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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A764F6 it is the complementary color #589B09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A764F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A764F6 shade: #AC64F1, #BD76FF, #CE88FF, #DF9AFF and #F0ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A764F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A764F6 shade: #A764F6, #9652E3, #8540D0, #742EBD and #631CAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A764F6 shade: #A765F6, #CF65F6, #F665F6, #F665CF and #F665A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A764F6 shade: #A765F6, #8065F6 and #6565F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A764F6 shade matches the following richer shades: #A765F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A764F6 shade: #A765F6, #A972E9, #AA7FDC, #AB8CCE and #AC9AC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A764F6 shade: #6571F6, #7F65F6, #A665F6, #CD65F6 and #F465F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A764F6 shade: #7B17F1, #913EF4, #A765F6, #BE8CF8 and #D4B3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A764F6 shade: #A764F6, #F66598 and #65F66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A764F6 shade: #A764F6, #F6A665 and #65F6A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A764F6 shade: #A764F6, #F66598, #B5F665 and #65F6C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A764F6 shade: #A764F6, #F6656C, #B5F665 and #65F6EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

Complementary color

CMYK 43 / 0 / 94 / 39

HEX #589B09

RGB 88 155 9

HSL 87.53, 0.89%, 0.32%

LAB 57.6, -42.33, 58.49

 

CMYK 29 / 59 / 0 / 5

HEX #AC64F1

RGB 172 100 241

HSL 270.64, 0.83%, 0.67%

LAB 56.32, 54.81, -60.12

 

CMYK 26 / 54 / 0 / 0

HEX #BD76FF

RGB 189 118 255

HSL 271.09, 1%, 0.73%

LAB 62.5, 52.8, -57.88

 

CMYK 19 / 47 / 0 / 0

HEX #CE88FF

RGB 206 136 255

HSL 275.29, 1%, 0.77%

LAB 67.98, 47.74, -49.07

 

CMYK 13 / 40 / 0 / 0

HEX #DF9AFF

RGB 223 154 255

HSL 280.99, 1%, 0.8%

LAB 73.56, 42.98, -40.21

 

CMYK 6 / 33 / 0 / 0

HEX #F0ACFF

RGB 240 172 255

HSL 289.16, 1%, 0.84%

LAB 79.19, 38.52, -31.36

 

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

CMYK 34 / 64 / 0 / 11

HEX #9652E3

RGB 150 82 227

HSL 268.14, 0.72%, 0.61%

LAB 49.57, 55.73, -63.26

 

CMYK 36 / 69 / 0 / 18

HEX #8540D0

RGB 133 64 208

HSL 268.75, 0.61%, 0.53%

LAB 43.07, 56.46, -63.04

 

CMYK 39 / 76 / 0 / 26

HEX #742EBD

RGB 116 46 189

HSL 269.37, 0.61%, 0.46%

LAB 36.63, 56.85, -62.55

 

CMYK 42 / 84 / 0 / 33

HEX #631CAA

RGB 99 28 170

HSL 270, 0.72%, 0.39%

LAB 30.36, 56.55, -61.59

 

CMYK 32 / 59 / 0 / 4

HEX #A765F6

RGB 167 101 246

HSL 267.31, 0.89%, 0.68%

LAB 56.26, 54.34, -63.03

 

CMYK 16 / 59 / 0 / 4

HEX #CF65F6

RGB 207 101 246

HSL 283.86, 0.89%, 0.68%

LAB 60.98, 63.63, -55.22

 

CMYK 0 / 59 / 0 / 4

HEX #F665F6

RGB 246 101 246

HSL 300, 0.89%, 0.68%

LAB 66.18, 73.02, -46.65

 

CMYK 0 / 59 / 16 / 4

HEX #F665CF

RGB 246 101 207

HSL 316.14, 0.89%, 0.68%

LAB 64.49, 66.99, -27.56

 

CMYK 0 / 59 / 32 / 4

HEX #F665A8

RGB 246 101 168

HSL 332.28, 0.89%, 0.68%

LAB 63.12, 61.87, -7.48

 

CMYK 32 / 59 / 0 / 4

HEX #A765F6

RGB 167 101 246

HSL 267.31, 0.89%, 0.68%

LAB 56.26, 54.34, -63.03

 

CMYK 48 / 59 / 0 / 4

HEX #8065F6

RGB 128 101 246

HSL 251.17, 0.89%, 0.68%

LAB 52.45, 46.09, -69.37

 

CMYK 59 / 59 / 0 / 4

HEX #6565F6

RGB 101 101 246

HSL 240, 0.89%, 0.68%

LAB 50.37, 41.21, -72.85

 

CMYK 32 / 59 / 0 / 4

HEX #A765F6

RGB 167 101 246

HSL 267.31, 0.89%, 0.68%

LAB 56.26, 54.34, -63.03

 

CMYK 32 / 59 / 0 / 4

HEX #A765F6

RGB 167 101 246

HSL 267.31, 0.89%, 0.68%

LAB 56.26, 54.34, -63.03

 

