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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77B3B it is the complementary color #5884C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77B3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A77B3B shade: #AC7B36, #BD8D49, #CE9F5C, #DFB16F and #F0C382

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77B3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A77B3B shade: #A77B3B, #966928, #855715, #744502 and #633300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A77B3B shade: #A67A3A, #A65D3A, #A6403A and #A63A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A77B3B shade: #A67A3A, #A6973A, #98A63A, #7BA63A and #5EA63A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A77B3B shade matches the following richer shades: #A67A3A, #B87E28, #CA8116 and #DD8404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A77B3B shade: #A67A3A, #94774C, #82735F, #707071 and #5D6D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A77B3B shade: #A6403A, #A65C3A, #A6793A, #A6963A and #99A63A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A77B3B shade: #694D25, #886430, #A67A3A, #BF904A and #CAA269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A77B3B shade: #A77B3B, #52A63A and #4E3AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A77B3B shade: #A77B3B, #3AA679 and #793AA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A77B3B shade: #A77B3B, #52A63A, #3A67A6 and #8F3AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A77B3B shade: #A77B3B, #3AA643, #3A67A6 and #A63A9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

Complementary color

CMYK 55 / 33 / 0 / 23

HEX #5884C4

RGB 88 132 196

HSL 215.56, 0.48%, 0.56%

LAB 54.62, 3.71, -37.92

 

CMYK 0 / 28 / 69 / 33

HEX #AC7B36

RGB 172 123 54

HSL 35.08, 0.52%, 0.44%

LAB 55.28, 12.1, 44.08

 

CMYK 0 / 25 / 61 / 26

HEX #BD8D49

RGB 189 141 73

HSL 35.17, 0.47%, 0.51%

LAB 61.95, 10.78, 42.72

 

CMYK 0 / 23 / 55 / 19

HEX #CE9F5C

RGB 206 159 92

HSL 35.26, 0.54%, 0.58%

LAB 68.53, 9.68, 41.31

 

CMYK 0 / 21 / 50 / 13

HEX #DFB16F

RGB 223 177 111

HSL 35.36, 0.64%, 0.65%

LAB 75, 8.73, 39.94

 

CMYK 0 / 19 / 46 / 6

HEX #F0C382

RGB 240 195 130

HSL 35.45, 0.79%, 0.73%

LAB 81.38, 7.92, 38.63

 

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

CMYK 0 / 30 / 73 / 41

HEX #966928

RGB 150 105 40

HSL 35.45, 0.58%, 0.37%

LAB 47.93, 11.63, 42.17

 

CMYK 0 / 35 / 84 / 48

HEX #855715

RGB 133 87 21

HSL 35.36, 0.73%, 0.3%

LAB 40.99, 13.4, 42.96

 

CMYK 0 / 41 / 98 / 55

HEX #744502

RGB 116 69 2

HSL 35.26, 0.97%, 0.23%

LAB 33.93, 15.54, 42.79

 

CMYK 0 / 48 / 100 / 61

HEX #633300

RGB 99 51 0

HSL 30.91, 1%, 0.19%

LAB 26.79, 18.21, 37.11

 

CMYK 0 / 27 / 65 / 35

HEX #A67A3A

RGB 166 122 58

HSL 35.56, 0.48%, 0.44%

LAB 54.38, 10.24, 40.92

 

CMYK 0 / 44 / 65 / 35

HEX #A65D3A

RGB 166 93 58

HSL 19.44, 0.48%, 0.44%

LAB 47.29, 26.59, 32.75

 

CMYK 0 / 61 / 65 / 35

HEX #A6403A

RGB 166 64 58

HSL 3.33, 0.48%, 0.44%

LAB 41.34, 41.68, 25.53

 

CMYK 0 / 65 / 65 / 35

HEX #A63A3A

RGB 166 58 58

HSL 0, 0.48%, 0.44%

LAB 40.31, 44.43, 24.24

 

CMYK 0 / 27 / 65 / 35

HEX #A67A3A

RGB 166 122 58

HSL 35.56, 0.48%, 0.44%

LAB 54.38, 10.24, 40.92

 

CMYK 0 / 9 / 65 / 35

HEX #A6973A

RGB 166 151 58

HSL 51.67, 0.48%, 0.44%

LAB 62.12, -5.81, 49.4

 

CMYK 8 / 0 / 65 / 35

HEX #98A63A

RGB 152 166 58

HSL 67.78, 0.48%, 0.44%

LAB 65.16, -19.75, 52.26

 

CMYK 26 / 0 / 65 / 35

HEX #7BA63A

RGB 123 166 58

HSL 83.89, 0.48%, 0.44%

LAB 63.17, -31.63, 49.54

 

CMYK 43 / 0 / 65 / 35

HEX #5EA63A

RGB 94 166 58

HSL 100, 0.48%, 0.44%

LAB 61.62, -42.12, 47.41

 

CMYK 0 / 27 / 65 / 35

HEX #A67A3A

RGB 166 122 58

HSL 35.56, 0.48%, 0.44%

LAB 54.38, 10.24, 40.92

 

CMYK 0 / 32 / 78 / 28

HEX #B87E28

RGB 184 126 40

HSL 35.83, 0.64%, 0.44%

LAB 57.33, 15.05, 52.82

 

CMYK 0 / 36 / 89 / 21

HEX #CA8116

RGB 202 129 22

HSL 35.67, 0.8%, 0.44%

LAB 60.17, 20.78, 62.08

 

