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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7796F it is the complementary color #588690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7796F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7796F shade: #AC796A, #BD8B7D, #CE9D90, #DFAFA3 and #F0C1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7796F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7796F shade: #A7796F, #96675C, #855549, #744336 and #633123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7796F shade: #A87B71 and #A87171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7796F shade: #A87B71, #A88971, #A89871, #A8A771 and #9AA871

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7796F shade matches the following richer shades: #A87B71, #BA6F5E, #CD634C, #DF5739 and #F24B26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7796F shade: #A87B71, #958683, #839296, #709EA8 and #5EAABB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7796F shade: #A87185, #A87176, #A87A71, #A88971 and #A89771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7796F shade: #7B544B, #94655B, #A87B71, #B7928A and #C7AAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7796F shade: #A7796F, #94A871 and #717EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7796F shade: #A7796F, #71A87A and #7A71A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7796F shade: #A7796F, #94A871, #719FA8 and #8571A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7796F shade: #A7796F, #83A871, #719FA8 and #9571A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

Complementary color

CMYK 39 / 7 / 0 / 44

HEX #588690

RGB 88 134 144

HSL 190.71, 0.24%, 0.45%

LAB 53.1, -12.95, -10.33

 

CMYK 0 / 30 / 38 / 33

HEX #AC796A

RGB 172 121 106

HSL 13.64, 0.28%, 0.55%

LAB 55.57, 17.96, 16.18

 

CMYK 0 / 26 / 34 / 26

HEX #BD8B7D

RGB 189 139 125

HSL 13.13, 0.33%, 0.62%

LAB 62.31, 17.12, 14.96

 

CMYK 0 / 24 / 30 / 19

HEX #CE9D90

RGB 206 157 144

HSL 12.58, 0.39%, 0.69%

LAB 68.93, 16.39, 13.85

 

CMYK 0 / 22 / 27 / 13

HEX #DFAFA3

RGB 223 175 163

HSL 12, 0.48%, 0.76%

LAB 75.45, 15.75, 12.84

 

CMYK 0 / 20 / 24 / 6

HEX #F0C1B6

RGB 240 193 182

HSL 11.38, 0.66%, 0.83%

LAB 81.86, 15.17, 11.89

 

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

CMYK 0 / 31 / 39 / 41

HEX #96675C

RGB 150 103 92

HSL 11.38, 0.24%, 0.47%

LAB 48.21, 17.44, 13.81

 

CMYK 0 / 36 / 45 / 48

HEX #855549

RGB 133 85 73

HSL 12, 0.29%, 0.4%

LAB 41.16, 18.46, 15.25

 

CMYK 0 / 42 / 53 / 55

HEX #744336

RGB 116 67 54

HSL 12.58, 0.36%, 0.33%

LAB 33.97, 19.67, 16.94

 

CMYK 0 / 51 / 65 / 61

HEX #633123

RGB 99 49 35

HSL 13.13, 0.48%, 0.26%

LAB 26.65, 21.12, 19.03

 

CMYK 0 / 27 / 33 / 34

HEX #A87B71

RGB 168 123 113

HSL 10.91, 0.24%, 0.55%

LAB 55.77, 16.11, 12.35

 

CMYK 0 / 33 / 33 / 34

HEX #A87171

RGB 168 113 113

HSL 0, 0.24%, 0.55%

LAB 53.31, 21.77, 8.88

 

CMYK 0 / 27 / 33 / 34

HEX #A87B71

RGB 168 123 113

HSL 10.91, 0.24%, 0.55%

LAB 55.77, 16.11, 12.35

 

CMYK 0 / 18 / 33 / 34

HEX #A88971

RGB 168 137 113

HSL 26.18, 0.24%, 0.55%

LAB 59.35, 8.2, 17.31

 

CMYK 0 / 10 / 33 / 34

HEX #A89871

RGB 168 152 113

HSL 42.55, 0.24%, 0.55%

LAB 63.32, -0.12, 22.7

 

CMYK 0 / 1 / 33 / 34

HEX #A8A771

RGB 168 167 113

HSL 58.91, 0.24%, 0.55%

LAB 67.39, -8.22, 28.12

 

CMYK 8 / 0 / 33 / 34

HEX #9AA871

RGB 154 168 113

HSL 75.27, 0.24%, 0.55%

LAB 66.57, -14.31, 26.83

 

CMYK 0 / 27 / 33 / 34

HEX #A87B71

RGB 168 123 113

HSL 10.91, 0.24%, 0.55%

LAB 55.77, 16.11, 12.35

 

CMYK 0 / 40 / 49 / 27

HEX #BA6F5E

RGB 186 111 94

HSL 11.09, 0.4%, 0.55%

LAB 54.67, 27.88, 22.17

 

CMYK 0 / 52 / 63 / 20

HEX #CD634C

RGB 205 99 76

HSL 10.7, 0.56%, 0.55%

LAB 54.47, 40.19, 32.69

 

CMYK 0 / 61 / 74 / 13

HEX #DF5739

RGB 223 87 57

HSL 10.84, 0.72%, 0.55%

LAB 54.87, 51.48, 44.22

 

