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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A764E4 it is the complementary color #589B1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A764E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A764E4 shade: #AC64DF, #BD76F2, #CE88FF, #DF9AFF and #F0ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A764E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A764E4 shade: #A764E4, #9652D1, #8540BE, #742EAB and #631C98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A764E4 shade: #A663E3, #C963E3, #E363DB, #E363B9 and #E36396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A764E4 shade: #A663E3, #8463E3 and #6363E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A764E4 shade matches the following richer shades: #A663E3 and #A754F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A764E4 shade: #A663E3, #A672D5, #A581C6, #A48FB7 and #A39EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A764E4 shade: #6365E3, #8363E3, #A563E3, #C863E3 and #E363DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A764E4 shade: #7E25CF, #9240DD, #A663E3, #BA86EA and #CEA9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A764E4 shade: #A764E4, #E36387 and #63E372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A764E4 shade: #A764E4, #E3A563 and #63E3A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A764E4 shade: #A764E4, #E36387, #A1E363 and #63E3BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A764E4 shade: #A764E4, #E36563, #A1E363 and #63E1E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

Complementary color

CMYK 43 / 0 / 83 / 39

HEX #589B1B

RGB 88 155 27

HSL 91.41, 0.7%, 0.36%

LAB 57.65, -41.71, 54.72

 

CMYK 23 / 55 / 0 / 13

HEX #AC64DF

RGB 172 100 223

HSL 275.12, 0.66%, 0.63%

LAB 55.29, 50.72, -51.69

 

CMYK 22 / 51 / 0 / 5

HEX #BD76F2

RGB 189 118 242

HSL 274.35, 0.83%, 0.71%

LAB 61.81, 49.89, -51.81

 

CMYK 19 / 47 / 0 / 0

HEX #CE88FF

RGB 206 136 255

HSL 275.29, 1%, 0.77%

LAB 67.98, 47.74, -49.07

 

CMYK 13 / 40 / 0 / 0

HEX #DF9AFF

RGB 223 154 255

HSL 280.99, 1%, 0.8%

LAB 73.56, 42.98, -40.21

 

CMYK 6 / 33 / 0 / 0

HEX #F0ACFF

RGB 240 172 255

HSL 289.16, 1%, 0.84%

LAB 79.19, 38.52, -31.36

 

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

CMYK 28 / 61 / 0 / 18

HEX #9652D1

RGB 150 82 209

HSL 272.13, 0.58%, 0.57%

LAB 48.41, 51.46, -54.89

 

CMYK 30 / 66 / 0 / 25

HEX #8540BE

RGB 133 64 190

HSL 272.86, 0.5%, 0.5%

LAB 41.8, 52.17, -54.65

 

CMYK 32 / 73 / 0 / 33

HEX #742EAB

RGB 116 46 171

HSL 273.6, 0.58%, 0.43%

LAB 35.22, 52.59, -54.18

 

CMYK 35 / 82 / 0 / 40

HEX #631C98

RGB 99 28 152

HSL 274.35, 0.69%, 0.35%

LAB 28.77, 52.35, -53.27

 

CMYK 27 / 56 / 0 / 11

HEX #A663E3

RGB 166 99 227

HSL 271.41, 0.7%, 0.64%

LAB 54.63, 50.66, -55.03

 

CMYK 11 / 56 / 0 / 11

HEX #C963E3

RGB 201 99 227

HSL 287.81, 0.7%, 0.64%

LAB 58.87, 59.37, -48.03

 

CMYK 0 / 56 / 4 / 11

HEX #E363DB

RGB 227 99 219

HSL 303.75, 0.7%, 0.64%

LAB 61.97, 64.63, -38.43

 

CMYK 0 / 56 / 19 / 11

HEX #E363B9

RGB 227 99 185

HSL 319.69, 0.7%, 0.64%

LAB 60.57, 59.37, -21.34

 

CMYK 0 / 56 / 34 / 11

HEX #E36396

RGB 227 99 150

HSL 336.09, 0.7%, 0.64%

LAB 59.39, 54.79, -2.92

 

CMYK 27 / 56 / 0 / 11

HEX #A663E3

RGB 166 99 227

HSL 271.41, 0.7%, 0.64%

LAB 54.63, 50.66, -55.03

 

CMYK 42 / 56 / 0 / 11

HEX #8463E3

RGB 132 99 227

HSL 255.47, 0.7%, 0.64%

LAB 51.12, 42.74, -60.86

 

CMYK 56 / 56 / 0 / 11

HEX #6363E3

RGB 99 99 227

HSL 240, 0.7%, 0.64%

LAB 48.41, 36.05, -65.37

 

CMYK 27 / 56 / 0 / 11

HEX #A663E3

RGB 166 99 227

HSL 271.41, 0.7%, 0.64%

LAB 54.63, 50.66, -55.03

 

CMYK 31 / 65 / 0 / 5

HEX #A754F2

RGB 167 84 242

HSL 271.52, 0.86%, 0.64%

LAB 52.91, 61.8, -66.2

 

CMYK 27 / 56 / 0 / 11

HEX #A663E3

RGB 166 99 227

HSL 271.41, 0.7%, 0.64%

LAB 54.63, 50.66, -55.03

 

