CMYK 11 / 0 / 16 / 35

HEX #93A68B

RGB 147 166 139

HSL 102.22, 0.13%, 0.6%

LAB 66.01, -11.83, 11.77

 

CMYK 16 / 8 / 0 / 35

HEX #8B98A6

RGB 139 152 166

HSL 211.11, 0.13%, 0.6%

LAB 62.25, -1.62, -8.9

 

CMYK 5 / 16 / 0 / 35

HEX #9E8BA6

RGB 158 139 166

HSL 282.22, 0.13%, 0.6%

LAB 60.33, 12.25, -11.62

 

CMYK 0 / 8 / 16 / 35

HEX #A79A8C

RGB 167 154 140

HSL 31.11, 0.13%, 0.6%

LAB 64.34, 2.36, 9.06

 

CMYK 16 / 0 / 16 / 35

HEX #8BA68C

RGB 139 166 140

HSL 122.22, 0.13%, 0.6%

LAB 65.48, -14.53, 10.38

 

CMYK 16 / 8 / 0 / 35

HEX #8B98A6

RGB 139 152 166

HSL 211.11, 0.13%, 0.6%

LAB 62.25, -1.62, -8.9

 

CMYK 0 / 16 / 1 / 35

HEX #A68BA5

RGB 166 139 165

HSL 302.22, 0.13%, 0.6%

LAB 61.04, 14.88, -9.91

 

Description

Color code: HEX #A79A8C | qconv.com Color code: HEX #A79A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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