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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A774EA it is the complementary color #588B15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A774EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A774EA shade: #AC74E5, #BD86F8, #CE98FF, #DFAAFF and #F0BCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A774EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A774EA shade: #A774EA, #9662D7, #8550C4, #743EB1 and #632C9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A774EA shade: #A875EA, #C875EA, #E775EA, #EA75CE and #EA75AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A774EA shade: #A875EA, #8875EA and #7575EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A774EA shade matches the following richer shades: #A875EA and #A669F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A774EA shade: #A875EA, #AA82DE, #AB8FD1, #AD9CC4 and #AFA9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A774EA shade: #7583EA, #8775EA, #A675EA, #C575EA and #E575EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A774EA shade: #7B2EE0, #9152E5, #A875EA, #BF99F0 and #D5BDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A774EA shade: #A774EA, #EA75A2 and #75EA77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A774EA shade: #A774EA, #EAA675 and #75EAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A774EA shade: #A774EA, #EA75A2, #BAEA75 and #75EABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A774EA shade: #A774EA, #EA757F, #BAEA75 and #75EAE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

Complementary color

CMYK 37 / 0 / 85 / 45

HEX #588B15

RGB 88 139 21

HSL 85.93, 0.74%, 0.31%

LAB 52.5, -35.09, 51.74

 

CMYK 25 / 49 / 0 / 10

HEX #AC74E5

RGB 172 116 229

HSL 269.73, 0.68%, 0.68%

LAB 58.9, 43.56, -49.32

 

CMYK 24 / 46 / 0 / 3

HEX #BD86F8

RGB 189 134 248

HSL 268.95, 0.89%, 0.75%

LAB 65.47, 42.68, -49.32

 

CMYK 19 / 40 / 0 / 0

HEX #CE98FF

RGB 206 152 255

HSL 271.46, 1%, 0.8%

LAB 71.42, 39.18, -43.68

 

CMYK 13 / 33 / 0 / 0

HEX #DFAAFF

RGB 223 170 255

HSL 277.41, 1%, 0.83%

LAB 77.08, 34.43, -34.75

 

CMYK 6 / 26 / 0 / 0

HEX #F0BCFF

RGB 240 188 255

HSL 286.57, 1%, 0.87%

LAB 82.76, 30.04, -25.88

 

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

CMYK 30 / 54 / 0 / 16

HEX #9662D7

RGB 150 98 215

HSL 266.67, 0.59%, 0.61%

LAB 51.98, 44.41, -52.6

 

CMYK 32 / 59 / 0 / 23

HEX #8550C4

RGB 133 80 196

HSL 267.41, 0.5%, 0.54%

LAB 45.23, 45.39, -52.62

 

CMYK 34 / 65 / 0 / 31

HEX #743EB1

RGB 116 62 177

HSL 268.17, 0.48%, 0.47%

LAB 38.43, 46.32, -52.54

 

CMYK 37 / 72 / 0 / 38

HEX #632C9E

RGB 99 44 158

HSL 268.95, 0.56%, 0.4%

LAB 31.63, 47.04, -52.28

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 15 / 50 / 0 / 8

HEX #C875EA

RGB 200 117 234

HSL 282.56, 0.74%, 0.69%

LAB 62.46, 51.6, -46.27

 

CMYK 1 / 50 / 0 / 8

HEX #E775EA

RGB 231 117 234

HSL 298.46, 0.74%, 0.69%

LAB 66.25, 60, -40.05

 

CMYK 0 / 50 / 12 / 8

HEX #EA75CE

RGB 234 117 206

HSL 314.36, 0.74%, 0.69%

LAB 65.49, 56.19, -25.6

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 42 / 50 / 0 / 8

HEX #8875EA

RGB 136 117 234

HSL 249.74, 0.74%, 0.69%

LAB 55.98, 35.24, -56.96

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 33 / 57 / 0 / 3

HEX #A669F7

RGB 166 105 247

HSL 265.77, 0.9%, 0.69%

LAB 57, 52.27, -62.4

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DE

RGB 170 130 222

HSL 266.09, 0.58%, 0.69%

LAB 61.47, 33.6, -41.37

 

CMYK 18 / 32 / 0 / 18

HEX #AB8FD1

RGB 171 143 209

HSL 265.45, 0.42%, 0.69%

LAB 64.08, 23.55, -30.03

 

CMYK 12 / 20 / 0 / 23

HEX #AD9CC4

RGB 173 156 196

HSL 265.5, 0.25%, 0.69%

LAB 67.01, 14.01, -18.29

 