CMYK 22 / 46 / 0 / 16

HEX #A672D5

RGB 166 114 213

HSL 271.52, 0.54%, 0.64%

LAB 57.02, 39.32, -43.35

 

CMYK 17 / 35 / 0 / 22

HEX #A581C6

RGB 165 129 198

HSL 271.3, 0.38%, 0.64%

LAB 59.69, 27.16, -30.71

 

CMYK 10 / 22 / 0 / 28

HEX #A48FB7

RGB 164 143 183

HSL 271.5, 0.22%, 0.64%

LAB 62.47, 15.58, -17.97

 

CMYK 3 / 6 / 0 / 34

HEX #A39EA8

RGB 163 158 168

HSL 270, 0.05%, 0.64%

LAB 65.8, 3.73, -4.55

 

CMYK 56 / 56 / 0 / 11

HEX #6365E3

RGB 99 101 227

HSL 239.06, 0.7%, 0.64%

LAB 48.89, 34.84, -64.59

 

CMYK 42 / 56 / 0 / 11

HEX #8363E3

RGB 131 99 227

HSL 255, 0.7%, 0.64%

LAB 51.03, 42.52, -61.01

 

CMYK 27 / 56 / 0 / 11

HEX #A563E3

RGB 165 99 227

HSL 270.94, 0.7%, 0.64%

LAB 54.52, 50.42, -55.22

 

CMYK 12 / 56 / 0 / 11

HEX #C863E3

RGB 200 99 227

HSL 287.34, 0.7%, 0.64%

LAB 58.74, 59.12, -48.25

 

CMYK 0 / 56 / 3 / 11

HEX #E363DD

RGB 227 99 221

HSL 302.81, 0.7%, 0.64%

LAB 62.06, 64.97, -39.41

 

CMYK 39 / 82 / 0 / 19

HEX #7E25CF

RGB 126 37 207

HSL 271.41, 0.7%, 0.48%

LAB 38.31, 65.89, -70.26

 

CMYK 34 / 71 / 0 / 13

HEX #9240DD

RGB 146 64 221

HSL 271.34, 0.7%, 0.56%

LAB 45.63, 61.97, -66.26

 

CMYK 27 / 56 / 0 / 11

HEX #A663E3

RGB 166 99 227

HSL 271.41, 0.7%, 0.64%

LAB 54.63, 50.66, -55.03

 

CMYK 21 / 43 / 0 / 8

HEX #BA86EA

RGB 186 134 234

HSL 271.2, 0.7%, 0.72%

LAB 64.51, 38.68, -43.15

 

CMYK 14 / 30 / 0 / 6

HEX #CEA9F0

RGB 206 169 240

HSL 271.27, 0.7%, 0.8%

LAB 74.69, 26.68, -30.45

 

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

CMYK 0 / 56 / 41 / 11

HEX #E36387

RGB 227 99 135

HSL 343.13, 0.7%, 0.64%

LAB 58.98, 53.11, 5.19

 

CMYK 56 / 0 / 50 / 11

HEX #63E372

RGB 99 227 114

HSL 127.03, 0.7%, 0.64%

LAB 81.18, -58.31, 44.46

 

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

CMYK 0 / 27 / 56 / 11

HEX #E3A563

RGB 227 165 99

HSL 30.94, 0.7%, 0.64%

LAB 72.32, 15.76, 42.87

 

CMYK 56 / 0 / 27 / 11

HEX #63E3A5

RGB 99 227 165

HSL 150.94, 0.7%, 0.64%

LAB 82.01, -49.6, 19.82

 

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

CMYK 0 / 56 / 41 / 11

HEX #E36387

RGB 227 99 135

HSL 343.13, 0.7%, 0.64%

LAB 58.98, 53.11, 5.19

 

CMYK 29 / 0 / 56 / 11

HEX #A1E363

RGB 161 227 99

HSL 90.94, 0.7%, 0.64%

LAB 83.66, -41.56, 55

 

CMYK 56 / 0 / 16 / 11

HEX #63E3BF

RGB 99 227 191

HSL 163.13, 0.7%, 0.64%

LAB 82.57, -43.97, 6.97

 

CMYK 27 / 56 / 0 / 11

HEX #A764E4

RGB 167 100 228

HSL 271.41, 0.7%, 0.64%

LAB 55, 50.62, -55

 

CMYK 0 / 56 / 56 / 11

HEX #E36563

RGB 227 101 99

HSL 0.94, 0.7%, 0.64%

LAB 58.55, 48.91, 25.48

 

CMYK 29 / 0 / 56 / 11

HEX #A1E363

RGB 161 227 99

HSL 90.94, 0.7%, 0.64%

LAB 83.66, -41.56, 55

 

CMYK 56 / 1 / 0 / 11

HEX #63E1E3

RGB 99 225 227

HSL 180.94, 0.7%, 0.64%

LAB 82.94, -34.08, -11.55

 

Description

Color code: HEX #A764E4 | qconv.com Color code: HEX #A764E4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 100 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 100 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 56 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 56% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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