CMYK 0 / 40 / 98 / 13

HEX #DD8404

RGB 221 132 4

HSL 35.39, 0.96%, 0.44%

LAB 63.25, 27.06, 68.73

 

CMYK 0 / 27 / 65 / 35

HEX #A67A3A

RGB 166 122 58

HSL 35.56, 0.48%, 0.44%

LAB 54.38, 10.24, 40.92

 

CMYK 0 / 20 / 49 / 42

HEX #94774C

RGB 148 119 76

HSL 35.83, 0.32%, 0.44%

LAB 51.85, 5.5, 27.84

 

CMYK 0 / 12 / 27 / 49

HEX #82735F

RGB 130 115 95

HSL 34.29, 0.16%, 0.44%

LAB 49.29, 2.48, 13.21

 

CMYK 1 / 1 / 0 / 56

HEX #707071

RGB 112 112 113

HSL 240, 0%, 0.44%

LAB 47.27, 0.21, -0.56

 

CMYK 29 / 17 / 0 / 49

HEX #5D6D83

RGB 93 109 131

HSL 214.74, 0.17%, 0.44%

LAB 45.5, -0.53, -14.11

 

CMYK 0 / 61 / 65 / 35

HEX #A6403A

RGB 166 64 58

HSL 3.33, 0.48%, 0.44%

LAB 41.34, 41.68, 25.53

 

CMYK 0 / 45 / 65 / 35

HEX #A65C3A

RGB 166 92 58

HSL 18.89, 0.48%, 0.44%

LAB 47.06, 27.14, 32.48

 

CMYK 0 / 27 / 65 / 35

HEX #A6793A

RGB 166 121 58

HSL 35, 0.48%, 0.44%

LAB 54.12, 10.81, 40.64

 

CMYK 0 / 10 / 65 / 35

HEX #A6963A

RGB 166 150 58

HSL 51.11, 0.48%, 0.44%

LAB 61.85, -5.27, 49.1

 

CMYK 8 / 0 / 65 / 35

HEX #99A63A

RGB 153 166 58

HSL 67.22, 0.48%, 0.44%

LAB 65.24, -19.32, 52.36

 

CMYK 0 / 27 / 65 / 59

HEX #694D25

RGB 105 77 37

HSL 35.29, 0.48%, 0.28%

LAB 34.89, 6.95, 27.91

 

CMYK 0 / 26 / 65 / 47

HEX #886430

RGB 136 100 48

HSL 35.45, 0.48%, 0.36%

LAB 45.03, 8.61, 34.55

 

CMYK 0 / 27 / 65 / 35

HEX #A67A3A

RGB 166 122 58

HSL 35.56, 0.48%, 0.44%

LAB 54.38, 10.24, 40.92

 

CMYK 0 / 25 / 61 / 25

HEX #BF904A

RGB 191 144 74

HSL 35.9, 0.48%, 0.52%

LAB 62.94, 10.07, 43.42

 

CMYK 0 / 20 / 48 / 21

HEX #CAA269

RGB 202 162 105

HSL 35.26, 0.48%, 0.6%

LAB 69.05, 7.55, 35.13

 

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

CMYK 51 / 0 / 65 / 35

HEX #52A63A

RGB 82 166 58

HSL 106.67, 0.48%, 0.44%

LAB 61.11, -45.87, 46.7

 

CMYK 53 / 65 / 0 / 35

HEX #4E3AA6

RGB 78 58 166

HSL 251.11, 0.48%, 0.44%

LAB 32.7, 37.66, -55.47

 

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

CMYK 65 / 0 / 27 / 35

HEX #3AA679

RGB 58 166 121

HSL 155, 0.48%, 0.44%

LAB 61.27, -41.55, 14.45

 

CMYK 27 / 65 / 0 / 35

HEX #793AA6

RGB 121 58 166

HSL 275, 0.48%, 0.44%

LAB 37.56, 46.82, -47.37

 

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

CMYK 51 / 0 / 65 / 35

HEX #52A63A

RGB 82 166 58

HSL 106.67, 0.48%, 0.44%

LAB 61.11, -45.87, 46.7

 

CMYK 65 / 38 / 0 / 35

HEX #3A67A6

RGB 58 103 166

HSL 215, 0.48%, 0.44%

LAB 43.29, 5.17, -38.52

 

CMYK 14 / 65 / 0 / 35

HEX #8F3AA6

RGB 143 58 166

HSL 287.22, 0.48%, 0.44%

LAB 40.6, 52.04, -42.32

 

CMYK 0 / 26 / 65 / 35

HEX #A77B3B

RGB 167 123 59

HSL 35.56, 0.48%, 0.44%

LAB 54.76, 10.19, 40.88

 

CMYK 65 / 0 / 60 / 35

HEX #3AA643

RGB 58 166 67

HSL 125, 0.48%, 0.44%

LAB 60.41, -51.01, 41.61

 

CMYK 65 / 38 / 0 / 35

HEX #3A67A6

RGB 58 103 166

HSL 215, 0.48%, 0.44%

LAB 43.29, 5.17, -38.52

 

CMYK 0 / 65 / 5 / 35

HEX #A63A9D

RGB 166 58 157

HSL 305, 0.48%, 0.44%

LAB 43.61, 56.11, -31.96

 

Description

Color code: HEX #A77B3B | qconv.com Color code: HEX #A77B3B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 123 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 123 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 65 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 65% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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