CMYK 0 / 69 / 84 / 5

HEX #F24B26

RGB 242 75 38

HSL 10.88, 0.89%, 0.55%

LAB 56.14, 62.14, 55.77

 

CMYK 0 / 27 / 33 / 34

HEX #A87B71

RGB 168 123 113

HSL 10.91, 0.24%, 0.55%

LAB 55.77, 16.11, 12.35

 

CMYK 0 / 10 / 12 / 42

HEX #958683

RGB 149 134 131

HSL 10, 0.08%, 0.55%

LAB 57.15, 5.12, 3.66

 

CMYK 13 / 3 / 0 / 41

HEX #839296

RGB 131 146 150

HSL 192.63, 0.08%, 0.55%

LAB 59.51, -4.51, -3.95

 

CMYK 33 / 6 / 0 / 34

HEX #709EA8

RGB 112 158 168

HSL 190.71, 0.24%, 0.55%

LAB 62.28, -12.92, -10.18

 

CMYK 50 / 9 / 0 / 27

HEX #5EAABB

RGB 94 170 187

HSL 190.97, 0.41%, 0.55%

LAB 65.53, -18.88, -16.01

 

CMYK 0 / 33 / 21 / 34

HEX #A87185

RGB 168 113 133

HSL 338.18, 0.24%, 0.55%

LAB 53.84, 24.71, -2.08

 

CMYK 0 / 33 / 30 / 34

HEX #A87176

RGB 168 113 118

HSL 354.55, 0.24%, 0.55%

LAB 53.43, 22.46, 6.13

 

CMYK 0 / 27 / 33 / 34

HEX #A87A71

RGB 168 122 113

HSL 9.82, 0.24%, 0.55%

LAB 55.52, 16.67, 12

 

CMYK 0 / 18 / 33 / 34

HEX #A88971

RGB 168 137 113

HSL 26.18, 0.24%, 0.55%

LAB 59.35, 8.2, 17.31

 

CMYK 0 / 10 / 33 / 34

HEX #A89771

RGB 168 151 113

HSL 41.45, 0.24%, 0.55%

LAB 63.05, 0.43, 22.34

 

CMYK 0 / 32 / 39 / 52

HEX #7B544B

RGB 123 84 75

HSL 11.25, 0.24%, 0.39%

LAB 39.68, 15, 11.79

 

CMYK 0 / 32 / 39 / 42

HEX #94655B

RGB 148 101 91

HSL 10.53, 0.24%, 0.47%

LAB 47.44, 17.64, 13.32

 

CMYK 0 / 27 / 33 / 34

HEX #A87B71

RGB 168 123 113

HSL 10.91, 0.24%, 0.55%

LAB 55.77, 16.11, 12.35

 

CMYK 0 / 20 / 25 / 28

HEX #B7928A

RGB 183 146 138

HSL 10.67, 0.24%, 0.63%

LAB 63.72, 12.68, 9.52

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA4

RGB 199 170 164

HSL 10.29, 0.24%, 0.71%

LAB 71.94, 9.57, 6.99

 

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

CMYK 12 / 0 / 33 / 34

HEX #94A871

RGB 148 168 113

HSL 81.82, 0.24%, 0.55%

LAB 66.13, -16.65, 26.17

 

CMYK 33 / 25 / 0 / 34

HEX #717EA8

RGB 113 126 168

HSL 225.82, 0.24%, 0.55%

LAB 53.23, 5.47, -23.9

 

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

CMYK 33 / 0 / 27 / 34

HEX #71A87A

RGB 113 168 122

HSL 129.82, 0.24%, 0.55%

LAB 64.1, -27.79, 18.16

 

CMYK 27 / 33 / 0 / 34

HEX #7A71A8

RGB 122 113 168

HSL 249.82, 0.24%, 0.55%

LAB 50.42, 15.96, -28.19

 

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

CMYK 12 / 0 / 33 / 34

HEX #94A871

RGB 148 168 113

HSL 81.82, 0.24%, 0.55%

LAB 66.13, -16.65, 26.17

 

CMYK 33 / 5 / 0 / 34

HEX #719FA8

RGB 113 159 168

HSL 189.82, 0.24%, 0.55%

LAB 62.62, -13.16, -9.65

 

CMYK 21 / 33 / 0 / 34

HEX #8571A8

RGB 133 113 168

HSL 261.82, 0.24%, 0.55%

LAB 51.41, 19.41, -26.59

 

CMYK 0 / 28 / 34 / 35

HEX #A7796F

RGB 167 121 111

HSL 10.71, 0.24%, 0.55%

LAB 55.11, 16.57, 12.57

 

CMYK 22 / 0 / 33 / 34

HEX #83A871

RGB 131 168 113

HSL 100.36, 0.24%, 0.55%

LAB 64.98, -23.06, 24.43

 

CMYK 33 / 5 / 0 / 34

HEX #719FA8

RGB 113 159 168

HSL 189.82, 0.24%, 0.55%

LAB 62.62, -13.16, -9.65

 

CMYK 11 / 33 / 0 / 34

HEX #9571A8

RGB 149 113 168

HSL 279.27, 0.24%, 0.55%

LAB 52.98, 24.6, -24.03

 

Description

Color code: HEX #A7796F | qconv.com Color code: HEX #A7796F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 121 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 121 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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