CMYK 27 / 51 / 0 / 9

HEX #A972E9

RGB 169 114 233

HSL 267.73, 0.73%, 0.68%

LAB 58.37, 44.81, -52.41

 

CMYK 23 / 42 / 0 / 14

HEX #AA7FDC

RGB 170 127 220

HSL 267.74, 0.57%, 0.68%

LAB 60.69, 34.82, -41.48

 

CMYK 17 / 32 / 0 / 19

HEX #AB8CCE

RGB 171 140 206

HSL 268.18, 0.4%, 0.68%

LAB 63.24, 24.58, -29.67

 

CMYK 11 / 20 / 0 / 24

HEX #AC9AC1

RGB 172 154 193

HSL 267.69, 0.24%, 0.68%

LAB 66.31, 14.16, -17.68

 

CMYK 59 / 54 / 0 / 4

HEX #6571F6

RGB 101 113 246

HSL 235.03, 0.89%, 0.68%

LAB 53.2, 34.04, -68.26

 

CMYK 48 / 59 / 0 / 4

HEX #7F65F6

RGB 127 101 246

HSL 250.76, 0.89%, 0.68%

LAB 52.37, 45.9, -69.51

 

CMYK 33 / 59 / 0 / 4

HEX #A665F6

RGB 166 101 246

HSL 266.9, 0.89%, 0.68%

LAB 56.16, 54.11, -63.21

 

CMYK 17 / 59 / 0 / 4

HEX #CD65F6

RGB 205 101 246

HSL 283.03, 0.89%, 0.68%

LAB 60.73, 63.15, -55.63

 

CMYK 1 / 59 / 0 / 4

HEX #F465F6

RGB 244 101 246

HSL 299.17, 0.89%, 0.68%

LAB 65.9, 72.53, -47.11

 

CMYK 49 / 90 / 0 / 5

HEX #7B17F1

RGB 123 23 241

HSL 267.52, 0.89%, 0.52%

LAB 39.87, 76.73, -87.16

 

CMYK 41 / 75 / 0 / 4

HEX #913EF4

RGB 145 62 244

HSL 267.36, 0.89%, 0.6%

LAB 46.97, 67.98, -77.1

 

CMYK 32 / 59 / 0 / 4

HEX #A765F6

RGB 167 101 246

HSL 267.31, 0.89%, 0.68%

LAB 56.26, 54.34, -63.03

 

CMYK 23 / 44 / 0 / 3

HEX #BE8CF8

RGB 190 140 248

HSL 267.78, 0.89%, 0.76%

LAB 66.89, 39.68, -47.09

 

CMYK 16 / 29 / 0 / 2

HEX #D4B3FB

RGB 212 179 251

HSL 267.5, 0.9%, 0.84%

LAB 77.99, 25.39, -31.26

 

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

CMYK 0 / 59 / 38 / 4

HEX #F66598

RGB 246 101 152

HSL 338.9, 0.89%, 0.68%

LAB 62.65, 60.07, 1.02

 

CMYK 59 / 0 / 56 / 4

HEX #65F66C

RGB 101 246 108

HSL 122.9, 0.89%, 0.68%

LAB 86.88, -65.56, 54.12

 

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

CMYK 0 / 33 / 59 / 4

HEX #F6A665

RGB 246 166 101

HSL 26.9, 0.89%, 0.68%

LAB 74.7, 23.14, 45.22

 

CMYK 59 / 0 / 33 / 4

HEX #65F6A6

RGB 101 246 166

HSL 146.9, 0.89%, 0.68%

LAB 87.69, -56.67, 27.12

 

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

CMYK 0 / 59 / 38 / 4

HEX #F66598

RGB 246 101 152

HSL 338.9, 0.89%, 0.68%

LAB 62.65, 60.07, 1.02

 

CMYK 26 / 0 / 59 / 4

HEX #B5F665

RGB 181 246 101

HSL 86.9, 0.89%, 0.68%

LAB 90.17, -42.6, 61.83

 

CMYK 59 / 0 / 21 / 4

HEX #65F6C3

RGB 101 246 195

HSL 158.9, 0.89%, 0.68%

LAB 88.27, -50.77, 13.02

 

CMYK 32 / 59 / 0 / 4

HEX #A764F6

RGB 167 100 246

HSL 267.53, 0.89%, 0.68%

LAB 56.07, 54.85, -63.34

 

CMYK 0 / 59 / 56 / 4

HEX #F6656C

RGB 246 101 108

HSL 357.1, 0.89%, 0.68%

LAB 61.64, 56.1, 24.95

 

CMYK 26 / 0 / 59 / 4

HEX #B5F665

RGB 181 246 101

HSL 86.9, 0.89%, 0.68%

LAB 90.17, -42.6, 61.83

 

CMYK 59 / 0 / 3 / 4

HEX #65F6EF

RGB 101 246 239

HSL 177.1, 0.89%, 0.68%

LAB 89.35, -40.23, -8.31

 

Description

Color code: HEX #A764F6 | qconv.com Color code: HEX #A764F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 100 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 100 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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