CMYK 4 / 8 / 0 / 28

HEX #AFA9B7

RGB 175 169 183

HSL 265.71, 0.09%, 0.69%

LAB 70.11, 4.81, -6.41

 

CMYK 50 / 44 / 0 / 8

HEX #7583EA

RGB 117 131 234

HSL 232.82, 0.74%, 0.69%

LAB 57.99, 22.64, -53.83

 

CMYK 42 / 50 / 0 / 8

HEX #8775EA

RGB 135 117 234

HSL 249.23, 0.74%, 0.69%

LAB 55.9, 35.01, -57.1

 

CMYK 29 / 50 / 0 / 8

HEX #A675EA

RGB 166 117 234

HSL 265.13, 0.74%, 0.69%

LAB 58.76, 42.63, -52.37

 

CMYK 16 / 50 / 0 / 8

HEX #C575EA

RGB 197 117 234

HSL 281.03, 0.74%, 0.69%

LAB 62.11, 50.8, -46.84

 

CMYK 2 / 50 / 0 / 8

HEX #E575EA

RGB 229 117 234

HSL 297.44, 0.74%, 0.69%

LAB 66, 59.46, -40.47

 

CMYK 45 / 79 / 0 / 12

HEX #7B2EE0

RGB 123 46 224

HSL 265.96, 0.74%, 0.53%

LAB 40.49, 66.28, -76.5

 

CMYK 37 / 64 / 0 / 10

HEX #9152E5

RGB 145 82 229

HSL 265.71, 0.74%, 0.61%

LAB 49.14, 55.18, -65.11

 

CMYK 28 / 50 / 0 / 8

HEX #A875EA

RGB 168 117 234

HSL 266.15, 0.74%, 0.69%

LAB 58.96, 43.15, -52.03

 

CMYK 20 / 36 / 0 / 6

HEX #BF99F0

RGB 191 153 240

HSL 266.21, 0.74%, 0.77%

LAB 69.58, 30.98, -38.49

 

CMYK 13 / 23 / 0 / 4

HEX #D5BDF5

RGB 213 189 245

HSL 265.71, 0.74%, 0.85%

LAB 80.25, 19.02, -24.58

 

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

CMYK 0 / 50 / 31 / 8

HEX #EA75A2

RGB 234 117 162

HSL 336.92, 0.74%, 0.69%

LAB 64.02, 49.96, -2.91

 

CMYK 50 / 0 / 49 / 8

HEX #75EA77

RGB 117 234 119

HSL 121.03, 0.74%, 0.69%

LAB 83.94, -55.82, 45.61

 

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

CMYK 0 / 29 / 50 / 8

HEX #EAA675

RGB 234 166 117

HSL 25.13, 0.74%, 0.69%

LAB 73.58, 19.6, 35.26

 

CMYK 50 / 0 / 29 / 8

HEX #75EAA6

RGB 117 234 166

HSL 145.13, 0.74%, 0.69%

LAB 84.68, -48.23, 23.09

 

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

CMYK 0 / 50 / 31 / 8

HEX #EA75A2

RGB 234 117 162

HSL 336.92, 0.74%, 0.69%

LAB 64.02, 49.96, -2.91

 

CMYK 21 / 0 / 50 / 8

HEX #BAEA75

RGB 186 234 117

HSL 84.62, 0.74%, 0.69%

LAB 87.28, -33.91, 51.39

 

CMYK 50 / 0 / 19 / 8

HEX #75EABE

RGB 117 234 190

HSL 157.44, 0.74%, 0.69%

LAB 85.17, -43.37, 11.3

 

CMYK 29 / 50 / 0 / 8

HEX #A774EA

RGB 167 116 234

HSL 265.93, 0.74%, 0.69%

LAB 58.65, 43.44, -52.54

 

CMYK 0 / 50 / 46 / 8

HEX #EA757F

RGB 234 117 127

HSL 354.87, 0.74%, 0.69%

LAB 63.13, 46.06, 15.82

 

CMYK 21 / 0 / 50 / 8

HEX #BAEA75

RGB 186 234 117

HSL 84.62, 0.74%, 0.69%

LAB 87.28, -33.91, 51.39

 

CMYK 50 / 0 / 4 / 8

HEX #75EAE1

RGB 117 234 225

HSL 175.38, 0.74%, 0.69%

LAB 86.04, -35.25, -5.83

 

Description

Color code: HEX #A774EA | qconv.com Color code: HEX #A774EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 116 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 116 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 50 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 50% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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